|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
11%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
2
|
11%
|
0
|
0%
|
|
3
|
A Child's Grace
|
5
|
29%
|
0
|
0%
|
|
4
|
A Conjuration To Electra
|
2
|
11%
|
0
|
0%
|
|
5
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
1
|
5%
|
0
|
0%
|
|
6
|
A HYMN TO BACCHUS
|
2
|
11%
|
0
|
0%
|
|
7
|
A Hymn To Love
|
4
|
23%
|
0
|
0%
|
|
8
|
A Lyric to Mirth
|
2
|
11%
|
0
|
0%
|
|
9
|
A MEAN IN OUR MEANS
|
2
|
11%
|
0
|
0%
|
|
10
|
A MEDITATION FOR HIS MISTRESS
|
2
|
11%
|
0
|
0%
|
|
11
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
1
|
5%
|
0
|
0%
|
|
12
|
A PASTORAL SUNG TO THE KING
|
1
|
5%
|
0
|
0%
|
|
13
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
1
|
5%
|
0
|
0%
|
|
14
|
ART ABOVE NATURE: TO JULIA
|
1
|
5%
|
0
|
0%
|
|
15
|
CASUALTIES
|
2
|
11%
|
0
|
0%
|
|
16
|
Cherry- Ripe
|
2
|
11%
|
0
|
0%
|
|
17
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
5%
|
0
|
0%
|
|
18
|
CRUTCHES
|
1
|
5%
|
0
|
0%
|
|
19
|
DELIGHT IN DISORDER
|
6
|
35%
|
0
|
0%
|
|
20
|
Divination By A Daffodil
|
1
|
5%
|
0
|
0%
|
|
21
|
ETERNITY
|
1
|
5%
|
0
|
0%
|
|
22
|
FAREWELL FROST, OR WELCOME SPRING
|
3
|
17%
|
0
|
0%
|
|
23
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
5%
|
0
|
0%
|
|
24
|
GRACE FOR A CHILD
|
1
|
5%
|
0
|
0%
|
|
25
|
His Prayer To Ben Jonson
|
2
|
11%
|
0
|
0%
|
|
26
|
LOVE, WHAT IT IS
|
1
|
5%
|
0
|
0%
|
|
27
|
LOVERS HOW THEY COME AND PART
|
1
|
5%
|
0
|
0%
|
|
28
|
MIRTH
|
1
|
5%
|
0
|
0%
|
|
29
|
OF LOVE: A SONNET
|
11
|
64%
|
0
|
0%
|
|
30
|
ON A PERFUMED LADY
|
1
|
5%
|
0
|
0%
|
|
31
|
ON HIMSELF
|
1
|
5%
|
0
|
0%
|
|
32
|
Proof to No Purpose
|
1
|
5%
|
0
|
0%
|
|
33
|
Sweet Disorder
|
2
|
11%
|
0
|
0%
|
|
34
|
THE KISS: A DIALOGUE
|
1
|
5%
|
0
|
0%
|
|
35
|
THE MAYPOLE
|
1
|
5%
|
0
|
0%
|
|
36
|
The Night Piece, To Julia
|
1
|
5%
|
0
|
0%
|
|
37
|
The Night Piece, to Julia
|
2
|
11%
|
0
|
0%
|
|
38
|
THE NIGHT PIECE: TO JULIA
|
1
|
5%
|
0
|
0%
|
|
39
|
The Rosary
|
1
|
5%
|
0
|
0%
|
|
40
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
2
|
11%
|
0
|
0%
|
|
41
|
THE WOUNDED HEART
|
1
|
5%
|
0
|
0%
|
|
42
|
TO BLOSSOMS
|
3
|
17%
|
0
|
0%
|
|
43
|
To Daffodils
|
17
|
100%
|
0
|
0%
|
|
44
|
TO DAISIES, NOT TO SHUT SO SOON
|
1
|
5%
|
0
|
0%
|
|
45
|
TO DEATH
|
1
|
5%
|
0
|
0%
|
|
46
|
TO ELECTRA
|
9
|
52%
|
0
|
0%
|
|
47
|
TO ENJOY THE TIME
|
9
|
52%
|
0
|
0%
|
|
48
|
TO GROVES
|
1
|
5%
|
0
|
0%
|
|
49
|
TO HEAVEN
|
1
|
5%
|
0
|
0%
|
|
50
|
TO HIS BOOK
|
1
|
5%
|
0
|
0%
|
|
51
|
TO HIS CONSCIENCE
|
1
|
5%
|
0
|
0%
|
|
52
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
5%
|
0
|
0%
|
|
53
|
To his Girls
|
1
|
5%
|
0
|
0%
|
|
54
|
To His Honoured and Most Ingenious Friend Mr. Charles Cotton
|
1
|
5%
|
0
|
0%
|
|
55
|
TO HIS HONOURED AND MOST INGENIOUS FRIENDMR CHARLES COTTON
|
1
|
5%
|
0
|
0%
|
|
56
|
TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK
|
2
|
11%
|
0
|
0%
|
|
57
|
TO HIS LOVELY MISTRESSES
|
2
|
11%
|
0
|
0%
|
|
58
|
To his mistress, objecting to him neither toying or talking
|
1
|
5%
|
0
|
0%
|
|
59
|
TO HIS MISTRESS, OBJECTING TO HIM NEITHERTOYING OR TALKING
|
1
|
5%
|
0
|
0%
|
|
60
|
TO HIS MUSE
|
1
|
5%
|
0
|
0%
|
|
61
|
TO HIS PATERNAL COUNTRY
|
1
|
5%
|
0
|
0%
|
|
62
|
TO HIS PECULIAR FRIEND, MR JOHN WICKS
|
1
|
5%
|
0
|
0%
|
|
63
|
TO HIS SAVIOUR, A CHILD;A PRESENT, BY A CHILD
|
1
|
5%
|
0
|
0%
|
|
64
|
TO HIS SWEET SAVIOUR
|
1
|
5%
|
0
|
0%
|
|
65
|
TO HIS VERSES
|
1
|
5%
|
0
|
0%
|
|
66
|
TO JULIA
|
2
|
11%
|
0
|
0%
|
|
67
|
TO LAURELS
|
1
|
5%
|
0
|
0%
|
|
68
|
TO LIVE FREELY
|
1
|
5%
|
0
|
0%
|
|
69
|
To Live Merrily, And To Trust To Good Verses
|
1
|
5%
|
0
|
0%
|
|
70
|
TO LIVE MERRILY,AND TO TRUST TO GOOD VERSES
|
1
|
5%
|
0
|
0%
|
|
71
|
TO MEADOWS
|
1
|
5%
|
0
|
0%
|
|
72
|
TO MISTRESS KATHARINE BRADSHAW, THE LOVELY, THAT CROWNED HIM WITH LAUREL
|
1
|
5%
|
0
|
0%
|
|
73
|
TO MUSIC
|
1
|
5%
|
0
|
0%
|
|
74
|
TO MUSIC, TO BECALM A SWEET SICK YOUTH
|
1
|
5%
|
0
|
0%
|
|
75
|
TO MUSIC, TO BECALM HIS FEVER
|
1
|
5%
|
0
|
0%
|
|
76
|
TO MUSIC: A SONG
|
1
|
5%
|
0
|
0%
|
|
77
|
To Music: a Song
|
1
|
5%
|
0
|
0%
|
|
78
|
To Oenone
|
1
|
5%
|
0
|
0%
|
|
79
|
TO OENONE.
|
1
|
5%
|
0
|
0%
|
|
80
|
TO PANSIES
|
2
|
11%
|
0
|
0%
|
|
81
|
TO PERENNA
|
1
|
5%
|
0
|
0%
|
|
82
|
To Perilla
|
1
|
5%
|
0
|
0%
|
|
83
|
TO PERlLLA
|
1
|
5%
|
0
|
0%
|
|
84
|
TO PHILLIS, TO LOVE AND LIVE WITH HIM
|
1
|
5%
|
0
|
0%
|
|
85
|
TO PRIMROSES FILLED WITH MORNING DEW
|
1
|
5%
|
0
|
0%
|
|
86
|
TO ROBIN RED-BREAST
|
1
|
5%
|
0
|
0%
|
|
87
|
TO SAPHO
|
1
|
5%
|
0
|
0%
|
|
88
|
TO SILVIA
|
1
|
5%
|
0
|
0%
|
|
89
|
TO SILVIA TO WED
|
1
|
5%
|
0
|
0%
|
|
90
|
TO SIR CLIPSBY CREW
|
1
|
5%
|
0
|
0%
|
|
91
|
TO THE GENIUS OF HIS HOUSE
|
1
|
5%
|
0
|
0%
|
|
92
|
TO THE HANDSOME MISTRESS GRACE POTTER
|
1
|
5%
|
0
|
0%
|
|
93
|
TO THE LADY CREWE, UPON THE DEATH OF HER CHILD
|
1
|
5%
|
0
|
0%
|
|
94
|
TO THE MAIDS, TO WALK ABROAD
|
1
|
5%
|
0
|
0%
|
|
95
|
TO THE ROSE: SONG
|
1
|
5%
|
0
|
0%
|
|
96
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
11
|
64%
|
0
|
0%
|
|
97
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
2
|
11%
|
0
|
0%
|
|
98
|
To the Western Wind
|
1
|
5%
|
0
|
0%
|
|
99
|
TO THE WILLOW-TREE
|
1
|
5%
|
0
|
0%
|
|
100
|
TO VIOLETS
|
3
|
17%
|
0
|
0%
|
|
101
|
To Virgins, to Make Much of Time
|
2
|
11%
|
0
|
0%
|
|
102
|
TO YOUTH
|
1
|
5%
|
0
|
0%
|
|
103
|
TRUTH AND ERROR
|
1
|
5%
|
0
|
0%
|
|
104
|
Truth and Falsehood
|
1
|
5%
|
0
|
0%
|
|
105
|
Up Scoble
|
1
|
5%
|
0
|
0%
|
|
106
|
UPON A CHILD
|
1
|
5%
|
0
|
0%
|
|
107
|
UPON A CHILD THAT DIED
|
1
|
5%
|
0
|
0%
|
|
108
|
UPON A DELAYING LADY
|
1
|
5%
|
0
|
0%
|
|
109
|
UPON A MAID
|
1
|
5%
|
0
|
0%
|
|
110
|
UPON A PAINTED GENTLEWOMAN
|
1
|
5%
|
0
|
0%
|
|
111
|
UPON CUPID
|
1
|
5%
|
0
|
0%
|
|
112
|
UPON HER EYES
|
1
|
5%
|
0
|
0%
|
|
113
|
UPON HER FEET
|
1
|
5%
|
0
|
0%
|
|
114
|
UPON HIMSELF
|
1
|
5%
|
0
|
0%
|
|
115
|
UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETHHERRICK
|
1
|
5%
|
0
|
0%
|
|
116
|
Upon Julia's Clothes
|
2
|
11%
|
0
|
0%
|
|
117
|
UPON JULIA'S HAIR FILLED WITH DEW
|
2
|
11%
|
0
|
0%
|
|
118
|
UPON JULIA'S RECOVERY
|
2
|
11%
|
0
|
0%
|
|
119
|
UPON JULIA'S RIBBON
|
1
|
5%
|
0
|
0%
|
|
120
|
Upon Julia's Unlacing Herself
|
1
|
5%
|
0
|
0%
|
|
121
|
UPON JULIA'S VOICE
|
1
|
5%
|
0
|
0%
|
|
122
|
UPON LOVE
|
1
|
5%
|
0
|
0%
|
|
123
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
5%
|
0
|
0%
|
|
124
|
UPON MAN
|
1
|
5%
|
0
|
0%
|
|
125
|
UPON MRS ELIZ. WHEELER, UNDER THE NAME OFAMARILLIS
|
1
|
5%
|
0
|
0%
|
|
126
|
Upon Parson Beanes
|
1
|
5%
|
0
|
0%
|
|
127
|
Upon Prew His Maid
|
1
|
5%
|
0
|
0%
|
|
128
|
UPON ROSES
|
1
|
5%
|
0
|
0%
|
|
129
|
UPON TEARS
|
1
|
5%
|
0
|
0%
|
|
130
|
UPON THE DETRACTER
|
1
|
5%
|
0
|
0%
|
|
131
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
5%
|
0
|
0%
|
|
132
|
Upon The Nipples Of Julia's Breast
|
7
|
41%
|
0
|
0%
|
|
133
|
UPON TIME
|
1
|
5%
|
0
|
0%
|
|
134
|
UPON WRINKLES
|
1
|
5%
|
0
|
0%
|
|
135
|
WANT
|
1
|
5%
|
0
|
0%
|
|
136
|
WRITING
|
1
|
5%
|
0
|
0%
|