|
1
|
A Conjuration To Electra
|
2
|
25%
|
0
|
0%
|
|
2
|
A CONJURATION: TO ELECTRA
|
1
|
12%
|
0
|
0%
|
|
3
|
A Hymn To Love
|
3
|
37%
|
0
|
0%
|
|
4
|
A HYMN TO VENUS AND CUPID
|
2
|
25%
|
0
|
0%
|
|
5
|
A Lyric to Mirth
|
1
|
12%
|
0
|
0%
|
|
6
|
A MEAN IN OUR MEANS
|
2
|
25%
|
0
|
0%
|
|
7
|
A Thanksgiving to God for His House
|
2
|
25%
|
0
|
0%
|
|
8
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
1
|
12%
|
0
|
0%
|
|
9
|
A VOW TO VENUS
|
1
|
12%
|
0
|
0%
|
|
10
|
ALL THINGS DECAY AND DIE
|
1
|
12%
|
0
|
0%
|
|
11
|
AMBITION
|
3
|
37%
|
0
|
0%
|
|
12
|
AN EPITAPH UPON A CHILD
|
2
|
25%
|
0
|
0%
|
|
13
|
AN EPITAPH UPON A VIRGIN
|
1
|
12%
|
0
|
0%
|
|
14
|
AN HYMN TO THE MUSES
|
1
|
12%
|
0
|
0%
|
|
15
|
AN ODE FOR BEN JONSON
|
1
|
12%
|
0
|
0%
|
|
16
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
1
|
12%
|
0
|
0%
|
|
17
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
1
|
12%
|
0
|
0%
|
|
18
|
AN ODE TO SIR CLIPSBY CREW
|
1
|
12%
|
0
|
0%
|
|
19
|
ANACREONTIC
|
1
|
12%
|
0
|
0%
|
|
20
|
Another
|
2
|
25%
|
0
|
0%
|
|
21
|
Another Grace For A Child
|
2
|
25%
|
0
|
0%
|
|
22
|
ANTHEA'S RETRACTATION
|
1
|
12%
|
0
|
0%
|
|
23
|
ART ABOVE NATURE: TO JULIA
|
1
|
12%
|
0
|
0%
|
|
24
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
12%
|
0
|
0%
|
|
25
|
Be My Mistress Short or Tall
|
2
|
25%
|
0
|
0%
|
|
26
|
BURIAL
|
1
|
12%
|
0
|
0%
|
|
27
|
CASUALTIES
|
1
|
12%
|
0
|
0%
|
|
28
|
CEREMONIES FOR CANDLEMAS EVE
|
1
|
12%
|
0
|
0%
|
|
29
|
CEREMONY UPON CANDLEMAS EVE
|
1
|
12%
|
0
|
0%
|
|
30
|
CHERRY RIPE
|
1
|
12%
|
0
|
0%
|
|
31
|
Cherry- Ripe
|
1
|
12%
|
0
|
0%
|
|
32
|
COCK-CROW
|
2
|
25%
|
0
|
0%
|
|
33
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
12%
|
0
|
0%
|
|
34
|
Corinna's Going A-Maying
|
1
|
12%
|
0
|
0%
|
|
35
|
CRUTCHES
|
2
|
25%
|
0
|
0%
|
|
36
|
DELIGHT IN DISORDER
|
8
|
100%
|
0
|
0%
|
|
37
|
Departure of the Good Daemon
|
2
|
25%
|
0
|
0%
|
|
38
|
Discontents In Devon
|
2
|
25%
|
0
|
0%
|
|
39
|
Divination By A Daffodil
|
2
|
25%
|
0
|
0%
|
|
40
|
Draw-gloves
|
1
|
12%
|
0
|
0%
|
|
41
|
Dreams
|
4
|
50%
|
0
|
0%
|
|
42
|
Epitaph upon a Child that died
|
1
|
12%
|
0
|
0%
|
|
43
|
ETERNITY
|
2
|
25%
|
0
|
0%
|
|
44
|
FAREWELL FROST, OR WELCOME SPRING
|
2
|
25%
|
0
|
0%
|
|
45
|
FELICITY QUICK OF FLIGHT
|
1
|
12%
|
0
|
0%
|
|
46
|
FOUR THINGS MAKE US HAPPY HERE
|
2
|
25%
|
0
|
0%
|
|
47
|
GOOD PRECEPTS, OR COUNSEL
|
1
|
12%
|
0
|
0%
|
|
48
|
GRACE FOR A CHILD
|
1
|
12%
|
0
|
0%
|
|
49
|
HER BED
|
1
|
12%
|
0
|
0%
|
|
50
|
HIS AGE:DEDICATED TO HIS PECULIAR FRIEND,MR JOHN WICKES, UNDER THE NAME OFPOSTUMUS
|
1
|
12%
|
0
|
0%
|
|
51
|
HIS CONTENT IN THE COUNTRY
|
1
|
12%
|
0
|
0%
|
|
52
|
HIS COVENANT OR PROTESTATION TO JULIA
|
1
|
12%
|
0
|
0%
|
|
53
|
HIS DESIRE
|
1
|
12%
|
0
|
0%
|
|
54
|
HIS GRANGE, OR PRIVATE WEALTH
|
1
|
12%
|
0
|
0%
|
|
55
|
HIS LAST REQUEST TO JULIA
|
1
|
12%
|
0
|
0%
|
|
56
|
His Litany to the Holy Spirit
|
1
|
12%
|
0
|
0%
|
|
57
|
HIS LOSS
|
1
|
12%
|
0
|
0%
|
|
58
|
His Meditation Upon Death
|
2
|
25%
|
0
|
0%
|
|
59
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
1
|
12%
|
0
|
0%
|
|
60
|
HIS POETRY HIS PILLAR
|
1
|
12%
|
0
|
0%
|
|
61
|
His Prayer For Absolution
|
1
|
12%
|
0
|
0%
|
|
62
|
His Prayer To Ben Jonson
|
4
|
50%
|
0
|
0%
|
|
63
|
HIS REQUEST TO JULIA
|
1
|
12%
|
0
|
0%
|
|
64
|
HIS RETURN TO LONDON
|
2
|
25%
|
0
|
0%
|
|
65
|
HIS SAILING FROM JULIA
|
1
|
12%
|
0
|
0%
|
|
66
|
HIS WINDING-SHEET
|
1
|
12%
|
0
|
0%
|
|
67
|
His Wish To God
|
1
|
12%
|
0
|
0%
|
|
68
|
HIS WISH TO PRIVACY
|
1
|
12%
|
0
|
0%
|
|
69
|
HOW HIS SOUL CAME ENSNARED
|
1
|
12%
|
0
|
0%
|
|
70
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
2
|
25%
|
0
|
0%
|
|
71
|
HOW SPRINGS CAME FIRST
|
2
|
25%
|
0
|
0%
|
|
72
|
I CALL AND I CALL
|
1
|
12%
|
0
|
0%
|
|
73
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
12%
|
0
|
0%
|
|
74
|
KISSING USURY
|
1
|
12%
|
0
|
0%
|
|
75
|
LIFE IS THE BODY'S LIGHT
|
1
|
12%
|
0
|
0%
|
|
76
|
Litany to the Holy Spirit
|
1
|
12%
|
0
|
0%
|
|
77
|
LOSS FROM THE LEAST
|
1
|
12%
|
0
|
0%
|
|
78
|
LOVE DISLIKES NOTHING
|
1
|
12%
|
0
|
0%
|
|
79
|
LOVE LIGHTLY PLEASED
|
1
|
12%
|
0
|
0%
|
|
80
|
LOVE, WHAT IT IS
|
1
|
12%
|
0
|
0%
|
|
81
|
LOVERS HOW THEY COME AND PART
|
1
|
12%
|
0
|
0%
|
|
82
|
OF LOVE: A SONNET
|
1
|
12%
|
0
|
0%
|
|
83
|
Sweet Disorder
|
2
|
25%
|
0
|
0%
|
|
84
|
THE DEFINITION OF BEAUTY
|
3
|
37%
|
0
|
0%
|
|
85
|
The Hock-cart, or Harvest Home
|
1
|
12%
|
0
|
0%
|
|
86
|
THE HOCK-CART, OR HARVEST HOME:TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORLAND
|
1
|
12%
|
0
|
0%
|
|
87
|
THE MAYPOLE
|
7
|
87%
|
0
|
0%
|
|
88
|
THE PARCAE; OR, THREE DAINTY DESTINIES:THE ARMILET
|
1
|
12%
|
0
|
0%
|
|
89
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
1
|
12%
|
0
|
0%
|
|
90
|
THE WOUNDED HEART
|
2
|
25%
|
0
|
0%
|
|
91
|
To Daffodils
|
7
|
87%
|
0
|
0%
|
|
92
|
TO DEATH
|
1
|
12%
|
0
|
0%
|
|
93
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
8
|
100%
|
0
|
0%
|