|
1
|
A CANTICLE TO APOLLO
|
4
|
26%
|
0
|
0%
|
|
2
|
A Child's Grace
|
7
|
46%
|
0
|
0%
|
|
3
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
2
|
13%
|
0
|
0%
|
|
4
|
A HYMN TO BACCHUS
|
2
|
13%
|
0
|
0%
|
|
5
|
A Hymn To Love
|
11
|
73%
|
0
|
0%
|
|
6
|
A HYMN TO THE GRACES
|
1
|
6%
|
0
|
0%
|
|
7
|
A HYMN TO VENUS AND CUPID
|
1
|
6%
|
0
|
0%
|
|
8
|
A Lyric to Mirth
|
2
|
13%
|
0
|
0%
|
|
9
|
A MEAN IN OUR MEANS
|
3
|
20%
|
0
|
0%
|
|
10
|
A MEDITATION FOR HIS MISTRESS
|
4
|
26%
|
0
|
0%
|
|
11
|
A Ring Presented to Julia
|
2
|
13%
|
0
|
0%
|
|
12
|
A Thanksgiving to God for His House
|
2
|
13%
|
0
|
0%
|
|
13
|
A VOW TO VENUS
|
1
|
6%
|
0
|
0%
|
|
14
|
ALL THINGS DECAY AND DIE
|
2
|
13%
|
0
|
0%
|
|
15
|
AMBITION
|
3
|
20%
|
0
|
0%
|
|
16
|
AN EPITAPH UPON A CHILD
|
1
|
6%
|
0
|
0%
|
|
17
|
AN EPITAPH UPON A VIRGIN
|
2
|
13%
|
0
|
0%
|
|
18
|
AN HYMN TO THE MUSES
|
3
|
20%
|
0
|
0%
|
|
19
|
Another
|
3
|
20%
|
0
|
0%
|
|
20
|
ART ABOVE NATURE: TO JULIA
|
1
|
6%
|
0
|
0%
|
|
21
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
6%
|
0
|
0%
|
|
22
|
Be My Mistress Short or Tall
|
2
|
13%
|
0
|
0%
|
|
23
|
BURIAL
|
2
|
13%
|
0
|
0%
|
|
24
|
CASUALTIES
|
1
|
6%
|
0
|
0%
|
|
25
|
CHERRY RIPE
|
2
|
13%
|
0
|
0%
|
|
26
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
6%
|
0
|
0%
|
|
27
|
DELIGHT IN DISORDER
|
9
|
60%
|
0
|
0%
|
|
28
|
Divination By A Daffodil
|
2
|
13%
|
0
|
0%
|
|
29
|
Dreams
|
1
|
6%
|
0
|
0%
|
|
30
|
Epitaph upon a Child that died
|
1
|
6%
|
0
|
0%
|
|
31
|
ETERNITY
|
1
|
6%
|
0
|
0%
|
|
32
|
FAREWELL FROST, OR WELCOME SPRING
|
2
|
13%
|
0
|
0%
|
|
33
|
FELICITY QUICK OF FLIGHT
|
1
|
6%
|
0
|
0%
|
|
34
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
6%
|
0
|
0%
|
|
35
|
GRACE FOR A CHILD
|
1
|
6%
|
0
|
0%
|
|
36
|
HER BED
|
3
|
20%
|
0
|
0%
|
|
37
|
HIS CONTENT IN THE COUNTRY
|
1
|
6%
|
0
|
0%
|
|
38
|
HIS COVENANT OR PROTESTATION TO JULIA
|
1
|
6%
|
0
|
0%
|
|
39
|
HIS DESIRE
|
2
|
13%
|
0
|
0%
|
|
40
|
HIS LAST REQUEST TO JULIA
|
1
|
6%
|
0
|
0%
|
|
41
|
HIS LOSS
|
1
|
6%
|
0
|
0%
|
|
42
|
His Meditation Upon Death
|
1
|
6%
|
0
|
0%
|
|
43
|
HIS POETRY HIS PILLAR
|
1
|
6%
|
0
|
0%
|
|
44
|
HIS REQUEST TO JULIA
|
2
|
13%
|
0
|
0%
|
|
45
|
HIS RETURN TO LONDON
|
1
|
6%
|
0
|
0%
|
|
46
|
HIS SAILING FROM JULIA
|
1
|
6%
|
0
|
0%
|
|
47
|
HOW HIS SOUL CAME ENSNARED
|
1
|
6%
|
0
|
0%
|
|
48
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
2
|
13%
|
0
|
0%
|
|
49
|
HOW SPRINGS CAME FIRST
|
1
|
6%
|
0
|
0%
|
|
50
|
I CALL AND I CALL
|
2
|
13%
|
0
|
0%
|
|
51
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
6%
|
0
|
0%
|
|
52
|
LOVE DISLIKES NOTHING
|
1
|
6%
|
0
|
0%
|
|
53
|
LOVE, WHAT IT IS
|
2
|
13%
|
0
|
0%
|
|
54
|
LOVERS HOW THEY COME AND PART
|
1
|
6%
|
0
|
0%
|
|
55
|
MIRTH
|
1
|
6%
|
0
|
0%
|
|
56
|
NO FAULT IN WOMEN
|
1
|
6%
|
0
|
0%
|
|
57
|
NO MAN WITHOUT MONEY
|
1
|
6%
|
0
|
0%
|
|
58
|
NO PAINS, NO GAINS
|
1
|
6%
|
0
|
0%
|
|
59
|
NOT EVERY DAY FIT FOR VERSE
|
1
|
6%
|
0
|
0%
|
|
60
|
OF LOVE: A SONNET
|
10
|
66%
|
0
|
0%
|
|
61
|
ON A PERFUMED LADY
|
2
|
13%
|
0
|
0%
|
|
62
|
ON HIMSELF
|
2
|
13%
|
0
|
0%
|
|
63
|
On Julia's Voice
|
1
|
6%
|
0
|
0%
|
|
64
|
ON LOVE
|
1
|
6%
|
0
|
0%
|
|
65
|
ORPHEUS
|
1
|
6%
|
0
|
0%
|
|
66
|
PARDONS
|
1
|
6%
|
0
|
0%
|
|
67
|
POVERTY AND RICHES
|
1
|
6%
|
0
|
0%
|
|
68
|
Proof to No Purpose
|
1
|
6%
|
0
|
0%
|
|
69
|
PURPOSES
|
1
|
6%
|
0
|
0%
|
|
70
|
Rewards
|
2
|
13%
|
0
|
0%
|
|
71
|
SATISFACTION FOR SUFFERINGS
|
1
|
6%
|
0
|
0%
|
|
72
|
SOFT MUSIC
|
2
|
13%
|
0
|
0%
|
|
73
|
Sweet Disorder
|
3
|
20%
|
0
|
0%
|
|
74
|
TEARS AND LAUGHTER
|
1
|
6%
|
0
|
0%
|
|
75
|
The Argument Of His Book
|
1
|
6%
|
0
|
0%
|
|
76
|
THE BAD SEASON MAKES THE POET SAD
|
2
|
13%
|
0
|
0%
|
|
77
|
The Bellman
|
1
|
6%
|
0
|
0%
|
|
78
|
THE BRACELET TO JULIA
|
1
|
6%
|
0
|
0%
|
|
79
|
THE CHANGES: TO CORINNA
|
1
|
6%
|
0
|
0%
|
|
80
|
THE COMING OF GOOD LUCK
|
1
|
6%
|
0
|
0%
|
|
81
|
THE COUNTRY LIFE:
|
1
|
6%
|
0
|
0%
|
|
82
|
THE CRUEL MAID
|
1
|
6%
|
0
|
0%
|
|
83
|
THE DEFINITION OF BEAUTY
|
1
|
6%
|
0
|
0%
|
|
84
|
THE HAG
|
1
|
6%
|
0
|
0%
|
|
85
|
THE HEART
|
1
|
6%
|
0
|
0%
|
|
86
|
THE KISS: A DIALOGUE
|
3
|
20%
|
0
|
0%
|
|
87
|
THE MAYPOLE
|
4
|
26%
|
0
|
0%
|
|
88
|
THE NIGHT PIECE: TO JULIA
|
1
|
6%
|
0
|
0%
|
|
89
|
THE OLD WIVES' PRAYER
|
1
|
6%
|
0
|
0%
|
|
90
|
THE OLIVE BRANCH
|
3
|
20%
|
0
|
0%
|
|
91
|
THE PARLIAMENT OF ROSES TO JULIA
|
1
|
6%
|
0
|
0%
|
|
92
|
THE PRIMROSE
|
2
|
13%
|
0
|
0%
|
|
93
|
The Rosary
|
1
|
6%
|
0
|
0%
|
|
94
|
The Vine
|
1
|
6%
|
0
|
0%
|
|
95
|
THE WAKE
|
1
|
6%
|
0
|
0%
|
|
96
|
THE WOUNDED HEART
|
2
|
13%
|
0
|
0%
|
|
97
|
THINGS MORTAL STILL MUTABLE
|
1
|
6%
|
0
|
0%
|
|
98
|
TO A GENTLEWOMAN, OBJECTING TO HIM HISGRAY HAIRS
|
1
|
6%
|
0
|
0%
|
|
99
|
TO BACCHUS: A CANTICLE
|
1
|
6%
|
0
|
0%
|
|
100
|
TO BE MERRY
|
1
|
6%
|
0
|
0%
|
|
101
|
TO BLOSSOMS
|
2
|
13%
|
0
|
0%
|
|
102
|
TO CARNATIONS: A SONG
|
1
|
6%
|
0
|
0%
|
|
103
|
TO DAFFADILS
|
1
|
6%
|
0
|
0%
|
|
104
|
To Daffodils
|
15
|
100%
|
0
|
0%
|
|
105
|
TO DAISIES, NOT TO SHUT SO SOON
|
1
|
6%
|
0
|
0%
|
|
106
|
TO DEATH
|
2
|
13%
|
0
|
0%
|
|
107
|
TO ENJOY THE TIME
|
1
|
6%
|
0
|
0%
|
|
108
|
TO HEAVEN
|
1
|
6%
|
0
|
0%
|
|
109
|
TO HIS MISTRESS, OBJECTING TO HIM NEITHERTOYING OR TALKING
|
1
|
6%
|
0
|
0%
|
|
110
|
TO HIS MUSE
|
1
|
6%
|
0
|
0%
|
|
111
|
TO HIS VERSES
|
1
|
6%
|
0
|
0%
|
|
112
|
TO JULIA
|
2
|
13%
|
0
|
0%
|
|
113
|
TO LIVE MERRILY,AND TO TRUST TO GOOD VERSES
|
1
|
6%
|
0
|
0%
|
|
114
|
TO MUSIC, TO BECALM A SWEET SICK YOUTH
|
1
|
6%
|
0
|
0%
|
|
115
|
TO PANSIES
|
1
|
6%
|
0
|
0%
|
|
116
|
TO PRIMROSES FILLED WITH MORNING DEW
|
1
|
6%
|
0
|
0%
|
|
117
|
TO ROBIN RED-BREAST
|
1
|
6%
|
0
|
0%
|
|
118
|
TO THE GENIUS OF HIS HOUSE
|
1
|
6%
|
0
|
0%
|
|
119
|
TO THE ROSE: SONG
|
1
|
6%
|
0
|
0%
|
|
120
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
14
|
93%
|
0
|
0%
|
|
121
|
TO VIOLETS
|
1
|
6%
|
0
|
0%
|
|
122
|
TRUTH AND ERROR
|
1
|
6%
|
0
|
0%
|
|
123
|
UPON A CHILD THAT DIED
|
1
|
6%
|
0
|
0%
|
|
124
|
UPON A MAID
|
1
|
6%
|
0
|
0%
|
|
125
|
UPON HER EYES
|
1
|
6%
|
0
|
0%
|
|
126
|
Upon Julia's Clothes
|
2
|
13%
|
0
|
0%
|
|
127
|
UPON JULIA'S HAIR FILLED WITH DEW
|
1
|
6%
|
0
|
0%
|
|
128
|
UPON JULIA'S RIBBON
|
1
|
6%
|
0
|
0%
|
|
129
|
UPON JULIA'S VOICE
|
2
|
13%
|
0
|
0%
|
|
130
|
UPON LOVE
|
1
|
6%
|
0
|
0%
|
|
131
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
6%
|
0
|
0%
|
|
132
|
UPON TEARS
|
2
|
13%
|
0
|
0%
|
|
133
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
6%
|
0
|
0%
|
|
134
|
Upon The Nipples Of Julia's Breast
|
8
|
53%
|
0
|
0%
|
|
135
|
UPON TIME
|
1
|
6%
|
0
|
0%
|
|
136
|
WHY FLOWERS CHANGE COLOUR
|
1
|
6%
|
0
|
0%
|
|
137
|
WRITING
|
2
|
13%
|
0
|
0%
|