|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
11%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
2
|
11%
|
0
|
0%
|
|
3
|
A Child's Grace
|
9
|
52%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
1
|
5%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
3
|
17%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
1
|
5%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
1
|
5%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
1
|
5%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
7
|
41%
|
0
|
0%
|
|
10
|
A HYMN TO VENUS AND CUPID
|
1
|
5%
|
0
|
0%
|
|
11
|
A Lyric to Mirth
|
7
|
41%
|
0
|
0%
|
|
12
|
A MEAN IN OUR MEANS
|
4
|
23%
|
0
|
0%
|
|
13
|
A Ring Presented to Julia
|
2
|
11%
|
0
|
0%
|
|
14
|
ALL THINGS DECAY AND DIE
|
3
|
17%
|
0
|
0%
|
|
15
|
AMBITION
|
2
|
11%
|
0
|
0%
|
|
16
|
AN EPITAPH UPON A CHILD
|
1
|
5%
|
0
|
0%
|
|
17
|
AN EPITAPH UPON A VIRGIN
|
1
|
5%
|
0
|
0%
|
|
18
|
AN HYMN TO THE MUSES
|
2
|
11%
|
0
|
0%
|
|
19
|
ANACREONTIC
|
1
|
5%
|
0
|
0%
|
|
20
|
Another
|
2
|
11%
|
0
|
0%
|
|
21
|
ANTHEA'S RETRACTATION
|
1
|
5%
|
0
|
0%
|
|
22
|
BARLEY-BREAK; OR, LAST IN HELL
|
2
|
11%
|
0
|
0%
|
|
23
|
Be My Mistress Short or Tall
|
3
|
17%
|
0
|
0%
|
|
24
|
CASUALTIES
|
1
|
5%
|
0
|
0%
|
|
25
|
CHERRY RIPE
|
1
|
5%
|
0
|
0%
|
|
26
|
Cherry- Ripe
|
1
|
5%
|
0
|
0%
|
|
27
|
COCK-CROW
|
1
|
5%
|
0
|
0%
|
|
28
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
5%
|
0
|
0%
|
|
29
|
Corinna's Going A-Maying
|
3
|
17%
|
0
|
0%
|
|
30
|
DELIGHT IN DISORDER
|
13
|
76%
|
0
|
0%
|
|
31
|
Dreams
|
4
|
23%
|
0
|
0%
|
|
32
|
Epitaph upon a Child that died
|
1
|
5%
|
0
|
0%
|
|
33
|
ETERNITY
|
3
|
17%
|
0
|
0%
|
|
34
|
FAREWELL FROST, OR WELCOME SPRING
|
2
|
11%
|
0
|
0%
|
|
35
|
FELICITY QUICK OF FLIGHT
|
1
|
5%
|
0
|
0%
|
|
36
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
5%
|
0
|
0%
|
|
37
|
HER BED
|
2
|
11%
|
0
|
0%
|
|
38
|
HIS COVENANT OR PROTESTATION TO JULIA
|
1
|
5%
|
0
|
0%
|
|
39
|
HIS DESIRE
|
2
|
11%
|
0
|
0%
|
|
40
|
HIS GRANGE, OR PRIVATE WEALTH
|
1
|
5%
|
0
|
0%
|
|
41
|
HIS LAST REQUEST TO JULIA
|
1
|
5%
|
0
|
0%
|
|
42
|
HIS LOSS
|
1
|
5%
|
0
|
0%
|
|
43
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
3
|
17%
|
0
|
0%
|
|
44
|
HIS RETURN TO LONDON
|
1
|
5%
|
0
|
0%
|
|
45
|
His Wish To God
|
1
|
5%
|
0
|
0%
|
|
46
|
HIS WISH TO PRIVACY
|
1
|
5%
|
0
|
0%
|
|
47
|
HOW HIS SOUL CAME ENSNARED
|
1
|
5%
|
0
|
0%
|
|
48
|
I CALL AND I CALL
|
1
|
5%
|
0
|
0%
|
|
49
|
KISSING USURY
|
1
|
5%
|
0
|
0%
|
|
50
|
LIFE IS THE BODY'S LIGHT
|
1
|
5%
|
0
|
0%
|
|
51
|
LOVE DISLIKES NOTHING
|
2
|
11%
|
0
|
0%
|
|
52
|
LOVE LIGHTLY PLEASED
|
2
|
11%
|
0
|
0%
|
|
53
|
LOVERS HOW THEY COME AND PART
|
1
|
5%
|
0
|
0%
|
|
54
|
Miseries
|
1
|
5%
|
0
|
0%
|
|
55
|
MONEY MAKES THE MIRTH
|
1
|
5%
|
0
|
0%
|
|
56
|
NO FAULT IN WOMEN
|
2
|
11%
|
0
|
0%
|
|
57
|
NO MAN WITHOUT MONEY
|
2
|
11%
|
0
|
0%
|
|
58
|
NOTHING FREE-COST
|
1
|
5%
|
0
|
0%
|
|
59
|
OF LOVE: A SONNET
|
11
|
64%
|
0
|
0%
|
|
60
|
ON LOVE
|
1
|
5%
|
0
|
0%
|
|
61
|
POVERTY AND RICHES
|
1
|
5%
|
0
|
0%
|
|
62
|
Sweet Disorder
|
1
|
5%
|
0
|
0%
|
|
63
|
THE BAD SEASON MAKES THE POET SAD
|
3
|
17%
|
0
|
0%
|
|
64
|
The Bracelet: To Julia
|
1
|
5%
|
0
|
0%
|
|
65
|
THE COUNTRY LIFE:
|
1
|
5%
|
0
|
0%
|
|
66
|
THE DEFINITION OF BEAUTY
|
1
|
5%
|
0
|
0%
|
|
67
|
THE HEART
|
1
|
5%
|
0
|
0%
|
|
68
|
THE KISS: A DIALOGUE
|
1
|
5%
|
0
|
0%
|
|
69
|
THE MAYPOLE
|
2
|
11%
|
0
|
0%
|
|
70
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
2
|
11%
|
0
|
0%
|
|
71
|
THE WAKE
|
1
|
5%
|
0
|
0%
|
|
72
|
THE WASSAIL
|
1
|
5%
|
0
|
0%
|
|
73
|
THE WATCH
|
1
|
5%
|
0
|
0%
|
|
74
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
1
|
5%
|
0
|
0%
|
|
75
|
THE WIDOWS' TEARS; OR, DIRGE OF DORCAS
|
1
|
5%
|
0
|
0%
|
|
76
|
The Wounded Cupid
|
1
|
5%
|
0
|
0%
|
|
77
|
THE WOUNDED HEART
|
2
|
11%
|
0
|
0%
|
|
78
|
THINGS MORTAL STILL MUTABLE
|
1
|
5%
|
0
|
0%
|
|
79
|
TO A GENTLEWOMAN, OBJECTING TO HIM HISGRAY HAIRS
|
1
|
5%
|
0
|
0%
|
|
80
|
TO ANTHEA
|
3
|
17%
|
0
|
0%
|
|
81
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
4
|
23%
|
0
|
0%
|
|
82
|
To Anthea, who may command him Anything
|
1
|
5%
|
0
|
0%
|
|
83
|
TO BACCHUS: A CANTICLE
|
1
|
5%
|
0
|
0%
|
|
84
|
TO BE MERRY
|
1
|
5%
|
0
|
0%
|
|
85
|
TO BLOSSOMS
|
2
|
11%
|
0
|
0%
|
|
86
|
TO CARNATIONS: A SONG
|
1
|
5%
|
0
|
0%
|
|
87
|
TO DAFFADILS
|
2
|
11%
|
0
|
0%
|
|
88
|
To Daffodils
|
9
|
52%
|
0
|
0%
|
|
89
|
TO DAISIES, NOT TO SHUT SO SOON
|
1
|
5%
|
0
|
0%
|
|
90
|
TO DEATH
|
1
|
5%
|
0
|
0%
|
|
91
|
TO ELECTRA
|
1
|
5%
|
0
|
0%
|
|
92
|
To his Girls
|
1
|
5%
|
0
|
0%
|
|
93
|
TO HIS LOVELY MISTRESSES
|
1
|
5%
|
0
|
0%
|
|
94
|
TO HIS MUSE
|
1
|
5%
|
0
|
0%
|
|
95
|
TO JULIA
|
1
|
5%
|
0
|
0%
|
|
96
|
TO ROBIN RED-BREAST
|
1
|
5%
|
0
|
0%
|
|
97
|
TO SILVIA TO WED
|
1
|
5%
|
0
|
0%
|
|
98
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
17
|
100%
|
0
|
0%
|
|
99
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
3
|
17%
|
0
|
0%
|
|
100
|
To Virgins, to Make Much of Time
|
4
|
23%
|
0
|
0%
|
|
101
|
UPON A MAID
|
1
|
5%
|
0
|
0%
|
|
102
|
UPON A PAINTED GENTLEWOMAN
|
1
|
5%
|
0
|
0%
|
|
103
|
UPON HER FEET
|
1
|
5%
|
0
|
0%
|
|
104
|
Upon Julia's Clothes
|
1
|
5%
|
0
|
0%
|
|
105
|
UPON JULIA'S HAIR FILLED WITH DEW
|
1
|
5%
|
0
|
0%
|
|
106
|
Upon Julia's Unlacing Herself
|
1
|
5%
|
0
|
0%
|
|
107
|
UPON JULIA'S VOICE
|
2
|
11%
|
0
|
0%
|
|
108
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
5%
|
0
|
0%
|
|
109
|
Upon The Nipples Of Julia's Breast
|
3
|
17%
|
0
|
0%
|