|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
1
|
6%
|
0
|
0%
|
|
2
|
A Child's Grace
|
1
|
6%
|
0
|
0%
|
|
3
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
16
|
100%
|
0
|
0%
|
|
4
|
A Conjuration To Electra
|
4
|
25%
|
0
|
0%
|
|
5
|
A CONJURATION: TO ELECTRA
|
1
|
6%
|
0
|
0%
|
|
6
|
A HYMN TO BACCHUS
|
3
|
18%
|
0
|
0%
|
|
7
|
A Hymn To Love
|
6
|
37%
|
0
|
0%
|
|
8
|
A Lyric to Mirth
|
2
|
12%
|
0
|
0%
|
|
9
|
A MEAN IN OUR MEANS
|
1
|
6%
|
0
|
0%
|
|
10
|
A MEDITATION FOR HIS MISTRESS
|
4
|
25%
|
0
|
0%
|
|
11
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
2
|
12%
|
0
|
0%
|
|
12
|
A PASTORAL SUNG TO THE KING
|
1
|
6%
|
0
|
0%
|
|
13
|
A REQUEST TO THE GRACES
|
1
|
6%
|
0
|
0%
|
|
14
|
A Ring Presented to Julia
|
4
|
25%
|
0
|
0%
|
|
15
|
A VOW TO VENUS
|
3
|
18%
|
0
|
0%
|
|
16
|
ALL THINGS DECAY AND DIE
|
2
|
12%
|
0
|
0%
|
|
17
|
AN EPITAPH UPON A VIRGIN
|
1
|
6%
|
0
|
0%
|
|
18
|
Another
|
2
|
12%
|
0
|
0%
|
|
19
|
Another Grace For A Child
|
1
|
6%
|
0
|
0%
|
|
20
|
ANTHEA'S RETRACTATION
|
1
|
6%
|
0
|
0%
|
|
21
|
ART ABOVE NATURE: TO JULIA
|
1
|
6%
|
0
|
0%
|
|
22
|
Be My Mistress Short or Tall
|
1
|
6%
|
0
|
0%
|
|
23
|
CASUALTIES
|
1
|
6%
|
0
|
0%
|
|
24
|
CHERRY RIPE
|
1
|
6%
|
0
|
0%
|
|
25
|
Cherry- Ripe
|
1
|
6%
|
0
|
0%
|
|
26
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
6%
|
0
|
0%
|
|
27
|
DELIGHT IN DISORDER
|
7
|
43%
|
0
|
0%
|
|
28
|
Divination By A Daffodil
|
2
|
12%
|
0
|
0%
|
|
29
|
Draw-gloves
|
3
|
18%
|
0
|
0%
|
|
30
|
Dreams
|
2
|
12%
|
0
|
0%
|
|
31
|
ETERNITY
|
2
|
12%
|
0
|
0%
|
|
32
|
FAREWELL FROST, OR WELCOME SPRING
|
1
|
6%
|
0
|
0%
|
|
33
|
FELICITY QUICK OF FLIGHT
|
1
|
6%
|
0
|
0%
|
|
34
|
FOUR THINGS MAKE US HAPPY HERE
|
2
|
12%
|
0
|
0%
|
|
35
|
HER BED
|
1
|
6%
|
0
|
0%
|
|
36
|
HIS AGE:DEDICATED TO HIS PECULIAR FRIEND,MR JOHN WICKES, UNDER THE NAME OFPOSTUMUS
|
1
|
6%
|
0
|
0%
|
|
37
|
HIS COVENANT OR PROTESTATION TO JULIA
|
1
|
6%
|
0
|
0%
|
|
38
|
HIS DESIRE
|
1
|
6%
|
0
|
0%
|
|
39
|
HIS LAST REQUEST TO JULIA
|
1
|
6%
|
0
|
0%
|
|
40
|
HIS LOSS
|
1
|
6%
|
0
|
0%
|
|
41
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
1
|
6%
|
0
|
0%
|
|
42
|
HIS POETRY HIS PILLAR
|
1
|
6%
|
0
|
0%
|
|
43
|
HIS REQUEST TO JULIA
|
3
|
18%
|
0
|
0%
|
|
44
|
HIS SAILING FROM JULIA
|
2
|
12%
|
0
|
0%
|
|
45
|
HOW HIS SOUL CAME ENSNARED
|
1
|
6%
|
0
|
0%
|
|
46
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
2
|
12%
|
0
|
0%
|
|
47
|
I CALL AND I CALL
|
1
|
6%
|
0
|
0%
|
|
48
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
6%
|
0
|
0%
|
|
49
|
KISSING USURY
|
1
|
6%
|
0
|
0%
|
|
50
|
LOVE DISLIKES NOTHING
|
3
|
18%
|
0
|
0%
|
|
51
|
LOVE LIGHTLY PLEASED
|
2
|
12%
|
0
|
0%
|
|
52
|
LOVE, WHAT IT IS
|
2
|
12%
|
0
|
0%
|
|
53
|
MIRTH
|
2
|
12%
|
0
|
0%
|
|
54
|
Miseries
|
3
|
18%
|
0
|
0%
|
|
55
|
NO FAULT IN WOMEN
|
1
|
6%
|
0
|
0%
|
|
56
|
NO MAN WITHOUT MONEY
|
1
|
6%
|
0
|
0%
|
|
57
|
NOTHING FREE-COST
|
1
|
6%
|
0
|
0%
|
|
58
|
Oberon's Feast
|
1
|
6%
|
0
|
0%
|
|
59
|
OF LOVE: A SONNET
|
6
|
37%
|
0
|
0%
|
|
60
|
On Julia's Voice
|
1
|
6%
|
0
|
0%
|
|
61
|
ON LOVE
|
2
|
12%
|
0
|
0%
|
|
62
|
ORPHEUS
|
1
|
6%
|
0
|
0%
|
|
63
|
PARDONS
|
1
|
6%
|
0
|
0%
|
|
64
|
PEACE NOT PERMANENT
|
1
|
6%
|
0
|
0%
|
|
65
|
Rewards
|
2
|
12%
|
0
|
0%
|
|
66
|
SOFT MUSIC
|
1
|
6%
|
0
|
0%
|
|
67
|
Sweet Disorder
|
2
|
12%
|
0
|
0%
|
|
68
|
TEARS AND LAUGHTER
|
1
|
6%
|
0
|
0%
|
|
69
|
THE APPARITION OF HIS, MISTRESS,CALLING HIM TO ELYSIUM
|
1
|
6%
|
0
|
0%
|
|
70
|
THE APRON OF FLOWERS
|
1
|
6%
|
0
|
0%
|
|
71
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
1
|
6%
|
0
|
0%
|
|
72
|
THE BRACELET TO JULIA
|
2
|
12%
|
0
|
0%
|
|
73
|
The Bracelet: To Julia
|
3
|
18%
|
0
|
0%
|
|
74
|
THE CHANGES: TO CORINNA
|
2
|
12%
|
0
|
0%
|
|
75
|
THE COMING OF GOOD LUCK
|
1
|
6%
|
0
|
0%
|
|
76
|
THE CRUEL MAID
|
1
|
6%
|
0
|
0%
|
|
77
|
THE DEFINITION OF BEAUTY
|
1
|
6%
|
0
|
0%
|
|
78
|
THE HAG
|
1
|
6%
|
0
|
0%
|
|
79
|
THE HEART
|
1
|
6%
|
0
|
0%
|
|
80
|
The Hock-cart, or Harvest Home
|
3
|
18%
|
0
|
0%
|
|
81
|
THE HOCK-CART, OR HARVEST HOME:TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORLAND
|
1
|
6%
|
0
|
0%
|
|
82
|
The Hour-glass
|
5
|
31%
|
0
|
0%
|
|
83
|
THE KISS: A DIALOGUE
|
1
|
6%
|
0
|
0%
|
|
84
|
THE LILY IN A CRYSTAL
|
2
|
12%
|
0
|
0%
|
|
85
|
The Night Piece, to Julia
|
1
|
6%
|
0
|
0%
|
|
86
|
The Night Piece, to Julia
|
2
|
12%
|
0
|
0%
|
|
87
|
THE OLIVE BRANCH
|
1
|
6%
|
0
|
0%
|
|
88
|
THE PARLIAMENT OF ROSES TO JULIA
|
1
|
6%
|
0
|
0%
|
|
89
|
THE PRESENT TIME BEST PLEASETH
|
1
|
6%
|
0
|
0%
|
|
90
|
THE SHOWER OF BLOSSOMS
|
1
|
6%
|
0
|
0%
|
|
91
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
9
|
56%
|
0
|
0%
|
|
92
|
THE WOUNDED HEART
|
1
|
6%
|
0
|
0%
|
|
93
|
TO BLOSSOMS
|
1
|
6%
|
0
|
0%
|
|
94
|
TO DAFFADILS
|
2
|
12%
|
0
|
0%
|
|
95
|
To Daffodils
|
7
|
43%
|
0
|
0%
|
|
96
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
6%
|
0
|
0%
|
|
97
|
TO HIS LOVELY MISTRESSES
|
1
|
6%
|
0
|
0%
|
|
98
|
TO PHILLIS, TO LOVE AND LIVE WITH HIM
|
1
|
6%
|
0
|
0%
|
|
99
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
8
|
50%
|
0
|
0%
|
|
100
|
Upon Julia's Clothes
|
3
|
18%
|
0
|
0%
|
|
101
|
UPON JULIA'S HAIR FILLED WITH DEW
|
2
|
12%
|
0
|
0%
|
|
102
|
Upon Julia's Unlacing Herself
|
2
|
12%
|
0
|
0%
|
|
103
|
UPON JULIA'S VOICE
|
5
|
31%
|
0
|
0%
|
|
104
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
6%
|
0
|
0%
|
|
105
|
UPON THE LOSS OF HIS MISTRESSES
|
2
|
12%
|
0
|
0%
|
|
106
|
Upon The Nipples Of Julia's Breast
|
1
|
6%
|
0
|
0%
|
|
107
|
What Kind Of Mistress He Would Have
|
1
|
6%
|
0
|
0%
|