|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
5
|
20%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
6
|
24%
|
0
|
0%
|
|
3
|
A Child's Grace
|
16
|
64%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
25
|
100%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
7
|
28%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
7
|
28%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
6
|
24%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
5
|
20%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
22
|
88%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
5
|
20%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
7
|
28%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
6
|
24%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
4
|
16%
|
0
|
0%
|
|
14
|
A MEDITATION FOR HIS MISTRESS
|
15
|
60%
|
0
|
0%
|
|
15
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
1
|
4%
|
0
|
0%
|
|
16
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
6
|
24%
|
0
|
0%
|
|
17
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
2
|
8%
|
0
|
0%
|
|
18
|
A PASTORAL SUNG TO THE KING
|
3
|
12%
|
0
|
0%
|
|
19
|
A Ring Presented to Julia
|
1
|
4%
|
0
|
0%
|
|
20
|
A Thanksgiving to God for His House
|
1
|
4%
|
0
|
0%
|
|
21
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
4
|
16%
|
0
|
0%
|
|
22
|
A VOW TO VENUS
|
4
|
16%
|
0
|
0%
|
|
23
|
ALL THINGS DECAY AND DIE
|
7
|
28%
|
0
|
0%
|
|
24
|
AMBITION
|
10
|
40%
|
0
|
0%
|
|
25
|
AN EPITAPH UPON A VIRGIN
|
3
|
12%
|
0
|
0%
|
|
26
|
AN ODE FOR BEN JONSON
|
1
|
4%
|
0
|
0%
|
|
27
|
AN ODE OF THE BIRTH OF OUR SAVIOUR
|
2
|
8%
|
0
|
0%
|
|
28
|
Another
|
2
|
8%
|
0
|
0%
|
|
29
|
ART ABOVE NATURE: TO JULIA
|
3
|
12%
|
0
|
0%
|
|
30
|
BARLEY-BREAK; OR, LAST IN HELL
|
2
|
8%
|
0
|
0%
|
|
31
|
Be My Mistress Short or Tall
|
3
|
12%
|
0
|
0%
|
|
32
|
BURIAL
|
3
|
12%
|
0
|
0%
|
|
33
|
CEREMONIES FOR CANDLEMAS EVE
|
1
|
4%
|
0
|
0%
|
|
34
|
CEREMONY UPON CANDLEMAS EVE
|
1
|
4%
|
0
|
0%
|
|
35
|
CHERRY RIPE
|
3
|
12%
|
0
|
0%
|
|
36
|
Cherry- Ripe
|
1
|
4%
|
0
|
0%
|
|
37
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
5
|
20%
|
0
|
0%
|
|
38
|
CRUTCHES
|
1
|
4%
|
0
|
0%
|
|
39
|
DELIGHT IN DISORDER
|
16
|
64%
|
0
|
0%
|
|
40
|
Discontents In Devon
|
3
|
12%
|
0
|
0%
|
|
41
|
Divination By A Daffodil
|
7
|
28%
|
0
|
0%
|
|
42
|
Draw-gloves
|
3
|
12%
|
0
|
0%
|
|
43
|
Dreams
|
16
|
64%
|
0
|
0%
|
|
44
|
ETERNITY
|
4
|
16%
|
0
|
0%
|
|
45
|
FAREWELL FROST, OR WELCOME SPRING
|
8
|
32%
|
0
|
0%
|
|
46
|
FELICITY QUICK OF FLIGHT
|
1
|
4%
|
0
|
0%
|
|
47
|
FOUR THINGS MAKE US HAPPY HERE
|
3
|
12%
|
0
|
0%
|
|
48
|
GRACE FOR A CHILD
|
2
|
8%
|
0
|
0%
|
|
49
|
HER BED
|
1
|
4%
|
0
|
0%
|
|
50
|
HIS DESIRE
|
7
|
28%
|
0
|
0%
|
|
51
|
HIS LITANY, TO THE HOLY SPIRIT
|
2
|
8%
|
0
|
0%
|
|
52
|
HIS LOSS
|
4
|
16%
|
0
|
0%
|
|
53
|
His Meditation Upon Death
|
11
|
44%
|
0
|
0%
|
|
54
|
His Prayer To Ben Jonson
|
2
|
8%
|
0
|
0%
|
|
55
|
HIS REQUEST TO JULIA
|
1
|
4%
|
0
|
0%
|
|
56
|
HIS RETURN TO LONDON
|
1
|
4%
|
0
|
0%
|
|
57
|
HIS WINDING-SHEET
|
1
|
4%
|
0
|
0%
|
|
58
|
His Wish To God
|
2
|
8%
|
0
|
0%
|
|
59
|
HOW HIS SOUL CAME ENSNARED
|
1
|
4%
|
0
|
0%
|
|
60
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
2
|
8%
|
0
|
0%
|
|
61
|
HOW SPRINGS CAME FIRST
|
2
|
8%
|
0
|
0%
|
|
62
|
I CALL AND I CALL
|
5
|
20%
|
0
|
0%
|
|
63
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
4%
|
0
|
0%
|
|
64
|
LOVE LIGHTLY PLEASED
|
2
|
8%
|
0
|
0%
|
|
65
|
LOVE, WHAT IT IS
|
1
|
4%
|
0
|
0%
|
|
66
|
LOVERS HOW THEY COME AND PART
|
1
|
4%
|
0
|
0%
|
|
67
|
MATINS, OR MORNING PRAYER
|
1
|
4%
|
0
|
0%
|
|
68
|
MIRTH
|
1
|
4%
|
0
|
0%
|
|
69
|
Miseries
|
1
|
4%
|
0
|
0%
|
|
70
|
MONEY MAKES THE MIRTH
|
1
|
4%
|
0
|
0%
|
|
71
|
NO FAULT IN WOMEN
|
1
|
4%
|
0
|
0%
|
|
72
|
NO MAN WITHOUT MONEY
|
3
|
12%
|
0
|
0%
|
|
73
|
NO PAINS, NO GAINS
|
3
|
12%
|
0
|
0%
|
|
74
|
NOT EVERY DAY FIT FOR VERSE
|
2
|
8%
|
0
|
0%
|
|
75
|
OF LOVE: A SONNET
|
2
|
8%
|
0
|
0%
|
|
76
|
ON A PERFUMED LADY
|
2
|
8%
|
0
|
0%
|
|
77
|
ON HIMSELF
|
1
|
4%
|
0
|
0%
|
|
78
|
On Julia's Voice
|
1
|
4%
|
0
|
0%
|
|
79
|
ON LOVE
|
2
|
8%
|
0
|
0%
|
|
80
|
ORPHEUS
|
2
|
8%
|
0
|
0%
|
|
81
|
PARDONS
|
2
|
8%
|
0
|
0%
|
|
82
|
PEACE NOT PERMANENT
|
1
|
4%
|
0
|
0%
|
|
83
|
POVERTY AND RICHES
|
2
|
8%
|
0
|
0%
|
|
84
|
PRAY AND PROSPER
|
3
|
12%
|
0
|
0%
|
|
85
|
Proof to No Purpose
|
5
|
20%
|
0
|
0%
|
|
86
|
PURPOSES
|
2
|
8%
|
0
|
0%
|
|
87
|
Rewards
|
3
|
12%
|
0
|
0%
|
|
88
|
SAFETY ON THE SHORE
|
2
|
8%
|
0
|
0%
|
|
89
|
SOFT MUSIC
|
3
|
12%
|
0
|
0%
|
|
90
|
Sweet Disorder
|
3
|
12%
|
0
|
0%
|
|
91
|
TEARS AND LAUGHTER
|
8
|
32%
|
0
|
0%
|
|
92
|
THE APPARITION OF HIS, MISTRESS,CALLING HIM TO ELYSIUM
|
1
|
4%
|
0
|
0%
|
|
93
|
The Argument Of His Book
|
2
|
8%
|
0
|
0%
|
|
94
|
THE BAG OF THE BEE
|
4
|
16%
|
0
|
0%
|
|
95
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
1
|
4%
|
0
|
0%
|
|
96
|
THE BELL-MAN
|
2
|
8%
|
0
|
0%
|
|
97
|
The Bracelet: To Julia
|
3
|
12%
|
0
|
0%
|
|
98
|
THE BRIDE-CAKE
|
3
|
12%
|
0
|
0%
|
|
99
|
THE BUBBLE: A SONG
|
2
|
8%
|
0
|
0%
|
|
100
|
THE CEREMONIES FOR CANDLEMAS DAY
|
1
|
4%
|
0
|
0%
|
|
101
|
THE CHANGES: TO CORINNA
|
2
|
8%
|
0
|
0%
|
|
102
|
THE CRUEL MAID
|
5
|
20%
|
0
|
0%
|
|
103
|
THE DEFINITION OF BEAUTY
|
2
|
8%
|
0
|
0%
|
|
104
|
THE FAIRIES
|
1
|
4%
|
0
|
0%
|
|
105
|
THE FUNERAL RITES OF THE ROSE
|
3
|
12%
|
0
|
0%
|
|
106
|
The Good-night or Blessing
|
5
|
20%
|
0
|
0%
|
|
107
|
THE HAG
|
2
|
8%
|
0
|
0%
|
|
108
|
THE HEART
|
2
|
8%
|
0
|
0%
|
|
109
|
The Hour-glass
|
2
|
8%
|
0
|
0%
|
|
110
|
THE KISS: A DIALOGUE
|
1
|
4%
|
0
|
0%
|
|
111
|
THE LILY IN A CRYSTAL
|
1
|
4%
|
0
|
0%
|
|
112
|
THE MAD MAID'S SONG
|
1
|
4%
|
0
|
0%
|
|
113
|
THE MAYPOLE
|
1
|
4%
|
0
|
0%
|
|
114
|
The Night Piece, to Julia
|
2
|
8%
|
0
|
0%
|
|
115
|
The Night Piece, to Julia
|
2
|
8%
|
0
|
0%
|
|
116
|
THE NIGHT PIECE: TO JULIA
|
6
|
24%
|
0
|
0%
|
|
117
|
THE OLIVE BRANCH
|
1
|
4%
|
0
|
0%
|
|
118
|
THE PARCAE; OR, THREE DAINTY DESTINIES:THE ARMILET
|
2
|
8%
|
0
|
0%
|
|
119
|
THE PRESENT TIME BEST PLEASETH
|
3
|
12%
|
0
|
0%
|
|
120
|
THE PRESENT; OR, THE BAG OF THE BEE:
|
2
|
8%
|
0
|
0%
|
|
121
|
THE PRIMROSE
|
2
|
8%
|
0
|
0%
|
|
122
|
The Rosary
|
2
|
8%
|
0
|
0%
|
|
123
|
THE TRANSFIGURATION
|
1
|
4%
|
0
|
0%
|
|
124
|
The Vine
|
3
|
12%
|
0
|
0%
|
|
125
|
THE VOICE AND VIOL
|
2
|
8%
|
0
|
0%
|
|
126
|
THE WASSAIL
|
4
|
16%
|
0
|
0%
|
|
127
|
THE WATCH
|
4
|
16%
|
0
|
0%
|
|
128
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
4
|
16%
|
0
|
0%
|
|
129
|
THINGS MORTAL STILL MUTABLE
|
1
|
4%
|
0
|
0%
|
|
130
|
TO ANTHEA
|
1
|
4%
|
0
|
0%
|
|
131
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
1
|
4%
|
0
|
0%
|
|
132
|
TO BACCHUS: A CANTICLE
|
1
|
4%
|
0
|
0%
|
|
133
|
TO BE MERRY
|
3
|
12%
|
0
|
0%
|
|
134
|
TO BLOSSOMS
|
3
|
12%
|
0
|
0%
|
|
135
|
TO DAFFADILS
|
5
|
20%
|
0
|
0%
|
|
136
|
To Daffodils
|
4
|
16%
|
0
|
0%
|
|
137
|
TO DEATH
|
1
|
4%
|
0
|
0%
|
|
138
|
TO ENJOY THE TIME
|
1
|
4%
|
0
|
0%
|
|
139
|
TO HEAVEN
|
1
|
4%
|
0
|
0%
|
|
140
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
4%
|
0
|
0%
|
|
141
|
TO HIS HONOURED AND MOST INGENIOUS FRIENDMR CHARLES COTTON
|
2
|
8%
|
0
|
0%
|
|
142
|
TO HIS LOVELY MISTRESSES
|
1
|
4%
|
0
|
0%
|
|
143
|
TO HIS SWEET SAVIOUR
|
2
|
8%
|
0
|
0%
|
|
144
|
TO JULIA
|
2
|
8%
|
0
|
0%
|
|
145
|
TO LIVE FREELY
|
2
|
8%
|
0
|
0%
|
|
146
|
TO MUSIC
|
6
|
24%
|
0
|
0%
|
|
147
|
TO MUSIC, TO BECALM A SWEET SICK YOUTH
|
3
|
12%
|
0
|
0%
|
|
148
|
TO MUSIC, TO BECALM HIS FEVER
|
3
|
12%
|
0
|
0%
|
|
149
|
TO MUSIC: A SONG
|
6
|
24%
|
0
|
0%
|
|
150
|
To Music: a Song
|
1
|
4%
|
0
|
0%
|
|
151
|
To Oenone
|
1
|
4%
|
0
|
0%
|
|
152
|
TO OENONE.
|
1
|
4%
|
0
|
0%
|
|
153
|
TO THE ROSE: SONG
|
1
|
4%
|
0
|
0%
|
|
154
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
21
|
84%
|
0
|
0%
|
|
155
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
2
|
8%
|
0
|
0%
|
|
156
|
To the Western Wind
|
1
|
4%
|
0
|
0%
|
|
157
|
TO THE WILLOW-TREE
|
1
|
4%
|
0
|
0%
|
|
158
|
TO VIOLETS
|
2
|
8%
|
0
|
0%
|
|
159
|
To Virgins, to Make Much of Time
|
5
|
20%
|
0
|
0%
|
|
160
|
TO YOUTH
|
1
|
4%
|
0
|
0%
|
|
161
|
TRUTH AND ERROR
|
3
|
12%
|
0
|
0%
|
|
162
|
Truth and Falsehood
|
3
|
12%
|
0
|
0%
|
|
163
|
Up Scoble
|
1
|
4%
|
0
|
0%
|
|
164
|
UPON A CHILD
|
1
|
4%
|
0
|
0%
|
|
165
|
UPON A CHILD THAT DIED
|
1
|
4%
|
0
|
0%
|
|
166
|
UPON A MAID
|
1
|
4%
|
0
|
0%
|
|
167
|
UPON A PAINTED GENTLEWOMAN
|
1
|
4%
|
0
|
0%
|
|
168
|
UPON CUPID
|
1
|
4%
|
0
|
0%
|
|
169
|
UPON HER EYES
|
1
|
4%
|
0
|
0%
|
|
170
|
Upon Julia's Clothes
|
1
|
4%
|
0
|
0%
|
|
171
|
Upon Julia's Unlacing Herself
|
4
|
16%
|
0
|
0%
|
|
172
|
UPON JULIA'S VOICE
|
7
|
28%
|
0
|
0%
|
|
173
|
UPON LOVE
|
3
|
12%
|
0
|
0%
|
|
174
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
4%
|
0
|
0%
|
|
175
|
UPON MRS ELIZ. WHEELER, UNDER THE NAME OFAMARILLIS
|
1
|
4%
|
0
|
0%
|
|
176
|
Upon Prew His Maid
|
1
|
4%
|
0
|
0%
|
|
177
|
UPON ROSES
|
2
|
8%
|
0
|
0%
|
|
178
|
UPON TEARS
|
2
|
8%
|
0
|
0%
|
|
179
|
UPON THE DETRACTER
|
2
|
8%
|
0
|
0%
|
|
180
|
Upon The Nipples Of Julia's Breast
|
2
|
8%
|
0
|
0%
|
|
181
|
UPON TIME
|
2
|
8%
|
0
|
0%
|
|
182
|
WANT
|
4
|
16%
|
0
|
0%
|
|
183
|
What Kind Of Mistress He Would Have
|
3
|
12%
|
0
|
0%
|
|
184
|
WHEN HE WOULD HAVE HIS VERSES READ
|
1
|
4%
|
0
|
0%
|
|
185
|
WHY FLOWERS CHANGE COLOUR
|
2
|
8%
|
0
|
0%
|
|
186
|
WlT PUNISHED PROSPERS MOST
|
3
|
12%
|
0
|
0%
|
|
187
|
WRITING
|
2
|
8%
|
0
|
0%
|