|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
14%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
1
|
7%
|
0
|
0%
|
|
3
|
A Child's Grace
|
3
|
21%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
2
|
14%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
3
|
21%
|
0
|
0%
|
|
6
|
A CONJURATION: TO ELECTRA
|
1
|
7%
|
0
|
0%
|
|
7
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
1
|
7%
|
0
|
0%
|
|
8
|
A HYMN TO BACCHUS
|
1
|
7%
|
0
|
0%
|
|
9
|
A Hymn To Love
|
3
|
21%
|
0
|
0%
|
|
10
|
A HYMN TO THE GRACES
|
1
|
7%
|
0
|
0%
|
|
11
|
A HYMN TO VENUS AND CUPID
|
3
|
21%
|
0
|
0%
|
|
12
|
A Lyric to Mirth
|
3
|
21%
|
0
|
0%
|
|
13
|
A MEAN IN OUR MEANS
|
1
|
7%
|
0
|
0%
|
|
14
|
A Ring Presented to Julia
|
1
|
7%
|
0
|
0%
|
|
15
|
ALL THINGS DECAY AND DIE
|
2
|
14%
|
0
|
0%
|
|
16
|
AN ODE FOR BEN JONSON
|
1
|
7%
|
0
|
0%
|
|
17
|
BURIAL
|
1
|
7%
|
0
|
0%
|
|
18
|
CHERRY RIPE
|
1
|
7%
|
0
|
0%
|
|
19
|
Corinna's Going A-Maying
|
1
|
7%
|
0
|
0%
|
|
20
|
DELIGHT IN DISORDER
|
2
|
14%
|
0
|
0%
|
|
21
|
Dreams
|
3
|
21%
|
0
|
0%
|
|
22
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
7%
|
0
|
0%
|
|
23
|
HIS LAST REQUEST TO JULIA
|
1
|
7%
|
0
|
0%
|
|
24
|
HIS LITANY, TO THE HOLY SPIRIT
|
1
|
7%
|
0
|
0%
|
|
25
|
HIS REQUEST TO JULIA
|
1
|
7%
|
0
|
0%
|
|
26
|
HIS RETURN TO LONDON
|
1
|
7%
|
0
|
0%
|
|
27
|
HIS SAILING FROM JULIA
|
1
|
7%
|
0
|
0%
|
|
28
|
I CALL AND I CALL
|
1
|
7%
|
0
|
0%
|
|
29
|
LIFE IS THE BODY'S LIGHT
|
1
|
7%
|
0
|
0%
|
|
30
|
LOVE DISLIKES NOTHING
|
1
|
7%
|
0
|
0%
|
|
31
|
LOVE LIGHTLY PLEASED
|
1
|
7%
|
0
|
0%
|
|
32
|
LOVE, WHAT IT IS
|
2
|
14%
|
0
|
0%
|
|
33
|
NO PAINS, NO GAINS
|
1
|
7%
|
0
|
0%
|
|
34
|
Oberon's Feast
|
1
|
7%
|
0
|
0%
|
|
35
|
OF LOVE: A SONNET
|
1
|
7%
|
0
|
0%
|
|
36
|
ON A PERFUMED LADY
|
1
|
7%
|
0
|
0%
|
|
37
|
ON HIMSELF
|
1
|
7%
|
0
|
0%
|
|
38
|
On Julia's Voice
|
2
|
14%
|
0
|
0%
|
|
39
|
ON LOVE
|
1
|
7%
|
0
|
0%
|
|
40
|
ORPHEUS
|
1
|
7%
|
0
|
0%
|
|
41
|
PARDONS
|
1
|
7%
|
0
|
0%
|
|
42
|
PEACE NOT PERMANENT
|
1
|
7%
|
0
|
0%
|
|
43
|
POVERTY AND RICHES
|
2
|
14%
|
0
|
0%
|
|
44
|
PRAY AND PROSPER
|
1
|
7%
|
0
|
0%
|
|
45
|
Proof to No Purpose
|
1
|
7%
|
0
|
0%
|
|
46
|
PURPOSES
|
1
|
7%
|
0
|
0%
|
|
47
|
Rewards
|
1
|
7%
|
0
|
0%
|
|
48
|
SAFETY ON THE SHORE
|
1
|
7%
|
0
|
0%
|
|
49
|
SATISFACTION FOR SUFFERINGS
|
1
|
7%
|
0
|
0%
|
|
50
|
SOFT MUSIC
|
1
|
7%
|
0
|
0%
|
|
51
|
Sweet Disorder
|
1
|
7%
|
0
|
0%
|
|
52
|
TEARS AND LAUGHTER
|
1
|
7%
|
0
|
0%
|
|
53
|
THE APPARITION OF HIS, MISTRESS,CALLING HIM TO ELYSIUM
|
1
|
7%
|
0
|
0%
|
|
54
|
THE APRON OF FLOWERS
|
1
|
7%
|
0
|
0%
|
|
55
|
The Argument Of His Book
|
1
|
7%
|
0
|
0%
|
|
56
|
THE BAD SEASON MAKES THE POET SAD
|
1
|
7%
|
0
|
0%
|
|
57
|
THE BAG OF THE BEE
|
1
|
7%
|
0
|
0%
|
|
58
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
1
|
7%
|
0
|
0%
|
|
59
|
The Bellman
|
1
|
7%
|
0
|
0%
|
|
60
|
THE BELL-MAN
|
1
|
7%
|
0
|
0%
|
|
61
|
THE BLEEDING HAND; OR THE SPRIG OF EGLANTINE GIVEN TO A MAID
|
1
|
7%
|
0
|
0%
|
|
62
|
THE BRACELET TO JULIA
|
1
|
7%
|
0
|
0%
|
|
63
|
The Bracelet: To Julia
|
1
|
7%
|
0
|
0%
|
|
64
|
THE BRIDE-CAKE
|
1
|
7%
|
0
|
0%
|
|
65
|
THE BUBBLE: A SONG
|
1
|
7%
|
0
|
0%
|
|
66
|
THE CEREMONIES FOR CANDLEMAS DAY
|
1
|
7%
|
0
|
0%
|
|
67
|
THE CHANGES: TO CORINNA
|
1
|
7%
|
0
|
0%
|
|
68
|
THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST
|
1
|
7%
|
0
|
0%
|
|
69
|
THE COMING OF GOOD LUCK
|
2
|
14%
|
0
|
0%
|
|
70
|
THE COUNTRY LIFE:
|
1
|
7%
|
0
|
0%
|
|
71
|
THE CRUEL MAID
|
1
|
7%
|
0
|
0%
|
|
72
|
THE DEFINITION OF BEAUTY
|
1
|
7%
|
0
|
0%
|
|
73
|
THE DIRGE OF JEPHTHAH'S DAUGHTER:SUNG BY THE VIRGINS
|
1
|
7%
|
0
|
0%
|
|
74
|
THE FAIRIES
|
1
|
7%
|
0
|
0%
|
|
75
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
7%
|
0
|
0%
|
|
76
|
THE FUNERAL RITES OF THE ROSE
|
1
|
7%
|
0
|
0%
|
|
77
|
The Good-night or Blessing
|
1
|
7%
|
0
|
0%
|
|
78
|
THE HAG
|
1
|
7%
|
0
|
0%
|
|
79
|
THE HEART
|
1
|
7%
|
0
|
0%
|
|
80
|
The Hock-cart, or Harvest Home
|
2
|
14%
|
0
|
0%
|
|
81
|
THE HOCK-CART, OR HARVEST HOME:TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORLAND
|
1
|
7%
|
0
|
0%
|
|
82
|
The Hour-glass
|
1
|
7%
|
0
|
0%
|
|
83
|
THE KISS: A DIALOGUE
|
1
|
7%
|
0
|
0%
|
|
84
|
THE LILY IN A CRYSTAL
|
1
|
7%
|
0
|
0%
|
|
85
|
THE MAD MAID'S SONG
|
1
|
7%
|
0
|
0%
|
|
86
|
THE MAYPOLE
|
1
|
7%
|
0
|
0%
|
|
87
|
The Night Piece, To Julia
|
2
|
14%
|
0
|
0%
|
|
88
|
The Night Piece, to Julia
|
2
|
14%
|
0
|
0%
|
|
89
|
The Night Piece, to Julia
|
1
|
7%
|
0
|
0%
|
|
90
|
THE NIGHT PIECE: TO JULIA
|
1
|
7%
|
0
|
0%
|
|
91
|
THE OLD WIVES' PRAYER
|
1
|
7%
|
0
|
0%
|
|
92
|
THE OLIVE BRANCH
|
2
|
14%
|
0
|
0%
|
|
93
|
THE ROCK OF RUBIES, AND THE QUARRY OFPEARLS
|
1
|
7%
|
0
|
0%
|
|
94
|
THE SHOWER OF BLOSSOMS
|
1
|
7%
|
0
|
0%
|
|
95
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
1
|
7%
|
0
|
0%
|
|
96
|
THE WATCH
|
1
|
7%
|
0
|
0%
|
|
97
|
THE WOUNDED HEART
|
1
|
7%
|
0
|
0%
|
|
98
|
TO BLOSSOMS
|
1
|
7%
|
0
|
0%
|
|
99
|
To Daffodils
|
5
|
35%
|
0
|
0%
|
|
100
|
TO JULIA
|
1
|
7%
|
0
|
0%
|
|
101
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
14
|
100%
|
0
|
0%
|
|
102
|
Upon Julia's Unlacing Herself
|
1
|
7%
|
0
|
0%
|
|
103
|
UPON JULIA'S VOICE
|
2
|
14%
|
0
|
0%
|
|
104
|
Upon The Nipples Of Julia's Breast
|
3
|
21%
|
0
|
0%
|
|
105
|
WHY FLOWERS CHANGE COLOUR
|
1
|
7%
|
0
|
0%
|
|
106
|
WRITING
|
1
|
7%
|
0
|
0%
|
