|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
3
|
13%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
4
|
17%
|
0
|
0%
|
|
3
|
A Child's Grace
|
6
|
26%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
2
|
8%
|
0
|
0%
|
|
5
|
A Conjuration To Electra
|
2
|
8%
|
0
|
0%
|
|
6
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
3
|
13%
|
0
|
0%
|
|
7
|
A HYMN TO BACCHUS
|
3
|
13%
|
0
|
0%
|
|
8
|
A Hymn To Love
|
15
|
65%
|
0
|
0%
|
|
9
|
A HYMN TO THE GRACES
|
5
|
21%
|
0
|
0%
|
|
10
|
A HYMN TO VENUS AND CUPID
|
5
|
21%
|
0
|
0%
|
|
11
|
A Lyric to Mirth
|
4
|
17%
|
0
|
0%
|
|
12
|
A MEAN IN OUR MEANS
|
7
|
30%
|
0
|
0%
|
|
13
|
A MEDITATION FOR HIS MISTRESS
|
5
|
21%
|
0
|
0%
|
|
14
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
2
|
8%
|
0
|
0%
|
|
15
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
1
|
4%
|
0
|
0%
|
|
16
|
A PASTORAL SUNG TO THE KING
|
2
|
8%
|
0
|
0%
|
|
17
|
A REQUEST TO THE GRACES
|
4
|
17%
|
0
|
0%
|
|
18
|
A Ring Presented to Julia
|
9
|
39%
|
0
|
0%
|
|
19
|
A VOW TO VENUS
|
1
|
4%
|
0
|
0%
|
|
20
|
ALL THINGS DECAY AND DIE
|
6
|
26%
|
0
|
0%
|
|
21
|
AMBITION
|
3
|
13%
|
0
|
0%
|
|
22
|
AN EPITAPH UPON A CHILD
|
3
|
13%
|
0
|
0%
|
|
23
|
AN EPITAPH UPON A VIRGIN
|
5
|
21%
|
0
|
0%
|
|
24
|
AN HYMN TO THE MUSES
|
4
|
17%
|
0
|
0%
|
|
25
|
AN ODE FOR BEN JONSON
|
2
|
8%
|
0
|
0%
|
|
26
|
AN ODE TO SIR CLIPSBY CREW
|
2
|
8%
|
0
|
0%
|
|
27
|
ANACREONTIC
|
1
|
4%
|
0
|
0%
|
|
28
|
Another
|
4
|
17%
|
0
|
0%
|
|
29
|
ANTHEA'S RETRACTATION
|
1
|
4%
|
0
|
0%
|
|
30
|
ART ABOVE NATURE: TO JULIA
|
2
|
8%
|
0
|
0%
|
|
31
|
BARLEY-BREAK; OR, LAST IN HELL
|
3
|
13%
|
0
|
0%
|
|
32
|
Be My Mistress Short or Tall
|
5
|
21%
|
0
|
0%
|
|
33
|
BURIAL
|
3
|
13%
|
0
|
0%
|
|
34
|
CASUALTIES
|
1
|
4%
|
0
|
0%
|
|
35
|
CHERRY RIPE
|
2
|
8%
|
0
|
0%
|
|
36
|
COCK-CROW
|
1
|
4%
|
0
|
0%
|
|
37
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
4%
|
0
|
0%
|
|
38
|
Corinna's Going A-Maying
|
1
|
4%
|
0
|
0%
|
|
39
|
CRUTCHES
|
2
|
8%
|
0
|
0%
|
|
40
|
DELIGHT IN DISORDER
|
10
|
43%
|
0
|
0%
|
|
41
|
Departure of the Good Daemon
|
1
|
4%
|
0
|
0%
|
|
42
|
Discontents In Devon
|
1
|
4%
|
0
|
0%
|
|
43
|
Divination By A Daffodil
|
5
|
21%
|
0
|
0%
|
|
44
|
Draw-gloves
|
1
|
4%
|
0
|
0%
|
|
45
|
Dreams
|
15
|
65%
|
0
|
0%
|
|
46
|
Epitaph upon a Child that died
|
2
|
8%
|
0
|
0%
|
|
47
|
ETERNITY
|
3
|
13%
|
0
|
0%
|
|
48
|
FAREWELL FROST, OR WELCOME SPRING
|
2
|
8%
|
0
|
0%
|
|
49
|
FELICITY QUICK OF FLIGHT
|
2
|
8%
|
0
|
0%
|
|
50
|
FOUR THINGS MAKE US HAPPY HERE
|
2
|
8%
|
0
|
0%
|
|
51
|
HER BED
|
1
|
4%
|
0
|
0%
|
|
52
|
HIS CONTENT IN THE COUNTRY
|
2
|
8%
|
0
|
0%
|
|
53
|
HIS DESIRE
|
1
|
4%
|
0
|
0%
|
|
54
|
HIS LOSS
|
1
|
4%
|
0
|
0%
|
|
55
|
His Meditation Upon Death
|
2
|
8%
|
0
|
0%
|
|
56
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
1
|
4%
|
0
|
0%
|
|
57
|
HIS REQUEST TO JULIA
|
2
|
8%
|
0
|
0%
|
|
58
|
HIS SAILING FROM JULIA
|
2
|
8%
|
0
|
0%
|
|
59
|
HOW SPRINGS CAME FIRST
|
1
|
4%
|
0
|
0%
|
|
60
|
KISSING USURY
|
1
|
4%
|
0
|
0%
|
|
61
|
LOVE DISLIKES NOTHING
|
1
|
4%
|
0
|
0%
|
|
62
|
LOVE LIGHTLY PLEASED
|
4
|
17%
|
0
|
0%
|
|
63
|
LOVE, WHAT IT IS
|
2
|
8%
|
0
|
0%
|
|
64
|
LOVERS HOW THEY COME AND PART
|
1
|
4%
|
0
|
0%
|
|
65
|
MATINS, OR MORNING PRAYER
|
2
|
8%
|
0
|
0%
|
|
66
|
NO PAINS, NO GAINS
|
1
|
4%
|
0
|
0%
|
|
67
|
OF LOVE: A SONNET
|
15
|
65%
|
0
|
0%
|
|
68
|
On Julia's Voice
|
1
|
4%
|
0
|
0%
|
|
69
|
ON LOVE
|
3
|
13%
|
0
|
0%
|
|
70
|
ORPHEUS
|
2
|
8%
|
0
|
0%
|
|
71
|
SATISFACTION FOR SUFFERINGS
|
1
|
4%
|
0
|
0%
|
|
72
|
SOFT MUSIC
|
5
|
21%
|
0
|
0%
|
|
73
|
Sweet Disorder
|
2
|
8%
|
0
|
0%
|
|
74
|
THE APRON OF FLOWERS
|
1
|
4%
|
0
|
0%
|
|
75
|
The Argument Of His Book
|
1
|
4%
|
0
|
0%
|
|
76
|
The Bracelet: To Julia
|
1
|
4%
|
0
|
0%
|
|
77
|
THE CEREMONIES FOR CANDLEMAS DAY
|
1
|
4%
|
0
|
0%
|
|
78
|
THE COMING OF GOOD LUCK
|
2
|
8%
|
0
|
0%
|
|
79
|
THE CRUEL MAID
|
1
|
4%
|
0
|
0%
|
|
80
|
THE DEFINITION OF BEAUTY
|
2
|
8%
|
0
|
0%
|
|
81
|
THE FUNERAL RITES OF THE ROSE
|
1
|
4%
|
0
|
0%
|
|
82
|
The Good-night or Blessing
|
2
|
8%
|
0
|
0%
|
|
83
|
THE HAG
|
2
|
8%
|
0
|
0%
|
|
84
|
THE HEART
|
1
|
4%
|
0
|
0%
|
|
85
|
The Night Piece, to Julia
|
1
|
4%
|
0
|
0%
|
|
86
|
THE PRIMROSE
|
2
|
8%
|
0
|
0%
|
|
87
|
THE ROCK OF RUBIES, AND THE QUARRY OFPEARLS
|
3
|
13%
|
0
|
0%
|
|
88
|
THE SHOWER OF BLOSSOMS
|
1
|
4%
|
0
|
0%
|
|
89
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
1
|
4%
|
0
|
0%
|
|
90
|
THE TRANSFIGURATION
|
3
|
13%
|
0
|
0%
|
|
91
|
The Vine
|
1
|
4%
|
0
|
0%
|
|
92
|
THE VOICE AND VIOL
|
2
|
8%
|
0
|
0%
|
|
93
|
THE WOUNDED HEART
|
1
|
4%
|
0
|
0%
|
|
94
|
TO A GENTLEWOMAN, OBJECTING TO HIM HISGRAY HAIRS
|
1
|
4%
|
0
|
0%
|
|
95
|
TO ANTHEA
|
2
|
8%
|
0
|
0%
|
|
96
|
To Anthea, who may command him Anything
|
1
|
4%
|
0
|
0%
|
|
97
|
TO BACCHUS: A CANTICLE
|
1
|
4%
|
0
|
0%
|
|
98
|
TO BLOSSOMS
|
1
|
4%
|
0
|
0%
|
|
99
|
TO CARNATIONS: A SONG
|
1
|
4%
|
0
|
0%
|
|
100
|
To Daffodils
|
11
|
47%
|
0
|
0%
|
|
101
|
TO DAISIES, NOT TO SHUT SO SOON
|
1
|
4%
|
0
|
0%
|
|
102
|
TO DEATH
|
1
|
4%
|
0
|
0%
|
|
103
|
TO ELECTRA
|
1
|
4%
|
0
|
0%
|
|
104
|
TO HIS LOVELY MISTRESSES
|
2
|
8%
|
0
|
0%
|
|
105
|
To his mistress, objecting to him neither toying or talking
|
2
|
8%
|
0
|
0%
|
|
106
|
TO HIS VERSES
|
1
|
4%
|
0
|
0%
|
|
107
|
TO JULIA
|
1
|
4%
|
0
|
0%
|
|
108
|
TO MUSIC
|
1
|
4%
|
0
|
0%
|
|
109
|
TO MUSIC, TO BECALM A SWEET SICK YOUTH
|
1
|
4%
|
0
|
0%
|
|
110
|
TO MUSIC, TO BECALM HIS FEVER
|
1
|
4%
|
0
|
0%
|
|
111
|
TO MUSIC: A SONG
|
1
|
4%
|
0
|
0%
|
|
112
|
TO SAPHO
|
1
|
4%
|
0
|
0%
|
|
113
|
TO SILVIA
|
1
|
4%
|
0
|
0%
|
|
114
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
23
|
100%
|
0
|
0%
|
|
115
|
TO THE WATER-NYMPHS DRINKING AT THEFOUNTAIN
|
2
|
8%
|
0
|
0%
|
|
116
|
TO VIOLETS
|
1
|
4%
|
0
|
0%
|
|
117
|
To Virgins, to Make Much of Time
|
2
|
8%
|
0
|
0%
|
|
118
|
TO YOUTH
|
1
|
4%
|
0
|
0%
|
|
119
|
Truth and Falsehood
|
1
|
4%
|
0
|
0%
|
|
120
|
Upon Julia's Clothes
|
2
|
8%
|
0
|
0%
|
|
121
|
UPON JULIA'S HAIR FILLED WITH DEW
|
1
|
4%
|
0
|
0%
|
|
122
|
UPON JULIA'S RECOVERY
|
1
|
4%
|
0
|
0%
|
|
123
|
Upon Julia's Unlacing Herself
|
1
|
4%
|
0
|
0%
|
|
124
|
UPON JULIA'S VOICE
|
1
|
4%
|
0
|
0%
|
|
125
|
UPON LOVE
|
1
|
4%
|
0
|
0%
|
|
126
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
4%
|
0
|
0%
|
|
127
|
Upon The Nipples Of Julia's Breast
|
6
|
26%
|
0
|
0%
|
|
128
|
What Kind Of Mistress He Would Have
|
1
|
4%
|
0
|
0%
|
|
129
|
WHY FLOWERS CHANGE COLOUR
|
1
|
4%
|
0
|
0%
|