|
1
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
9
|
100%
|
0
|
0%
|
|
2
|
A CANTICLE TO APOLLO
|
3
|
33%
|
0
|
0%
|
|
3
|
A Child's Grace
|
5
|
55%
|
0
|
0%
|
|
4
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
5
|
55%
|
0
|
0%
|
|
5
|
A CONJURATION: TO ELECTRA
|
4
|
44%
|
0
|
0%
|
|
6
|
A DIALOGUE BETWIXT HIMSELF AND MISTRESS ELIZAWHEELER, UNDER THE NAME OF AMARILLIS
|
2
|
22%
|
0
|
0%
|
|
7
|
A HYMN TO BACCHUS
|
2
|
22%
|
0
|
0%
|
|
8
|
A Hymn To Love
|
7
|
77%
|
0
|
0%
|
|
9
|
A HYMN TO THE GRACES
|
3
|
33%
|
0
|
0%
|
|
10
|
A HYMN TO VENUS AND CUPID
|
4
|
44%
|
0
|
0%
|
|
11
|
A Lyric to Mirth
|
4
|
44%
|
0
|
0%
|
|
12
|
A MEAN IN OUR MEANS
|
1
|
11%
|
0
|
0%
|
|
13
|
A MEDITATION FOR HIS MISTRESS
|
4
|
44%
|
0
|
0%
|
|
14
|
A NEW YEAR'S GIFT,SENT TO SIR SIMEON STEWARD
|
2
|
22%
|
0
|
0%
|
|
15
|
A PANEGYRIC TO SIR LEWIS PEMBERTON
|
2
|
22%
|
0
|
0%
|
|
16
|
A PARANAETICALL, OR ADVISIVE VERSETO HIS FRIEND, MR JOHN WICKS
|
2
|
22%
|
0
|
0%
|
|
17
|
A PASTORAL SUNG TO THE KING
|
3
|
33%
|
0
|
0%
|
|
18
|
A Ring Presented to Julia
|
2
|
22%
|
0
|
0%
|
|
19
|
A THANKSGIVING TO GOD, FOR HIS HOUSE
|
4
|
44%
|
0
|
0%
|
|
20
|
ALL THINGS DECAY AND DIE
|
4
|
44%
|
0
|
0%
|
|
21
|
AMBITION
|
5
|
55%
|
0
|
0%
|
|
22
|
AN EPITAPH UPON A CHILD
|
3
|
33%
|
0
|
0%
|
|
23
|
AN ODE FOR BEN JONSON
|
1
|
11%
|
0
|
0%
|
|
24
|
Another Grace For A Child
|
1
|
11%
|
0
|
0%
|
|
25
|
ANTHEA'S RETRACTATION
|
1
|
11%
|
0
|
0%
|
|
26
|
ART ABOVE NATURE: TO JULIA
|
1
|
11%
|
0
|
0%
|
|
27
|
BARLEY-BREAK; OR, LAST IN HELL
|
1
|
11%
|
0
|
0%
|
|
28
|
Be My Mistress Short or Tall
|
2
|
22%
|
0
|
0%
|
|
29
|
BURIAL
|
1
|
11%
|
0
|
0%
|
|
30
|
CASUALTIES
|
2
|
22%
|
0
|
0%
|
|
31
|
CEREMONIES FOR CANDLEMAS EVE
|
1
|
11%
|
0
|
0%
|
|
32
|
CHERRY RIPE
|
1
|
11%
|
0
|
0%
|
|
33
|
Cherry- Ripe
|
2
|
22%
|
0
|
0%
|
|
34
|
COCK-CROW
|
3
|
33%
|
0
|
0%
|
|
35
|
Corinna's Going A-Maying
|
1
|
11%
|
0
|
0%
|
|
36
|
CRUTCHES
|
2
|
22%
|
0
|
0%
|
|
37
|
DELIGHT IN DISORDER
|
5
|
55%
|
0
|
0%
|
|
38
|
Departure of the Good Daemon
|
2
|
22%
|
0
|
0%
|
|
39
|
Divination By A Daffodil
|
4
|
44%
|
0
|
0%
|
|
40
|
Draw-gloves
|
1
|
11%
|
0
|
0%
|
|
41
|
Dreams
|
8
|
88%
|
0
|
0%
|
|
42
|
Epitaph upon a Child that died
|
5
|
55%
|
0
|
0%
|
|
43
|
ETERNITY
|
3
|
33%
|
0
|
0%
|
|
44
|
FAREWELL FROST, OR WELCOME SPRING
|
3
|
33%
|
0
|
0%
|
|
45
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
11%
|
0
|
0%
|
|
46
|
GOOD PRECEPTS, OR COUNSEL
|
1
|
11%
|
0
|
0%
|
|
47
|
GRACE FOR A CHILD
|
1
|
11%
|
0
|
0%
|
|
48
|
HIS AGE:DEDICATED TO HIS PECULIAR FRIEND,MR JOHN WICKES, UNDER THE NAME OFPOSTUMUS
|
1
|
11%
|
0
|
0%
|
|
49
|
HIS CONTENT IN THE COUNTRY
|
2
|
22%
|
0
|
0%
|
|
50
|
HIS COVENANT OR PROTESTATION TO JULIA
|
1
|
11%
|
0
|
0%
|
|
51
|
HIS GRANGE, OR PRIVATE WEALTH
|
1
|
11%
|
0
|
0%
|
|
52
|
HIS LAST REQUEST TO JULIA
|
2
|
22%
|
0
|
0%
|
|
53
|
His Litany to the Holy Spirit
|
6
|
66%
|
0
|
0%
|
|
54
|
HIS LITANY, TO THE HOLY SPIRIT
|
3
|
33%
|
0
|
0%
|
|
55
|
HIS MISTRESS TO HIM AT HIS FAREWELL
|
1
|
11%
|
0
|
0%
|
|
56
|
HIS POETRY HIS PILLAR
|
1
|
11%
|
0
|
0%
|
|
57
|
His Prayer For Absolution
|
1
|
11%
|
0
|
0%
|
|
58
|
HIS REQUEST TO JULIA
|
1
|
11%
|
0
|
0%
|
|
59
|
HIS RETURN TO LONDON
|
2
|
22%
|
0
|
0%
|
|
60
|
HIS WINDING-SHEET
|
1
|
11%
|
0
|
0%
|
|
61
|
HOW HIS SOUL CAME ENSNARED
|
2
|
22%
|
0
|
0%
|
|
62
|
HOW SPRINGS CAME FIRST
|
2
|
22%
|
0
|
0%
|
|
63
|
IMPOSSIBILITIES: TO HIS FRIEND
|
1
|
11%
|
0
|
0%
|
|
64
|
KISSING USURY
|
3
|
33%
|
0
|
0%
|
|
65
|
LIFE IS THE BODY'S LIGHT
|
1
|
11%
|
0
|
0%
|
|
66
|
Litany to the Holy Spirit
|
2
|
22%
|
0
|
0%
|
|
67
|
LOVE DISLIKES NOTHING
|
3
|
33%
|
0
|
0%
|
|
68
|
LOVE LIGHTLY PLEASED
|
3
|
33%
|
0
|
0%
|
|
69
|
LOVE, WHAT IT IS
|
3
|
33%
|
0
|
0%
|
|
70
|
LOVERS HOW THEY COME AND PART
|
1
|
11%
|
0
|
0%
|
|
71
|
MAN'S DYING-PLACE UNCERTAIN
|
2
|
22%
|
0
|
0%
|
|
72
|
MATINS, OR MORNING PRAYER
|
4
|
44%
|
0
|
0%
|
|
73
|
MEN MIND NO STATE IN SICKNESS
|
1
|
11%
|
0
|
0%
|
|
74
|
MIRTH
|
1
|
11%
|
0
|
0%
|
|
75
|
NO FAULT IN WOMEN
|
3
|
33%
|
0
|
0%
|
|
76
|
NO MAN WITHOUT MONEY
|
2
|
22%
|
0
|
0%
|
|
77
|
NO PAINS, NO GAINS
|
4
|
44%
|
0
|
0%
|
|
78
|
NOT EVERY DAY FIT FOR VERSE
|
1
|
11%
|
0
|
0%
|
|
79
|
Oberon's Feast
|
3
|
33%
|
0
|
0%
|
|
80
|
OF LOVE: A SONNET
|
4
|
44%
|
0
|
0%
|
|
81
|
ON A PERFUMED LADY
|
1
|
11%
|
0
|
0%
|
|
82
|
ON LOVE
|
3
|
33%
|
0
|
0%
|
|
83
|
ORPHEUS
|
2
|
22%
|
0
|
0%
|
|
84
|
PEACE NOT PERMANENT
|
1
|
11%
|
0
|
0%
|
|
85
|
POVERTY AND RICHES
|
3
|
33%
|
0
|
0%
|
|
86
|
PRAY AND PROSPER
|
2
|
22%
|
0
|
0%
|
|
87
|
Proof to No Purpose
|
1
|
11%
|
0
|
0%
|
|
88
|
PURPOSES
|
2
|
22%
|
0
|
0%
|
|
89
|
Rewards
|
2
|
22%
|
0
|
0%
|
|
90
|
SATISFACTION FOR SUFFERINGS
|
1
|
11%
|
0
|
0%
|
|
91
|
TEARS AND LAUGHTER
|
1
|
11%
|
0
|
0%
|
|
92
|
THE APRON OF FLOWERS
|
2
|
22%
|
0
|
0%
|
|
93
|
The Argument Of His Book
|
1
|
11%
|
0
|
0%
|
|
94
|
THE BAD SEASON MAKES THE POET SAD
|
3
|
33%
|
0
|
0%
|
|
95
|
THE BEGGAR TO MAB, THE FAIRY QUEEN
|
2
|
22%
|
0
|
0%
|
|
96
|
The Bellman
|
1
|
11%
|
0
|
0%
|
|
97
|
THE BELL-MAN
|
2
|
22%
|
0
|
0%
|
|
98
|
THE BRACELET TO JULIA
|
1
|
11%
|
0
|
0%
|
|
99
|
The Bracelet: To Julia
|
1
|
11%
|
0
|
0%
|
|
100
|
THE CEREMONIES FOR CANDLEMAS DAY
|
2
|
22%
|
0
|
0%
|
|
101
|
THE CHANGES: TO CORINNA
|
1
|
11%
|
0
|
0%
|
|
102
|
THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST
|
1
|
11%
|
0
|
0%
|
|
103
|
THE COMING OF GOOD LUCK
|
1
|
11%
|
0
|
0%
|
|
104
|
THE COUNTRY LIFE:
|
4
|
44%
|
0
|
0%
|
|
105
|
THE DEFINITION OF BEAUTY
|
1
|
11%
|
0
|
0%
|
|
106
|
THE FAIRIES
|
3
|
33%
|
0
|
0%
|
|
107
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
11%
|
0
|
0%
|
|
108
|
THE FUNERAL RITES OF THE ROSE
|
3
|
33%
|
0
|
0%
|
|
109
|
The Good-night or Blessing
|
4
|
44%
|
0
|
0%
|
|
110
|
THE HAG
|
1
|
11%
|
0
|
0%
|
|
111
|
THE HEART
|
1
|
11%
|
0
|
0%
|
|
112
|
THE HOCK-CART, OR HARVEST HOME:TO THE RIGHT HONOURABLE MILDMAY, EARL OF WESTMORLAND
|
2
|
22%
|
0
|
0%
|
|
113
|
The Hour-glass
|
4
|
44%
|
0
|
0%
|
|
114
|
THE KISS: A DIALOGUE
|
1
|
11%
|
0
|
0%
|
|
115
|
THE MAD MAID'S SONG
|
1
|
11%
|
0
|
0%
|
|
116
|
THE MAYPOLE
|
1
|
11%
|
0
|
0%
|
|
117
|
The Night Piece, to Julia
|
1
|
11%
|
0
|
0%
|
|
118
|
The Night Piece, to Julia
|
2
|
22%
|
0
|
0%
|
|
119
|
THE NIGHT PIECE: TO JULIA
|
1
|
11%
|
0
|
0%
|
|
120
|
THE OLD WIVES' PRAYER
|
1
|
11%
|
0
|
0%
|
|
121
|
THE PARCAE; OR, THREE DAINTY DESTINIES:THE ARMILET
|
2
|
22%
|
0
|
0%
|
|
122
|
THE PARLIAMENT OF ROSES TO JULIA
|
1
|
11%
|
0
|
0%
|
|
123
|
THE PLAUDITE, OR END OF LIFE
|
2
|
22%
|
0
|
0%
|
|
124
|
THE PRIMROSE
|
1
|
11%
|
0
|
0%
|
|
125
|
THE ROCK OF RUBIES, AND THE QUARRY OFPEARLS
|
1
|
11%
|
0
|
0%
|
|
126
|
The Rosary
|
3
|
33%
|
0
|
0%
|
|
127
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
2
|
22%
|
0
|
0%
|
|
128
|
THE TRANSFIGURATION
|
1
|
11%
|
0
|
0%
|
|
129
|
The Vine
|
2
|
22%
|
0
|
0%
|
|
130
|
THE WASSAIL
|
2
|
22%
|
0
|
0%
|
|
131
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
1
|
11%
|
0
|
0%
|
|
132
|
THE WIDOWS' TEARS; OR, DIRGE OF DORCAS
|
2
|
22%
|
0
|
0%
|
|
133
|
The Wounded Cupid
|
1
|
11%
|
0
|
0%
|
|
134
|
TO A GENTLEWOMAN, OBJECTING TO HIM HISGRAY HAIRS
|
1
|
11%
|
0
|
0%
|
|
135
|
TO ANTHEA
|
1
|
11%
|
0
|
0%
|
|
136
|
TO BACCHUS: A CANTICLE
|
1
|
11%
|
0
|
0%
|
|
137
|
TO BE MERRY
|
1
|
11%
|
0
|
0%
|
|
138
|
TO DAFFADILS
|
1
|
11%
|
0
|
0%
|
|
139
|
To Daffodils
|
3
|
33%
|
0
|
0%
|
|
140
|
TO ELECTRA
|
1
|
11%
|
0
|
0%
|
|
141
|
TO HIS DYING BROTHER, MASTER WILLIAM HERRICK
|
1
|
11%
|
0
|
0%
|
|
142
|
TO HIS KINSWOMAN, MISTRESS SUSANNA HERRICK
|
1
|
11%
|
0
|
0%
|
|
143
|
TO HIS MISTRESS, OBJECTING TO HIM NEITHERTOYING OR TALKING
|
1
|
11%
|
0
|
0%
|
|
144
|
TO HIS SWEET SAVIOUR
|
1
|
11%
|
0
|
0%
|
|
145
|
TO LIVE MERRILY,AND TO TRUST TO GOOD VERSES
|
1
|
11%
|
0
|
0%
|
|
146
|
To Music: a Song
|
1
|
11%
|
0
|
0%
|
|
147
|
TO PERENNA
|
1
|
11%
|
0
|
0%
|
|
148
|
TO PERlLLA
|
1
|
11%
|
0
|
0%
|
|
149
|
TO ROBIN RED-BREAST
|
1
|
11%
|
0
|
0%
|
|
150
|
TO SILVIA
|
1
|
11%
|
0
|
0%
|
|
151
|
TO THE GENIUS OF HIS HOUSE
|
1
|
11%
|
0
|
0%
|
|
152
|
TO THE WILLOW-TREE
|
1
|
11%
|
0
|
0%
|
|
153
|
Truth and Falsehood
|
1
|
11%
|
0
|
0%
|
|
154
|
UPON A CHILD
|
2
|
22%
|
0
|
0%
|
|
155
|
UPON A PAINTED GENTLEWOMAN
|
1
|
11%
|
0
|
0%
|
|
156
|
Upon Julia's Unlacing Herself
|
1
|
11%
|
0
|
0%
|
|
157
|
UPON JULIA'S VOICE
|
1
|
11%
|
0
|
0%
|
|
158
|
UPON MAN
|
1
|
11%
|
0
|
0%
|
|
159
|
Upon Parson Beanes
|
1
|
11%
|
0
|
0%
|
|
160
|
UPON TEARS
|
2
|
22%
|
0
|
0%
|
|
161
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
11%
|
0
|
0%
|
|
162
|
UPON TIME
|
1
|
11%
|
0
|
0%
|
|
163
|
UPON WRINKLES
|
2
|
22%
|
0
|
0%
|
|
164
|
What Kind Of Mistress He Would Have
|
1
|
11%
|
0
|
0%
|
|
165
|
WHEN HE WOULD HAVE HIS VERSES READ
|
1
|
11%
|
0
|
0%
|
|
166
|
WHY FLOWERS CHANGE COLOUR
|
3
|
33%
|
0
|
0%
|
|
167
|
WlT PUNISHED PROSPERS MOST
|
1
|
11%
|
0
|
0%
|
|
168
|
WRITING
|
1
|
11%
|
0
|
0%
|