|
1
|
To Daffodils
|
22
|
100%
|
0
|
0%
|
|
2
|
DELIGHT IN DISORDER
|
14
|
63%
|
0
|
0%
|
|
3
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
12
|
54%
|
0
|
0%
|
|
4
|
To Daffodils
|
11
|
50%
|
0
|
0%
|
|
5
|
OF LOVE: A SONNET
|
9
|
40%
|
0
|
0%
|
|
6
|
TO THE VIRGINS, TO MAKE MUCH OF TIME
|
9
|
40%
|
0
|
0%
|
|
7
|
A Lyric to Mirth
|
8
|
36%
|
0
|
0%
|
|
8
|
Upon The Nipples Of Julia's Breast
|
6
|
27%
|
0
|
0%
|
|
9
|
A CANTICLE TO APOLLO
|
5
|
22%
|
0
|
0%
|
|
10
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
4
|
18%
|
0
|
0%
|
|
11
|
A Child's Grace
|
4
|
18%
|
0
|
0%
|
|
12
|
Dreams
|
4
|
18%
|
0
|
0%
|
|
13
|
His Prayer To Ben Jonson
|
4
|
18%
|
0
|
0%
|
|
14
|
The Argument Of His Book
|
4
|
18%
|
0
|
0%
|
|
15
|
The Good-night or Blessing
|
4
|
18%
|
0
|
0%
|
|
16
|
THE HAG
|
4
|
18%
|
0
|
0%
|
|
17
|
A CANTICLE TO APOLLO
|
3
|
13%
|
0
|
0%
|
|
18
|
A Christmas Carol, Sung to the King in the Presence at White-Hall
|
3
|
13%
|
0
|
0%
|
|
19
|
A Ring Presented to Julia
|
3
|
13%
|
0
|
0%
|
|
20
|
ALL THINGS DECAY AND DIE
|
3
|
13%
|
0
|
0%
|
|
21
|
An Ode to Master Endymion Porter, Upon His Brother's Death
|
3
|
13%
|
0
|
0%
|
|
22
|
ANTHEA'S RETRACTATION
|
3
|
13%
|
0
|
0%
|
|
23
|
Be My Mistress Short or Tall
|
3
|
13%
|
0
|
0%
|
|
24
|
Be My Mistress Short or Tall
|
3
|
13%
|
0
|
0%
|
|
25
|
DELIGHT IN DISORDER
|
3
|
13%
|
0
|
0%
|
|
26
|
Epitaph upon a Child that died
|
3
|
13%
|
0
|
0%
|
|
27
|
His Prayer To Ben Jonson
|
3
|
13%
|
0
|
0%
|
|
28
|
Proof to No Purpose
|
3
|
13%
|
0
|
0%
|
|
29
|
Truth and Falsehood
|
3
|
13%
|
0
|
0%
|
|
30
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
9%
|
0
|
0%
|
|
31
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
9%
|
0
|
0%
|
|
32
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
9%
|
0
|
0%
|
|
33
|
A BUCOLIC BETWIXT TWO;LACON AND THYRSIS
|
2
|
9%
|
0
|
0%
|
|
34
|
A Child's Grace
|
2
|
9%
|
0
|
0%
|
|
35
|
A Hymn To Love
|
2
|
9%
|
0
|
0%
|
|
36
|
A Lyric to Mirth
|
2
|
9%
|
0
|
0%
|
|
37
|
A MEDITATION FOR HIS MISTRESS
|
2
|
9%
|
0
|
0%
|
|
38
|
ALL THINGS DECAY AND DIE
|
2
|
9%
|
0
|
0%
|
|
39
|
AN ODE FOR BEN JONSON
|
2
|
9%
|
0
|
0%
|
|
40
|
ANACREONTIC
|
2
|
9%
|
0
|
0%
|
|
41
|
BURIAL
|
2
|
9%
|
0
|
0%
|
|
42
|
Departure of the Good Daemon
|
2
|
9%
|
0
|
0%
|
|
43
|
ETERNITY
|
2
|
9%
|
0
|
0%
|
|
44
|
His Prayer For Absolution
|
2
|
9%
|
0
|
0%
|
|
45
|
HIS RETURN TO LONDON
|
2
|
9%
|
0
|
0%
|
|
46
|
His Wish To God
|
2
|
9%
|
0
|
0%
|
|
47
|
LOVE, WHAT IT IS
|
2
|
9%
|
0
|
0%
|
|
48
|
NO FAULT IN WOMEN
|
2
|
9%
|
0
|
0%
|
|
49
|
NO PAINS, NO GAINS
|
2
|
9%
|
0
|
0%
|
|
50
|
NOT EVERY DAY FIT FOR VERSE
|
2
|
9%
|
0
|
0%
|
|
51
|
THE BAD SEASON MAKES THE POET SAD
|
2
|
9%
|
0
|
0%
|
|
52
|
THE COMING OF GOOD LUCK
|
2
|
9%
|
0
|
0%
|
|
53
|
THE COMING OF GOOD LUCK
|
2
|
9%
|
0
|
0%
|
|
54
|
The Hock-cart, or Harvest Home
|
2
|
9%
|
0
|
0%
|
|
55
|
THE MAYPOLE
|
2
|
9%
|
0
|
0%
|
|
56
|
THE OLIVE BRANCH
|
2
|
9%
|
0
|
0%
|
|
57
|
THE SHOWER OF BLOSSOMS
|
2
|
9%
|
0
|
0%
|
|
58
|
THE WOUNDED HEART
|
2
|
9%
|
0
|
0%
|
|
59
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
2
|
9%
|
0
|
0%
|
|
60
|
TO ANTHEA, WHO MAY COMMAND HIM ANY THING
|
2
|
9%
|
0
|
0%
|
|
61
|
TO DAFFADILS
|
2
|
9%
|
0
|
0%
|
|
62
|
TO DAISIES, NOT TO SHUT SO SOON
|
2
|
9%
|
0
|
0%
|
|
63
|
TO DEATH
|
2
|
9%
|
0
|
0%
|
|
64
|
TRUTH AND ERROR
|
2
|
9%
|
0
|
0%
|
|
65
|
UPON A DELAYING LADY
|
2
|
9%
|
0
|
0%
|
|
66
|
Upon Julia's Clothes
|
2
|
9%
|
0
|
0%
|
|
67
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
2
|
9%
|
0
|
0%
|
|
68
|
UPON TIME
|
2
|
9%
|
0
|
0%
|
|
69
|
A Conjuration To Electra
|
1
|
4%
|
0
|
0%
|
|
70
|
A Conjuration To Electra
|
1
|
4%
|
0
|
0%
|
|
71
|
A HYMN TO BACCHUS
|
1
|
4%
|
0
|
0%
|
|
72
|
A HYMN TO BACCHUS
|
1
|
4%
|
0
|
0%
|
|
73
|
A Hymn To Love
|
1
|
4%
|
0
|
0%
|
|
74
|
A HYMN TO VENUS AND CUPID
|
1
|
4%
|
0
|
0%
|
|
75
|
A PASTORAL SUNG TO THE KING
|
1
|
4%
|
0
|
0%
|
|
76
|
A Ring Presented to Julia
|
1
|
4%
|
0
|
0%
|
|
77
|
AN HYMN TO THE MUSES
|
1
|
4%
|
0
|
0%
|
|
78
|
AN ODE TO SIR CLIPSBY CREW
|
1
|
4%
|
0
|
0%
|
|
79
|
Another
|
1
|
4%
|
0
|
0%
|
|
80
|
ART ABOVE NATURE: TO JULIA
|
1
|
4%
|
0
|
0%
|
|
81
|
ART ABOVE NATURE: TO JULIA
|
1
|
4%
|
0
|
0%
|
|
82
|
ART ABOVE NATURE: TO JULIA
|
1
|
4%
|
0
|
0%
|
|
83
|
ART ABOVE NATURE: TO JULIA
|
1
|
4%
|
0
|
0%
|
|
84
|
ART ABOVE NATURE: TO JULIA
|
1
|
4%
|
0
|
0%
|
|
85
|
CHERRY RIPE
|
1
|
4%
|
0
|
0%
|
|
86
|
Cherry- Ripe
|
1
|
4%
|
0
|
0%
|
|
87
|
Cherry- Ripe
|
1
|
4%
|
0
|
0%
|
|
88
|
Cherry- Ripe
|
1
|
4%
|
0
|
0%
|
|
89
|
Cherry- Ripe
|
1
|
4%
|
0
|
0%
|
|
90
|
Cherry- Ripe
|
1
|
4%
|
0
|
0%
|
|
91
|
COMFORT TO A YOUTH THAT HAD LOST HIS LOVE
|
1
|
4%
|
0
|
0%
|
|
92
|
Departure of the Good Daemon
|
1
|
4%
|
0
|
0%
|
|
93
|
Discontents In Devon
|
1
|
4%
|
0
|
0%
|
|
94
|
Discontents In Devon
|
1
|
4%
|
0
|
0%
|
|
95
|
Divination By A Daffodil
|
1
|
4%
|
0
|
0%
|
|
96
|
Dreams
|
1
|
4%
|
0
|
0%
|
|
97
|
Dreams
|
1
|
4%
|
0
|
0%
|
|
98
|
Dreams
|
1
|
4%
|
0
|
0%
|
|
99
|
Dreams
|
1
|
4%
|
0
|
0%
|
|
100
|
Dreams
|
1
|
4%
|
0
|
0%
|
|
101
|
FAREWELL FROST, OR WELCOME SPRING
|
1
|
4%
|
0
|
0%
|
|
102
|
FOUR THINGS MAKE US HAPPY HERE
|
1
|
4%
|
0
|
0%
|
|
103
|
GRACE FOR A CHILD
|
1
|
4%
|
0
|
0%
|
|
104
|
HIS AGE:DEDICATED TO HIS PECULIAR FRIEND,MR JOHN WICKES, UNDER THE NAME OFPOSTUMUS
|
1
|
4%
|
0
|
0%
|
|
105
|
HIS LAST REQUEST TO JULIA
|
1
|
4%
|
0
|
0%
|
|
106
|
His Litany to the Holy Spirit
|
1
|
4%
|
0
|
0%
|
|
107
|
His Meditation Upon Death
|
1
|
4%
|
0
|
0%
|
|
108
|
HIS POETRY HIS PILLAR
|
1
|
4%
|
0
|
0%
|
|
109
|
His Prayer For Absolution
|
1
|
4%
|
0
|
0%
|
|
110
|
HIS REQUEST TO JULIA
|
1
|
4%
|
0
|
0%
|
|
111
|
HOW PANSIES OR HEARTS-EASE CAME FIRST
|
1
|
4%
|
0
|
0%
|
|
112
|
I CALL AND I CALL
|
1
|
4%
|
0
|
0%
|
|
113
|
LIFE IS THE BODY'S LIGHT
|
1
|
4%
|
0
|
0%
|
|
114
|
LOVE LIGHTLY PLEASED
|
1
|
4%
|
0
|
0%
|
|
115
|
NOT EVERY DAY FIT FOR VERSE
|
1
|
4%
|
0
|
0%
|
|
116
|
PURPOSES
|
1
|
4%
|
0
|
0%
|
|
117
|
Rewards
|
1
|
4%
|
0
|
0%
|
|
118
|
TEARS AND LAUGHTER
|
1
|
4%
|
0
|
0%
|
|
119
|
THE APRON OF FLOWERS
|
1
|
4%
|
0
|
0%
|
|
120
|
The Argument Of His Book
|
1
|
4%
|
0
|
0%
|
|
121
|
The Argument Of His Book
|
1
|
4%
|
0
|
0%
|
|
122
|
The Argument Of His Book
|
1
|
4%
|
0
|
0%
|
|
123
|
The Argument Of His Book
|
1
|
4%
|
0
|
0%
|
|
124
|
The Argument Of His Book
|
1
|
4%
|
0
|
0%
|
|
125
|
THE BAD SEASON MAKES THE POET SAD
|
1
|
4%
|
0
|
0%
|
|
126
|
The Bellman
|
1
|
4%
|
0
|
0%
|
|
127
|
THE BRACELET TO JULIA
|
1
|
4%
|
0
|
0%
|
|
128
|
The Bracelet: To Julia
|
1
|
4%
|
0
|
0%
|
|
129
|
THE BRIDE-CAKE
|
1
|
4%
|
0
|
0%
|
|
130
|
THE BUBBLE: A SONG
|
1
|
4%
|
0
|
0%
|
|
131
|
THE CEREMONIES FOR CANDLEMAS DAY
|
1
|
4%
|
0
|
0%
|
|
132
|
THE CHANGES: TO CORINNA
|
1
|
4%
|
0
|
0%
|
|
133
|
THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST
|
1
|
4%
|
0
|
0%
|
|
134
|
THE COMING OF GOOD LUCK
|
1
|
4%
|
0
|
0%
|
|
135
|
THE COMING OF GOOD LUCK
|
1
|
4%
|
0
|
0%
|
|
136
|
THE COMING OF GOOD LUCK
|
1
|
4%
|
0
|
0%
|
|
137
|
THE COMING OF GOOD LUCK
|
1
|
4%
|
0
|
0%
|
|
138
|
THE COUNTRY LIFE:
|
1
|
4%
|
0
|
0%
|
|
139
|
THE COUNTRY LIFE:
|
1
|
4%
|
0
|
0%
|
|
140
|
THE CRUEL MAID
|
1
|
4%
|
0
|
0%
|
|
141
|
THE FAIRIES
|
1
|
4%
|
0
|
0%
|
|
142
|
THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
|
1
|
4%
|
0
|
0%
|
|
143
|
THE FUNERAL RITES OF THE ROSE
|
1
|
4%
|
0
|
0%
|
|
144
|
THE FUNERAL RITES OF THE ROSE
|
1
|
4%
|
0
|
0%
|
|
145
|
THE HAG
|
1
|
4%
|
0
|
0%
|
|
146
|
THE HAG
|
1
|
4%
|
0
|
0%
|
|
147
|
THE HAG
|
1
|
4%
|
0
|
0%
|
|
148
|
THE HAG
|
1
|
4%
|
0
|
0%
|
|
149
|
THE HAG
|
1
|
4%
|
0
|
0%
|
|
150
|
THE HEART
|
1
|
4%
|
0
|
0%
|
|
151
|
THE HEART
|
1
|
4%
|
0
|
0%
|
|
152
|
THE HEART
|
1
|
4%
|
0
|
0%
|
|
153
|
THE HEART
|
1
|
4%
|
0
|
0%
|
|
154
|
THE HEART
|
1
|
4%
|
0
|
0%
|
|
155
|
THE HEART
|
1
|
4%
|
0
|
0%
|
|
156
|
The Hour-glass
|
1
|
4%
|
0
|
0%
|
|
157
|
The Hour-glass
|
1
|
4%
|
0
|
0%
|
|
158
|
THE LILY IN A CRYSTAL
|
1
|
4%
|
0
|
0%
|
|
159
|
THE MAYPOLE
|
1
|
4%
|
0
|
0%
|
|
160
|
THE MAYPOLE
|
1
|
4%
|
0
|
0%
|
|
161
|
THE MAYPOLE
|
1
|
4%
|
0
|
0%
|
|
162
|
THE MAYPOLE
|
1
|
4%
|
0
|
0%
|
|
163
|
The Night Piece, to Julia
|
1
|
4%
|
0
|
0%
|
|
164
|
THE SUCCESSION OF THE FOUR SWEET MONTHS
|
1
|
4%
|
0
|
0%
|
|
165
|
THE WHITE ISLAND:OR PLACE OF THE BLEST
|
1
|
4%
|
0
|
0%
|
|
166
|
THE WOUNDED HEART
|
1
|
4%
|
0
|
0%
|
|
167
|
THINGS MORTAL STILL MUTABLE
|
1
|
4%
|
0
|
0%
|
|
168
|
To Anthea, who may command him Anything
|
1
|
4%
|
0
|
0%
|
|
169
|
TO CARNATIONS: A SONG
|
1
|
4%
|
0
|
0%
|
|
170
|
To Daffodils
|
1
|
4%
|
0
|
0%
|
|
171
|
TO ENJOY THE TIME
|
1
|
4%
|
0
|
0%
|
|
172
|
TO HIS MUSE
|
1
|
4%
|
0
|
0%
|
|
173
|
TO JULIA
|
1
|
4%
|
0
|
0%
|
|
174
|
TO MUSIC, TO BECALM A SWEET SICK YOUTH
|
1
|
4%
|
0
|
0%
|
|
175
|
To Music: a Song
|
1
|
4%
|
0
|
0%
|
|
176
|
TO ROBIN RED-BREAST
|
1
|
4%
|
0
|
0%
|
|
177
|
TO THE LADY CREWE, UPON THE DEATH OF HER CHILD
|
1
|
4%
|
0
|
0%
|
|
178
|
TO THE WILLOW-TREE
|
1
|
4%
|
0
|
0%
|
|
179
|
To Virgins, to Make Much of Time
|
1
|
4%
|
0
|
0%
|
|
180
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
4%
|
0
|
0%
|
|
181
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
4%
|
0
|
0%
|
|
182
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
4%
|
0
|
0%
|
|
183
|
UPON LOVE:BY WAY OF QUESTION AND ANSWER
|
1
|
4%
|
0
|
0%
|
|
184
|
UPON THE LOSS OF HIS MISTRESSES
|
1
|
4%
|
0
|
0%
|
|
185
|
Upon The Nipples Of Julia's Breast
|
1
|
4%
|
0
|
0%
|