|
1
|
(Fragment 2) I know 'tis but a Dream, yet feel more anguish
|
13
|
25%
|
0
|
0%
|
|
2
|
A Child's Evening Prayer
|
39
|
75%
|
0
|
0%
|
|
3
|
A Christmas Carol
|
23
|
44%
|
0
|
0%
|
|
4
|
A Couplet, Written In A Volume Of Poems Presented By Mr. Coleridge To Dr. A.
|
5
|
9%
|
0
|
0%
|
|
5
|
A Day Dream
|
52
|
100%
|
0
|
0%
|
|
6
|
A Mathematical Problem
|
17
|
32%
|
0
|
0%
|
|
7
|
A Soliloquy Of The Full Moon, She Being In A Mad Passion
|
8
|
15%
|
0
|
0%
|
|
8
|
A Tombless Epitaph
|
8
|
15%
|
0
|
0%
|
|
9
|
About The Nightingale
|
13
|
25%
|
0
|
0%
|
|
10
|
Absence: A Farewell Ode On Quitting School For Jesus College
|
5
|
9%
|
0
|
0%
|
|
11
|
Addressed To A Young Man Of Fortune Who Abandoned Himself To An Indolent And Causeless Melancholy
|
7
|
13%
|
0
|
0%
|
|
12
|
Aeolian Harp, The
|
11
|
21%
|
0
|
0%
|
|
13
|
Answer To A Child's Question
|
15
|
28%
|
0
|
0%
|
|
14
|
Aplolgia Pro Vita Sua
|
7
|
13%
|
0
|
0%
|
|
15
|
As some vast Tropic tree, itself a wood (fragment)
|
5
|
9%
|
0
|
0%
|
|
16
|
Blossing Of The Solitary Date-Tree, The
|
4
|
7%
|
0
|
0%
|
|
17
|
Brockley Coomb
|
4
|
7%
|
0
|
0%
|
|
18
|
Christabel
|
12
|
23%
|
0
|
0%
|
|
19
|
Cologne
|
5
|
9%
|
0
|
0%
|
|
20
|
Come, come thou bleak December wind (fragment)
|
5
|
9%
|
0
|
0%
|
|
21
|
Composed At Clevedon, Somersetshire
|
2
|
3%
|
0
|
0%
|
|
22
|
Constancy To An Ideal Object
|
7
|
13%
|
0
|
0%
|
|
23
|
Dejection: An Ode
|
5
|
9%
|
0
|
0%
|
|
24
|
Desire
|
16
|
30%
|
0
|
0%
|
|
25
|
Despair
|
9
|
17%
|
0
|
0%
|
|
26
|
Domestic Peace
|
3
|
5%
|
0
|
0%
|
|
27
|
Duty Surviving Self-Love
|
4
|
7%
|
0
|
0%
|
|
28
|
Elegy, Imitated From One Of Akenside's Blank-Verse Inscriptions
|
2
|
3%
|
0
|
0%
|
|
29
|
Epitaph
|
3
|
5%
|
0
|
0%
|
|
30
|
Epitaph On An Infant
|
1
|
1%
|
0
|
0%
|
|
31
|
Fears In Solitude
|
8
|
15%
|
0
|
0%
|
|
32
|
Fire, Famine, And Slaughter : A War Eclogue
|
1
|
1%
|
0
|
0%
|
|
33
|
Forbearance
|
1
|
1%
|
0
|
0%
|
|
34
|
Fragment
|
3
|
5%
|
0
|
0%
|
|
35
|
France: An Ode
|
3
|
5%
|
0
|
0%
|
|
36
|
From 'Religious Musings'
|
1
|
1%
|
0
|
0%
|
|
37
|
Frost At Midnight
|
7
|
13%
|
0
|
0%
|
|
38
|
Genevieve
|
3
|
5%
|
0
|
0%
|
|
39
|
Glycine's Song
|
1
|
1%
|
0
|
0%
|
|
40
|
Home-Sick. Written In Germany
|
1
|
1%
|
0
|
0%
|
|
41
|
Human Life
|
9
|
17%
|
0
|
0%
|
|
42
|
I know 'tis but a Dream, yet feel more anguish (fragment)
|
2
|
3%
|
0
|
0%
|
|
43
|
Improvisatore, The
|
1
|
1%
|
0
|
0%
|
|
44
|
Inscription For A Fountain On A Heath
|
1
|
1%
|
0
|
0%
|
|
45
|
Kisses
|
12
|
23%
|
0
|
0%
|
|
46
|
Kubla Khan
|
46
|
88%
|
0
|
0%
|
|
47
|
Lewti, Or The Circassian Love-Chaunt
|
1
|
1%
|
0
|
0%
|
|
48
|
Life
|
6
|
11%
|
0
|
0%
|
|
49
|
Limbo
|
2
|
3%
|
0
|
0%
|
|
50
|
Lines
|
2
|
3%
|
0
|
0%
|
|
51
|
Lines Composed In A Concert-Room
|
1
|
1%
|
0
|
0%
|
|
52
|
Lines On A Friend, Who Died Of A Frenzy Fever, Induced By Calumnious Reports
|
1
|
1%
|
0
|
0%
|
|
53
|
Lines On Observing A Blossom On The First Of February, 1796
|
2
|
3%
|
0
|
0%
|
|
54
|
Lines Suggested By The Last Words Of Berengarius. Ob. Anno Dom. 1088
|
3
|
5%
|
0
|
0%
|
|
55
|
Lines To A Beautiful Spring In A Village
|
3
|
5%
|
0
|
0%
|
|
56
|
Lines To W. L. While He Sang A Song To Purcell's Music
|
2
|
3%
|
0
|
0%
|
|
57
|
Lines Written After A Walk Before Supper
|
2
|
3%
|
0
|
0%
|
|
58
|
Lines Written At The King's-Arms, Ross, Formerly The House Of The 'Man Of Ross'
|
2
|
3%
|
0
|
0%
|
|
59
|
Lines Written In The Album At Elbingerode, In The Hartz Forest
|
2
|
3%
|
0
|
0%
|
|
60
|
Love
|
13
|
25%
|
0
|
0%
|
|
61
|
Love's Apparition and Evanishment: An Allegoric Romance
|
2
|
3%
|
0
|
0%
|
|
62
|
Melancholy. A Fragment.
|
4
|
7%
|
0
|
0%
|
|
63
|
Metrical Feet
|
2
|
3%
|
0
|
0%
|
|
64
|
Monody On The Death Of Chatterton
|
1
|
1%
|
0
|
0%
|
|
65
|
Ode To Georgiana, Duchess Of Devonshire, On The Twenty-Fourth Stanza In Her 'Passage Over Mount Gothard.'
|
1
|
1%
|
0
|
0%
|
|
66
|
Ode To Sara, In Answer To A Letter From Bristol
|
2
|
3%
|
0
|
0%
|
|
67
|
Ode To The Departing Year
|
1
|
1%
|
0
|
0%
|
|
68
|
Ode To Tranquillity
|
5
|
9%
|
0
|
0%
|
|
69
|
On A Connubial Rupture In High Life
|
2
|
3%
|
0
|
0%
|
|
70
|
On A Ruined house In A Romantic Country
|
1
|
1%
|
0
|
0%
|
|
71
|
On An Infant Which Died Before Baptism
|
1
|
1%
|
0
|
0%
|
|
72
|
Pains Of Sleep, The
|
6
|
11%
|
0
|
0%
|
|
73
|
Phantom
|
3
|
5%
|
0
|
0%
|
|
74
|
Presence Of Love, The
|
3
|
5%
|
0
|
0%
|
|
75
|
Psyche
|
3
|
5%
|
0
|
0%
|
|
76
|
Reason
|
6
|
11%
|
0
|
0%
|
|
77
|
Recollections Of Love
|
4
|
7%
|
0
|
0%
|
|
78
|
Reflections On Having Left A Place Of Retirement
|
1
|
1%
|
0
|
0%
|
|
79
|
Religious Musings : A Desultory Poem Written On The Christmas Eve Of 1794
|
1
|
1%
|
0
|
0%
|
|
80
|
Rime Of The Ancient Mariner, The
|
14
|
26%
|
0
|
0%
|
|
81
|
Song
|
4
|
7%
|
0
|
0%
|
|
82
|
Songs of the Pixies
|
6
|
11%
|
0
|
0%
|
|
83
|
Sonnet
|
2
|
3%
|
0
|
0%
|
|
84
|
Sonnet II. On A Discovery Made Too Late
|
1
|
1%
|
0
|
0%
|
|
85
|
Sonnet III.
|
1
|
1%
|
0
|
0%
|
|
86
|
Sonnet V.
|
1
|
1%
|
0
|
0%
|
|
87
|
Sonnet VI.
|
1
|
1%
|
0
|
0%
|
|
88
|
Sonnet VIII. To Mercy
|
1
|
1%
|
0
|
0%
|
|
89
|
Sonnet XVIII. To The Autumnal Moon
|
4
|
7%
|
0
|
0%
|
|
90
|
Sonnet XX.
|
1
|
1%
|
0
|
0%
|
|
91
|
Sonnet XXI.
|
4
|
7%
|
0
|
0%
|
|
92
|
Sonnet XXII. To Simplicity
|
3
|
5%
|
0
|
0%
|
|
93
|
Suicide's Argument, The
|
1
|
1%
|
0
|
0%
|
|
94
|
Tell's Birth-Place. Imitated From Stolberg
|
1
|
1%
|
0
|
0%
|
|
95
|
The Aeolian Harp
|
3
|
5%
|
0
|
0%
|
|
96
|
The Alienated Mistress; A Madrigal. (From An Unfinished Melodrama)
|
1
|
1%
|
0
|
0%
|
|
97
|
The Ballad Of The Dark Ladie. A Fragment.
|
1
|
1%
|
0
|
0%
|
|
98
|
The Blossing Of The Solitary Date-Tree
|
3
|
5%
|
0
|
0%
|
|
99
|
The Blossoming Of The Solitary Date-Tree. A Lament
|
1
|
1%
|
0
|
0%
|
|
100
|
The Complaint Of Ninathoma
|
2
|
3%
|
0
|
0%
|
|
101
|
The Destiny Of Nations. A Vision.
|
3
|
5%
|
0
|
0%
|
|
102
|
The Devil's Thoughts
|
7
|
13%
|
0
|
0%
|
|
103
|
The Dungeon
|
4
|
7%
|
0
|
0%
|
|
104
|
The Eolian Harp
|
1
|
1%
|
0
|
0%
|
|
105
|
The Faded Flower
|
2
|
3%
|
0
|
0%
|
|
106
|
The Garden Of Boccaccio
|
1
|
1%
|
0
|
0%
|
|
107
|
The Good, Great Man
|
3
|
5%
|
0
|
0%
|
|
108
|
The Happy Husband
|
1
|
1%
|
0
|
0%
|
|
109
|
The Hour When We Shall Meet Again
|
4
|
7%
|
0
|
0%
|
|
110
|
The Keepsake
|
2
|
3%
|
0
|
0%
|
|
111
|
The Knight's Tomb
|
1
|
1%
|
0
|
0%
|
|
112
|
The Moon, how definite its orb! (fragment)
|
1
|
1%
|
0
|
0%
|
|
113
|
The Nightingale
|
1
|
1%
|
0
|
0%
|
|
114
|
The Pains Of Sleep
|
4
|
7%
|
0
|
0%
|
|
115
|
The Pang More Sharp Than All. An Allegory
|
1
|
1%
|
0
|
0%
|
|
116
|
The Presence Of Love
|
3
|
5%
|
0
|
0%
|
|
117
|
The Rime Of The Ancient Mariner
|
5
|
9%
|
0
|
0%
|
|
118
|
The Rose
|
3
|
5%
|
0
|
0%
|
|
119
|
The Sigh
|
2
|
3%
|
0
|
0%
|
|
120
|
The Suicide's Argument
|
3
|
5%
|
0
|
0%
|
|
121
|
The Three Graves. A Fragment Of A Sexton's Tale
|
1
|
1%
|
0
|
0%
|
|
122
|
The Visionary Hope
|
2
|
3%
|
0
|
0%
|
|
123
|
The Visit Of The Gods. Imitated From Schiller
|
1
|
1%
|
0
|
0%
|
|
124
|
Thicker than rain-drops on November thorn (fragment)
|
2
|
3%
|
0
|
0%
|
|
125
|
This Lime-Tree Bower My Prison
|
2
|
3%
|
0
|
0%
|
|
126
|
Time, Real And Imaginary
|
3
|
5%
|
0
|
0%
|
|
127
|
To An Unfortunate Woman At The Theatre
|
1
|
1%
|
0
|
0%
|
|
128
|
To Asra
|
1
|
1%
|
0
|
0%
|
|
129
|
To C. Lloyd, On His Proposing To Domesticate With The Author
|
1
|
1%
|
0
|
0%
|
|
130
|
To Nature
|
2
|
3%
|
0
|
0%
|
|
131
|
To Sara
|
3
|
5%
|
0
|
0%
|
|
132
|
To the Nightingale
|
1
|
1%
|
0
|
0%
|
|
133
|
To The River Otter
|
1
|
1%
|
0
|
0%
|
|
134
|
To William Wordsworth
|
3
|
5%
|
0
|
0%
|
|
135
|
Water Ballad
|
1
|
1%
|
0
|
0%
|
|
136
|
What if you slept ...
|
8
|
15%
|
0
|
0%
|
|
137
|
What Is Life?
|
8
|
15%
|
0
|
0%
|
|
138
|
When Hope but made Tranquillity be felt (fragment)
|
1
|
1%
|
0
|
0%
|
|
139
|
Whom should I choose for my Judge? (fragment)
|
2
|
3%
|
0
|
0%
|
|
140
|
Work Without Hope
|
5
|
9%
|
0
|
0%
|
|
141
|
Written In Early Youth. The Time,--An Autumnal Evening
|
2
|
3%
|
0
|
0%
|
|
142
|
Youth And Age
|
5
|
9%
|
0
|
0%
|
|
143
|
Zapolya
|
6
|
11%
|
0
|
0%
|