|
1
|
(Fragment 2) I know 'tis but a Dream, yet feel more anguish
|
9
|
19%
|
0
|
0%
|
|
2
|
A Child's Evening Prayer
|
27
|
58%
|
0
|
0%
|
|
3
|
A Christmas Carol
|
19
|
41%
|
0
|
0%
|
|
4
|
A Couplet, Written In A Volume Of Poems Presented By Mr. Coleridge To Dr. A.
|
7
|
15%
|
0
|
0%
|
|
5
|
A Day Dream
|
40
|
86%
|
0
|
0%
|
|
6
|
A Mathematical Problem
|
18
|
39%
|
0
|
0%
|
|
7
|
A Soliloquy Of The Full Moon, She Being In A Mad Passion
|
6
|
13%
|
0
|
0%
|
|
8
|
A Tombless Epitaph
|
11
|
23%
|
0
|
0%
|
|
9
|
About The Nightingale
|
19
|
41%
|
0
|
0%
|
|
10
|
Absence: A Farewell Ode On Quitting School For Jesus College
|
5
|
10%
|
0
|
0%
|
|
11
|
Addressed To A Young Man Of Fortune Who Abandoned Himself To An Indolent And Causeless Melancholy
|
2
|
4%
|
0
|
0%
|
|
12
|
Aeolian Harp, The
|
5
|
10%
|
0
|
0%
|
|
13
|
Answer To A Child's Question
|
15
|
32%
|
0
|
0%
|
|
14
|
Aplolgia Pro Vita Sua
|
2
|
4%
|
0
|
0%
|
|
15
|
As some vast Tropic tree, itself a wood (fragment)
|
1
|
2%
|
0
|
0%
|
|
16
|
Blossing Of The Solitary Date-Tree, The
|
1
|
2%
|
0
|
0%
|
|
17
|
Brockley Coomb
|
4
|
8%
|
0
|
0%
|
|
18
|
Christabel
|
11
|
23%
|
0
|
0%
|
|
19
|
Cologne
|
9
|
19%
|
0
|
0%
|
|
20
|
Come, come thou bleak December wind (fragment)
|
4
|
8%
|
0
|
0%
|
|
21
|
Composed At Clevedon, Somersetshire
|
1
|
2%
|
0
|
0%
|
|
22
|
Constancy To An Ideal Object
|
10
|
21%
|
0
|
0%
|
|
23
|
Dejection: An Ode
|
9
|
19%
|
0
|
0%
|
|
24
|
Desire
|
25
|
54%
|
0
|
0%
|
|
25
|
Despair
|
11
|
23%
|
0
|
0%
|
|
26
|
Domestic Peace
|
4
|
8%
|
0
|
0%
|
|
27
|
Duty Surviving Self-Love
|
6
|
13%
|
0
|
0%
|
|
28
|
Elegy, Imitated From One Of Akenside's Blank-Verse Inscriptions
|
1
|
2%
|
0
|
0%
|
|
29
|
Epitaph
|
3
|
6%
|
0
|
0%
|
|
30
|
Epitaph On An Infant
|
4
|
8%
|
0
|
0%
|
|
31
|
Epitaph On An Infant.
|
5
|
10%
|
0
|
0%
|
|
32
|
Fancy In Nubibus, Or The Poet In The Clouds
|
1
|
2%
|
0
|
0%
|
|
33
|
Fears In Solitude
|
12
|
26%
|
0
|
0%
|
|
34
|
Fire, Famine, And Slaughter : A War Eclogue
|
3
|
6%
|
0
|
0%
|
|
35
|
Forbearance
|
6
|
13%
|
0
|
0%
|
|
36
|
Fragment
|
5
|
10%
|
0
|
0%
|
|
37
|
France: An Ode
|
4
|
8%
|
0
|
0%
|
|
38
|
From 'Religious Musings'
|
1
|
2%
|
0
|
0%
|
|
39
|
Frost At Midnight
|
9
|
19%
|
0
|
0%
|
|
40
|
Genevieve
|
7
|
15%
|
0
|
0%
|
|
41
|
Glycine's Song
|
3
|
6%
|
0
|
0%
|
|
42
|
Glycine's Song
|
3
|
6%
|
0
|
0%
|
|
43
|
Hexameters
|
6
|
13%
|
0
|
0%
|
|
44
|
Home-Sick. Written In Germany
|
3
|
6%
|
0
|
0%
|
|
45
|
Human Life
|
13
|
28%
|
0
|
0%
|
|
46
|
Hymn before Sun-rise, in the Vale of Chamouni
|
2
|
4%
|
0
|
0%
|
|
47
|
I know 'tis but a Dream, yet feel more anguish (fragment)
|
3
|
6%
|
0
|
0%
|
|
48
|
Imitated From Ossian
|
1
|
2%
|
0
|
0%
|
|
49
|
Imitated From The Welsh
|
1
|
2%
|
0
|
0%
|
|
50
|
Improvisatore, The
|
1
|
2%
|
0
|
0%
|
|
51
|
In The Manner Of Spenser
|
2
|
4%
|
0
|
0%
|
|
52
|
In The Manner Of Spenser
|
1
|
2%
|
0
|
0%
|
|
53
|
Inscription For A Fountain On A Heath
|
2
|
4%
|
0
|
0%
|
|
54
|
Kisses
|
12
|
26%
|
0
|
0%
|
|
55
|
Kubla Khan
|
46
|
100%
|
0
|
0%
|
|
56
|
Lewti, Or The Circassian Love-Chaunt
|
2
|
4%
|
0
|
0%
|
|
57
|
Life
|
6
|
13%
|
0
|
0%
|
|
58
|
Limbo
|
3
|
6%
|
0
|
0%
|
|
59
|
Lines
|
2
|
4%
|
0
|
0%
|
|
60
|
Lines To A Beautiful Spring In A Village
|
5
|
10%
|
0
|
0%
|
|
61
|
Lines Written In The Album At Elbingerode, In The Hartz Forest
|
1
|
2%
|
0
|
0%
|
|
62
|
Love
|
9
|
19%
|
0
|
0%
|
|
63
|
Love's Apparition and Evanishment: An Allegoric Romance
|
3
|
6%
|
0
|
0%
|
|
64
|
Melancholy. A Fragment.
|
4
|
8%
|
0
|
0%
|
|
65
|
Metrical Feet
|
1
|
2%
|
0
|
0%
|
|
66
|
Monody On The Death Of Chatterton
|
3
|
6%
|
0
|
0%
|
|
67
|
Ode To Sara, In Answer To A Letter From Bristol
|
4
|
8%
|
0
|
0%
|
|
68
|
Ode To Tranquillity
|
4
|
8%
|
0
|
0%
|
|
69
|
On A Connubial Rupture In High Life
|
1
|
2%
|
0
|
0%
|
|
70
|
On A Ruined House In A Romantic Country
|
1
|
2%
|
0
|
0%
|
|
71
|
On A Ruined house In A Romantic Country
|
1
|
2%
|
0
|
0%
|
|
72
|
On The Christening Of A Friend's Child
|
1
|
2%
|
0
|
0%
|
|
73
|
Pains Of Sleep, The
|
5
|
10%
|
0
|
0%
|
|
74
|
Phantom
|
5
|
10%
|
0
|
0%
|
|
75
|
Presence Of Love, The
|
1
|
2%
|
0
|
0%
|
|
76
|
Psyche
|
3
|
6%
|
0
|
0%
|
|
77
|
Reason
|
6
|
13%
|
0
|
0%
|
|
78
|
Recollections Of Love
|
5
|
10%
|
0
|
0%
|
|
79
|
Reflections On Having Left A Place Of Retirement
|
3
|
6%
|
0
|
0%
|
|
80
|
Religious Musings : A Desultory Poem Written On The Christmas Eve Of 1794
|
3
|
6%
|
0
|
0%
|
|
81
|
Rime Of The Ancient Mariner, The
|
12
|
26%
|
0
|
0%
|
|
82
|
Sea-ward, white gleaming thro' the busy scud (fragment)
|
4
|
8%
|
0
|
0%
|
|
83
|
Something Childish, But Very Natural
|
7
|
15%
|
0
|
0%
|
|
84
|
Song
|
5
|
10%
|
0
|
0%
|
|
85
|
Songs of the Pixies
|
3
|
6%
|
0
|
0%
|
|
86
|
Sonnet
|
6
|
13%
|
0
|
0%
|
|
87
|
Sonnet IX. To Priestley
|
2
|
4%
|
0
|
0%
|
|
88
|
Sonnet V.
|
2
|
4%
|
0
|
0%
|
|
89
|
Sonnet VI.
|
2
|
4%
|
0
|
0%
|
|
90
|
Sonnet VII. To Burke
|
2
|
4%
|
0
|
0%
|
|
91
|
Sonnet VIII. To Mercy
|
1
|
2%
|
0
|
0%
|
|
92
|
Sonnet X. To Erskine
|
2
|
4%
|
0
|
0%
|
|
93
|
Sonnet XI. To Sheridan
|
2
|
4%
|
0
|
0%
|
|
94
|
Sonnet XII. To Mrs. Siddons
|
1
|
2%
|
0
|
0%
|
|
95
|
Sonnet XIII. To La Fayette
|
2
|
4%
|
0
|
0%
|
|
96
|
Sonnet XIX. To A Friend, Who Asked How I Felt When The Nurse First Presented My Infant To Me
|
4
|
8%
|
0
|
0%
|
|
97
|
Sonnet XV. To Schiller
|
8
|
17%
|
0
|
0%
|
|
98
|
Sonnet XVI. To Earl Stanhope
|
6
|
13%
|
0
|
0%
|
|
99
|
Sonnet XVII. Composed On A Journey Homeward; The Author Having Received Intelligence Of The Birth Of A Son
|
3
|
6%
|
0
|
0%
|
|
100
|
Sonnet XVIII. To The Autumnal Moon
|
2
|
4%
|
0
|
0%
|
|
101
|
Sonnet XX.
|
2
|
4%
|
0
|
0%
|
|
102
|
Sonnet XXI.
|
4
|
8%
|
0
|
0%
|
|
103
|
Sonnet XXII. To Simplicity
|
2
|
4%
|
0
|
0%
|
|
104
|
Sonnet: To The River Otter
|
4
|
8%
|
0
|
0%
|
|
105
|
Suicide's Argument, The
|
7
|
15%
|
0
|
0%
|
|
106
|
Tell's Birth-Place. Imitated From Stolberg
|
1
|
2%
|
0
|
0%
|
|
107
|
The Aeolian Harp
|
2
|
4%
|
0
|
0%
|
|
108
|
The Alienated Mistress; A Madrigal. (From An Unfinished Melodrama)
|
3
|
6%
|
0
|
0%
|
|
109
|
The Ballad Of The Dark Ladie. A Fragment.
|
4
|
8%
|
0
|
0%
|
|
110
|
The Blossing Of The Solitary Date-Tree
|
4
|
8%
|
0
|
0%
|
|
111
|
The Blossoming Of The Solitary Date-Tree. A Lament
|
4
|
8%
|
0
|
0%
|
|
112
|
The Complaint Of Ninathoma
|
3
|
6%
|
0
|
0%
|
|
113
|
The Destiny Of Nations. A Vision.
|
4
|
8%
|
0
|
0%
|
|
114
|
The Devil's Thoughts
|
12
|
26%
|
0
|
0%
|
|
115
|
The Dungeon
|
4
|
8%
|
0
|
0%
|
|
116
|
The Dungeon
|
3
|
6%
|
0
|
0%
|
|
117
|
The Dungeon
|
5
|
10%
|
0
|
0%
|
|
118
|
The Eolian Harp
|
4
|
8%
|
0
|
0%
|
|
119
|
The Exchange
|
3
|
6%
|
0
|
0%
|
|
120
|
The Exchange
|
1
|
2%
|
0
|
0%
|
|
121
|
The Faded Flower
|
5
|
10%
|
0
|
0%
|
|
122
|
The Faded Flower
|
7
|
15%
|
0
|
0%
|
|
123
|
The Foster Mother's Tale. A Dramatic Fragment
|
3
|
6%
|
0
|
0%
|
|
124
|
The Garden Of Boccaccio
|
4
|
8%
|
0
|
0%
|
|
125
|
The Garden Of Boccaccio
|
2
|
4%
|
0
|
0%
|
|
126
|
The Good, Great Man
|
10
|
21%
|
0
|
0%
|
|
127
|
The Good, Great Man
|
6
|
13%
|
0
|
0%
|
|
128
|
The Happy Husband
|
7
|
15%
|
0
|
0%
|
|
129
|
The Hour When We Shall Meet Again
|
2
|
4%
|
0
|
0%
|
|
130
|
The Hour When We Shall Meet Again
|
4
|
8%
|
0
|
0%
|
|
131
|
The Improvisatore
|
5
|
10%
|
0
|
0%
|
|
132
|
The Improvisatore, Or, 'John Anderson, My Jo, John'
|
2
|
4%
|
0
|
0%
|
|
133
|
The Keepsake
|
6
|
13%
|
0
|
0%
|
|
134
|
The Knight's Tomb
|
3
|
6%
|
0
|
0%
|
|
135
|
The Knight's Tomb
|
2
|
4%
|
0
|
0%
|
|
136
|
The Lime-tree Bower my Prison [Addressed to Charles Lamb, o
|
5
|
10%
|
0
|
0%
|
|
137
|
The Moon, how definite its orb! (fragment)
|
3
|
6%
|
0
|
0%
|
|
138
|
The Netherlands (fragment)
|
3
|
6%
|
0
|
0%
|
|
139
|
The Nightingale
|
8
|
17%
|
0
|
0%
|
|
140
|
The Night-Scene : A Dramatic Fragment.
|
1
|
2%
|
0
|
0%
|
|
141
|
The Pains Of Sleep
|
7
|
15%
|
0
|
0%
|
|
142
|
The Pang More Sharp Than All. An Allegory
|
3
|
6%
|
0
|
0%
|
|
143
|
The Presence Of Love
|
3
|
6%
|
0
|
0%
|
|
144
|
The Raven. Christmas Tale, Told By A School-Boy To His Little Brothers And Sisters
|
5
|
10%
|
0
|
0%
|
|
145
|
The Rime Of The Ancient Mariner
|
20
|
43%
|
0
|
0%
|
|
146
|
The Rose
|
8
|
17%
|
0
|
0%
|
|
147
|
The Sigh
|
12
|
26%
|
0
|
0%
|
|
148
|
The Suicide's Argument
|
4
|
8%
|
0
|
0%
|
|
149
|
The Three Graves. A Fragment Of A Sexton's Tale
|
3
|
6%
|
0
|
0%
|
|
150
|
The Three Sorts of Friends (fragment)
|
3
|
6%
|
0
|
0%
|
|
151
|
The Two Founts. Stanzas Addressed To A Lady On Her Recovery, With Unblemished Looks, From A Severe Attack of Pain
|
3
|
6%
|
0
|
0%
|
|
152
|
The Virgin's Cradle-Hymn. Copied From A Print Of The Virgin, In A Roman Catholic Village In Germany
|
3
|
6%
|
0
|
0%
|
|
153
|
The Visionary Hope
|
7
|
15%
|
0
|
0%
|
|
154
|
The Visit Of The Gods. Imitated From Schiller
|
3
|
6%
|
0
|
0%
|
|
155
|
Thicker than rain-drops on November thorn (fragment)
|
2
|
4%
|
0
|
0%
|
|
156
|
This Lime-Tree Bower My Prison
|
7
|
15%
|
0
|
0%
|
|
157
|
This Lime-Tree Bower, My Prison
|
5
|
10%
|
0
|
0%
|
|
158
|
Time, Real And Imaginary
|
3
|
6%
|
0
|
0%
|
|
159
|
Time, Real and Imaginary, an allegory
|
3
|
6%
|
0
|
0%
|
|
160
|
To A Friend Who Had Declared His Intention Of Writing No More Poetry
|
2
|
4%
|
0
|
0%
|
|
161
|
To A Friend, In Answer To A Melancholy Letter
|
4
|
8%
|
0
|
0%
|
|
162
|
To A Friend, With An Unfinished Poem
|
5
|
10%
|
0
|
0%
|
|
163
|
To A Lady, Offended By A Sportive Observation That Women Have No Souls
|
4
|
8%
|
0
|
0%
|
|
164
|
To A Lady, With Falconer's 'Shipwreck'
|
3
|
6%
|
0
|
0%
|
|
165
|
To A Primrose
|
3
|
6%
|
0
|
0%
|
|
166
|
To A Young Ass, Its Mother Being Tethered Near It
|
3
|
6%
|
0
|
0%
|
|
167
|
To A Young Lady, With A Poem On The French Revolution
|
14
|
30%
|
0
|
0%
|
|
168
|
To A Young Lady. On Her Recovery From A Fever
|
5
|
10%
|
0
|
0%
|
|
169
|
To An Infant
|
3
|
6%
|
0
|
0%
|
|
170
|
To An Unfortunate Woman At The Theatre
|
3
|
6%
|
0
|
0%
|
|
171
|
To An Unfortunate Woman, Whom The Author Had Known In The Days Of Her Innocence
|
2
|
4%
|
0
|
0%
|
|
172
|
To Asra
|
4
|
8%
|
0
|
0%
|
|
173
|
To C. Lloyd, On His Proposing To Domesticate With The Author
|
3
|
6%
|
0
|
0%
|
|
174
|
To Nature
|
10
|
21%
|
0
|
0%
|
|
175
|
To Sara
|
7
|
15%
|
0
|
0%
|
|
176
|
To the Nightingale
|
7
|
15%
|
0
|
0%
|
|
177
|
To The Rev. George Coleridge
|
3
|
6%
|
0
|
0%
|
|
178
|
To the Reverend George Coleridge, of Ottery St. Mary, Devon
|
3
|
6%
|
0
|
0%
|
|
179
|
To The River Otter
|
4
|
8%
|
0
|
0%
|
|
180
|
To William Wordsworth
|
4
|
8%
|
0
|
0%
|
|
181
|
Water Ballad
|
5
|
10%
|
0
|
0%
|
|
182
|
What if you slept ...
|
5
|
10%
|
0
|
0%
|
|
183
|
What Is Life?
|
8
|
17%
|
0
|
0%
|
|
184
|
When Hope but made Tranquillity be felt (fragment)
|
3
|
6%
|
0
|
0%
|
|
185
|
Whom should I choose for my Judge? (fragment)
|
2
|
4%
|
0
|
0%
|
|
186
|
Work Without Hope
|
12
|
26%
|
0
|
0%
|
|
187
|
Written In Early Youth. The Time,--An Autumnal Evening
|
4
|
8%
|
0
|
0%
|
|
188
|
Youth And Age
|
8
|
17%
|
0
|
0%
|
|
189
|
Zapolya
|
9
|
19%
|
0
|
0%
|