|
1
|
(Fragment 2) I know 'tis but a Dream, yet feel more anguish
|
10
|
11%
|
0
|
0%
|
|
2
|
A Child's Evening Prayer
|
39
|
44%
|
0
|
0%
|
|
3
|
A Christmas Carol
|
40
|
45%
|
0
|
0%
|
|
4
|
A Couplet, Written In A Volume Of Poems Presented By Mr. Coleridge To Dr. A.
|
12
|
13%
|
0
|
0%
|
|
5
|
A Day Dream
|
87
|
100%
|
0
|
0%
|
|
6
|
A Mathematical Problem
|
35
|
40%
|
0
|
0%
|
|
7
|
A Soliloquy Of The Full Moon, She Being In A Mad Passion
|
20
|
22%
|
0
|
0%
|
|
8
|
A Tombless Epitaph
|
20
|
22%
|
0
|
0%
|
|
9
|
About The Nightingale
|
37
|
42%
|
0
|
0%
|
|
10
|
Absence: A Farewell Ode On Quitting School For Jesus College
|
7
|
8%
|
0
|
0%
|
|
11
|
Addressed To A Young Man Of Fortune Who Abandoned Himself To An Indolent And Causeless Melancholy
|
15
|
17%
|
0
|
0%
|
|
12
|
Aeolian Harp, The
|
12
|
13%
|
0
|
0%
|
|
13
|
Answer To A Child's Question
|
24
|
27%
|
0
|
0%
|
|
14
|
Aplolgia Pro Vita Sua
|
4
|
4%
|
0
|
0%
|
|
15
|
As some vast Tropic tree, itself a wood (fragment)
|
1
|
1%
|
0
|
0%
|
|
16
|
Blossing Of The Solitary Date-Tree, The
|
1
|
1%
|
0
|
0%
|
|
17
|
Brockley Coomb
|
2
|
2%
|
0
|
0%
|
|
18
|
Christabel
|
8
|
9%
|
0
|
0%
|
|
19
|
Cologne
|
10
|
11%
|
0
|
0%
|
|
20
|
Come, come thou bleak December wind (fragment)
|
4
|
4%
|
0
|
0%
|
|
21
|
Composed At Clevedon, Somersetshire
|
2
|
2%
|
0
|
0%
|
|
22
|
Constancy To An Ideal Object
|
3
|
3%
|
0
|
0%
|
|
23
|
Dejection: An Ode
|
5
|
5%
|
0
|
0%
|
|
24
|
Desire
|
21
|
24%
|
0
|
0%
|
|
25
|
Despair
|
14
|
16%
|
0
|
0%
|
|
26
|
Domestic Peace
|
2
|
2%
|
0
|
0%
|
|
27
|
Duty Surviving Self-Love
|
3
|
3%
|
0
|
0%
|
|
28
|
Elegy, Imitated From One Of Akenside's Blank-Verse Inscriptions
|
1
|
1%
|
0
|
0%
|
|
29
|
Epitaph
|
2
|
2%
|
0
|
0%
|
|
30
|
Epitaph On An Infant
|
3
|
3%
|
0
|
0%
|
|
31
|
Fancy In Nubibus, Or The Poet In The Clouds
|
1
|
1%
|
0
|
0%
|
|
32
|
Fears In Solitude
|
10
|
11%
|
0
|
0%
|
|
33
|
Fire, Famine, And Slaughter : A War Eclogue
|
4
|
4%
|
0
|
0%
|
|
34
|
Forbearance
|
3
|
3%
|
0
|
0%
|
|
35
|
Fragment
|
2
|
2%
|
0
|
0%
|
|
36
|
France: An Ode
|
2
|
2%
|
0
|
0%
|
|
37
|
From 'Religious Musings'
|
1
|
1%
|
0
|
0%
|
|
38
|
Frost At Midnight
|
9
|
10%
|
0
|
0%
|
|
39
|
Genevieve
|
5
|
5%
|
0
|
0%
|
|
40
|
Glycine's Song
|
2
|
2%
|
0
|
0%
|
|
41
|
Hexameters
|
1
|
1%
|
0
|
0%
|
|
42
|
Home-Sick. Written In Germany
|
2
|
2%
|
0
|
0%
|
|
43
|
Human Life
|
8
|
9%
|
0
|
0%
|
|
44
|
Hymn before Sun-rise, in the Vale of Chamouni
|
1
|
1%
|
0
|
0%
|
|
45
|
I know 'tis but a Dream, yet feel more anguish (fragment)
|
1
|
1%
|
0
|
0%
|
|
46
|
Imitated From Ossian
|
1
|
1%
|
0
|
0%
|
|
47
|
Imitated From The Welsh
|
2
|
2%
|
0
|
0%
|
|
48
|
Improvisatore, The
|
2
|
2%
|
0
|
0%
|
|
49
|
In The Manner Of Spenser
|
2
|
2%
|
0
|
0%
|
|
50
|
Inscription For A Fountain On A Heath
|
2
|
2%
|
0
|
0%
|
|
51
|
Kisses
|
10
|
11%
|
0
|
0%
|
|
52
|
Kubla Khan
|
71
|
81%
|
0
|
0%
|
|
53
|
Lewti, Or The Circassian Love-Chaunt
|
1
|
1%
|
0
|
0%
|
|
54
|
Life
|
5
|
5%
|
0
|
0%
|
|
55
|
Limbo
|
4
|
4%
|
0
|
0%
|
|
56
|
Lines
|
3
|
3%
|
0
|
0%
|
|
57
|
Lines Composed In A Concert-Room
|
1
|
1%
|
0
|
0%
|
|
58
|
Lines On A Friend, Who Died Of A Frenzy Fever, Induced By Calumnious Reports
|
2
|
2%
|
0
|
0%
|
|
59
|
Lines On Observing A Blossom On The First Of February, 1796
|
1
|
1%
|
0
|
0%
|
|
60
|
Lines Suggested By The Last Words Of Berengarius. Ob. Anno Dom. 1088
|
1
|
1%
|
0
|
0%
|
|
61
|
Lines To A Beautiful Spring In A Village
|
10
|
11%
|
0
|
0%
|
|
62
|
Lines To W. L. While He Sang A Song To Purcell's Music
|
2
|
2%
|
0
|
0%
|
|
63
|
Lines Written After A Walk Before Supper
|
1
|
1%
|
0
|
0%
|
|
64
|
Lines Written At The King's-Arms, Ross, Formerly The House Of The 'Man Of Ross'
|
1
|
1%
|
0
|
0%
|
|
65
|
Lines Written In The Album At Elbingerode, In The Hartz Forest
|
1
|
1%
|
0
|
0%
|
|
66
|
Love
|
5
|
5%
|
0
|
0%
|
|
67
|
Love's Apparition and Evanishment: An Allegoric Romance
|
2
|
2%
|
0
|
0%
|
|
68
|
Melancholy. A Fragment.
|
4
|
4%
|
0
|
0%
|
|
69
|
Metrical Feet
|
8
|
9%
|
0
|
0%
|
|
70
|
Monody On The Death Of Chatterton
|
2
|
2%
|
0
|
0%
|
|
71
|
Ode To Georgiana, Duchess Of Devonshire, On The Twenty-Fourth Stanza In Her 'Passage Over Mount Gothard.'
|
1
|
1%
|
0
|
0%
|
|
72
|
Ode To Sara, In Answer To A Letter From Bristol
|
1
|
1%
|
0
|
0%
|
|
73
|
Ode To The Departing Year
|
2
|
2%
|
0
|
0%
|
|
74
|
Ode To Tranquillity
|
5
|
5%
|
0
|
0%
|
|
75
|
On A Connubial Rupture In High Life
|
1
|
1%
|
0
|
0%
|
|
76
|
On A Ruined house In A Romantic Country
|
2
|
2%
|
0
|
0%
|
|
77
|
On An Infant Which Died Before Baptism
|
1
|
1%
|
0
|
0%
|
|
78
|
On Donne's Poetry
|
2
|
2%
|
0
|
0%
|
|
79
|
On Revisiting The Sea-Shore, After Long Absence, Under Strong Medical Recommendation Not To Bathe
|
1
|
1%
|
0
|
0%
|
|
80
|
On The Christening Of A Friend's Child
|
2
|
2%
|
0
|
0%
|
|
81
|
Pains Of Sleep, The
|
7
|
8%
|
0
|
0%
|
|
82
|
Phantom
|
4
|
4%
|
0
|
0%
|
|
83
|
Phantom Or Fact? A Dialogue In Verse
|
1
|
1%
|
0
|
0%
|
|
84
|
Presence Of Love, The
|
3
|
3%
|
0
|
0%
|
|
85
|
Psyche
|
3
|
3%
|
0
|
0%
|
|
86
|
Reason
|
8
|
9%
|
0
|
0%
|
|
87
|
Recollections Of Love
|
3
|
3%
|
0
|
0%
|
|
88
|
Reflections On Having Left A Place Of Retirement
|
2
|
2%
|
0
|
0%
|
|
89
|
Religious Musings : A Desultory Poem Written On The Christmas Eve Of 1794
|
1
|
1%
|
0
|
0%
|
|
90
|
Rime Of The Ancient Mariner, The
|
21
|
24%
|
0
|
0%
|
|
91
|
Sea-ward, white gleaming thro' the busy scud (fragment)
|
2
|
2%
|
0
|
0%
|
|
92
|
Something Childish, But Very Natural
|
3
|
3%
|
0
|
0%
|
|
93
|
Song
|
3
|
3%
|
0
|
0%
|
|
94
|
Songs of the Pixies
|
2
|
2%
|
0
|
0%
|
|
95
|
Sonnet
|
2
|
2%
|
0
|
0%
|
|
96
|
Sonnet II. On A Discovery Made Too Late
|
3
|
3%
|
0
|
0%
|
|
97
|
Sonnet III.
|
2
|
2%
|
0
|
0%
|
|
98
|
Sonnet IX. To Priestley
|
1
|
1%
|
0
|
0%
|
|
99
|
Sonnet V.
|
2
|
2%
|
0
|
0%
|
|
100
|
Sonnet VI.
|
2
|
2%
|
0
|
0%
|
|
101
|
Sonnet VIII. To Mercy
|
2
|
2%
|
0
|
0%
|
|
102
|
Sonnet XV. To Schiller
|
1
|
1%
|
0
|
0%
|
|
103
|
Sonnet XVIII. To The Autumnal Moon
|
1
|
1%
|
0
|
0%
|
|
104
|
Sonnet: To The River Otter
|
4
|
4%
|
0
|
0%
|
|
105
|
Suicide's Argument, The
|
3
|
3%
|
0
|
0%
|
|
106
|
The Aeolian Harp
|
1
|
1%
|
0
|
0%
|
|
107
|
The Alienated Mistress; A Madrigal. (From An Unfinished Melodrama)
|
1
|
1%
|
0
|
0%
|
|
108
|
The Ballad Of The Dark Ladie. A Fragment.
|
1
|
1%
|
0
|
0%
|
|
109
|
The Blossing Of The Solitary Date-Tree
|
1
|
1%
|
0
|
0%
|
|
110
|
The Complaint Of Ninathoma
|
1
|
1%
|
0
|
0%
|
|
111
|
The Destiny Of Nations. A Vision.
|
1
|
1%
|
0
|
0%
|
|
112
|
The Devil's Thoughts
|
4
|
4%
|
0
|
0%
|
|
113
|
The Dungeon
|
2
|
2%
|
0
|
0%
|
|
114
|
The Eolian Harp
|
2
|
2%
|
0
|
0%
|
|
115
|
The Exchange
|
3
|
3%
|
0
|
0%
|
|
116
|
The Faded Flower
|
4
|
4%
|
0
|
0%
|
|
117
|
The Foster Mother's Tale. A Dramatic Fragment
|
1
|
1%
|
0
|
0%
|
|
118
|
The Garden Of Boccaccio
|
1
|
1%
|
0
|
0%
|
|
119
|
The Good, Great Man
|
2
|
2%
|
0
|
0%
|
|
120
|
The Happy Husband
|
2
|
2%
|
0
|
0%
|
|
121
|
The Hour When We Shall Meet Again
|
2
|
2%
|
0
|
0%
|
|
122
|
The Improvisatore
|
3
|
3%
|
0
|
0%
|
|
123
|
The Keepsake
|
7
|
8%
|
0
|
0%
|
|
124
|
The Knight's Tomb
|
2
|
2%
|
0
|
0%
|
|
125
|
The Lime-tree Bower my Prison [Addressed to Charles Lamb, o
|
1
|
1%
|
0
|
0%
|
|
126
|
The Moon, how definite its orb! (fragment)
|
2
|
2%
|
0
|
0%
|
|
127
|
The Netherlands (fragment)
|
1
|
1%
|
0
|
0%
|
|
128
|
The Nightingale
|
8
|
9%
|
0
|
0%
|
|
129
|
The Night-Scene : A Dramatic Fragment.
|
1
|
1%
|
0
|
0%
|
|
130
|
The Pains Of Sleep
|
4
|
4%
|
0
|
0%
|
|
131
|
The Pang More Sharp Than All. An Allegory
|
3
|
3%
|
0
|
0%
|
|
132
|
The Presence Of Love
|
1
|
1%
|
0
|
0%
|
|
133
|
The Raven. Christmas Tale, Told By A School-Boy To His Little Brothers And Sisters
|
2
|
2%
|
0
|
0%
|
|
134
|
The Rime Of The Ancient Mariner
|
12
|
13%
|
0
|
0%
|
|
135
|
The Rose
|
10
|
11%
|
0
|
0%
|
|
136
|
The Sigh
|
4
|
4%
|
0
|
0%
|
|
137
|
The Suicide's Argument
|
14
|
16%
|
0
|
0%
|
|
138
|
The Three Graves. A Fragment Of A Sexton's Tale
|
2
|
2%
|
0
|
0%
|
|
139
|
The Three Sorts of Friends (fragment)
|
1
|
1%
|
0
|
0%
|
|
140
|
The Two Founts. Stanzas Addressed To A Lady On Her Recovery, With Unblemished Looks, From A Severe Attack of Pain
|
1
|
1%
|
0
|
0%
|
|
141
|
The Virgin's Cradle-Hymn. Copied From A Print Of The Virgin, In A Roman Catholic Village In Germany
|
1
|
1%
|
0
|
0%
|
|
142
|
The Visionary Hope
|
2
|
2%
|
0
|
0%
|
|
143
|
The Visit Of The Gods. Imitated From Schiller
|
1
|
1%
|
0
|
0%
|
|
144
|
Thicker than rain-drops on November thorn (fragment)
|
1
|
1%
|
0
|
0%
|
|
145
|
This Lime-Tree Bower My Prison
|
2
|
2%
|
0
|
0%
|
|
146
|
Time, Real And Imaginary
|
2
|
2%
|
0
|
0%
|
|
147
|
To A Friend Who Had Declared His Intention Of Writing No More Poetry
|
2
|
2%
|
0
|
0%
|
|
148
|
To A Friend, In Answer To A Melancholy Letter
|
1
|
1%
|
0
|
0%
|
|
149
|
To A Friend, With An Unfinished Poem
|
1
|
1%
|
0
|
0%
|
|
150
|
To A Lady, Offended By A Sportive Observation That Women Have No Souls
|
1
|
1%
|
0
|
0%
|
|
151
|
To A Lady, With Falconer's 'Shipwreck'
|
1
|
1%
|
0
|
0%
|
|
152
|
To A Primrose
|
2
|
2%
|
0
|
0%
|
|
153
|
To A Young Ass, Its Mother Being Tethered Near It
|
1
|
1%
|
0
|
0%
|
|
154
|
To A Young Lady, With A Poem On The French Revolution
|
1
|
1%
|
0
|
0%
|
|
155
|
To A Young Lady. On Her Recovery From A Fever
|
1
|
1%
|
0
|
0%
|
|
156
|
To An Infant
|
2
|
2%
|
0
|
0%
|
|
157
|
To An Unfortunate Woman At The Theatre
|
2
|
2%
|
0
|
0%
|
|
158
|
To An Unfortunate Woman, Whom The Author Had Known In The Days Of Her Innocence
|
1
|
1%
|
0
|
0%
|
|
159
|
To C. Lloyd, On His Proposing To Domesticate With The Author
|
1
|
1%
|
0
|
0%
|
|
160
|
To Nature
|
5
|
5%
|
0
|
0%
|
|
161
|
To Sara
|
2
|
2%
|
0
|
0%
|
|
162
|
To the Nightingale
|
3
|
3%
|
0
|
0%
|
|
163
|
To The Rev. George Coleridge
|
1
|
1%
|
0
|
0%
|
|
164
|
To the Reverend George Coleridge, of Ottery St. Mary, Devon
|
1
|
1%
|
0
|
0%
|
|
165
|
To The River Otter
|
1
|
1%
|
0
|
0%
|
|
166
|
To William Wordsworth
|
4
|
4%
|
0
|
0%
|
|
167
|
Water Ballad
|
5
|
5%
|
0
|
0%
|
|
168
|
What if you slept ...
|
9
|
10%
|
0
|
0%
|
|
169
|
What Is Life?
|
7
|
8%
|
0
|
0%
|
|
170
|
When Hope but made Tranquillity be felt (fragment)
|
1
|
1%
|
0
|
0%
|
|
171
|
Whom should I choose for my Judge? (fragment)
|
1
|
1%
|
0
|
0%
|
|
172
|
Work Without Hope
|
7
|
8%
|
0
|
0%
|
|
173
|
Written In Early Youth. The Time,--An Autumnal Evening
|
1
|
1%
|
0
|
0%
|
|
174
|
Youth And Age
|
11
|
12%
|
0
|
0%
|
|
175
|
Zapolya
|
3
|
3%
|
0
|
0%
|