|
1
|
(Fragment 2) I know 'tis but a Dream, yet feel more anguish
|
15
|
23%
|
0
|
0%
|
|
2
|
A Child's Evening Prayer
|
20
|
30%
|
0
|
0%
|
|
3
|
A Christmas Carol
|
16
|
24%
|
0
|
0%
|
|
4
|
A Couplet, Written In A Volume Of Poems Presented By Mr. Coleridge To Dr. A.
|
7
|
10%
|
0
|
0%
|
|
5
|
A Day Dream
|
41
|
63%
|
0
|
0%
|
|
6
|
A Mathematical Problem
|
8
|
12%
|
0
|
0%
|
|
7
|
A Soliloquy Of The Full Moon, She Being In A Mad Passion
|
6
|
9%
|
0
|
0%
|
|
8
|
A Tombless Epitaph
|
4
|
6%
|
0
|
0%
|
|
9
|
About The Nightingale
|
5
|
7%
|
0
|
0%
|
|
10
|
Absence: A Farewell Ode On Quitting School For Jesus College
|
6
|
9%
|
0
|
0%
|
|
11
|
Addressed To A Young Man Of Fortune Who Abandoned Himself To An Indolent And Causeless Melancholy
|
3
|
4%
|
0
|
0%
|
|
12
|
Aeolian Harp, The
|
2
|
3%
|
0
|
0%
|
|
13
|
Answer To A Child's Question
|
3
|
4%
|
0
|
0%
|
|
14
|
Aplolgia Pro Vita Sua
|
2
|
3%
|
0
|
0%
|
|
15
|
As some vast Tropic tree, itself a wood (fragment)
|
2
|
3%
|
0
|
0%
|
|
16
|
Blossing Of The Solitary Date-Tree, The
|
4
|
6%
|
0
|
0%
|
|
17
|
Brockley Coomb
|
3
|
4%
|
0
|
0%
|
|
18
|
Christabel
|
3
|
4%
|
0
|
0%
|
|
19
|
Cologne
|
4
|
6%
|
0
|
0%
|
|
20
|
Come, come thou bleak December wind (fragment)
|
2
|
3%
|
0
|
0%
|
|
21
|
Composed At Clevedon, Somersetshire
|
2
|
3%
|
0
|
0%
|
|
22
|
Constancy To An Ideal Object
|
3
|
4%
|
0
|
0%
|
|
23
|
Dejection: An Ode
|
3
|
4%
|
0
|
0%
|
|
24
|
Desire
|
12
|
18%
|
0
|
0%
|
|
25
|
Despair
|
4
|
6%
|
0
|
0%
|
|
26
|
Domestic Peace
|
3
|
4%
|
0
|
0%
|
|
27
|
Duty Surviving Self-Love
|
2
|
3%
|
0
|
0%
|
|
28
|
Elegy, Imitated From One Of Akenside's Blank-Verse Inscriptions
|
2
|
3%
|
0
|
0%
|
|
29
|
Epitaph
|
2
|
3%
|
0
|
0%
|
|
30
|
Epitaph On An Infant
|
2
|
3%
|
0
|
0%
|
|
31
|
Fears In Solitude
|
2
|
3%
|
0
|
0%
|
|
32
|
Frost At Midnight
|
6
|
9%
|
0
|
0%
|
|
33
|
Genevieve
|
2
|
3%
|
0
|
0%
|
|
34
|
Hymn before Sun-rise, in the Vale of Chamouni
|
1
|
1%
|
0
|
0%
|
|
35
|
Kisses
|
1
|
1%
|
0
|
0%
|
|
36
|
Kubla Khan
|
65
|
100%
|
0
|
0%
|
|
37
|
Life
|
1
|
1%
|
0
|
0%
|
|
38
|
Limbo
|
2
|
3%
|
0
|
0%
|
|
39
|
Lines Written After A Walk Before Supper
|
1
|
1%
|
0
|
0%
|
|
40
|
Love
|
3
|
4%
|
0
|
0%
|
|
41
|
Love's Apparition and Evanishment: An Allegoric Romance
|
1
|
1%
|
0
|
0%
|
|
42
|
Melancholy. A Fragment.
|
5
|
7%
|
0
|
0%
|
|
43
|
Ode To The Departing Year
|
1
|
1%
|
0
|
0%
|
|
44
|
Ode To Tranquillity
|
1
|
1%
|
0
|
0%
|
|
45
|
Pains Of Sleep, The
|
3
|
4%
|
0
|
0%
|
|
46
|
Phantom
|
1
|
1%
|
0
|
0%
|
|
47
|
Presence Of Love, The
|
1
|
1%
|
0
|
0%
|
|
48
|
Psyche
|
2
|
3%
|
0
|
0%
|
|
49
|
Recollections Of Love
|
2
|
3%
|
0
|
0%
|
|
50
|
Religious Musings : A Desultory Poem Written On The Christmas Eve Of 1794
|
1
|
1%
|
0
|
0%
|
|
51
|
Rime Of The Ancient Mariner, The
|
10
|
15%
|
0
|
0%
|
|
52
|
Something Childish, But Very Natural
|
2
|
3%
|
0
|
0%
|
|
53
|
Song
|
1
|
1%
|
0
|
0%
|
|
54
|
Songs of the Pixies
|
2
|
3%
|
0
|
0%
|
|
55
|
Sonnet XX.
|
2
|
3%
|
0
|
0%
|
|
56
|
Sonnet XXI.
|
1
|
1%
|
0
|
0%
|
|
57
|
Sonnet: To The River Otter
|
2
|
3%
|
0
|
0%
|
|
58
|
Suicide's Argument, The
|
2
|
3%
|
0
|
0%
|
|
59
|
The Complaint Of Ninathoma
|
2
|
3%
|
0
|
0%
|
|
60
|
The Destiny Of Nations. A Vision.
|
1
|
1%
|
0
|
0%
|
|
61
|
The Devil's Thoughts
|
7
|
10%
|
0
|
0%
|
|
62
|
The Dungeon
|
4
|
6%
|
0
|
0%
|
|
63
|
The Eolian Harp
|
1
|
1%
|
0
|
0%
|
|
64
|
The Exchange
|
5
|
7%
|
0
|
0%
|
|
65
|
The Faded Flower
|
6
|
9%
|
0
|
0%
|
|
66
|
The Garden Of Boccaccio
|
1
|
1%
|
0
|
0%
|
|
67
|
The Good, Great Man
|
3
|
4%
|
0
|
0%
|
|
68
|
The Happy Husband
|
2
|
3%
|
0
|
0%
|
|
69
|
The Hour When We Shall Meet Again
|
1
|
1%
|
0
|
0%
|
|
70
|
The Knight's Tomb
|
1
|
1%
|
0
|
0%
|
|
71
|
The Moon, how definite its orb! (fragment)
|
1
|
1%
|
0
|
0%
|
|
72
|
The Netherlands (fragment)
|
2
|
3%
|
0
|
0%
|
|
73
|
The Nightingale
|
1
|
1%
|
0
|
0%
|
|
74
|
The Pains Of Sleep
|
2
|
3%
|
0
|
0%
|
|
75
|
The Presence Of Love
|
1
|
1%
|
0
|
0%
|
|
76
|
The Raven. Christmas Tale, Told By A School-Boy To His Little Brothers And Sisters
|
2
|
3%
|
0
|
0%
|
|
77
|
The Rime Of The Ancient Mariner
|
8
|
12%
|
0
|
0%
|
|
78
|
The Rose
|
2
|
3%
|
0
|
0%
|
|
79
|
The Sigh
|
5
|
7%
|
0
|
0%
|
|
80
|
The Suicide's Argument
|
12
|
18%
|
0
|
0%
|
|
81
|
The Three Graves. A Fragment Of A Sexton's Tale
|
1
|
1%
|
0
|
0%
|
|
82
|
The Two Founts. Stanzas Addressed To A Lady On Her Recovery, With Unblemished Looks, From A Severe Attack of Pain
|
4
|
6%
|
0
|
0%
|
|
83
|
The Visionary Hope
|
3
|
4%
|
0
|
0%
|
|
84
|
This Lime-Tree Bower My Prison
|
3
|
4%
|
0
|
0%
|
|
85
|
Time, Real And Imaginary
|
2
|
3%
|
0
|
0%
|
|
86
|
To A Friend Who Had Declared His Intention Of Writing No More Poetry
|
10
|
15%
|
0
|
0%
|
|
87
|
To A Friend, In Answer To A Melancholy Letter
|
15
|
23%
|
0
|
0%
|
|
88
|
To A Friend, With An Unfinished Poem
|
5
|
7%
|
0
|
0%
|
|
89
|
To A Lady, Offended By A Sportive Observation That Women Have No Souls
|
3
|
4%
|
0
|
0%
|
|
90
|
To A Lady, With Falconer's 'Shipwreck'
|
3
|
4%
|
0
|
0%
|
|
91
|
To A Primrose
|
7
|
10%
|
0
|
0%
|
|
92
|
To A Young Ass, Its Mother Being Tethered Near It
|
5
|
7%
|
0
|
0%
|
|
93
|
To A Young Lady, With A Poem On The French Revolution
|
4
|
6%
|
0
|
0%
|
|
94
|
To A Young Lady. On Her Recovery From A Fever
|
3
|
4%
|
0
|
0%
|
|
95
|
To An Infant
|
6
|
9%
|
0
|
0%
|
|
96
|
To An Unfortunate Woman At The Theatre
|
3
|
4%
|
0
|
0%
|
|
97
|
To An Unfortunate Woman, Whom The Author Had Known In The Days Of Her Innocence
|
4
|
6%
|
0
|
0%
|
|
98
|
To Asra
|
4
|
6%
|
0
|
0%
|
|
99
|
To C. Lloyd, On His Proposing To Domesticate With The Author
|
3
|
4%
|
0
|
0%
|
|
100
|
To Nature
|
11
|
16%
|
0
|
0%
|
|
101
|
To Sara
|
4
|
6%
|
0
|
0%
|
|
102
|
To the Nightingale
|
6
|
9%
|
0
|
0%
|
|
103
|
To The River Otter
|
7
|
10%
|
0
|
0%
|
|
104
|
To William Wordsworth
|
12
|
18%
|
0
|
0%
|
|
105
|
Water Ballad
|
4
|
6%
|
0
|
0%
|
|
106
|
What if you slept ...
|
12
|
18%
|
0
|
0%
|
|
107
|
What Is Life?
|
10
|
15%
|
0
|
0%
|
|
108
|
When Hope but made Tranquillity be felt (fragment)
|
1
|
1%
|
0
|
0%
|
|
109
|
Work Without Hope
|
4
|
6%
|
0
|
0%
|
|
110
|
Written In Early Youth. The Time,--An Autumnal Evening
|
3
|
4%
|
0
|
0%
|
|
111
|
Youth And Age
|
9
|
13%
|
0
|
0%
|
|
112
|
Zapolya
|
7
|
10%
|
0
|
0%
|