|
1
|
(Fragment 2) I know 'tis but a Dream, yet feel more anguish
|
11
|
36%
|
0
|
0%
|
|
2
|
A Child's Evening Prayer
|
12
|
40%
|
0
|
0%
|
|
3
|
A Christmas Carol
|
10
|
33%
|
0
|
0%
|
|
4
|
A Couplet, Written In A Volume Of Poems Presented By Mr. Coleridge To Dr. A.
|
6
|
20%
|
0
|
0%
|
|
5
|
A Day Dream
|
15
|
50%
|
0
|
0%
|
|
6
|
A Mathematical Problem
|
4
|
13%
|
0
|
0%
|
|
7
|
A Soliloquy Of The Full Moon, She Being In A Mad Passion
|
16
|
53%
|
0
|
0%
|
|
8
|
A Tombless Epitaph
|
11
|
36%
|
0
|
0%
|
|
9
|
About The Nightingale
|
13
|
43%
|
0
|
0%
|
|
10
|
Absence: A Farewell Ode On Quitting School For Jesus College
|
1
|
3%
|
0
|
0%
|
|
11
|
Addressed To A Young Man Of Fortune Who Abandoned Himself To An Indolent And Causeless Melancholy
|
4
|
13%
|
0
|
0%
|
|
12
|
Aeolian Harp, The
|
4
|
13%
|
0
|
0%
|
|
13
|
Answer To A Child's Question
|
10
|
33%
|
0
|
0%
|
|
14
|
As some vast Tropic tree, itself a wood (fragment)
|
5
|
16%
|
0
|
0%
|
|
15
|
Blossing Of The Solitary Date-Tree, The
|
6
|
20%
|
0
|
0%
|
|
16
|
Brockley Coomb
|
3
|
10%
|
0
|
0%
|
|
17
|
Christabel
|
8
|
26%
|
0
|
0%
|
|
18
|
Cologne
|
4
|
13%
|
0
|
0%
|
|
19
|
Come, come thou bleak December wind (fragment)
|
8
|
26%
|
0
|
0%
|
|
20
|
Composed At Clevedon, Somersetshire
|
3
|
10%
|
0
|
0%
|
|
21
|
Constancy To An Ideal Object
|
2
|
6%
|
0
|
0%
|
|
22
|
Dejection: An Ode
|
3
|
10%
|
0
|
0%
|
|
23
|
Desire
|
11
|
36%
|
0
|
0%
|
|
24
|
Despair
|
5
|
16%
|
0
|
0%
|
|
25
|
Domestic Peace
|
3
|
10%
|
0
|
0%
|
|
26
|
Duty Surviving Self-Love
|
6
|
20%
|
0
|
0%
|
|
27
|
Epitaph On An Infant
|
1
|
3%
|
0
|
0%
|
|
28
|
Epitaph On An Infant.
|
1
|
3%
|
0
|
0%
|
|
29
|
Fancy In Nubibus, Or The Poet In The Clouds
|
3
|
10%
|
0
|
0%
|
|
30
|
Fears In Solitude
|
4
|
13%
|
0
|
0%
|
|
31
|
Forbearance
|
3
|
10%
|
0
|
0%
|
|
32
|
France: An Ode
|
1
|
3%
|
0
|
0%
|
|
33
|
Frost At Midnight
|
7
|
23%
|
0
|
0%
|
|
34
|
Home-Sick. Written In Germany
|
2
|
6%
|
0
|
0%
|
|
35
|
Inscription For A Fountain On A Heath
|
2
|
6%
|
0
|
0%
|
|
36
|
Kisses
|
3
|
10%
|
0
|
0%
|
|
37
|
Kubla Khan
|
30
|
100%
|
0
|
0%
|
|
38
|
Lewti, Or The Circassian Love-Chaunt
|
2
|
6%
|
0
|
0%
|
|
39
|
Limbo
|
1
|
3%
|
0
|
0%
|
|
40
|
Lines On A Friend, Who Died Of A Frenzy Fever, Induced By Calumnious Reports
|
2
|
6%
|
0
|
0%
|
|
41
|
Lines On Observing A Blossom On The First Of February, 1796
|
2
|
6%
|
0
|
0%
|
|
42
|
Lines Suggested By The Last Words Of Berengarius. Ob. Anno Dom. 1088
|
5
|
16%
|
0
|
0%
|
|
43
|
Lines To A Beautiful Spring In A Village
|
1
|
3%
|
0
|
0%
|
|
44
|
Lines To W. L. While He Sang A Song To Purcell's Music
|
1
|
3%
|
0
|
0%
|
|
45
|
Lines Written After A Walk Before Supper
|
1
|
3%
|
0
|
0%
|
|
46
|
Love
|
2
|
6%
|
0
|
0%
|
|
47
|
Metrical Feet
|
4
|
13%
|
0
|
0%
|
|
48
|
Monody On The Death Of Chatterton
|
1
|
3%
|
0
|
0%
|
|
49
|
On A Ruined House In A Romantic Country
|
1
|
3%
|
0
|
0%
|
|
50
|
On Revisiting The Sea-Shore, After Long Absence, Under Strong Medical Recommendation Not To Bathe
|
2
|
6%
|
0
|
0%
|
|
51
|
On The Christening Of A Friend's Child
|
3
|
10%
|
0
|
0%
|
|
52
|
Pains Of Sleep, The
|
1
|
3%
|
0
|
0%
|
|
53
|
Phantom
|
3
|
10%
|
0
|
0%
|
|
54
|
Phantom Or Fact? A Dialogue In Verse
|
2
|
6%
|
0
|
0%
|
|
55
|
Presence Of Love, The
|
1
|
3%
|
0
|
0%
|
|
56
|
Psyche
|
3
|
10%
|
0
|
0%
|
|
57
|
Recollections Of Love
|
2
|
6%
|
0
|
0%
|
|
58
|
Rime Of The Ancient Mariner, The
|
7
|
23%
|
0
|
0%
|
|
59
|
Sea-ward, white gleaming thro' the busy scud (fragment)
|
1
|
3%
|
0
|
0%
|
|
60
|
Something Childish, But Very Natural
|
2
|
6%
|
0
|
0%
|
|
61
|
Songs of the Pixies
|
2
|
6%
|
0
|
0%
|
|
62
|
Sonnet XVII. Composed On A Journey Homeward; The Author Having Received Intelligence Of The Birth Of A Son
|
1
|
3%
|
0
|
0%
|
|
63
|
Sonnet: To The River Otter
|
3
|
10%
|
0
|
0%
|
|
64
|
Suicide's Argument, The
|
1
|
3%
|
0
|
0%
|
|
65
|
The Aeolian Harp
|
2
|
6%
|
0
|
0%
|
|
66
|
The Blossoming Of The Solitary Date-Tree. A Lament
|
1
|
3%
|
0
|
0%
|
|
67
|
The Devil's Thoughts
|
8
|
26%
|
0
|
0%
|
|
68
|
The Dungeon
|
2
|
6%
|
0
|
0%
|
|
69
|
The Dungeon
|
4
|
13%
|
0
|
0%
|
|
70
|
The Faded Flower
|
2
|
6%
|
0
|
0%
|
|
71
|
The Foster Mother's Tale. A Dramatic Fragment
|
1
|
3%
|
0
|
0%
|
|
72
|
The Garden Of Boccaccio
|
1
|
3%
|
0
|
0%
|
|
73
|
The Garden Of Boccaccio
|
2
|
6%
|
0
|
0%
|
|
74
|
The Good, Great Man
|
9
|
30%
|
0
|
0%
|
|
75
|
The Happy Husband
|
2
|
6%
|
0
|
0%
|
|
76
|
The Presence Of Love
|
5
|
16%
|
0
|
0%
|
|
77
|
The Rime Of The Ancient Mariner
|
8
|
26%
|
0
|
0%
|
|
78
|
The Rose
|
1
|
3%
|
0
|
0%
|
|
79
|
The Suicide's Argument
|
4
|
13%
|
0
|
0%
|
|
80
|
Thicker than rain-drops on November thorn (fragment)
|
1
|
3%
|
0
|
0%
|
|
81
|
To A Friend, With An Unfinished Poem
|
1
|
3%
|
0
|
0%
|
|
82
|
To A Young Ass, Its Mother Being Tethered Near It
|
1
|
3%
|
0
|
0%
|
|
83
|
To A Young Lady, With A Poem On The French Revolution
|
1
|
3%
|
0
|
0%
|
|
84
|
To An Infant
|
1
|
3%
|
0
|
0%
|
|
85
|
To William Wordsworth
|
3
|
10%
|
0
|
0%
|
|
86
|
Written In Early Youth. The Time,--An Autumnal Evening
|
1
|
3%
|
0
|
0%
|
|
87
|
Youth And Age
|
7
|
23%
|
0
|
0%
|
|
88
|
Zapolya
|
3
|
10%
|
0
|
0%
|