|
1
|
A Serenade
|
3
|
13%
|
0
|
0%
|
|
2
|
An Hour With Thee
|
8
|
34%
|
0
|
0%
|
|
3
|
Ancient Gaelic Melody
|
1
|
4%
|
0
|
0%
|
|
4
|
Answer
|
8
|
34%
|
0
|
0%
|
|
5
|
As Lords Their Labourers' Hire Delay
|
2
|
8%
|
0
|
0%
|
|
6
|
Bonaparte
|
2
|
8%
|
0
|
0%
|
|
7
|
Bonny Dundee
|
4
|
17%
|
0
|
0%
|
|
8
|
Border Ballad
|
7
|
30%
|
0
|
0%
|
|
9
|
Breathes There the Man... From the Lay of the Last Minstrel
|
3
|
13%
|
0
|
0%
|
|
10
|
Christmas
|
2
|
8%
|
0
|
0%
|
|
11
|
Country Guy
|
1
|
4%
|
0
|
0%
|
|
12
|
County Guy
|
2
|
8%
|
0
|
0%
|
|
13
|
Flora Macivor's Song
|
2
|
8%
|
0
|
0%
|
|
14
|
For A' That And A' That
|
2
|
8%
|
0
|
0%
|
|
15
|
It Was an English Ladye Bright
|
2
|
8%
|
0
|
0%
|
|
16
|
Lochinvar
|
23
|
100%
|
0
|
0%
|
|
17
|
Love
|
3
|
13%
|
0
|
0%
|
|
18
|
Lucy Ashton's Song
|
1
|
4%
|
0
|
0%
|
|
19
|
Lullaby of an Infant Chief
|
2
|
8%
|
0
|
0%
|
|
20
|
MacGregor's Gathering
|
1
|
4%
|
0
|
0%
|
|
21
|
MacKrimmon's Lament
|
2
|
8%
|
0
|
0%
|
|
22
|
Major Bellenden's Song
|
1
|
4%
|
0
|
0%
|
|
23
|
March Of The Monks Of Bangor
|
1
|
4%
|
0
|
0%
|
|
24
|
March, March, Ettrick and Teviotdale
|
1
|
4%
|
0
|
0%
|
|
25
|
Marmion: a Christmas Poem
|
1
|
4%
|
0
|
0%
|
|
26
|
Marmion: Canto 6 (excerpt)
|
3
|
13%
|
0
|
0%
|
|
27
|
Marmion: Canto II. - The Convent
|
1
|
4%
|
0
|
0%
|
|
28
|
Marmion: Canto III. - The Inn
|
1
|
4%
|
0
|
0%
|
|
29
|
Marmion: Canto IV. - The Camp
|
1
|
4%
|
0
|
0%
|
|
30
|
Marmion: Canto V. - The Court
|
1
|
4%
|
0
|
0%
|
|
31
|
Marmion: Introduction to Canto I
|
1
|
4%
|
0
|
0%
|
|
32
|
Marmion: Introduction to Canto II.
|
1
|
4%
|
0
|
0%
|
|
33
|
My Native Land
|
9
|
39%
|
0
|
0%
|
|
34
|
Nora's Vow
|
3
|
13%
|
0
|
0%
|
|
35
|
On Ettrick Forest's Mountains Dun {Life In The Forest}
|
2
|
8%
|
0
|
0%
|
|
36
|
On Leaving Mrs. Brown's Lodgings
|
2
|
8%
|
0
|
0%
|
|
37
|
On Tweed River
|
1
|
4%
|
0
|
0%
|
|
38
|
Patriotism 01 Innominatus
|
2
|
8%
|
0
|
0%
|
|
39
|
Patriotism 02 Nelson, Pitt, Fox
|
2
|
8%
|
0
|
0%
|
|
40
|
Patriotism 1. Innominatus
|
3
|
13%
|
0
|
0%
|
|
41
|
Patriotism 2. Nelson, Pitt, Fox
|
2
|
8%
|
0
|
0%
|
|
42
|
Pibroch of Donail Dhu
|
2
|
8%
|
0
|
0%
|
|
43
|
Proud Maisie
|
2
|
8%
|
0
|
0%
|
|
44
|
Proud Masie
|
2
|
8%
|
0
|
0%
|
|
45
|
Rebecca's Hymn
|
2
|
8%
|
0
|
0%
|
|
46
|
Rokeby: Canto II.
|
3
|
13%
|
0
|
0%
|
|
47
|
Rokeby: Canto III.
|
2
|
8%
|
0
|
0%
|
|
48
|
Rokeby: Canto IV.
|
3
|
13%
|
0
|
0%
|
|
49
|
Rokeby: Canto V.
|
3
|
13%
|
0
|
0%
|
|
50
|
Rokeby: Canto VI.
|
3
|
13%
|
0
|
0%
|
|
51
|
Romance of Dunois
|
1
|
4%
|
0
|
0%
|
|
52
|
Rosabelle
|
2
|
8%
|
0
|
0%
|
|
53
|
Saint Cloud
|
2
|
8%
|
0
|
0%
|
|
54
|
Saxon War-Song
|
2
|
8%
|
0
|
0%
|
|
55
|
Soldier, rest! thy warfare o'er,
|
1
|
4%
|
0
|
0%
|
|
56
|
Soldier, Wake
|
1
|
4%
|
0
|
0%
|
|
57
|
Song -- County Guy
|
2
|
8%
|
0
|
0%
|
|
58
|
Song of the Glee-Maiden
|
2
|
8%
|
0
|
0%
|
|
59
|
Song of the Zetland Fisherman
|
2
|
8%
|
0
|
0%
|
|
60
|
Sound, Sound the Clarion
|
3
|
13%
|
0
|
0%
|
|
61
|
St. Swithin's Chair
|
2
|
8%
|
0
|
0%
|
|
62
|
The Bard's Incantation
|
2
|
8%
|
0
|
0%
|
|
63
|
The Barefooted Friar
|
2
|
8%
|
0
|
0%
|
|
64
|
The Battle of Sempach
|
1
|
4%
|
0
|
0%
|
|
65
|
The Black Knight's Song
|
1
|
4%
|
0
|
0%
|
|
66
|
The Bridal Of Triermain
|
3
|
13%
|
0
|
0%
|
|
67
|
The Crusader's Return
|
6
|
26%
|
0
|
0%
|
|
68
|
The Dance of Death
|
1
|
4%
|
0
|
0%
|
|
69
|
The Dreary Change {The sun upon the Weirdlaw Hill}
|
2
|
8%
|
0
|
0%
|
|
70
|
The Dying Bard
|
1
|
4%
|
0
|
0%
|
|
71
|
The Dying Gipsy Smuggler
|
1
|
4%
|
0
|
0%
|
|
72
|
The Eve of St. John
|
2
|
8%
|
0
|
0%
|
|
73
|
The Field of Waterloo
|
2
|
8%
|
0
|
0%
|
|
74
|
The Gray Brother
|
1
|
4%
|
0
|
0%
|
|
75
|
The Lady of the Lake: Canto 1 (excerpt)
|
3
|
13%
|
0
|
0%
|
|
76
|
The Lady of the Lake: Canto 3 (excerpt)
|
4
|
17%
|
0
|
0%
|
|
77
|
The Lady of the Lake: Canto 5 (excerpt)
|
3
|
13%
|
0
|
0%
|
|
78
|
The Lady of the Lake: Canto II. - The Island
|
2
|
8%
|
0
|
0%
|
|
79
|
The Lady of the Lake: Canto IV. - The Prophecy
|
2
|
8%
|
0
|
0%
|
|
80
|
The Lay of Poor Louise
|
2
|
8%
|
0
|
0%
|
|
81
|
The Lay of the Last Minstrel: Canto 6 (excerpt)
|
2
|
8%
|
0
|
0%
|
|
82
|
The Lay of the Last Minstrel: Canto I
|
2
|
8%
|
0
|
0%
|
|
83
|
The Lay of the Last Minstrel: Canto II.
|
2
|
8%
|
0
|
0%
|
|
84
|
The Lay of the Last Minstrel: Canto III.
|
2
|
8%
|
0
|
0%
|
|
85
|
The Lay of the Last Minstrel: Canto IV.
|
1
|
4%
|
0
|
0%
|
|
86
|
The Lay of the Last Minstrel: Canto V.
|
2
|
8%
|
0
|
0%
|
|
87
|
The Lord of the Isles: Canto I.
|
2
|
8%
|
0
|
0%
|
|
88
|
The Lord of the Isles: Canto II.
|
2
|
8%
|
0
|
0%
|
|
89
|
The Lord of the Isles: Canto III.
|
2
|
8%
|
0
|
0%
|
|
90
|
The Lord of the Isles: Canto IV.
|
2
|
8%
|
0
|
0%
|
|
91
|
The Lord of the Isles: Canto V.
|
1
|
4%
|
0
|
0%
|
|
92
|
The Lord of the Isles: Canto VI.
|
2
|
8%
|
0
|
0%
|
|
93
|
The Maid of Neidpath
|
2
|
8%
|
0
|
0%
|
|
94
|
The Maid of Toro
|
2
|
8%
|
0
|
0%
|
|
95
|
The Noble Moringer
|
2
|
8%
|
0
|
0%
|
|
96
|
The Norman Horse-Shoe
|
2
|
8%
|
0
|
0%
|
|
97
|
The Orphan Maid
|
1
|
4%
|
0
|
0%
|
|
98
|
The Outlaw
|
2
|
8%
|
0
|
0%
|
|
99
|
The Palmer
|
2
|
8%
|
0
|
0%
|
|
100
|
The Reiver's Wedding
|
3
|
13%
|
0
|
0%
|
|
101
|
The Resolve
|
2
|
8%
|
0
|
0%
|
|
102
|
The Return to Ulster
|
2
|
8%
|
0
|
0%
|
|
103
|
The Ride to Melrose, from The Lay of the Last Minstrel.
|
2
|
8%
|
0
|
0%
|
|
104
|
The Rover's Adieu
|
2
|
8%
|
0
|
0%
|
|
105
|
The Song of Harold Harfager
|
3
|
13%
|
0
|
0%
|
|
106
|
The Song of the Tempest
|
2
|
8%
|
0
|
0%
|
|
107
|
The Troubadour
|
2
|
8%
|
0
|
0%
|
|
108
|
The Truth of Woman
|
5
|
21%
|
0
|
0%
|
|
109
|
The Violet
|
2
|
8%
|
0
|
0%
|
|
110
|
The Vision of Don Roderick
|
1
|
4%
|
0
|
0%
|
|
111
|
The Wild Huntsman
|
2
|
8%
|
0
|
0%
|
|
112
|
Thomas the Rhymer
|
2
|
8%
|
0
|
0%
|
|
113
|
To a Lady - with Flowers from a Roman Wall
|
2
|
8%
|
0
|
0%
|
|
114
|
To a Lock of Hair
|
8
|
34%
|
0
|
0%
|
|
115
|
To The Sub-Prior
|
2
|
8%
|
0
|
0%
|
|
116
|
Twist Ye, Twine Ye
|
4
|
17%
|
0
|
0%
|
|
117
|
Verses Found in Bothwell's Pocket-book
|
4
|
17%
|
0
|
0%
|
|
118
|
Wandering Willie
|
2
|
8%
|
0
|
0%
|
|
119
|
Waverly
|
1
|
4%
|
0
|
0%
|
|
120
|
Where Shall the Lover Rest
|
3
|
13%
|
0
|
0%
|
|
121
|
Why Sit'st Thou By That Ruin'd Hall?
|
2
|
8%
|
0
|
0%
|
|
122
|
William and Helen
|
2
|
8%
|
0
|
0%
|