|
1
|
"Between Us Now"
|
33
|
66%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
34
|
68%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
9
|
18%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
17
|
34%
|
0
|
0%
|
|
5
|
[Greek Title]
|
12
|
24%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
27
|
54%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
13
|
26%
|
0
|
0%
|
|
8
|
A Christmas Ghost-Story
|
8
|
16%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
5
|
10%
|
0
|
0%
|
|
10
|
A Commonplace Day.
|
3
|
6%
|
0
|
0%
|
|
11
|
A Confession To A Friend in Trouble
|
14
|
28%
|
0
|
0%
|
|
12
|
A Man (In Memory of H. of M.)
|
6
|
12%
|
0
|
0%
|
|
13
|
A Meeting With Despair
|
26
|
52%
|
0
|
0%
|
|
14
|
A Sign-Seeker
|
10
|
20%
|
0
|
0%
|
|
15
|
A Spot
|
12
|
24%
|
0
|
0%
|
|
16
|
A Thunderstorm in Town
|
32
|
64%
|
0
|
0%
|
|
17
|
A Wasted Illness
|
18
|
36%
|
0
|
0%
|
|
18
|
A Wife in London (December, 1899)
|
29
|
57%
|
0
|
0%
|
|
19
|
Additions
|
6
|
12%
|
0
|
0%
|
|
20
|
After Schiller
|
6
|
12%
|
0
|
0%
|
|
21
|
Afterwards
|
9
|
18%
|
0
|
0%
|
|
22
|
Ah, Are You Digging on My Grave?
|
12
|
24%
|
0
|
0%
|
|
23
|
Amabel
|
4
|
8%
|
0
|
0%
|
|
24
|
An Ancient to Ancients
|
6
|
12%
|
0
|
0%
|
|
25
|
An August Midnight
|
7
|
14%
|
0
|
0%
|
|
26
|
An Autumn Rain-Scene
|
9
|
18%
|
0
|
0%
|
|
27
|
Architectural Masks
|
6
|
12%
|
0
|
0%
|
|
28
|
At A Bridal
|
2
|
4%
|
0
|
0%
|
|
29
|
At a Hasty Wedding
|
5
|
10%
|
0
|
0%
|
|
30
|
At a Lunar Eclipse
|
8
|
16%
|
0
|
0%
|
|
31
|
At An Inn
|
2
|
4%
|
0
|
0%
|
|
32
|
At Castle Boterel
|
6
|
12%
|
0
|
0%
|
|
33
|
At Lulworth Cove a Century Back
|
7
|
14%
|
0
|
0%
|
|
34
|
At the Railway Station, Upways
|
6
|
12%
|
0
|
0%
|
|
35
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
6
|
12%
|
0
|
0%
|
|
36
|
At the War Office, London.
|
2
|
4%
|
0
|
0%
|
|
37
|
Beeny Cliff
|
9
|
18%
|
0
|
0%
|
|
38
|
Between Us Now
|
8
|
16%
|
0
|
0%
|
|
39
|
Birds at Winter Nightfall (Triolet)
|
6
|
12%
|
0
|
0%
|
|
40
|
By the Earth's Corpse
|
12
|
24%
|
0
|
0%
|
|
41
|
Cardinal Bembo's Epitaph on Raphael
|
3
|
6%
|
0
|
0%
|
|
42
|
Catullus: XXXI
|
3
|
6%
|
0
|
0%
|
|
43
|
Channel Firing
|
6
|
12%
|
0
|
0%
|
|
44
|
De Profundis
|
7
|
14%
|
0
|
0%
|
|
45
|
Departure (Southampton Docks: October, 1899)
|
3
|
6%
|
0
|
0%
|
|
46
|
Departure.
|
4
|
8%
|
0
|
0%
|
|
47
|
Ditty
|
7
|
14%
|
0
|
0%
|
|
48
|
Domicilium
|
4
|
8%
|
0
|
0%
|
|
49
|
Doom and She
|
12
|
24%
|
0
|
0%
|
|
50
|
Drummer Hodge
|
21
|
42%
|
0
|
0%
|
|
51
|
During Wind and Rain
|
5
|
10%
|
0
|
0%
|
|
52
|
Embarcation
|
3
|
6%
|
0
|
0%
|
|
53
|
Embarcation (Southampton Docks: October, 1899)
|
2
|
4%
|
0
|
0%
|
|
54
|
Epitaph on a pessimist
|
4
|
8%
|
0
|
0%
|
|
55
|
Fragment
|
6
|
12%
|
0
|
0%
|
|
56
|
Friends Beyond
|
6
|
12%
|
0
|
0%
|
|
57
|
From Victor Hugo
|
3
|
6%
|
0
|
0%
|
|
58
|
Genoa and the Mediterranean (March, 1887)
|
4
|
8%
|
0
|
0%
|
|
59
|
Genoa and the Mediterranean.
|
3
|
6%
|
0
|
0%
|
|
60
|
George Meredith
|
7
|
14%
|
0
|
0%
|
|
61
|
God-Forgotten
|
6
|
12%
|
0
|
0%
|
|
62
|
God's Funeral
|
15
|
30%
|
0
|
0%
|
|
63
|
Hap
|
26
|
52%
|
0
|
0%
|
|
64
|
He Never Expected Much
|
6
|
12%
|
0
|
0%
|
|
65
|
Her Death And After
|
4
|
8%
|
0
|
0%
|
|
66
|
Her Immortality
|
7
|
14%
|
0
|
0%
|
|
67
|
Her Initals
|
3
|
6%
|
0
|
0%
|
|
68
|
Her Initials
|
1
|
2%
|
0
|
0%
|
|
69
|
Her Late Husband (King's-Hintock, 182-.)
|
2
|
4%
|
0
|
0%
|
|
70
|
Her Reproach
|
5
|
10%
|
0
|
0%
|
|
71
|
Heredity
|
2
|
4%
|
0
|
0%
|
|
72
|
His Immortality
|
10
|
20%
|
0
|
0%
|
|
73
|
I have lived with Shades
|
9
|
18%
|
0
|
0%
|
|
74
|
I Look Into My Glass
|
8
|
16%
|
0
|
0%
|
|
75
|
I Need Not Go
|
10
|
20%
|
0
|
0%
|
|
76
|
I said to Love
|
7
|
14%
|
0
|
0%
|
|
77
|
I Said to Love.
|
3
|
6%
|
0
|
0%
|
|
78
|
In A Eweleaze Near Weatherbury
|
5
|
10%
|
0
|
0%
|
|
79
|
In a Museum
|
4
|
8%
|
0
|
0%
|
|
80
|
In a Wood
|
10
|
20%
|
0
|
0%
|
|
81
|
In A Wook
|
3
|
6%
|
0
|
0%
|
|
82
|
In Tenebris
|
8
|
16%
|
0
|
0%
|
|
83
|
In The Moonlight
|
9
|
18%
|
0
|
0%
|
|
84
|
In Time Of
|
4
|
8%
|
0
|
0%
|
|
85
|
In Time of 'The Breaking of Nations'
|
3
|
6%
|
0
|
0%
|
|
86
|
In Vision I Roamed
|
1
|
2%
|
0
|
0%
|
|
87
|
Last Words to a Dumb Friend
|
2
|
4%
|
0
|
0%
|
|
88
|
Leipzig
|
1
|
2%
|
0
|
0%
|
|
89
|
Let Me Enjoy
|
1
|
2%
|
0
|
0%
|
|
90
|
Lines
|
1
|
2%
|
0
|
0%
|
|
91
|
Lines On The Loss Of The "Titanic"
|
6
|
12%
|
0
|
0%
|
|
92
|
Mad Judy
|
7
|
14%
|
0
|
0%
|
|
93
|
Men Who March Away
|
12
|
24%
|
0
|
0%
|
|
94
|
Middle-Age Enthusiasms
|
5
|
10%
|
0
|
0%
|
|
95
|
Midnight on the Great Western
|
1
|
2%
|
0
|
0%
|
|
96
|
Moments of Vision
|
6
|
12%
|
0
|
0%
|
|
97
|
My Cicely
|
3
|
6%
|
0
|
0%
|
|
98
|
My spirit will not haunt the mound
|
3
|
6%
|
0
|
0%
|
|
99
|
Nature's Questioning
|
3
|
6%
|
0
|
0%
|
|
100
|
Neutral Tones
|
4
|
8%
|
0
|
0%
|
|
101
|
Night in the Old Home
|
3
|
6%
|
0
|
0%
|
|
102
|
No Buyers
|
1
|
2%
|
0
|
0%
|
|
103
|
On a Fine Morning
|
3
|
6%
|
0
|
0%
|
|
104
|
Rome: Building a New Street in the Ancient Quarter.
|
1
|
2%
|
0
|
0%
|
|
105
|
Rome: On the Palatine.
|
2
|
4%
|
0
|
0%
|
|
106
|
San Sebastian
|
1
|
2%
|
0
|
0%
|
|
107
|
Sapphic Fragment
|
2
|
4%
|
0
|
0%
|
|
108
|
She At His Funeral
|
5
|
10%
|
0
|
0%
|
|
109
|
She Hears the Storm
|
6
|
12%
|
0
|
0%
|
|
110
|
She, at His Funeral
|
3
|
6%
|
0
|
0%
|
|
111
|
She, To Him
|
4
|
8%
|
0
|
0%
|
|
112
|
She, To Him III
|
1
|
2%
|
0
|
0%
|
|
113
|
She, To Him IV
|
1
|
2%
|
0
|
0%
|
|
114
|
She, to Him, I
|
4
|
8%
|
0
|
0%
|
|
115
|
She, to Him, II
|
3
|
6%
|
0
|
0%
|
|
116
|
She, to Him, III
|
5
|
10%
|
0
|
0%
|
|
117
|
She, to Him, IV
|
4
|
8%
|
0
|
0%
|
|
118
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
3
|
6%
|
0
|
0%
|
|
119
|
Song From Heine
|
1
|
2%
|
0
|
0%
|
|
120
|
Song of Hope
|
12
|
24%
|
0
|
0%
|
|
121
|
Song of the Soldier's Wifes.
|
2
|
4%
|
0
|
0%
|
|
122
|
Tess's Lament
|
1
|
2%
|
0
|
0%
|
|
123
|
The Bridge of Lodi (Spring, 1887)
|
4
|
8%
|
0
|
0%
|
|
124
|
The Burghers
|
1
|
2%
|
0
|
0%
|
|
125
|
The Cave of the Unborn
|
3
|
6%
|
0
|
0%
|
|
126
|
The Church-Builder
|
4
|
8%
|
0
|
0%
|
|
127
|
The Colonel's Solilquy.
|
3
|
6%
|
0
|
0%
|
|
128
|
The Comet at Valbury or Yell'ham
|
5
|
10%
|
0
|
0%
|
|
129
|
The Convergence Of The Twain
|
3
|
6%
|
0
|
0%
|
|
130
|
The Coquette, and After (Triolets)
|
2
|
4%
|
0
|
0%
|
|
131
|
The Dame of Athelhall
|
1
|
2%
|
0
|
0%
|
|
132
|
The Dance At The Phoenix
|
1
|
2%
|
0
|
0%
|
|
133
|
The Darkling Thrush
|
14
|
28%
|
0
|
0%
|
|
134
|
The Dead Man Walking
|
5
|
10%
|
0
|
0%
|
|
135
|
The Ghost of the Past
|
3
|
6%
|
0
|
0%
|
|
136
|
The Going
|
3
|
6%
|
0
|
0%
|
|
137
|
The Going of the Battery Wives. (Lament)
|
1
|
2%
|
0
|
0%
|
|
138
|
The House of Hospitalities
|
1
|
2%
|
0
|
0%
|
|
139
|
The Impercipient
|
5
|
10%
|
0
|
0%
|
|
140
|
The Ivy-Wife
|
2
|
4%
|
0
|
0%
|
|
141
|
The King's Experiment
|
1
|
2%
|
0
|
0%
|
|
142
|
The Last Chrysanthemum
|
5
|
10%
|
0
|
0%
|
|
143
|
The Lost Pyx: A Mediaeval Legend
|
1
|
2%
|
0
|
0%
|
|
144
|
The Man He Killed
|
50
|
100%
|
0
|
0%
|
|
145
|
The Masked Face
|
3
|
6%
|
0
|
0%
|
|
146
|
The Mother Mourns
|
4
|
8%
|
0
|
0%
|
|
147
|
The Mother Mourns.
|
6
|
12%
|
0
|
0%
|
|
148
|
The Peasent's Confession
|
1
|
2%
|
0
|
0%
|
|
149
|
The Phantom Horsewoman.
|
2
|
4%
|
0
|
0%
|
|
150
|
The Respectable Burgher on "The Higher Criticism"
|
6
|
12%
|
0
|
0%
|
|
151
|
The Roman Road
|
3
|
6%
|
0
|
0%
|
|
152
|
The Ruined Maid
|
14
|
28%
|
0
|
0%
|
|
153
|
The Seasons of Her Year
|
4
|
8%
|
0
|
0%
|
|
154
|
The Selfsame Song
|
2
|
4%
|
0
|
0%
|
|
155
|
The Self-Unseeing
|
5
|
10%
|
0
|
0%
|
|
156
|
The Sergeant's Song
|
7
|
14%
|
0
|
0%
|
|
157
|
The Souls of the Slain
|
3
|
6%
|
0
|
0%
|
|
158
|
The Stranger's Song
|
3
|
6%
|
0
|
0%
|
|
159
|
The Subalterns
|
2
|
4%
|
0
|
0%
|
|
160
|
The Sun on the Bookcase
|
1
|
2%
|
0
|
0%
|
|
161
|
The Tenant-For-Life
|
3
|
6%
|
0
|
0%
|
|
162
|
The Two Men
|
2
|
4%
|
0
|
0%
|
|
163
|
The Voice
|
10
|
20%
|
0
|
0%
|
|
164
|
The Well-Beloved
|
1
|
2%
|
0
|
0%
|
|
165
|
The Widow
|
3
|
6%
|
0
|
0%
|
|
166
|
Then and Now
|
2
|
4%
|
0
|
0%
|
|
167
|
Thought Of Ph---a At News Of Her Death
|
1
|
2%
|
0
|
0%
|
|
168
|
Thoughts of Phena
|
1
|
2%
|
0
|
0%
|
|
169
|
To A Lady
|
4
|
8%
|
0
|
0%
|
|
170
|
To an Unborn Pauper Child
|
2
|
4%
|
0
|
0%
|
|
171
|
To Life
|
6
|
12%
|
0
|
0%
|
|
172
|
To Outer Nature
|
1
|
2%
|
0
|
0%
|
|
173
|
Transformations
|
3
|
6%
|
0
|
0%
|
|
174
|
Under the Waterfall
|
1
|
2%
|
0
|
0%
|
|
175
|
Weathers
|
8
|
16%
|
0
|
0%
|
|
176
|
When I Set Out for Lyonnesse
|
3
|
6%
|
0
|
0%
|
|
177
|
Winter in Durnover Field
|
1
|
2%
|
0
|
0%
|
|
178
|
Wives in the Sere
|
4
|
8%
|
0
|
0%
|