|
1
|
"Between Us Now"
|
34
|
100%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
34
|
100%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
21
|
61%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
23
|
67%
|
0
|
0%
|
|
5
|
[Greek Title]
|
3
|
8%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
30
|
88%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
5
|
14%
|
0
|
0%
|
|
8
|
A Circular
|
1
|
2%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
2
|
5%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
6
|
17%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
5
|
14%
|
0
|
0%
|
|
12
|
A Dream Or No
|
7
|
20%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
1
|
2%
|
0
|
0%
|
|
14
|
A King's Soliloquy [On the Night of His Funeral]
|
2
|
5%
|
0
|
0%
|
|
15
|
A Man (In Memory of H. of M.)
|
1
|
2%
|
0
|
0%
|
|
16
|
A Meeting With Despair
|
3
|
8%
|
0
|
0%
|
|
17
|
A Poet
|
4
|
11%
|
0
|
0%
|
|
18
|
A Sign-Seeker
|
1
|
2%
|
0
|
0%
|
|
19
|
A Spot
|
2
|
5%
|
0
|
0%
|
|
20
|
A Thunderstorm in Town
|
10
|
29%
|
0
|
0%
|
|
21
|
A Wasted Illness
|
1
|
2%
|
0
|
0%
|
|
22
|
A Wife in London (December, 1899)
|
2
|
5%
|
0
|
0%
|
|
23
|
According to the Mighty Working
|
1
|
2%
|
0
|
0%
|
|
24
|
Additions
|
1
|
2%
|
0
|
0%
|
|
25
|
After A Journey
|
1
|
2%
|
0
|
0%
|
|
26
|
Afterwards
|
9
|
26%
|
0
|
0%
|
|
27
|
Ah, Are You Digging on My Grave?
|
3
|
8%
|
0
|
0%
|
|
28
|
Amabel
|
1
|
2%
|
0
|
0%
|
|
29
|
An Ancient to Ancients
|
1
|
2%
|
0
|
0%
|
|
30
|
At Day-Close In November
|
1
|
2%
|
0
|
0%
|
|
31
|
At a Hasty Wedding
|
1
|
2%
|
0
|
0%
|
|
32
|
At Castle Boterel
|
2
|
5%
|
0
|
0%
|
|
33
|
Beeny Cliff
|
1
|
2%
|
0
|
0%
|
|
34
|
Bereft, She Thinks She Dreams
|
1
|
2%
|
0
|
0%
|
|
35
|
Birds at Winter Nightfall (Triolet)
|
1
|
2%
|
0
|
0%
|
|
36
|
By the Earth's Corpse
|
1
|
2%
|
0
|
0%
|
|
37
|
Cardinal Bembo's Epitaph on Raphael
|
1
|
2%
|
0
|
0%
|
|
38
|
Convergence Of The Twain
|
2
|
5%
|
0
|
0%
|
|
39
|
De Profundis
|
2
|
5%
|
0
|
0%
|
|
40
|
Departure (Southampton Docks: October, 1899)
|
2
|
5%
|
0
|
0%
|
|
41
|
Doom and She
|
1
|
2%
|
0
|
0%
|
|
42
|
Drummer Hodge
|
15
|
44%
|
0
|
0%
|
|
43
|
During Wind and Rain
|
1
|
2%
|
0
|
0%
|
|
44
|
Epitaph on a pessimist
|
3
|
8%
|
0
|
0%
|
|
45
|
Exeunt Omnes
|
1
|
2%
|
0
|
0%
|
|
46
|
Faintheart In A Railway Train
|
1
|
2%
|
0
|
0%
|
|
47
|
God-Forgotten
|
2
|
5%
|
0
|
0%
|
|
48
|
God's Funeral
|
4
|
11%
|
0
|
0%
|
|
49
|
Had You Wept
|
1
|
2%
|
0
|
0%
|
|
50
|
Hap
|
8
|
23%
|
0
|
0%
|
|
51
|
He Never Expected Much
|
1
|
2%
|
0
|
0%
|
|
52
|
Her Death And After
|
1
|
2%
|
0
|
0%
|
|
53
|
Her Dilemma
|
2
|
5%
|
0
|
0%
|
|
54
|
Her Immortality
|
1
|
2%
|
0
|
0%
|
|
55
|
Her Initials
|
2
|
5%
|
0
|
0%
|
|
56
|
I Look Into My Glass
|
4
|
11%
|
0
|
0%
|
|
57
|
I Need Not Go
|
5
|
14%
|
0
|
0%
|
|
58
|
I Rose Up As My Custom Is
|
1
|
2%
|
0
|
0%
|
|
59
|
I said to Love
|
1
|
2%
|
0
|
0%
|
|
60
|
In a Museum
|
3
|
8%
|
0
|
0%
|
|
61
|
In a Wood
|
2
|
5%
|
0
|
0%
|
|
62
|
In A Wook
|
1
|
2%
|
0
|
0%
|
|
63
|
In Tenebris
|
7
|
20%
|
0
|
0%
|
|
64
|
In The British Museum
|
2
|
5%
|
0
|
0%
|
|
65
|
In The Days Of Crinoline
|
1
|
2%
|
0
|
0%
|
|
66
|
In the Old Theatre, Fiesole (April, 1887)
|
1
|
2%
|
0
|
0%
|
|
67
|
In The Vaulted Way
|
1
|
2%
|
0
|
0%
|
|
68
|
In Time of 'The Breaking of Nations'
|
8
|
23%
|
0
|
0%
|
|
69
|
Let Me Enjoy
|
2
|
5%
|
0
|
0%
|
|
70
|
Lines On The Loss Of The "Titanic"
|
9
|
26%
|
0
|
0%
|
|
71
|
Men Who March Away
|
1
|
2%
|
0
|
0%
|
|
72
|
Midnight on the Great Western
|
2
|
5%
|
0
|
0%
|
|
73
|
Mismet
|
1
|
2%
|
0
|
0%
|
|
74
|
Nature's Questioning
|
1
|
2%
|
0
|
0%
|
|
75
|
Neutral Tones
|
1
|
2%
|
0
|
0%
|
|
76
|
Revulsion
|
4
|
11%
|
0
|
0%
|
|
77
|
Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)
|
1
|
2%
|
0
|
0%
|
|
78
|
Sapphic Fragment
|
2
|
5%
|
0
|
0%
|
|
79
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
3
|
8%
|
0
|
0%
|
|
80
|
Song of Hope
|
1
|
2%
|
0
|
0%
|
|
81
|
Tess's Lament
|
1
|
2%
|
0
|
0%
|
|
82
|
The Bullfinches
|
1
|
2%
|
0
|
0%
|
|
83
|
The Caged Thrush Freed and Home Again (Villanelle)
|
1
|
2%
|
0
|
0%
|
|
84
|
The Cave of the Unborn
|
1
|
2%
|
0
|
0%
|
|
85
|
The Comet at Valbury or Yell'ham
|
1
|
2%
|
0
|
0%
|
|
86
|
The Convergence Of The Twain
|
2
|
5%
|
0
|
0%
|
|
87
|
The Coquette, and After (Triolets)
|
1
|
2%
|
0
|
0%
|
|
88
|
The Coronation
|
1
|
2%
|
0
|
0%
|
|
89
|
The Dance At The Phoenix
|
1
|
2%
|
0
|
0%
|
|
90
|
The Darkling Thrush
|
5
|
14%
|
0
|
0%
|
|
91
|
The Farm Woman's Winter
|
2
|
5%
|
0
|
0%
|
|
92
|
The Going
|
3
|
8%
|
0
|
0%
|
|
93
|
The Impercipient
|
1
|
2%
|
0
|
0%
|
|
94
|
The King's Experiment
|
1
|
2%
|
0
|
0%
|
|
95
|
The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
|
1
|
2%
|
0
|
0%
|
|
96
|
The Man He Killed
|
34
|
100%
|
0
|
0%
|
|
97
|
The Milkmaid
|
1
|
2%
|
0
|
0%
|
|
98
|
The Moth-Signal (On Egdon Heath)
|
1
|
2%
|
0
|
0%
|
|
99
|
The Oxen
|
3
|
8%
|
0
|
0%
|
|
100
|
The Pity Of It
|
1
|
2%
|
0
|
0%
|
|
101
|
The Puzzled Game-Birds (Triolet)
|
1
|
2%
|
0
|
0%
|
|
102
|
The Recalcitrants
|
1
|
2%
|
0
|
0%
|
|
103
|
The Roman Gravemounds
|
7
|
20%
|
0
|
0%
|
|
104
|
The Ruined Maid
|
2
|
5%
|
0
|
0%
|
|
105
|
The Sacrilege: (A Ballad-Tragedy)
|
1
|
2%
|
0
|
0%
|
|
106
|
The Seasons of Her Year
|
1
|
2%
|
0
|
0%
|
|
107
|
The Self-Unseeing
|
2
|
5%
|
0
|
0%
|
|
108
|
The Shadow On The Stone
|
1
|
2%
|
0
|
0%
|
|
109
|
The Spell Of The Rose
|
1
|
2%
|
0
|
0%
|
|
110
|
The Subalterns
|
1
|
2%
|
0
|
0%
|
|
111
|
The Subalterns
|
1
|
2%
|
0
|
0%
|
|
112
|
The Superseded
|
1
|
2%
|
0
|
0%
|
|
113
|
The Supplanter: A Tale
|
1
|
2%
|
0
|
0%
|
|
114
|
The Sweet Hussy
|
1
|
2%
|
0
|
0%
|
|
115
|
The Voice
|
1
|
2%
|
0
|
0%
|
|
116
|
The Walk
|
2
|
5%
|
0
|
0%
|
|
117
|
The Well-Beloved
|
1
|
2%
|
0
|
0%
|
|
118
|
The West-Of-Wessex Girl
|
1
|
2%
|
0
|
0%
|
|
119
|
The Widow
|
1
|
2%
|
0
|
0%
|
|
120
|
The Workbox
|
1
|
2%
|
0
|
0%
|
|
121
|
The Year's Awakening
|
1
|
2%
|
0
|
0%
|
|
122
|
Then and Now
|
1
|
2%
|
0
|
0%
|
|
123
|
Thoughts of Phena
|
2
|
5%
|
0
|
0%
|
|
124
|
To A Lady
|
1
|
2%
|
0
|
0%
|
|
125
|
To An Orphan Child
|
1
|
2%
|
0
|
0%
|
|
126
|
To Outer Nature
|
1
|
2%
|
0
|
0%
|
|
127
|
Tolerance
|
1
|
2%
|
0
|
0%
|
|
128
|
Transformations
|
3
|
8%
|
0
|
0%
|
|
129
|
We Are Getting to the End
|
1
|
2%
|
0
|
0%
|
|
130
|
Weathers
|
5
|
14%
|
0
|
0%
|
|
131
|
Welcome Home
|
1
|
2%
|
0
|
0%
|
|
132
|
When I Set Out for Lyonnesse
|
2
|
5%
|
0
|
0%
|
|
133
|
Your Last Drive
|
1
|
2%
|
0
|
0%
|