|
1
|
"Between Us Now"
|
34
|
66%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
27
|
52%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
20
|
39%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
35
|
68%
|
0
|
0%
|
|
5
|
[Greek Title]
|
9
|
17%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
41
|
80%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
51
|
100%
|
0
|
0%
|
|
8
|
A Christmas Ghost-Story
|
8
|
15%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
5
|
9%
|
0
|
0%
|
|
10
|
A Commonplace Day.
|
2
|
3%
|
0
|
0%
|
|
11
|
A Confession To A Friend in Trouble
|
16
|
31%
|
0
|
0%
|
|
12
|
A Man (In Memory of H. of M.)
|
4
|
7%
|
0
|
0%
|
|
13
|
A Meeting With Despair
|
25
|
49%
|
0
|
0%
|
|
14
|
A Sign-Seeker
|
7
|
13%
|
0
|
0%
|
|
15
|
A Spot
|
9
|
17%
|
0
|
0%
|
|
16
|
A Thunderstorm in Town
|
12
|
23%
|
0
|
0%
|
|
17
|
A Wasted Illness
|
7
|
13%
|
0
|
0%
|
|
18
|
A Wife in London (December, 1899)
|
11
|
21%
|
0
|
0%
|
|
19
|
Additions
|
7
|
13%
|
0
|
0%
|
|
20
|
After Schiller
|
2
|
3%
|
0
|
0%
|
|
21
|
Afterwards
|
10
|
19%
|
0
|
0%
|
|
22
|
Ah, Are You Digging on My Grave?
|
5
|
9%
|
0
|
0%
|
|
23
|
Amabel
|
2
|
3%
|
0
|
0%
|
|
24
|
An Ancient to Ancients
|
1
|
1%
|
0
|
0%
|
|
25
|
An August Midnight
|
1
|
1%
|
0
|
0%
|
|
26
|
At a Lunar Eclipse
|
3
|
5%
|
0
|
0%
|
|
27
|
At An Inn
|
1
|
1%
|
0
|
0%
|
|
28
|
At Castle Boterel
|
4
|
7%
|
0
|
0%
|
|
29
|
At the Railway Station, Upways
|
1
|
1%
|
0
|
0%
|
|
30
|
At the War Office, London.
|
2
|
3%
|
0
|
0%
|
|
31
|
Beeny Cliff
|
3
|
5%
|
0
|
0%
|
|
32
|
Between Us Now
|
6
|
11%
|
0
|
0%
|
|
33
|
Birds at Winter Nightfall (Triolet)
|
17
|
33%
|
0
|
0%
|
|
34
|
By the Earth's Corpse
|
4
|
7%
|
0
|
0%
|
|
35
|
Cardinal Bembo's Epitaph on Raphael
|
1
|
1%
|
0
|
0%
|
|
36
|
Catullus: XXXI
|
1
|
1%
|
0
|
0%
|
|
37
|
Channel Firing
|
7
|
13%
|
0
|
0%
|
|
38
|
De Profundis
|
4
|
7%
|
0
|
0%
|
|
39
|
Departure.
|
1
|
1%
|
0
|
0%
|
|
40
|
Domicilium
|
5
|
9%
|
0
|
0%
|
|
41
|
Doom and She
|
2
|
3%
|
0
|
0%
|
|
42
|
Drummer Hodge
|
39
|
76%
|
0
|
0%
|
|
43
|
During Wind and Rain
|
1
|
1%
|
0
|
0%
|
|
44
|
Friends Beyond
|
5
|
9%
|
0
|
0%
|
|
45
|
God-Forgotten
|
5
|
9%
|
0
|
0%
|
|
46
|
God's Funeral
|
15
|
29%
|
0
|
0%
|
|
47
|
Hap
|
47
|
92%
|
0
|
0%
|
|
48
|
He Never Expected Much
|
4
|
7%
|
0
|
0%
|
|
49
|
Her Death And After
|
1
|
1%
|
0
|
0%
|
|
50
|
Her Dilemma
|
1
|
1%
|
0
|
0%
|
|
51
|
Her Immortality
|
3
|
5%
|
0
|
0%
|
|
52
|
Her Late Husband (King's-Hintock, 182-.)
|
2
|
3%
|
0
|
0%
|
|
53
|
Her Reproach
|
1
|
1%
|
0
|
0%
|
|
54
|
Heredity
|
6
|
11%
|
0
|
0%
|
|
55
|
His Immortality
|
5
|
9%
|
0
|
0%
|
|
56
|
I have lived with Shades
|
1
|
1%
|
0
|
0%
|
|
57
|
I Look Into My Glass
|
3
|
5%
|
0
|
0%
|
|
58
|
I Need Not Go
|
23
|
45%
|
0
|
0%
|
|
59
|
I said to Love
|
3
|
5%
|
0
|
0%
|
|
60
|
I Said to Love.
|
1
|
1%
|
0
|
0%
|
|
61
|
In a Wood
|
4
|
7%
|
0
|
0%
|
|
62
|
In A Wook
|
1
|
1%
|
0
|
0%
|
|
63
|
In Tenebris
|
2
|
3%
|
0
|
0%
|
|
64
|
In The Moonlight
|
2
|
3%
|
0
|
0%
|
|
65
|
In Time of 'The Breaking of Nations'
|
11
|
21%
|
0
|
0%
|
|
66
|
In Vision I Roamed
|
2
|
3%
|
0
|
0%
|
|
67
|
Leipzig
|
4
|
7%
|
0
|
0%
|
|
68
|
Let Me Enjoy
|
1
|
1%
|
0
|
0%
|
|
69
|
Lines
|
1
|
1%
|
0
|
0%
|
|
70
|
Lines On The Loss Of The "Titanic"
|
17
|
33%
|
0
|
0%
|
|
71
|
Long Plighted
|
2
|
3%
|
0
|
0%
|
|
72
|
Men Who March Away
|
12
|
23%
|
0
|
0%
|
|
73
|
Moments of Vision
|
8
|
15%
|
0
|
0%
|
|
74
|
My Cicely
|
1
|
1%
|
0
|
0%
|
|
75
|
Nature's Questioning
|
6
|
11%
|
0
|
0%
|
|
76
|
Neutral Tones
|
15
|
29%
|
0
|
0%
|
|
77
|
No Buyers
|
3
|
5%
|
0
|
0%
|
|
78
|
On a Fine Morning
|
1
|
1%
|
0
|
0%
|
|
79
|
Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
|
2
|
3%
|
0
|
0%
|
|
80
|
Rome: Building a New Street in the Ancient Quarter (April, 1887)
|
3
|
5%
|
0
|
0%
|
|
81
|
Rome: Building a New Street in the Ancient Quarter.
|
1
|
1%
|
0
|
0%
|
|
82
|
San Sebastian
|
1
|
1%
|
0
|
0%
|
|
83
|
She Hears the Storm
|
3
|
5%
|
0
|
0%
|
|
84
|
She, at His Funeral
|
1
|
1%
|
0
|
0%
|
|
85
|
She, To Him III
|
2
|
3%
|
0
|
0%
|
|
86
|
She, to Him, IV
|
1
|
1%
|
0
|
0%
|
|
87
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
1
|
1%
|
0
|
0%
|
|
88
|
Shelley's Skylark.
|
5
|
9%
|
0
|
0%
|
|
89
|
Song From Heine
|
1
|
1%
|
0
|
0%
|
|
90
|
Song of Hope
|
2
|
3%
|
0
|
0%
|
|
91
|
Song of the Soldier's Wifes.
|
2
|
3%
|
0
|
0%
|
|
92
|
The Bedridden Peasant to an Unknown God
|
3
|
5%
|
0
|
0%
|
|
93
|
The Bridge of Lodi (Spring, 1887)
|
4
|
7%
|
0
|
0%
|
|
94
|
The Bullfinches
|
1
|
1%
|
0
|
0%
|
|
95
|
The Burghers
|
2
|
3%
|
0
|
0%
|
|
96
|
The Caged Thrush Freed and Home Again (Villanelle)
|
1
|
1%
|
0
|
0%
|
|
97
|
The Casterbridge Captains
|
1
|
1%
|
0
|
0%
|
|
98
|
The Cave of the Unborn
|
1
|
1%
|
0
|
0%
|
|
99
|
The Church-Builder
|
4
|
7%
|
0
|
0%
|
|
100
|
The Comet at Valbury or Yell'ham
|
2
|
3%
|
0
|
0%
|
|
101
|
The Contretemps
|
1
|
1%
|
0
|
0%
|
|
102
|
The Convergence Of The Twain
|
13
|
25%
|
0
|
0%
|
|
103
|
The Coquette, and After (Triolets)
|
1
|
1%
|
0
|
0%
|
|
104
|
The Dame of Athelhall
|
1
|
1%
|
0
|
0%
|
|
105
|
The Darkling Thrush
|
22
|
43%
|
0
|
0%
|
|
106
|
The Dream-Follower
|
3
|
5%
|
0
|
0%
|
|
107
|
The Ghost of the Past
|
2
|
3%
|
0
|
0%
|
|
108
|
The Going
|
8
|
15%
|
0
|
0%
|
|
109
|
The Going of the Battery Wives. (Lament)
|
4
|
7%
|
0
|
0%
|
|
110
|
The Impercipient
|
2
|
3%
|
0
|
0%
|
|
111
|
The Ivy-Wife
|
2
|
3%
|
0
|
0%
|
|
112
|
The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
|
2
|
3%
|
0
|
0%
|
|
113
|
The Lost Pyx: A Mediaeval Legend
|
1
|
1%
|
0
|
0%
|
|
114
|
The Man He Killed
|
34
|
66%
|
0
|
0%
|
|
115
|
The Masked Face
|
7
|
13%
|
0
|
0%
|
|
116
|
The Milkmaid
|
4
|
7%
|
0
|
0%
|
|
117
|
The Mother Mourns
|
5
|
9%
|
0
|
0%
|
|
118
|
The Mother Mourns.
|
3
|
5%
|
0
|
0%
|
|
119
|
The Oxen
|
13
|
25%
|
0
|
0%
|
|
120
|
The Peasent's Confession
|
5
|
9%
|
0
|
0%
|
|
121
|
The Phantom Horsewoman.
|
2
|
3%
|
0
|
0%
|
|
122
|
The Pity Of It
|
1
|
1%
|
0
|
0%
|
|
123
|
The Problem
|
4
|
7%
|
0
|
0%
|
|
124
|
The Puzzled Game-Birds (Triolet)
|
5
|
9%
|
0
|
0%
|
|
125
|
The Roman Road
|
1
|
1%
|
0
|
0%
|
|
126
|
The Ruined Maid
|
3
|
5%
|
0
|
0%
|
|
127
|
The Sergeant's Song
|
2
|
3%
|
0
|
0%
|
|
128
|
The Slow Nature
|
1
|
1%
|
0
|
0%
|
|
129
|
The Subalterns
|
12
|
23%
|
0
|
0%
|
|
130
|
The Temporary The All
|
1
|
1%
|
0
|
0%
|
|
131
|
The Tree: An Old Man's Story
|
3
|
5%
|
0
|
0%
|
|
132
|
The Voice
|
2
|
3%
|
0
|
0%
|
|
133
|
Thoughts of Phena
|
2
|
3%
|
0
|
0%
|
|
134
|
To An Orphan Child
|
4
|
7%
|
0
|
0%
|
|
135
|
To an Unborn Pauper Child
|
3
|
5%
|
0
|
0%
|
|
136
|
To Life
|
3
|
5%
|
0
|
0%
|
|
137
|
To Lizbie Browne
|
1
|
1%
|
0
|
0%
|
|
138
|
To Outer Nature
|
1
|
1%
|
0
|
0%
|
|
139
|
Transformations
|
4
|
7%
|
0
|
0%
|
|
140
|
Under the Waterfall
|
3
|
5%
|
0
|
0%
|
|
141
|
Unknowing
|
1
|
1%
|
0
|
0%
|
|
142
|
V.R. 1819-1901 (A Reverie.)
|
1
|
1%
|
0
|
0%
|
|
143
|
V.R. 1819-1901, A Reverie
|
1
|
1%
|
0
|
0%
|
|
144
|
Valenciennes
|
2
|
3%
|
0
|
0%
|
|
145
|
Weathers
|
2
|
3%
|
0
|
0%
|
|
146
|
Winter in Durnover Field
|
2
|
3%
|
0
|
0%
|
|
147
|
Zermat: To the Matterhorn (June-July, 1897)
|
1
|
1%
|
0
|
0%
|
|
148
|
Zermatt to the Matterhorn.
|
3
|
5%
|
0
|
0%
|