|
1
|
"Between Us Now"
|
25
|
43%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
16
|
27%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
7
|
12%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
25
|
43%
|
0
|
0%
|
|
5
|
[Greek Title]
|
10
|
17%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
16
|
27%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
8
|
13%
|
0
|
0%
|
|
8
|
A Circular
|
5
|
8%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
5
|
8%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
8
|
13%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
2
|
3%
|
0
|
0%
|
|
12
|
A Dream Or No
|
4
|
6%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
3
|
5%
|
0
|
0%
|
|
14
|
A King's Soliloquy [On the Night of His Funeral]
|
3
|
5%
|
0
|
0%
|
|
15
|
A Man (In Memory of H. of M.)
|
3
|
5%
|
0
|
0%
|
|
16
|
A Meeting With Despair
|
13
|
22%
|
0
|
0%
|
|
17
|
A Poet
|
5
|
8%
|
0
|
0%
|
|
18
|
A Sign-Seeker
|
5
|
8%
|
0
|
0%
|
|
19
|
A Spot
|
2
|
3%
|
0
|
0%
|
|
20
|
A Thunderstorm in Town
|
4
|
6%
|
0
|
0%
|
|
21
|
A Wasted Illness
|
5
|
8%
|
0
|
0%
|
|
22
|
A Week
|
1
|
1%
|
0
|
0%
|
|
23
|
A Wife in London (December, 1899)
|
2
|
3%
|
0
|
0%
|
|
24
|
A Woman's Fancy
|
1
|
1%
|
0
|
0%
|
|
25
|
According to the Mighty Working
|
1
|
1%
|
0
|
0%
|
|
26
|
Additions
|
2
|
3%
|
0
|
0%
|
|
27
|
After A Journey
|
4
|
6%
|
0
|
0%
|
|
28
|
After Schiller
|
1
|
1%
|
0
|
0%
|
|
29
|
After The Visit
|
2
|
3%
|
0
|
0%
|
|
30
|
Afterwards
|
6
|
10%
|
0
|
0%
|
|
31
|
Ah, Are You Digging on My Grave?
|
4
|
6%
|
0
|
0%
|
|
32
|
Amabel
|
2
|
3%
|
0
|
0%
|
|
33
|
An Ancient to Ancients
|
4
|
6%
|
0
|
0%
|
|
34
|
An August Midnight
|
4
|
6%
|
0
|
0%
|
|
35
|
An Autumn Rain-Scene
|
2
|
3%
|
0
|
0%
|
|
36
|
Aquae Sulis
|
2
|
3%
|
0
|
0%
|
|
37
|
Architectural Masks
|
3
|
5%
|
0
|
0%
|
|
38
|
At Day-Close In November
|
1
|
1%
|
0
|
0%
|
|
39
|
At A Bridal
|
3
|
5%
|
0
|
0%
|
|
40
|
At a Hasty Wedding
|
3
|
5%
|
0
|
0%
|
|
41
|
At A House In Hampstead Sometime The Dwelling Of John Keats
|
2
|
3%
|
0
|
0%
|
|
42
|
At a Lunar Eclipse
|
2
|
3%
|
0
|
0%
|
|
43
|
At An Inn
|
1
|
1%
|
0
|
0%
|
|
44
|
At Castle Boterel
|
3
|
5%
|
0
|
0%
|
|
45
|
At Lulworth Cove a Century Back
|
1
|
1%
|
0
|
0%
|
|
46
|
At Moonrise And Onwards
|
4
|
6%
|
0
|
0%
|
|
47
|
At the Railway Station, Upways
|
3
|
5%
|
0
|
0%
|
|
48
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
1
|
1%
|
0
|
0%
|
|
49
|
At the War Office, London.
|
3
|
5%
|
0
|
0%
|
|
50
|
Barthelemon At Vauxhall
|
1
|
1%
|
0
|
0%
|
|
51
|
Beeny Cliff
|
4
|
6%
|
0
|
0%
|
|
52
|
Before And After Summer
|
4
|
6%
|
0
|
0%
|
|
53
|
Bereft, She Thinks She Dreams
|
2
|
3%
|
0
|
0%
|
|
54
|
Between Us Now
|
6
|
10%
|
0
|
0%
|
|
55
|
Birds at Winter Nightfall (Triolet)
|
2
|
3%
|
0
|
0%
|
|
56
|
By the Earth's Corpse
|
2
|
3%
|
0
|
0%
|
|
57
|
Cardinal Bembo's Epitaph on Raphael
|
1
|
1%
|
0
|
0%
|
|
58
|
Catullus: XXXI
|
1
|
1%
|
0
|
0%
|
|
59
|
Channel Firing
|
1
|
1%
|
0
|
0%
|
|
60
|
Convergence Of The Twain
|
4
|
6%
|
0
|
0%
|
|
61
|
De Profundis
|
1
|
1%
|
0
|
0%
|
|
62
|
Departure (Southampton Docks: October, 1899)
|
1
|
1%
|
0
|
0%
|
|
63
|
Departure.
|
1
|
1%
|
0
|
0%
|
|
64
|
Ditty
|
1
|
1%
|
0
|
0%
|
|
65
|
Domicilium
|
1
|
1%
|
0
|
0%
|
|
66
|
Doom and She
|
1
|
1%
|
0
|
0%
|
|
67
|
Drummer Hodge
|
30
|
51%
|
0
|
0%
|
|
68
|
During Wind and Rain
|
3
|
5%
|
0
|
0%
|
|
69
|
Embarcation
|
2
|
3%
|
0
|
0%
|
|
70
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
1%
|
0
|
0%
|
|
71
|
Epeisodia
|
1
|
1%
|
0
|
0%
|
|
72
|
Epitaph on a pessimist
|
2
|
3%
|
0
|
0%
|
|
73
|
Exeunt Omnes
|
1
|
1%
|
0
|
0%
|
|
74
|
Faintheart In A Railway Train
|
3
|
5%
|
0
|
0%
|
|
75
|
Fragment
|
3
|
5%
|
0
|
0%
|
|
76
|
Friends Beyond
|
4
|
6%
|
0
|
0%
|
|
77
|
From Victor Hugo
|
1
|
1%
|
0
|
0%
|
|
78
|
From: Men Who March Away
|
1
|
1%
|
0
|
0%
|
|
79
|
Genoa and the Mediterranean (March, 1887)
|
1
|
1%
|
0
|
0%
|
|
80
|
Genoa and the Mediterranean.
|
1
|
1%
|
0
|
0%
|
|
81
|
George Meredith
|
1
|
1%
|
0
|
0%
|
|
82
|
God-Forgotten
|
1
|
1%
|
0
|
0%
|
|
83
|
God's Funeral
|
4
|
6%
|
0
|
0%
|
|
84
|
Going And Staying
|
4
|
6%
|
0
|
0%
|
|
85
|
Had You Wept
|
1
|
1%
|
0
|
0%
|
|
86
|
Hap
|
18
|
31%
|
0
|
0%
|
|
87
|
He Never Expected Much
|
3
|
5%
|
0
|
0%
|
|
88
|
Heiress And Architect
|
1
|
1%
|
0
|
0%
|
|
89
|
Her Death And After
|
1
|
1%
|
0
|
0%
|
|
90
|
Her Dilemma
|
1
|
1%
|
0
|
0%
|
|
91
|
Her Immortality
|
2
|
3%
|
0
|
0%
|
|
92
|
Her Initals
|
2
|
3%
|
0
|
0%
|
|
93
|
Her Initials
|
2
|
3%
|
0
|
0%
|
|
94
|
Her Late Husband (King's-Hintock, 182-.)
|
1
|
1%
|
0
|
0%
|
|
95
|
Her Reproach
|
1
|
1%
|
0
|
0%
|
|
96
|
Her Secret
|
3
|
5%
|
0
|
0%
|
|
97
|
Her Song
|
3
|
5%
|
0
|
0%
|
|
98
|
Heredity
|
3
|
5%
|
0
|
0%
|
|
99
|
His Immortality
|
1
|
1%
|
0
|
0%
|
|
100
|
His Visitor
|
1
|
1%
|
0
|
0%
|
|
101
|
How She Went To Ireland
|
1
|
1%
|
0
|
0%
|
|
102
|
I Found Her Out There
|
4
|
6%
|
0
|
0%
|
|
103
|
I have lived with Shades
|
3
|
5%
|
0
|
0%
|
|
104
|
I Look Into My Glass
|
2
|
3%
|
0
|
0%
|
|
105
|
I Need Not Go
|
3
|
5%
|
0
|
0%
|
|
106
|
I Rose Up As My Custom Is
|
1
|
1%
|
0
|
0%
|
|
107
|
I said to Love
|
3
|
5%
|
0
|
0%
|
|
108
|
I Said to Love.
|
2
|
3%
|
0
|
0%
|
|
109
|
I Sometimes Think
|
4
|
6%
|
0
|
0%
|
|
110
|
I Was Not He
|
4
|
6%
|
0
|
0%
|
|
111
|
In A Eweleaze Near Weatherbury
|
1
|
1%
|
0
|
0%
|
|
112
|
In a Museum
|
3
|
5%
|
0
|
0%
|
|
113
|
In a Wood
|
2
|
3%
|
0
|
0%
|
|
114
|
In A Wook
|
3
|
5%
|
0
|
0%
|
|
115
|
In Front Of The Landscape
|
3
|
5%
|
0
|
0%
|
|
116
|
In Tenebris
|
7
|
12%
|
0
|
0%
|
|
117
|
In The British Museum
|
2
|
3%
|
0
|
0%
|
|
118
|
In The Days Of Crinoline
|
2
|
3%
|
0
|
0%
|
|
119
|
In The Moonlight
|
10
|
17%
|
0
|
0%
|
|
120
|
In the Old Theatre, Fiesole (April, 1887)
|
2
|
3%
|
0
|
0%
|
|
121
|
In The Old Theatre, Fiesole.
|
2
|
3%
|
0
|
0%
|
|
122
|
In The Servants' Quarters
|
2
|
3%
|
0
|
0%
|
|
123
|
In The Vaulted Way
|
1
|
1%
|
0
|
0%
|
|
124
|
In Time Of
|
1
|
1%
|
0
|
0%
|
|
125
|
In Time of 'The Breaking of Nations'
|
12
|
20%
|
0
|
0%
|
|
126
|
In Vision I Roamed
|
2
|
3%
|
0
|
0%
|
|
127
|
Jezreel
|
3
|
5%
|
0
|
0%
|
|
128
|
Lament
|
3
|
5%
|
0
|
0%
|
|
129
|
Last Words to a Dumb Friend
|
2
|
3%
|
0
|
0%
|
|
130
|
Leipzig
|
2
|
3%
|
0
|
0%
|
|
131
|
Let Me Enjoy
|
2
|
3%
|
0
|
0%
|
|
132
|
Lines
|
1
|
1%
|
0
|
0%
|
|
133
|
Lines On The Loss Of The "Titanic"
|
2
|
3%
|
0
|
0%
|
|
134
|
Long Plighted
|
1
|
1%
|
0
|
0%
|
|
135
|
Mad Judy
|
1
|
1%
|
0
|
0%
|
|
136
|
Men Who March Away
|
3
|
5%
|
0
|
0%
|
|
137
|
Middle-Age Enthusiasms
|
2
|
3%
|
0
|
0%
|
|
138
|
Midnight on the Great Western
|
3
|
5%
|
0
|
0%
|
|
139
|
Mismet
|
1
|
1%
|
0
|
0%
|
|
140
|
Moments of Vision
|
3
|
5%
|
0
|
0%
|
|
141
|
Mute Opinion
|
1
|
1%
|
0
|
0%
|
|
142
|
My Cicely
|
3
|
5%
|
0
|
0%
|
|
143
|
My spirit will not haunt the mound
|
2
|
3%
|
0
|
0%
|
|
144
|
Nature's Questioning
|
7
|
12%
|
0
|
0%
|
|
145
|
Near Lanivet 1872
|
1
|
1%
|
0
|
0%
|
|
146
|
Neutral Tones
|
3
|
5%
|
0
|
0%
|
|
147
|
Night in the Old Home
|
1
|
1%
|
0
|
0%
|
|
148
|
No Buyers
|
1
|
1%
|
0
|
0%
|
|
149
|
On a Fine Morning
|
2
|
3%
|
0
|
0%
|
|
150
|
On an Invitation to the United States.
|
1
|
1%
|
0
|
0%
|
|
151
|
Places
|
2
|
3%
|
0
|
0%
|
|
152
|
Postponement
|
1
|
1%
|
0
|
0%
|
|
153
|
Revulsion
|
1
|
1%
|
0
|
0%
|
|
154
|
Rom: On the Palatine (April, 1887)
|
1
|
1%
|
0
|
0%
|
|
155
|
Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)
|
1
|
1%
|
0
|
0%
|
|
156
|
Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
|
1
|
1%
|
0
|
0%
|
|
157
|
Rome: Building a New Street in the Ancient Quarter (April, 1887)
|
1
|
1%
|
0
|
0%
|
|
158
|
Rome: Building a New Street in the Ancient Quarter.
|
1
|
1%
|
0
|
0%
|
|
159
|
Rome: On the Palatine.
|
1
|
1%
|
0
|
0%
|
|
160
|
Rome: The Vatican--Sala Delle Muse (1887)
|
3
|
5%
|
0
|
0%
|
|
161
|
San Sebastian
|
1
|
1%
|
0
|
0%
|
|
162
|
Sapphic Fragment
|
6
|
10%
|
0
|
0%
|
|
163
|
Satires of Circumstance in Fifteen Glimpses VIII: In the St
|
1
|
1%
|
0
|
0%
|
|
164
|
Seen By The Waits
|
1
|
1%
|
0
|
0%
|
|
165
|
Self- Unconscious
|
3
|
5%
|
0
|
0%
|
|
166
|
Seventy-Four And Twenty
|
4
|
6%
|
0
|
0%
|
|
167
|
She At His Funeral
|
2
|
3%
|
0
|
0%
|
|
168
|
She Charged Me
|
2
|
3%
|
0
|
0%
|
|
169
|
She Hears the Storm
|
1
|
1%
|
0
|
0%
|
|
170
|
She Hears The Storm
|
1
|
1%
|
0
|
0%
|
|
171
|
She, at His Funeral
|
1
|
1%
|
0
|
0%
|
|
172
|
She, To Him
|
1
|
1%
|
0
|
0%
|
|
173
|
She, To Him III
|
1
|
1%
|
0
|
0%
|
|
174
|
She, To Him IV
|
1
|
1%
|
0
|
0%
|
|
175
|
She, to Him, I
|
1
|
1%
|
0
|
0%
|
|
176
|
She, to Him, II
|
1
|
1%
|
0
|
0%
|
|
177
|
She, To Him, II
|
1
|
1%
|
0
|
0%
|
|
178
|
She, to Him, III
|
1
|
1%
|
0
|
0%
|
|
179
|
She, to Him, IV
|
1
|
1%
|
0
|
0%
|
|
180
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
1
|
1%
|
0
|
0%
|
|
181
|
Shelley's Skylark.
|
4
|
6%
|
0
|
0%
|
|
182
|
Song From Heine
|
1
|
1%
|
0
|
0%
|
|
183
|
Song of Hope
|
11
|
18%
|
0
|
0%
|
|
184
|
Song of the Soldiers
|
3
|
5%
|
0
|
0%
|
|
185
|
Song of the Soldier's Wifes.
|
2
|
3%
|
0
|
0%
|
|
186
|
Tess's Lament
|
1
|
1%
|
0
|
0%
|
|
187
|
The Alarm
|
2
|
3%
|
0
|
0%
|
|
188
|
The Bedridden Peasant to an Unknown God
|
1
|
1%
|
0
|
0%
|
|
189
|
The Bridge of Lodi (Spring, 1887)
|
1
|
1%
|
0
|
0%
|
|
190
|
The Bridge of Lodi.
|
1
|
1%
|
0
|
0%
|
|
191
|
The Bullfinches
|
1
|
1%
|
0
|
0%
|
|
192
|
The Burghers
|
1
|
1%
|
0
|
0%
|
|
193
|
The Caged Thrush Freed and Home Again (Villanelle)
|
1
|
1%
|
0
|
0%
|
|
194
|
The Casterbridge Captains
|
1
|
1%
|
0
|
0%
|
|
195
|
The Cave of the Unborn
|
1
|
1%
|
0
|
0%
|
|
196
|
The Cheval-Glass
|
1
|
1%
|
0
|
0%
|
|
197
|
The Church-Builder
|
1
|
1%
|
0
|
0%
|
|
198
|
The Colonel's Soliloquy (Southampton Docks: October, 1899)
|
1
|
1%
|
0
|
0%
|
|
199
|
The Colonel's Solilquy.
|
3
|
5%
|
0
|
0%
|
|
200
|
The Curtains Now Are Drawn
|
1
|
1%
|
0
|
0%
|
|
201
|
The Darkling Thrush
|
1
|
1%
|
0
|
0%
|
|
202
|
The Dead Drummer
|
3
|
5%
|
0
|
0%
|
|
203
|
The Dead Man Walking
|
1
|
1%
|
0
|
0%
|
|
204
|
The Death Of Regret
|
1
|
1%
|
0
|
0%
|
|
205
|
The Discovery
|
1
|
1%
|
0
|
0%
|
|
206
|
The Dream-Follower
|
1
|
1%
|
0
|
0%
|
|
207
|
The Elopement
|
1
|
1%
|
0
|
0%
|
|
208
|
The Garden Seat
|
2
|
3%
|
0
|
0%
|
|
209
|
The Going
|
5
|
8%
|
0
|
0%
|
|
210
|
The Haunter
|
1
|
1%
|
0
|
0%
|
|
211
|
The Last Chrysanthemum
|
2
|
3%
|
0
|
0%
|
|
212
|
The Man He Killed
|
58
|
100%
|
0
|
0%
|
|
213
|
The Missed Train
|
2
|
3%
|
0
|
0%
|
|
214
|
The Oxen
|
1
|
1%
|
0
|
0%
|
|
215
|
The Problem
|
1
|
1%
|
0
|
0%
|
|
216
|
The Recalcitrants
|
1
|
1%
|
0
|
0%
|
|
217
|
The Ruined Maid
|
2
|
3%
|
0
|
0%
|
|
218
|
The Satin Shoes
|
2
|
3%
|
0
|
0%
|
|
219
|
The Seasons of Her Year
|
1
|
1%
|
0
|
0%
|
|
220
|
The Selfsame Song
|
1
|
1%
|
0
|
0%
|
|
221
|
The Sergeant's Song
|
2
|
3%
|
0
|
0%
|
|
222
|
The Shadow On The Stone
|
4
|
6%
|
0
|
0%
|
|
223
|
The Spell Of The Rose
|
1
|
1%
|
0
|
0%
|
|
224
|
The Sweet Hussy
|
1
|
1%
|
0
|
0%
|
|
225
|
The To-Be-Forgotten
|
1
|
1%
|
0
|
0%
|
|
226
|
The Tree: An Old Man's Story
|
1
|
1%
|
0
|
0%
|
|
227
|
The Voice
|
3
|
5%
|
0
|
0%
|
|
228
|
The Walk
|
3
|
5%
|
0
|
0%
|
|
229
|
The West-Of-Wessex Girl
|
2
|
3%
|
0
|
0%
|
|
230
|
The Wistful Lady
|
1
|
1%
|
0
|
0%
|
|
231
|
The Workbox
|
1
|
1%
|
0
|
0%
|
|
232
|
The Year's Awakening
|
3
|
5%
|
0
|
0%
|
|
233
|
Then and Now
|
1
|
1%
|
0
|
0%
|
|
234
|
Thoughts of Phena
|
2
|
3%
|
0
|
0%
|
|
235
|
To An Orphan Child
|
1
|
1%
|
0
|
0%
|
|
236
|
To an Unborn Pauper Child
|
3
|
5%
|
0
|
0%
|
|
237
|
To Life
|
5
|
8%
|
0
|
0%
|
|
238
|
Transformations
|
1
|
1%
|
0
|
0%
|
|
239
|
Under the Waterfall
|
4
|
6%
|
0
|
0%
|
|
240
|
Unknowing
|
2
|
3%
|
0
|
0%
|
|
241
|
We Are Getting to the End
|
3
|
5%
|
0
|
0%
|
|
242
|
Weathers
|
1
|
1%
|
0
|
0%
|
|
243
|
Welcome Home
|
2
|
3%
|
0
|
0%
|
|
244
|
When I Set Out for Lyonnesse
|
1
|
1%
|
0
|
0%
|
|
245
|
Winter in Durnover Field
|
2
|
3%
|
0
|
0%
|
|
246
|
Your Last Drive
|
1
|
1%
|
0
|
0%
|