|
1
|
"Between Us Now"
|
42
|
100%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
11
|
26%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
10
|
23%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
26
|
61%
|
0
|
0%
|
|
5
|
[Greek Title]
|
1
|
2%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
18
|
42%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
5
|
11%
|
0
|
0%
|
|
8
|
A Christmas Ghost-Story
|
2
|
4%
|
0
|
0%
|
|
9
|
A Circular
|
1
|
2%
|
0
|
0%
|
|
10
|
A Circular
|
1
|
2%
|
0
|
0%
|
|
11
|
A Commonplace Day
|
1
|
2%
|
0
|
0%
|
|
12
|
A Commonplace Day.
|
3
|
7%
|
0
|
0%
|
|
13
|
A Confession To A Friend in Trouble
|
6
|
14%
|
0
|
0%
|
|
14
|
A Death-Day Recalled
|
4
|
9%
|
0
|
0%
|
|
15
|
A Dream Or No
|
7
|
16%
|
0
|
0%
|
|
16
|
A Jog-Trot Pair
|
2
|
4%
|
0
|
0%
|
|
17
|
A King's Soliloquy [On the Night of His Funeral]
|
4
|
9%
|
0
|
0%
|
|
18
|
A Man (In Memory of H. of M.)
|
3
|
7%
|
0
|
0%
|
|
19
|
A Meeting With Despair
|
2
|
4%
|
0
|
0%
|
|
20
|
A Poet
|
9
|
21%
|
0
|
0%
|
|
21
|
A Sign-Seeker
|
3
|
7%
|
0
|
0%
|
|
22
|
A Spot
|
2
|
4%
|
0
|
0%
|
|
23
|
A Thunderstorm in Town
|
11
|
26%
|
0
|
0%
|
|
24
|
A Wasted Illness
|
1
|
2%
|
0
|
0%
|
|
25
|
A Week
|
1
|
2%
|
0
|
0%
|
|
26
|
A Wife In London
|
3
|
7%
|
0
|
0%
|
|
27
|
A Wife in London (December, 1899)
|
20
|
47%
|
0
|
0%
|
|
28
|
A Woman's Fancy
|
1
|
2%
|
0
|
0%
|
|
29
|
After A Journey
|
4
|
9%
|
0
|
0%
|
|
30
|
After The Visit
|
1
|
2%
|
0
|
0%
|
|
31
|
Afterwards
|
11
|
26%
|
0
|
0%
|
|
32
|
Ah, Are You Digging on My Grave?
|
9
|
21%
|
0
|
0%
|
|
33
|
An August Midnight
|
1
|
2%
|
0
|
0%
|
|
34
|
At a Lunar Eclipse
|
1
|
2%
|
0
|
0%
|
|
35
|
At An Inn
|
6
|
14%
|
0
|
0%
|
|
36
|
At Castle Boterel
|
20
|
47%
|
0
|
0%
|
|
37
|
At the War Office, London.
|
1
|
2%
|
0
|
0%
|
|
38
|
Beeny Cliff
|
3
|
7%
|
0
|
0%
|
|
39
|
Before And After Summer
|
2
|
4%
|
0
|
0%
|
|
40
|
Bereft, She Thinks She Dreams
|
1
|
2%
|
0
|
0%
|
|
41
|
Between Us Now
|
2
|
4%
|
0
|
0%
|
|
42
|
Birds at Winter Nightfall (Triolet)
|
2
|
4%
|
0
|
0%
|
|
43
|
By the Earth's Corpse
|
3
|
7%
|
0
|
0%
|
|
44
|
Cardinal Bembo's Epitaph on Raphael
|
1
|
2%
|
0
|
0%
|
|
45
|
Catullus: XXXI
|
1
|
2%
|
0
|
0%
|
|
46
|
Channel Firing
|
4
|
9%
|
0
|
0%
|
|
47
|
Convergence Of The Twain
|
2
|
4%
|
0
|
0%
|
|
48
|
De Profundis
|
1
|
2%
|
0
|
0%
|
|
49
|
Departure (Southampton Docks: October, 1899)
|
1
|
2%
|
0
|
0%
|
|
50
|
Departure.
|
1
|
2%
|
0
|
0%
|
|
51
|
Ditty
|
1
|
2%
|
0
|
0%
|
|
52
|
Doom and She
|
1
|
2%
|
0
|
0%
|
|
53
|
Drummer Hodge
|
28
|
66%
|
0
|
0%
|
|
54
|
During Wind and Rain
|
2
|
4%
|
0
|
0%
|
|
55
|
Friends Beyond
|
7
|
16%
|
0
|
0%
|
|
56
|
God-Forgotten
|
2
|
4%
|
0
|
0%
|
|
57
|
God's Funeral
|
2
|
4%
|
0
|
0%
|
|
58
|
Going And Staying
|
1
|
2%
|
0
|
0%
|
|
59
|
Hap
|
19
|
45%
|
0
|
0%
|
|
60
|
Her Dilemma
|
1
|
2%
|
0
|
0%
|
|
61
|
Her Initals
|
2
|
4%
|
0
|
0%
|
|
62
|
Her Initials
|
4
|
9%
|
0
|
0%
|
|
63
|
Her Secret
|
1
|
2%
|
0
|
0%
|
|
64
|
Heredity
|
4
|
9%
|
0
|
0%
|
|
65
|
His Immortality
|
1
|
2%
|
0
|
0%
|
|
66
|
I Found Her Out There
|
6
|
14%
|
0
|
0%
|
|
67
|
I have lived with Shades
|
1
|
2%
|
0
|
0%
|
|
68
|
I Look Into My Glass
|
8
|
19%
|
0
|
0%
|
|
69
|
I Need Not Go
|
5
|
11%
|
0
|
0%
|
|
70
|
In a Wood
|
2
|
4%
|
0
|
0%
|
|
71
|
In A Wook
|
1
|
2%
|
0
|
0%
|
|
72
|
In Tenebris
|
11
|
26%
|
0
|
0%
|
|
73
|
In The British Museum
|
1
|
2%
|
0
|
0%
|
|
74
|
In Time of 'The Breaking of Nations'
|
9
|
21%
|
0
|
0%
|
|
75
|
Last Words to a Dumb Friend
|
9
|
21%
|
0
|
0%
|
|
76
|
Leipzig
|
1
|
2%
|
0
|
0%
|
|
77
|
Let Me Enjoy
|
2
|
4%
|
0
|
0%
|
|
78
|
Lines
|
1
|
2%
|
0
|
0%
|
|
79
|
Lines On The Loss Of The "Titanic"
|
6
|
14%
|
0
|
0%
|
|
80
|
Mad Judy
|
1
|
2%
|
0
|
0%
|
|
81
|
Men Who March Away
|
14
|
33%
|
0
|
0%
|
|
82
|
Midnight on the Great Western
|
3
|
7%
|
0
|
0%
|
|
83
|
Moments of Vision
|
1
|
2%
|
0
|
0%
|
|
84
|
My spirit will not haunt the mound
|
1
|
2%
|
0
|
0%
|
|
85
|
Nature's Questioning
|
4
|
9%
|
0
|
0%
|
|
86
|
Neutral Tones
|
8
|
19%
|
0
|
0%
|
|
87
|
Night in the Old Home
|
3
|
7%
|
0
|
0%
|
|
88
|
No Buyers
|
2
|
4%
|
0
|
0%
|
|
89
|
On a Fine Morning
|
2
|
4%
|
0
|
0%
|
|
90
|
On an Invitation to the United States.
|
2
|
4%
|
0
|
0%
|
|
91
|
Places
|
5
|
11%
|
0
|
0%
|
|
92
|
Postponement
|
1
|
2%
|
0
|
0%
|
|
93
|
Revulsion
|
2
|
4%
|
0
|
0%
|
|
94
|
Rom: On the Palatine (April, 1887)
|
1
|
2%
|
0
|
0%
|
|
95
|
Seventy-Four And Twenty
|
1
|
2%
|
0
|
0%
|
|
96
|
She, at His Funeral
|
1
|
2%
|
0
|
0%
|
|
97
|
She, To Him
|
1
|
2%
|
0
|
0%
|
|
98
|
She, To Him III
|
1
|
2%
|
0
|
0%
|
|
99
|
She, To Him IV
|
1
|
2%
|
0
|
0%
|
|
100
|
She, to Him, II
|
1
|
2%
|
0
|
0%
|
|
101
|
She, To Him, II
|
1
|
2%
|
0
|
0%
|
|
102
|
She, to Him, III
|
1
|
2%
|
0
|
0%
|
|
103
|
She, to Him, IV
|
1
|
2%
|
0
|
0%
|
|
104
|
Shelley's Skylark.
|
2
|
4%
|
0
|
0%
|
|
105
|
Song of Hope
|
2
|
4%
|
0
|
0%
|
|
106
|
Song of the Soldiers
|
1
|
2%
|
0
|
0%
|
|
107
|
The Alarm
|
1
|
2%
|
0
|
0%
|
|
108
|
The Cave of the Unborn
|
4
|
9%
|
0
|
0%
|
|
109
|
The Contretemps
|
1
|
2%
|
0
|
0%
|
|
110
|
The Convergence Of The Twain
|
10
|
23%
|
0
|
0%
|
|
111
|
The Coquette, and After (Triolets)
|
1
|
2%
|
0
|
0%
|
|
112
|
The Dance At The Phoenix
|
1
|
2%
|
0
|
0%
|
|
113
|
The Darkling Thrush
|
9
|
21%
|
0
|
0%
|
|
114
|
The Dead Drummer
|
18
|
42%
|
0
|
0%
|
|
115
|
The Dead Man Walking
|
1
|
2%
|
0
|
0%
|
|
116
|
The Death Of Regret
|
1
|
2%
|
0
|
0%
|
|
117
|
The Ghost of the Past
|
1
|
2%
|
0
|
0%
|
|
118
|
The Going
|
7
|
16%
|
0
|
0%
|
|
119
|
The Going Of The Battery [Wive's Lament November 2nd 1899]
|
2
|
4%
|
0
|
0%
|
|
120
|
The Haunter
|
8
|
19%
|
0
|
0%
|
|
121
|
The House of Hospitalities
|
4
|
9%
|
0
|
0%
|
|
122
|
The Last Chrysanthemum
|
1
|
2%
|
0
|
0%
|
|
123
|
The Man He Killed
|
31
|
73%
|
0
|
0%
|
|
124
|
The Moth-Signal (On Egdon Heath)
|
1
|
2%
|
0
|
0%
|
|
125
|
The Oxen
|
1
|
2%
|
0
|
0%
|
|
126
|
The Pity Of It
|
1
|
2%
|
0
|
0%
|
|
127
|
The Puzzled Game-Birds (Triolet)
|
1
|
2%
|
0
|
0%
|
|
128
|
The Roman Road
|
1
|
2%
|
0
|
0%
|
|
129
|
The Ruined Maid
|
6
|
14%
|
0
|
0%
|
|
130
|
The Satin Shoes
|
1
|
2%
|
0
|
0%
|
|
131
|
The Selfsame Song
|
4
|
9%
|
0
|
0%
|
|
132
|
The Self-Unseeing
|
5
|
11%
|
0
|
0%
|
|
133
|
The Shadow On The Stone
|
2
|
4%
|
0
|
0%
|
|
134
|
The Sick God
|
1
|
2%
|
0
|
0%
|
|
135
|
The Souls of the Slain
|
1
|
2%
|
0
|
0%
|
|
136
|
The Spell Of The Rose
|
1
|
2%
|
0
|
0%
|
|
137
|
The Voice
|
3
|
7%
|
0
|
0%
|
|
138
|
The Voice
|
3
|
7%
|
0
|
0%
|
|
139
|
The Walk
|
6
|
14%
|
0
|
0%
|
|
140
|
The West-Of-Wessex Girl
|
1
|
2%
|
0
|
0%
|
|
141
|
The Widow
|
1
|
2%
|
0
|
0%
|
|
142
|
The Workbox
|
2
|
4%
|
0
|
0%
|
|
143
|
The Year's Awakening
|
2
|
4%
|
0
|
0%
|
|
144
|
Then and Now
|
1
|
2%
|
0
|
0%
|
|
145
|
To an Unborn Pauper Child
|
5
|
11%
|
0
|
0%
|
|
146
|
Transformations
|
4
|
9%
|
0
|
0%
|
|
147
|
Under the Waterfall
|
2
|
4%
|
0
|
0%
|
|
148
|
Unknowing
|
3
|
7%
|
0
|
0%
|
|
149
|
V.R. 1819-1901 (A Reverie.)
|
1
|
2%
|
0
|
0%
|
|
150
|
We Are Getting to the End
|
2
|
4%
|
0
|
0%
|
|
151
|
Weathers
|
13
|
30%
|
0
|
0%
|
|
152
|
When I Set Out for Lyonnesse
|
3
|
7%
|
0
|
0%
|
|
153
|
Your Last Drive
|
5
|
11%
|
0
|
0%
|
|
154
|
Zermat: To the Matterhorn (June-July, 1897)
|
1
|
2%
|
0
|
0%
|