|
1
|
"Between Us Now"
|
22
|
51%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
16
|
37%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
16
|
37%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
36
|
83%
|
0
|
0%
|
|
5
|
[Greek Title]
|
4
|
9%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
23
|
53%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
10
|
23%
|
0
|
0%
|
|
8
|
A Circular
|
2
|
4%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
5
|
11%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
5
|
11%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
1
|
2%
|
0
|
0%
|
|
12
|
A Dream Or No
|
6
|
13%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
3
|
6%
|
0
|
0%
|
|
14
|
A King's Soliloquy [On the Night of His Funeral]
|
4
|
9%
|
0
|
0%
|
|
15
|
A Man (In Memory of H. of M.)
|
3
|
6%
|
0
|
0%
|
|
16
|
A Meeting With Despair
|
5
|
11%
|
0
|
0%
|
|
17
|
A Poet
|
8
|
18%
|
0
|
0%
|
|
18
|
A Thunderstorm in Town
|
18
|
41%
|
0
|
0%
|
|
19
|
A Wasted Illness
|
1
|
2%
|
0
|
0%
|
|
20
|
A Week
|
1
|
2%
|
0
|
0%
|
|
21
|
A Wife in London (December, 1899)
|
6
|
13%
|
0
|
0%
|
|
22
|
After A Journey
|
2
|
4%
|
0
|
0%
|
|
23
|
After Schiller
|
1
|
2%
|
0
|
0%
|
|
24
|
After The Visit
|
1
|
2%
|
0
|
0%
|
|
25
|
Afterwards
|
10
|
23%
|
0
|
0%
|
|
26
|
Ah, Are You Digging on My Grave?
|
1
|
2%
|
0
|
0%
|
|
27
|
Amabel
|
1
|
2%
|
0
|
0%
|
|
28
|
At a Hasty Wedding
|
1
|
2%
|
0
|
0%
|
|
29
|
At An Inn
|
2
|
4%
|
0
|
0%
|
|
30
|
At Castle Boterel
|
6
|
13%
|
0
|
0%
|
|
31
|
Beeny Cliff
|
4
|
9%
|
0
|
0%
|
|
32
|
Bereft, She Thinks She Dreams
|
1
|
2%
|
0
|
0%
|
|
33
|
Birds at Winter Nightfall (Triolet)
|
2
|
4%
|
0
|
0%
|
|
34
|
By the Earth's Corpse
|
1
|
2%
|
0
|
0%
|
|
35
|
Domicilium
|
1
|
2%
|
0
|
0%
|
|
36
|
Drummer Hodge
|
18
|
41%
|
0
|
0%
|
|
37
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
2%
|
0
|
0%
|
|
38
|
Epitaph on a pessimist
|
1
|
2%
|
0
|
0%
|
|
39
|
Faintheart In A Railway Train
|
3
|
6%
|
0
|
0%
|
|
40
|
Fragment
|
2
|
4%
|
0
|
0%
|
|
41
|
Friends Beyond
|
3
|
6%
|
0
|
0%
|
|
42
|
From Victor Hugo
|
1
|
2%
|
0
|
0%
|
|
43
|
From: Men Who March Away
|
1
|
2%
|
0
|
0%
|
|
44
|
Genoa and the Mediterranean (March, 1887)
|
1
|
2%
|
0
|
0%
|
|
45
|
Genoa and the Mediterranean.
|
1
|
2%
|
0
|
0%
|
|
46
|
George Meredith
|
1
|
2%
|
0
|
0%
|
|
47
|
God-Forgotten
|
2
|
4%
|
0
|
0%
|
|
48
|
God's Funeral
|
6
|
13%
|
0
|
0%
|
|
49
|
Hap
|
26
|
60%
|
0
|
0%
|
|
50
|
Her Death And After
|
1
|
2%
|
0
|
0%
|
|
51
|
Her Dilemma
|
3
|
6%
|
0
|
0%
|
|
52
|
Her Immortality
|
1
|
2%
|
0
|
0%
|
|
53
|
Her Initials
|
2
|
4%
|
0
|
0%
|
|
54
|
Heredity
|
1
|
2%
|
0
|
0%
|
|
55
|
I Found Her Out There
|
1
|
2%
|
0
|
0%
|
|
56
|
I Look Into My Glass
|
1
|
2%
|
0
|
0%
|
|
57
|
I Need Not Go
|
1
|
2%
|
0
|
0%
|
|
58
|
In Tenebris
|
17
|
39%
|
0
|
0%
|
|
59
|
In The Vaulted Way
|
2
|
4%
|
0
|
0%
|
|
60
|
In Time of 'The Breaking of Nations'
|
10
|
23%
|
0
|
0%
|
|
61
|
Last Words to a Dumb Friend
|
3
|
6%
|
0
|
0%
|
|
62
|
Let Me Enjoy
|
2
|
4%
|
0
|
0%
|
|
63
|
Lines On The Loss Of The "Titanic"
|
7
|
16%
|
0
|
0%
|
|
64
|
Men Who March Away
|
5
|
11%
|
0
|
0%
|
|
65
|
Moments of Vision
|
2
|
4%
|
0
|
0%
|
|
66
|
My spirit will not haunt the mound
|
1
|
2%
|
0
|
0%
|
|
67
|
Nature's Questioning
|
4
|
9%
|
0
|
0%
|
|
68
|
Neutral Tones
|
1
|
2%
|
0
|
0%
|
|
69
|
Places
|
1
|
2%
|
0
|
0%
|
|
70
|
San Sebastian
|
1
|
2%
|
0
|
0%
|
|
71
|
Sapphic Fragment
|
1
|
2%
|
0
|
0%
|
|
72
|
Satires of Circumstance in Fifteen Glimpses VIII: In the St
|
1
|
2%
|
0
|
0%
|
|
73
|
Seen By The Waits
|
1
|
2%
|
0
|
0%
|
|
74
|
She Hears the Storm
|
1
|
2%
|
0
|
0%
|
|
75
|
She, to Him, I
|
1
|
2%
|
0
|
0%
|
|
76
|
Shelley's Skylark.
|
5
|
11%
|
0
|
0%
|
|
77
|
Song of the Soldiers
|
1
|
2%
|
0
|
0%
|
|
78
|
Tess's Lament
|
1
|
2%
|
0
|
0%
|
|
79
|
The Bedridden Peasant to an Unknown God
|
1
|
2%
|
0
|
0%
|
|
80
|
The Colonel's Solilquy.
|
1
|
2%
|
0
|
0%
|
|
81
|
The Convergence Of The Twain
|
4
|
9%
|
0
|
0%
|
|
82
|
The Darkling Thrush
|
7
|
16%
|
0
|
0%
|
|
83
|
The Discovery
|
1
|
2%
|
0
|
0%
|
|
84
|
The Dream-Follower
|
1
|
2%
|
0
|
0%
|
|
85
|
The Elopement
|
1
|
2%
|
0
|
0%
|
|
86
|
The Going
|
5
|
11%
|
0
|
0%
|
|
87
|
The Haunter
|
2
|
4%
|
0
|
0%
|
|
88
|
The House of Hospitalities
|
3
|
6%
|
0
|
0%
|
|
89
|
The Impercipient
|
2
|
4%
|
0
|
0%
|
|
90
|
The Ivy-Wife
|
2
|
4%
|
0
|
0%
|
|
91
|
The Lost Pyx: A Mediaeval Legend
|
1
|
2%
|
0
|
0%
|
|
92
|
The Man He Killed
|
43
|
100%
|
0
|
0%
|
|
93
|
The Moth-Signal (On Egdon Heath)
|
7
|
16%
|
0
|
0%
|
|
94
|
The Oxen
|
36
|
83%
|
0
|
0%
|
|
95
|
The Phantom Horsewoman.
|
1
|
2%
|
0
|
0%
|
|
96
|
The Pity Of It
|
2
|
4%
|
0
|
0%
|
|
97
|
The Ruined Maid
|
4
|
9%
|
0
|
0%
|
|
98
|
The Self-Unseeing
|
4
|
9%
|
0
|
0%
|
|
99
|
The Sergeant's Song
|
1
|
2%
|
0
|
0%
|
|
100
|
The Tenant-For-Life
|
1
|
2%
|
0
|
0%
|
|
101
|
The Tree: An Old Man's Story
|
1
|
2%
|
0
|
0%
|
|
102
|
The Two Soldiers
|
1
|
2%
|
0
|
0%
|
|
103
|
The Voice
|
1
|
2%
|
0
|
0%
|
|
104
|
The Walk
|
1
|
2%
|
0
|
0%
|
|
105
|
The Workbox
|
2
|
4%
|
0
|
0%
|
|
106
|
Thoughts of Phena
|
2
|
4%
|
0
|
0%
|
|
107
|
To An Orphan Child
|
1
|
2%
|
0
|
0%
|
|
108
|
To an Unborn Pauper Child
|
1
|
2%
|
0
|
0%
|
|
109
|
To Flowers From Italy in Winter
|
1
|
2%
|
0
|
0%
|
|
110
|
To Lizbie Browne
|
1
|
2%
|
0
|
0%
|
|
111
|
To Outer Nature
|
1
|
2%
|
0
|
0%
|
|
112
|
Transformations
|
1
|
2%
|
0
|
0%
|
|
113
|
Under the Waterfall
|
10
|
23%
|
0
|
0%
|
|
114
|
V.R. 1819-1901 (A Reverie.)
|
1
|
2%
|
0
|
0%
|
|
115
|
V.R. 1819-1901, A Reverie
|
2
|
4%
|
0
|
0%
|
|
116
|
Valenciennes
|
1
|
2%
|
0
|
0%
|
|
117
|
We Are Getting to the End
|
1
|
2%
|
0
|
0%
|
|
118
|
Weathers
|
9
|
20%
|
0
|
0%
|
|
119
|
Welcome Home
|
1
|
2%
|
0
|
0%
|
|
120
|
When I Set Out for Lyonnesse
|
3
|
6%
|
0
|
0%
|
|
121
|
Winter in Durnover Field
|
4
|
9%
|
0
|
0%
|
|
122
|
Without Ceremony
|
2
|
4%
|
0
|
0%
|
|
123
|
Your Last Drive
|
5
|
11%
|
0
|
0%
|