Hits of Nov 17, 2011 Thursday
Attention: Poems submitted after Nov 17, 2011 are not shown on the list.
Click the captions to change the order.
| # |
Poem Title |
Hits |
|
Posts |
|
|
1
|
"Between Us Now"
|
40
|
86%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
18
|
39%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
17
|
36%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
29
|
63%
|
0
|
0%
|
|
5
|
[Greek Title]
|
8
|
17%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
30
|
65%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
7
|
15%
|
0
|
0%
|
|
8
|
A Commonplace Day
|
1
|
2%
|
0
|
0%
|
|
9
|
A Confession To A Friend in Trouble
|
1
|
2%
|
0
|
0%
|
|
10
|
A Death-Day Recalled
|
1
|
2%
|
0
|
0%
|
|
11
|
A Dream Or No
|
2
|
4%
|
0
|
0%
|
|
12
|
A Jog-Trot Pair
|
1
|
2%
|
0
|
0%
|
|
13
|
A King's Soliloquy [On the Night of His Funeral]
|
3
|
6%
|
0
|
0%
|
|
14
|
A Meeting With Despair
|
7
|
15%
|
0
|
0%
|
|
15
|
A Poet
|
3
|
6%
|
0
|
0%
|
|
16
|
A Thunderstorm in Town
|
11
|
23%
|
0
|
0%
|
|
17
|
A Wasted Illness
|
1
|
2%
|
0
|
0%
|
|
18
|
A Week
|
1
|
2%
|
0
|
0%
|
|
19
|
A Wife in London (December, 1899)
|
3
|
6%
|
0
|
0%
|
|
20
|
After A Journey
|
4
|
8%
|
0
|
0%
|
|
21
|
After The Visit
|
1
|
2%
|
0
|
0%
|
|
22
|
Afterwards
|
12
|
26%
|
0
|
0%
|
|
23
|
Ah, Are You Digging on My Grave?
|
1
|
2%
|
0
|
0%
|
|
24
|
Amabel
|
2
|
4%
|
0
|
0%
|
|
25
|
Architectural Masks
|
1
|
2%
|
0
|
0%
|
|
26
|
At a Hasty Wedding
|
1
|
2%
|
0
|
0%
|
|
27
|
At Castle Boterel
|
12
|
26%
|
0
|
0%
|
|
28
|
Beeny Cliff
|
2
|
4%
|
0
|
0%
|
|
29
|
Birds at Winter Nightfall (Triolet)
|
3
|
6%
|
0
|
0%
|
|
30
|
Catullus: XXXI
|
1
|
2%
|
0
|
0%
|
|
31
|
Domicilium
|
5
|
10%
|
0
|
0%
|
|
32
|
Drummer Hodge
|
27
|
58%
|
0
|
0%
|
|
33
|
During Wind and Rain
|
3
|
6%
|
0
|
0%
|
|
34
|
Embarcation
|
1
|
2%
|
0
|
0%
|
|
35
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
2%
|
0
|
0%
|
|
36
|
Epeisodia
|
2
|
4%
|
0
|
0%
|
|
37
|
Epitaph on a pessimist
|
3
|
6%
|
0
|
0%
|
|
38
|
Faintheart In A Railway Train
|
2
|
4%
|
0
|
0%
|
|
39
|
Friends Beyond
|
1
|
2%
|
0
|
0%
|
|
40
|
From: Men Who March Away
|
1
|
2%
|
0
|
0%
|
|
41
|
God's Funeral
|
11
|
23%
|
0
|
0%
|
|
42
|
Hap
|
36
|
78%
|
0
|
0%
|
|
43
|
He Never Expected Much
|
4
|
8%
|
0
|
0%
|
|
44
|
Her Immortality
|
1
|
2%
|
0
|
0%
|
|
45
|
Her Late Husband (King's-Hintock, 182-.)
|
1
|
2%
|
0
|
0%
|
|
46
|
Heredity
|
3
|
6%
|
0
|
0%
|
|
47
|
His Immortality
|
1
|
2%
|
0
|
0%
|
|
48
|
I Look Into My Glass
|
3
|
6%
|
0
|
0%
|
|
49
|
I Need Not Go
|
3
|
6%
|
0
|
0%
|
|
50
|
I said to Love
|
1
|
2%
|
0
|
0%
|
|
51
|
In a Wood
|
1
|
2%
|
0
|
0%
|
|
52
|
In Front Of The Landscape
|
1
|
2%
|
0
|
0%
|
|
53
|
In Tenebris
|
6
|
13%
|
0
|
0%
|
|
54
|
In The British Museum
|
2
|
4%
|
0
|
0%
|
|
55
|
In The Days Of Crinoline
|
1
|
2%
|
0
|
0%
|
|
56
|
In The Moonlight
|
3
|
6%
|
0
|
0%
|
|
57
|
In the Old Theatre, Fiesole (April, 1887)
|
1
|
2%
|
0
|
0%
|
|
58
|
In Time of 'The Breaking of Nations'
|
8
|
17%
|
0
|
0%
|
|
59
|
Lament
|
1
|
2%
|
0
|
0%
|
|
60
|
Last Words to a Dumb Friend
|
1
|
2%
|
0
|
0%
|
|
61
|
Lines On The Loss Of The "Titanic"
|
5
|
10%
|
0
|
0%
|
|
62
|
Men Who March Away
|
9
|
19%
|
0
|
0%
|
|
63
|
Midnight on the Great Western
|
1
|
2%
|
0
|
0%
|
|
64
|
Moments of Vision
|
1
|
2%
|
0
|
0%
|
|
65
|
Nature's Questioning
|
6
|
13%
|
0
|
0%
|
|
66
|
Neutral Tones
|
2
|
4%
|
0
|
0%
|
|
67
|
On a Fine Morning
|
1
|
2%
|
0
|
0%
|
|
68
|
She, To Him
|
2
|
4%
|
0
|
0%
|
|
69
|
She, To Him III
|
1
|
2%
|
0
|
0%
|
|
70
|
She, To Him IV
|
1
|
2%
|
0
|
0%
|
|
71
|
She, to Him, II
|
2
|
4%
|
0
|
0%
|
|
72
|
She, To Him, II
|
2
|
4%
|
0
|
0%
|
|
73
|
Shelley's Skylark.
|
2
|
4%
|
0
|
0%
|
|
74
|
Tess's Lament
|
2
|
4%
|
0
|
0%
|
|
75
|
The Bedridden Peasant to an Unknown God
|
1
|
2%
|
0
|
0%
|
|
76
|
The Convergence Of The Twain
|
1
|
2%
|
0
|
0%
|
|
77
|
The Darkling Thrush
|
8
|
17%
|
0
|
0%
|
|
78
|
The Dead Drummer
|
1
|
2%
|
0
|
0%
|
|
79
|
The Dead Man Walking
|
2
|
4%
|
0
|
0%
|
|
80
|
The Difference
|
1
|
2%
|
0
|
0%
|
|
81
|
The Ghost of the Past
|
1
|
2%
|
0
|
0%
|
|
82
|
The Going
|
3
|
6%
|
0
|
0%
|
|
83
|
The Going of the Battery Wives. (Lament)
|
1
|
2%
|
0
|
0%
|
|
84
|
The Last Chrysanthemum
|
1
|
2%
|
0
|
0%
|
|
85
|
The Man He Killed
|
46
|
100%
|
0
|
0%
|
|
86
|
The Masked Face
|
1
|
2%
|
0
|
0%
|
|
87
|
The Master And The Leaves
|
1
|
2%
|
0
|
0%
|
|
88
|
The Milkmaid
|
1
|
2%
|
0
|
0%
|
|
89
|
The Missed Train
|
1
|
2%
|
0
|
0%
|
|
90
|
The Moon Looks In
|
1
|
2%
|
0
|
0%
|
|
91
|
The Mother Mourns
|
1
|
2%
|
0
|
0%
|
|
92
|
The Mother Mourns.
|
1
|
2%
|
0
|
0%
|
|
93
|
The Moth-Signal (On Egdon Heath)
|
10
|
21%
|
0
|
0%
|
|
94
|
The Newcomer's Wife
|
1
|
2%
|
0
|
0%
|
|
95
|
The Night Of Trafalgar
|
1
|
2%
|
0
|
0%
|
|
96
|
The Obliterate Tomb
|
1
|
2%
|
0
|
0%
|
|
97
|
The Oxen
|
12
|
26%
|
0
|
0%
|
|
98
|
The Peasent's Confession
|
1
|
2%
|
0
|
0%
|
|
99
|
The Phantom Horsewoman.
|
4
|
8%
|
0
|
0%
|
|
100
|
The Pity Of It
|
1
|
2%
|
0
|
0%
|
|
101
|
The Pity Of It
|
1
|
2%
|
0
|
0%
|
|
102
|
The Problem
|
1
|
2%
|
0
|
0%
|
|
103
|
The Puzzled Game-Birds (Triolet)
|
1
|
2%
|
0
|
0%
|
|
104
|
The Rambler
|
1
|
2%
|
0
|
0%
|
|
105
|
The Recalcitrants
|
2
|
4%
|
0
|
0%
|
|
106
|
The Re-Enactment
|
1
|
2%
|
0
|
0%
|
|
107
|
The Respectable Burgher on "The Higher Criticism"
|
1
|
2%
|
0
|
0%
|
|
108
|
The Roman Gravemounds
|
1
|
2%
|
0
|
0%
|
|
109
|
The Roman Road
|
2
|
4%
|
0
|
0%
|
|
110
|
The Ruined Maid
|
3
|
6%
|
0
|
0%
|
|
111
|
The Sacrilege: (A Ballad-Tragedy)
|
1
|
2%
|
0
|
0%
|
|
112
|
The Satin Shoes
|
1
|
2%
|
0
|
0%
|
|
113
|
The Seasons of Her Year
|
1
|
2%
|
0
|
0%
|
|
114
|
The Selfsame Song
|
1
|
2%
|
0
|
0%
|
|
115
|
The Self-Unseeing
|
4
|
8%
|
0
|
0%
|
|
116
|
The Sergeant's Song
|
2
|
4%
|
0
|
0%
|
|
117
|
The Shadow On The Stone
|
1
|
2%
|
0
|
0%
|
|
118
|
The Sick God
|
1
|
2%
|
0
|
0%
|
|
119
|
The Sleep-Worker
|
1
|
2%
|
0
|
0%
|
|
120
|
The Slow Nature
|
1
|
2%
|
0
|
0%
|
|
121
|
The Souls of the Slain
|
1
|
2%
|
0
|
0%
|
|
122
|
The Souls of the Slain.
|
1
|
2%
|
0
|
0%
|
|
123
|
The Spell Of The Rose
|
2
|
4%
|
0
|
0%
|
|
124
|
The Stranger's Song
|
1
|
2%
|
0
|
0%
|
|
125
|
The Subalterns
|
1
|
2%
|
0
|
0%
|
|
126
|
The Subalterns
|
1
|
2%
|
0
|
0%
|
|
127
|
The Sun on the Bookcase
|
1
|
2%
|
0
|
0%
|
|
128
|
The Sun On The Bookcase
|
2
|
4%
|
0
|
0%
|
|
129
|
The Superseded
|
1
|
2%
|
0
|
0%
|
|
130
|
The Supplanter: A Tale
|
1
|
2%
|
0
|
0%
|
|
131
|
The Sweet Hussy
|
1
|
2%
|
0
|
0%
|
|
132
|
The Telegram
|
1
|
2%
|
0
|
0%
|
|
133
|
The Temporary The All
|
1
|
2%
|
0
|
0%
|
|
134
|
The Temporary The All
|
1
|
2%
|
0
|
0%
|
|
135
|
The Tenant-For-Life
|
1
|
2%
|
0
|
0%
|
|
136
|
The To-Be-Forgotten
|
1
|
2%
|
0
|
0%
|
|
137
|
The Tree: An Old Man's Story
|
1
|
2%
|
0
|
0%
|
|
138
|
The Two Men
|
1
|
2%
|
0
|
0%
|
|
139
|
The Two Soldiers
|
1
|
2%
|
0
|
0%
|
|
140
|
The Voice
|
1
|
2%
|
0
|
0%
|
|
141
|
The Voice
|
1
|
2%
|
0
|
0%
|
|
142
|
The Walk
|
2
|
4%
|
0
|
0%
|
|
143
|
The Well-Beloved
|
1
|
2%
|
0
|
0%
|
|
144
|
The West-Of-Wessex Girl
|
1
|
2%
|
0
|
0%
|
|
145
|
The Widow
|
2
|
4%
|
0
|
0%
|
|
146
|
The Wistful Lady
|
1
|
2%
|
0
|
0%
|
|
147
|
The Woman In The Rye
|
1
|
2%
|
0
|
0%
|
|
148
|
The Workbox
|
3
|
6%
|
0
|
0%
|
|
149
|
Thoughts of Phena
|
2
|
4%
|
0
|
0%
|
|
150
|
To An Orphan Child
|
1
|
2%
|
0
|
0%
|
|
151
|
To Flowers From Italy in Winter
|
2
|
4%
|
0
|
0%
|
|
152
|
To Life
|
2
|
4%
|
0
|
0%
|
|
153
|
Tolerance
|
2
|
4%
|
0
|
0%
|
|
154
|
Under the Waterfall
|
2
|
4%
|
0
|
0%
|
|
155
|
We Are Getting to the End
|
1
|
2%
|
0
|
0%
|
|
156
|
Weathers
|
6
|
13%
|
0
|
0%
|
|
157
|
When I Set Out for Lyonnesse
|
1
|
2%
|
0
|
0%
|
|
158
|
Winter in Durnover Field
|
1
|
2%
|
0
|
0%
|
|
159
|
Your Last Drive
|
1
|
2%
|
0
|
0%
|
|
Total |
583 |
|
0 |
|
|
Average |
3.7 |
|
0.0 |
|
Descriptions:
-
Hits: Number of visitors who read the poem on the given date.
-
Posts: Number of visitors who posted the poem to a friend (via e-mail) on the given date.
Attention:
-
Poems submitted after Sep 17, 2011 are not shown on the list.
-
Dates, poems and poets that have β0β hits may not be shown on the list. Statistics are generated daily.