|
1
|
"Between Us Now"
|
29
|
78%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
19
|
51%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
18
|
48%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
37
|
100%
|
0
|
0%
|
|
5
|
[Greek Title]
|
7
|
18%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
33
|
89%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
5
|
13%
|
0
|
0%
|
|
8
|
A King's Soliloquy [On the Night of His Funeral]
|
1
|
2%
|
0
|
0%
|
|
9
|
A Meeting With Despair
|
1
|
2%
|
0
|
0%
|
|
10
|
A Spot
|
3
|
8%
|
0
|
0%
|
|
11
|
A Wife in London (December, 1899)
|
3
|
8%
|
0
|
0%
|
|
12
|
A Woman's Fancy
|
1
|
2%
|
0
|
0%
|
|
13
|
After A Journey
|
3
|
8%
|
0
|
0%
|
|
14
|
Afterwards
|
5
|
13%
|
0
|
0%
|
|
15
|
Ah, Are You Digging on My Grave?
|
2
|
5%
|
0
|
0%
|
|
16
|
At A Bridal
|
1
|
2%
|
0
|
0%
|
|
17
|
At a Hasty Wedding
|
1
|
2%
|
0
|
0%
|
|
18
|
At Castle Boterel
|
6
|
16%
|
0
|
0%
|
|
19
|
Beeny Cliff
|
1
|
2%
|
0
|
0%
|
|
20
|
Before And After Summer
|
1
|
2%
|
0
|
0%
|
|
21
|
Bereft, She Thinks She Dreams
|
1
|
2%
|
0
|
0%
|
|
22
|
Birds at Winter Nightfall (Triolet)
|
3
|
8%
|
0
|
0%
|
|
23
|
By the Earth's Corpse
|
1
|
2%
|
0
|
0%
|
|
24
|
Channel Firing
|
1
|
2%
|
0
|
0%
|
|
25
|
Convergence Of The Twain
|
1
|
2%
|
0
|
0%
|
|
26
|
Departure.
|
1
|
2%
|
0
|
0%
|
|
27
|
Domicilium
|
1
|
2%
|
0
|
0%
|
|
28
|
Doom and She
|
1
|
2%
|
0
|
0%
|
|
29
|
Drummer Hodge
|
17
|
45%
|
0
|
0%
|
|
30
|
During Wind and Rain
|
3
|
8%
|
0
|
0%
|
|
31
|
Embarcation
|
1
|
2%
|
0
|
0%
|
|
32
|
Fragment
|
1
|
2%
|
0
|
0%
|
|
33
|
Friends Beyond
|
1
|
2%
|
0
|
0%
|
|
34
|
God-Forgotten
|
1
|
2%
|
0
|
0%
|
|
35
|
God's Funeral
|
3
|
8%
|
0
|
0%
|
|
36
|
Hap
|
1
|
2%
|
0
|
0%
|
|
37
|
He Never Expected Much
|
1
|
2%
|
0
|
0%
|
|
38
|
Her Dilemma
|
1
|
2%
|
0
|
0%
|
|
39
|
Her Initials
|
1
|
2%
|
0
|
0%
|
|
40
|
Heredity
|
2
|
5%
|
0
|
0%
|
|
41
|
I Found Her Out There
|
2
|
5%
|
0
|
0%
|
|
42
|
In A Eweleaze Near Weatherbury
|
1
|
2%
|
0
|
0%
|
|
43
|
In Tenebris
|
2
|
5%
|
0
|
0%
|
|
44
|
In The Moonlight
|
3
|
8%
|
0
|
0%
|
|
45
|
In Time of 'The Breaking of Nations'
|
3
|
8%
|
0
|
0%
|
|
46
|
Lines
|
1
|
2%
|
0
|
0%
|
|
47
|
Lines On The Loss Of The "Titanic"
|
4
|
10%
|
0
|
0%
|
|
48
|
Men Who March Away
|
5
|
13%
|
0
|
0%
|
|
49
|
Middle-Age Enthusiasms
|
2
|
5%
|
0
|
0%
|
|
50
|
Midnight on the Great Western
|
2
|
5%
|
0
|
0%
|
|
51
|
Moments of Vision
|
3
|
8%
|
0
|
0%
|
|
52
|
Nature's Questioning
|
7
|
18%
|
0
|
0%
|
|
53
|
No Buyers
|
2
|
5%
|
0
|
0%
|
|
54
|
On a Fine Morning
|
2
|
5%
|
0
|
0%
|
|
55
|
Shelley's Skylark.
|
2
|
5%
|
0
|
0%
|
|
56
|
Song of Hope
|
1
|
2%
|
0
|
0%
|
|
57
|
The Convergence Of The Twain
|
5
|
13%
|
0
|
0%
|
|
58
|
The Coquette, and After (Triolets)
|
1
|
2%
|
0
|
0%
|
|
59
|
The Coronation
|
1
|
2%
|
0
|
0%
|
|
60
|
The Curtains Now Are Drawn
|
1
|
2%
|
0
|
0%
|
|
61
|
The Dame of Athelhall
|
1
|
2%
|
0
|
0%
|
|
62
|
The Dance At The Phoenix
|
1
|
2%
|
0
|
0%
|
|
63
|
The Darkling Thrush
|
8
|
21%
|
0
|
0%
|
|
64
|
The Dead Drummer
|
3
|
8%
|
0
|
0%
|
|
65
|
The Dead Man Walking
|
4
|
10%
|
0
|
0%
|
|
66
|
The Death Of Regret
|
1
|
2%
|
0
|
0%
|
|
67
|
The Difference
|
1
|
2%
|
0
|
0%
|
|
68
|
The Discovery
|
4
|
10%
|
0
|
0%
|
|
69
|
The Dream-Follower
|
2
|
5%
|
0
|
0%
|
|
70
|
The Elopement
|
1
|
2%
|
0
|
0%
|
|
71
|
The Farm Woman's Winter
|
1
|
2%
|
0
|
0%
|
|
72
|
The Fire at Tranter Sweatley's
|
1
|
2%
|
0
|
0%
|
|
73
|
The Garden Seat
|
1
|
2%
|
0
|
0%
|
|
74
|
The Ghost of the Past
|
1
|
2%
|
0
|
0%
|
|
75
|
The Going
|
6
|
16%
|
0
|
0%
|
|
76
|
The Going Of The Battery [Wive's Lament November 2nd 1899]
|
1
|
2%
|
0
|
0%
|
|
77
|
The Going of the Battery Wives. (Lament)
|
1
|
2%
|
0
|
0%
|
|
78
|
The Haunter
|
2
|
5%
|
0
|
0%
|
|
79
|
The House of Hospitalities
|
3
|
8%
|
0
|
0%
|
|
80
|
The Impercipient
|
6
|
16%
|
0
|
0%
|
|
81
|
The Inconsistent
|
1
|
2%
|
0
|
0%
|
|
82
|
The Ivy-Wife
|
1
|
2%
|
0
|
0%
|
|
83
|
The Jubilee Of A Magazine:(To The Editor)
|
1
|
2%
|
0
|
0%
|
|
84
|
The King's Experiment
|
1
|
2%
|
0
|
0%
|
|
85
|
The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
|
1
|
2%
|
0
|
0%
|
|
86
|
The Last Chrysanthemum
|
1
|
2%
|
0
|
0%
|
|
87
|
The Levelled Churchyard
|
1
|
2%
|
0
|
0%
|
|
88
|
The Lost Pyx: A Mediaeval Legend
|
1
|
2%
|
0
|
0%
|
|
89
|
The Maid of Keinton Mandeville (A Tribute To Sir H. Bishop)
|
1
|
2%
|
0
|
0%
|
|
90
|
The Man He Killed
|
14
|
37%
|
0
|
0%
|
|
91
|
The Masked Face
|
1
|
2%
|
0
|
0%
|
|
92
|
The Master And The Leaves
|
1
|
2%
|
0
|
0%
|
|
93
|
The Milkmaid
|
3
|
8%
|
0
|
0%
|
|
94
|
The Missed Train
|
1
|
2%
|
0
|
0%
|
|
95
|
The Moon Looks In
|
1
|
2%
|
0
|
0%
|
|
96
|
The Mother Mourns
|
1
|
2%
|
0
|
0%
|
|
97
|
The Mother Mourns.
|
1
|
2%
|
0
|
0%
|
|
98
|
The Moth-Signal (On Egdon Heath)
|
5
|
13%
|
0
|
0%
|
|
99
|
The Newcomer's Wife
|
1
|
2%
|
0
|
0%
|
|
100
|
The Night Of Trafalgar
|
2
|
5%
|
0
|
0%
|
|
101
|
The Obliterate Tomb
|
1
|
2%
|
0
|
0%
|
|
102
|
The Oxen
|
9
|
24%
|
0
|
0%
|
|
103
|
The Peasent's Confession
|
1
|
2%
|
0
|
0%
|
|
104
|
The Phantom Horsewoman.
|
1
|
2%
|
0
|
0%
|
|
105
|
The Pity Of It
|
2
|
5%
|
0
|
0%
|
|
106
|
The Pity Of It
|
2
|
5%
|
0
|
0%
|
|
107
|
The Problem
|
1
|
2%
|
0
|
0%
|
|
108
|
The Puzzled Game-Birds (Triolet)
|
1
|
2%
|
0
|
0%
|
|
109
|
The Rambler
|
1
|
2%
|
0
|
0%
|
|
110
|
The Recalcitrants
|
3
|
8%
|
0
|
0%
|
|
111
|
The Re-Enactment
|
1
|
2%
|
0
|
0%
|
|
112
|
The Respectable Burgher on "The Higher Criticism"
|
1
|
2%
|
0
|
0%
|
|
113
|
The Roman Gravemounds
|
1
|
2%
|
0
|
0%
|
|
114
|
The Roman Road
|
1
|
2%
|
0
|
0%
|
|
115
|
The Ruined Maid
|
3
|
8%
|
0
|
0%
|
|
116
|
The Sacrilege: (A Ballad-Tragedy)
|
1
|
2%
|
0
|
0%
|
|
117
|
The Satin Shoes
|
1
|
2%
|
0
|
0%
|
|
118
|
The Seasons of Her Year
|
3
|
8%
|
0
|
0%
|
|
119
|
The Selfsame Song
|
2
|
5%
|
0
|
0%
|
|
120
|
The Self-Unseeing
|
2
|
5%
|
0
|
0%
|
|
121
|
The Sergeant's Song
|
2
|
5%
|
0
|
0%
|
|
122
|
The Shadow On The Stone
|
1
|
2%
|
0
|
0%
|
|
123
|
The Sick God
|
1
|
2%
|
0
|
0%
|
|
124
|
The Sleep-Worker
|
1
|
2%
|
0
|
0%
|
|
125
|
The Slow Nature
|
1
|
2%
|
0
|
0%
|
|
126
|
The Souls of the Slain
|
1
|
2%
|
0
|
0%
|
|
127
|
The Souls of the Slain.
|
1
|
2%
|
0
|
0%
|
|
128
|
The Spell Of The Rose
|
1
|
2%
|
0
|
0%
|
|
129
|
The Stranger's Song
|
3
|
8%
|
0
|
0%
|
|
130
|
The Subalterns
|
3
|
8%
|
0
|
0%
|
|
131
|
The Subalterns
|
2
|
5%
|
0
|
0%
|
|
132
|
The Sun on the Bookcase
|
2
|
5%
|
0
|
0%
|
|
133
|
The Sun On The Bookcase
|
1
|
2%
|
0
|
0%
|
|
134
|
The Superseded
|
1
|
2%
|
0
|
0%
|
|
135
|
The Supplanter: A Tale
|
1
|
2%
|
0
|
0%
|
|
136
|
The Sweet Hussy
|
1
|
2%
|
0
|
0%
|
|
137
|
The Telegram
|
1
|
2%
|
0
|
0%
|
|
138
|
The Temporary The All
|
1
|
2%
|
0
|
0%
|
|
139
|
The Temporary The All
|
1
|
2%
|
0
|
0%
|
|
140
|
The Tenant-For-Life
|
1
|
2%
|
0
|
0%
|
|
141
|
The To-Be-Forgotten
|
1
|
2%
|
0
|
0%
|
|
142
|
The Tree: An Old Man's Story
|
3
|
8%
|
0
|
0%
|
|
143
|
The Two Men
|
1
|
2%
|
0
|
0%
|
|
144
|
The Two Soldiers
|
2
|
5%
|
0
|
0%
|
|
145
|
The Voice
|
1
|
2%
|
0
|
0%
|
|
146
|
The Voice
|
1
|
2%
|
0
|
0%
|
|
147
|
The Walk
|
3
|
8%
|
0
|
0%
|
|
148
|
The Well-Beloved
|
1
|
2%
|
0
|
0%
|
|
149
|
The West-Of-Wessex Girl
|
1
|
2%
|
0
|
0%
|
|
150
|
The Widow
|
1
|
2%
|
0
|
0%
|
|
151
|
The Wistful Lady
|
1
|
2%
|
0
|
0%
|
|
152
|
The Woman In The Rye
|
1
|
2%
|
0
|
0%
|
|
153
|
The Workbox
|
2
|
5%
|
0
|
0%
|
|
154
|
The Year's Awakening
|
5
|
13%
|
0
|
0%
|
|
155
|
Then and Now
|
3
|
8%
|
0
|
0%
|
|
156
|
Thought Of Ph---a At News Of Her Death
|
1
|
2%
|
0
|
0%
|
|
157
|
Thoughts of Phena
|
1
|
2%
|
0
|
0%
|
|
158
|
To A Lady
|
1
|
2%
|
0
|
0%
|
|
159
|
To An Orphan Child
|
1
|
2%
|
0
|
0%
|
|
160
|
To An Orphan Child
|
1
|
2%
|
0
|
0%
|
|
161
|
To an Unborn Pauper Child
|
3
|
8%
|
0
|
0%
|
|
162
|
To Flowers From Italy in Winter
|
1
|
2%
|
0
|
0%
|
|
163
|
To Life
|
3
|
8%
|
0
|
0%
|
|
164
|
To Lizbie Browne
|
2
|
5%
|
0
|
0%
|
|
165
|
To Meet, Or Otherwise
|
7
|
18%
|
0
|
0%
|
|
166
|
To Outer Nature
|
2
|
5%
|
0
|
0%
|
|
167
|
Tolerance
|
5
|
13%
|
0
|
0%
|
|
168
|
Transformations
|
7
|
18%
|
0
|
0%
|
|
169
|
Under the Waterfall
|
6
|
16%
|
0
|
0%
|
|
170
|
Unknowing
|
6
|
16%
|
0
|
0%
|
|
171
|
V.R. 1819-1901 (A Reverie.)
|
3
|
8%
|
0
|
0%
|
|
172
|
V.R. 1819-1901, A Reverie
|
3
|
8%
|
0
|
0%
|
|
173
|
Valenciennes
|
3
|
8%
|
0
|
0%
|
|
174
|
We Are Getting to the End
|
6
|
16%
|
0
|
0%
|
|
175
|
Weathers
|
9
|
24%
|
0
|
0%
|
|
176
|
Welcome Home
|
5
|
13%
|
0
|
0%
|
|
177
|
When I Set Out for Lyonnesse
|
5
|
13%
|
0
|
0%
|
|
178
|
Winter in Durnover Field
|
5
|
13%
|
0
|
0%
|
|
179
|
Without Ceremony
|
6
|
16%
|
0
|
0%
|
|
180
|
Zermatt to the Matterhorn.
|
3
|
8%
|
0
|
0%
|