Hits of Aug 29, 2010 Sunday
Attention: Poems submitted after Aug 29, 2010 are not shown on the list.
Click the captions to change the order.
| # |
Poem Title |
Hits |
|
Posts |
|
|
1
|
"Between Us Now"
|
9
|
56%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
10
|
62%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
5
|
31%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
16
|
100%
|
0
|
0%
|
|
5
|
[Greek Title]
|
4
|
25%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
14
|
87%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
2
|
12%
|
0
|
0%
|
|
8
|
A Commonplace Day
|
1
|
6%
|
0
|
0%
|
|
9
|
A Commonplace Day.
|
3
|
18%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
5
|
31%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
3
|
18%
|
0
|
0%
|
|
12
|
A Dream Or No
|
5
|
31%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
2
|
12%
|
0
|
0%
|
|
14
|
A Man (In Memory of H. of M.)
|
1
|
6%
|
0
|
0%
|
|
15
|
A Meeting With Despair
|
5
|
31%
|
0
|
0%
|
|
16
|
A Poet
|
2
|
12%
|
0
|
0%
|
|
17
|
A Thunderstorm in Town
|
2
|
12%
|
0
|
0%
|
|
18
|
A Wife in London (December, 1899)
|
3
|
18%
|
0
|
0%
|
|
19
|
After A Journey
|
2
|
12%
|
0
|
0%
|
|
20
|
Afterwards
|
1
|
6%
|
0
|
0%
|
|
21
|
Ah, Are You Digging on My Grave?
|
5
|
31%
|
0
|
0%
|
|
22
|
An Ancient to Ancients
|
1
|
6%
|
0
|
0%
|
|
23
|
An August Midnight
|
3
|
18%
|
0
|
0%
|
|
24
|
At A Bridal
|
2
|
12%
|
0
|
0%
|
|
25
|
At Castle Boterel
|
1
|
6%
|
0
|
0%
|
|
26
|
At Lulworth Cove a Century Back
|
1
|
6%
|
0
|
0%
|
|
27
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
1
|
6%
|
0
|
0%
|
|
28
|
Beeny Cliff
|
2
|
12%
|
0
|
0%
|
|
29
|
Between Us Now
|
1
|
6%
|
0
|
0%
|
|
30
|
By the Earth's Corpse
|
1
|
6%
|
0
|
0%
|
|
31
|
Channel Firing
|
1
|
6%
|
0
|
0%
|
|
32
|
De Profundis
|
2
|
12%
|
0
|
0%
|
|
33
|
Departure (Southampton Docks: October, 1899)
|
1
|
6%
|
0
|
0%
|
|
34
|
Ditty
|
1
|
6%
|
0
|
0%
|
|
35
|
Drummer Hodge
|
14
|
87%
|
0
|
0%
|
|
36
|
During Wind and Rain
|
1
|
6%
|
0
|
0%
|
|
37
|
Fragment
|
1
|
6%
|
0
|
0%
|
|
38
|
Friends Beyond
|
1
|
6%
|
0
|
0%
|
|
39
|
God's Funeral
|
15
|
93%
|
0
|
0%
|
|
40
|
Hap
|
9
|
56%
|
0
|
0%
|
|
41
|
Her Immortality
|
1
|
6%
|
0
|
0%
|
|
42
|
Her Initials
|
1
|
6%
|
0
|
0%
|
|
43
|
Heredity
|
4
|
25%
|
0
|
0%
|
|
44
|
His Immortality
|
8
|
50%
|
0
|
0%
|
|
45
|
I have lived with Shades
|
1
|
6%
|
0
|
0%
|
|
46
|
I Need Not Go
|
9
|
56%
|
0
|
0%
|
|
47
|
I said to Love
|
2
|
12%
|
0
|
0%
|
|
48
|
In A Eweleaze Near Weatherbury
|
1
|
6%
|
0
|
0%
|
|
49
|
In a Wood
|
1
|
6%
|
0
|
0%
|
|
50
|
In The Moonlight
|
2
|
12%
|
0
|
0%
|
|
51
|
In the Old Theatre, Fiesole (April, 1887)
|
1
|
6%
|
0
|
0%
|
|
52
|
In Vision I Roamed
|
1
|
6%
|
0
|
0%
|
|
53
|
Last Words to a Dumb Friend
|
1
|
6%
|
0
|
0%
|
|
54
|
Let Me Enjoy
|
1
|
6%
|
0
|
0%
|
|
55
|
Lines On The Loss Of The "Titanic"
|
4
|
25%
|
0
|
0%
|
|
56
|
Midnight on the Great Western
|
5
|
31%
|
0
|
0%
|
|
57
|
Mismet
|
1
|
6%
|
0
|
0%
|
|
58
|
Moments of Vision
|
1
|
6%
|
0
|
0%
|
|
59
|
My Cicely
|
1
|
6%
|
0
|
0%
|
|
60
|
Neutral Tones
|
8
|
50%
|
0
|
0%
|
|
61
|
Night in the Old Home
|
1
|
6%
|
0
|
0%
|
|
62
|
No Buyers
|
1
|
6%
|
0
|
0%
|
|
63
|
Rome: Building a New Street in the Ancient Quarter.
|
1
|
6%
|
0
|
0%
|
|
64
|
She, to Him, IV
|
1
|
6%
|
0
|
0%
|
|
65
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
3
|
18%
|
0
|
0%
|
|
66
|
Shelley's Skylark.
|
10
|
62%
|
0
|
0%
|
|
67
|
Song of Hope
|
1
|
6%
|
0
|
0%
|
|
68
|
Tess's Lament
|
2
|
12%
|
0
|
0%
|
|
69
|
The Alarm
|
2
|
12%
|
0
|
0%
|
|
70
|
The Cave of the Unborn
|
1
|
6%
|
0
|
0%
|
|
71
|
The Church-Builder
|
2
|
12%
|
0
|
0%
|
|
72
|
The Comet at Valbury or Yell'ham
|
2
|
12%
|
0
|
0%
|
|
73
|
The Convergence Of The Twain
|
3
|
18%
|
0
|
0%
|
|
74
|
The Darkling Thrush
|
6
|
37%
|
0
|
0%
|
|
75
|
The Dead Drummer
|
1
|
6%
|
0
|
0%
|
|
76
|
The Dream-Follower
|
2
|
12%
|
0
|
0%
|
|
77
|
The Fire at Tranter Sweatley's
|
1
|
6%
|
0
|
0%
|
|
78
|
The Garden Seat
|
3
|
18%
|
0
|
0%
|
|
79
|
The Ghost of the Past
|
4
|
25%
|
0
|
0%
|
|
80
|
The Going
|
9
|
56%
|
0
|
0%
|
|
81
|
The Going Of The Battery [Wive's Lament November 2nd 1899]
|
5
|
31%
|
0
|
0%
|
|
82
|
The Going of the Battery Wives. (Lament)
|
1
|
6%
|
0
|
0%
|
|
83
|
The Haunter
|
5
|
31%
|
0
|
0%
|
|
84
|
The House of Hospitalities
|
2
|
12%
|
0
|
0%
|
|
85
|
The Impercipient
|
2
|
12%
|
0
|
0%
|
|
86
|
The Inconsistent
|
2
|
12%
|
0
|
0%
|
|
87
|
The Ivy-Wife
|
2
|
12%
|
0
|
0%
|
|
88
|
The Jubilee Of A Magazine:(To The Editor)
|
3
|
18%
|
0
|
0%
|
|
89
|
The King's Experiment
|
2
|
12%
|
0
|
0%
|
|
90
|
The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
|
2
|
12%
|
0
|
0%
|
|
91
|
The Last Chrysanthemum
|
2
|
12%
|
0
|
0%
|
|
92
|
The Levelled Churchyard
|
1
|
6%
|
0
|
0%
|
|
93
|
The Lost Pyx: A Mediaeval Legend
|
1
|
6%
|
0
|
0%
|
|
94
|
The Man He Killed
|
8
|
50%
|
0
|
0%
|
|
95
|
The Masked Face
|
4
|
25%
|
0
|
0%
|
|
96
|
The Oxen
|
3
|
18%
|
0
|
0%
|
|
97
|
The Rambler
|
1
|
6%
|
0
|
0%
|
|
98
|
The Ruined Maid
|
1
|
6%
|
0
|
0%
|
|
99
|
The Sacrilege: (A Ballad-Tragedy)
|
1
|
6%
|
0
|
0%
|
|
100
|
The Seasons of Her Year
|
2
|
12%
|
0
|
0%
|
|
101
|
The Selfsame Song
|
1
|
6%
|
0
|
0%
|
|
102
|
The Shadow On The Stone
|
1
|
6%
|
0
|
0%
|
|
103
|
The Sweet Hussy
|
1
|
6%
|
0
|
0%
|
|
104
|
The West-Of-Wessex Girl
|
2
|
12%
|
0
|
0%
|
|
105
|
The Widow
|
1
|
6%
|
0
|
0%
|
|
106
|
The Woman In The Rye
|
2
|
12%
|
0
|
0%
|
|
107
|
The Workbox
|
2
|
12%
|
0
|
0%
|
|
108
|
Then and Now
|
1
|
6%
|
0
|
0%
|
|
109
|
To A Lady
|
1
|
6%
|
0
|
0%
|
|
110
|
To Life
|
1
|
6%
|
0
|
0%
|
|
111
|
To Lizbie Browne
|
2
|
12%
|
0
|
0%
|
|
112
|
Under the Waterfall
|
2
|
12%
|
0
|
0%
|
|
113
|
Unknowing
|
1
|
6%
|
0
|
0%
|
|
114
|
Weathers
|
2
|
12%
|
0
|
0%
|
|
115
|
Welcome Home
|
1
|
6%
|
0
|
0%
|
|
Total |
340 |
|
0 |
|
|
Average |
3.0 |
|
0.0 |
|
Descriptions:
-
Hits: Number of visitors who read the poem on the given date.
-
Posts: Number of visitors who posted the poem to a friend (via e-mail) on the given date.
Attention:
-
Poems submitted after Sep 17, 2011 are not shown on the list.
-
Dates, poems and poets that have β0β hits may not be shown on the list. Statistics are generated daily.