|
1
|
"Between Us Now"
|
42
|
49%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
19
|
22%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
17
|
20%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
46
|
54%
|
0
|
0%
|
|
5
|
[Greek Title]
|
3
|
3%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
49
|
57%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
18
|
21%
|
0
|
0%
|
|
8
|
A Circular
|
6
|
7%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
12
|
14%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
13
|
15%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
13
|
15%
|
0
|
0%
|
|
12
|
A Dream Or No
|
18
|
21%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
3
|
3%
|
0
|
0%
|
|
14
|
A King's Soliloquy [On the Night of His Funeral]
|
3
|
3%
|
0
|
0%
|
|
15
|
A Man (In Memory of H. of M.)
|
1
|
1%
|
0
|
0%
|
|
16
|
A Meeting With Despair
|
2
|
2%
|
0
|
0%
|
|
17
|
A Poet
|
2
|
2%
|
0
|
0%
|
|
18
|
A Sign-Seeker
|
1
|
1%
|
0
|
0%
|
|
19
|
A Thunderstorm in Town
|
3
|
3%
|
0
|
0%
|
|
20
|
A Wasted Illness
|
1
|
1%
|
0
|
0%
|
|
21
|
A Wife in London (December, 1899)
|
7
|
8%
|
0
|
0%
|
|
22
|
A Woman's Fancy
|
3
|
3%
|
0
|
0%
|
|
23
|
After A Journey
|
3
|
3%
|
0
|
0%
|
|
24
|
After Schiller
|
1
|
1%
|
0
|
0%
|
|
25
|
After The Visit
|
1
|
1%
|
0
|
0%
|
|
26
|
Afterwards
|
18
|
21%
|
0
|
0%
|
|
27
|
Ah, Are You Digging on My Grave?
|
4
|
4%
|
0
|
0%
|
|
28
|
Amabel
|
1
|
1%
|
0
|
0%
|
|
29
|
An August Midnight
|
3
|
3%
|
0
|
0%
|
|
30
|
An Autumn Rain-Scene
|
1
|
1%
|
0
|
0%
|
|
31
|
At Day-Close In November
|
2
|
2%
|
0
|
0%
|
|
32
|
At A Bridal
|
1
|
1%
|
0
|
0%
|
|
33
|
At a Lunar Eclipse
|
2
|
2%
|
0
|
0%
|
|
34
|
At An Inn
|
3
|
3%
|
0
|
0%
|
|
35
|
At Castle Boterel
|
24
|
28%
|
0
|
0%
|
|
36
|
At Lulworth Cove a Century Back
|
1
|
1%
|
0
|
0%
|
|
37
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
1
|
1%
|
0
|
0%
|
|
38
|
At the War Office, London.
|
1
|
1%
|
0
|
0%
|
|
39
|
Beeny Cliff
|
2
|
2%
|
0
|
0%
|
|
40
|
Between Us Now
|
2
|
2%
|
0
|
0%
|
|
41
|
Birds at Winter Nightfall (Triolet)
|
3
|
3%
|
0
|
0%
|
|
42
|
Channel Firing
|
5
|
5%
|
0
|
0%
|
|
43
|
Convergence Of The Twain
|
5
|
5%
|
0
|
0%
|
|
44
|
De Profundis
|
1
|
1%
|
0
|
0%
|
|
45
|
Domicilium
|
6
|
7%
|
0
|
0%
|
|
46
|
Drummer Hodge
|
44
|
51%
|
0
|
0%
|
|
47
|
During Wind and Rain
|
7
|
8%
|
0
|
0%
|
|
48
|
Epitaph on a pessimist
|
1
|
1%
|
0
|
0%
|
|
49
|
Fragment
|
1
|
1%
|
0
|
0%
|
|
50
|
Friends Beyond
|
3
|
3%
|
0
|
0%
|
|
51
|
God-Forgotten
|
2
|
2%
|
0
|
0%
|
|
52
|
God's Funeral
|
4
|
4%
|
0
|
0%
|
|
53
|
Hap
|
56
|
65%
|
0
|
0%
|
|
54
|
Her Death And After
|
1
|
1%
|
0
|
0%
|
|
55
|
Her Dilemma
|
1
|
1%
|
0
|
0%
|
|
56
|
Her Immortality
|
2
|
2%
|
0
|
0%
|
|
57
|
Her Secret
|
2
|
2%
|
0
|
0%
|
|
58
|
Heredity
|
7
|
8%
|
0
|
0%
|
|
59
|
I Found Her Out There
|
4
|
4%
|
0
|
0%
|
|
60
|
I have lived with Shades
|
1
|
1%
|
0
|
0%
|
|
61
|
I Look Into My Glass
|
17
|
20%
|
0
|
0%
|
|
62
|
I Said to Love.
|
1
|
1%
|
0
|
0%
|
|
63
|
In A Eweleaze Near Weatherbury
|
1
|
1%
|
0
|
0%
|
|
64
|
In a Museum
|
1
|
1%
|
0
|
0%
|
|
65
|
In a Wood
|
4
|
4%
|
0
|
0%
|
|
66
|
In Tenebris
|
8
|
9%
|
0
|
0%
|
|
67
|
In The British Museum
|
1
|
1%
|
0
|
0%
|
|
68
|
In The Moonlight
|
4
|
4%
|
0
|
0%
|
|
69
|
In the Old Theatre, Fiesole (April, 1887)
|
1
|
1%
|
0
|
0%
|
|
70
|
In Time of 'The Breaking of Nations'
|
15
|
17%
|
0
|
0%
|
|
71
|
Lament
|
3
|
3%
|
0
|
0%
|
|
72
|
Last Words to a Dumb Friend
|
4
|
4%
|
0
|
0%
|
|
73
|
Let Me Enjoy
|
1
|
1%
|
0
|
0%
|
|
74
|
Lines On The Loss Of The "Titanic"
|
3
|
3%
|
0
|
0%
|
|
75
|
Mad Judy
|
1
|
1%
|
0
|
0%
|
|
76
|
Men Who March Away
|
6
|
7%
|
0
|
0%
|
|
77
|
Midnight on the Great Western
|
2
|
2%
|
0
|
0%
|
|
78
|
Moments of Vision
|
7
|
8%
|
0
|
0%
|
|
79
|
Nature's Questioning
|
14
|
16%
|
0
|
0%
|
|
80
|
Neutral Tones
|
7
|
8%
|
0
|
0%
|
|
81
|
Night in the Old Home
|
1
|
1%
|
0
|
0%
|
|
82
|
On a Fine Morning
|
2
|
2%
|
0
|
0%
|
|
83
|
On an Invitation to the United States.
|
1
|
1%
|
0
|
0%
|
|
84
|
Places
|
1
|
1%
|
0
|
0%
|
|
85
|
Rome: Building a New Street in the Ancient Quarter.
|
2
|
2%
|
0
|
0%
|
|
86
|
She At His Funeral
|
1
|
1%
|
0
|
0%
|
|
87
|
She, at His Funeral
|
2
|
2%
|
0
|
0%
|
|
88
|
She, To Him
|
1
|
1%
|
0
|
0%
|
|
89
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
1
|
1%
|
0
|
0%
|
|
90
|
Shelley's Skylark.
|
5
|
5%
|
0
|
0%
|
|
91
|
Song of Hope
|
2
|
2%
|
0
|
0%
|
|
92
|
Tess's Lament
|
1
|
1%
|
0
|
0%
|
|
93
|
The Bedridden Peasant to an Unknown God
|
1
|
1%
|
0
|
0%
|
|
94
|
The Cave of the Unborn
|
2
|
2%
|
0
|
0%
|
|
95
|
The Convergence Of The Twain
|
4
|
4%
|
0
|
0%
|
|
96
|
The Coquette, and After (Triolets)
|
1
|
1%
|
0
|
0%
|
|
97
|
The Darkling Thrush
|
25
|
29%
|
0
|
0%
|
|
98
|
The Dead Drummer
|
2
|
2%
|
0
|
0%
|
|
99
|
The Dead Man Walking
|
2
|
2%
|
0
|
0%
|
|
100
|
The Death Of Regret
|
1
|
1%
|
0
|
0%
|
|
101
|
The Discovery
|
2
|
2%
|
0
|
0%
|
|
102
|
The Dream-Follower
|
1
|
1%
|
0
|
0%
|
|
103
|
The Elopement
|
2
|
2%
|
0
|
0%
|
|
104
|
The Fire at Tranter Sweatley's
|
1
|
1%
|
0
|
0%
|
|
105
|
The Garden Seat
|
5
|
5%
|
0
|
0%
|
|
106
|
The Going
|
14
|
16%
|
0
|
0%
|
|
107
|
The Haunter
|
4
|
4%
|
0
|
0%
|
|
108
|
The House of Hospitalities
|
3
|
3%
|
0
|
0%
|
|
109
|
The Ivy-Wife
|
2
|
2%
|
0
|
0%
|
|
110
|
The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
|
1
|
1%
|
0
|
0%
|
|
111
|
The Levelled Churchyard
|
2
|
2%
|
0
|
0%
|
|
112
|
The Man He Killed
|
85
|
100%
|
0
|
0%
|
|
113
|
The Masked Face
|
1
|
1%
|
0
|
0%
|
|
114
|
The Milkmaid
|
2
|
2%
|
0
|
0%
|
|
115
|
The Moon Looks In
|
1
|
1%
|
0
|
0%
|
|
116
|
The Mother Mourns
|
1
|
1%
|
0
|
0%
|
|
117
|
The Moth-Signal (On Egdon Heath)
|
3
|
3%
|
0
|
0%
|
|
118
|
The Oxen
|
21
|
24%
|
0
|
0%
|
|
119
|
The Peasent's Confession
|
1
|
1%
|
0
|
0%
|
|
120
|
The Pity Of It
|
4
|
4%
|
0
|
0%
|
|
121
|
The Roman Road
|
3
|
3%
|
0
|
0%
|
|
122
|
The Ruined Maid
|
5
|
5%
|
0
|
0%
|
|
123
|
The Seasons of Her Year
|
2
|
2%
|
0
|
0%
|
|
124
|
The Selfsame Song
|
1
|
1%
|
0
|
0%
|
|
125
|
The Self-Unseeing
|
20
|
23%
|
0
|
0%
|
|
126
|
The Sergeant's Song
|
1
|
1%
|
0
|
0%
|
|
127
|
The Shadow On The Stone
|
1
|
1%
|
0
|
0%
|
|
128
|
The To-Be-Forgotten
|
2
|
2%
|
0
|
0%
|
|
129
|
The Voice
|
7
|
8%
|
0
|
0%
|
|
130
|
The Voice
|
4
|
4%
|
0
|
0%
|
|
131
|
The Walk
|
3
|
3%
|
0
|
0%
|
|
132
|
The Workbox
|
4
|
4%
|
0
|
0%
|
|
133
|
Thoughts of Phena
|
2
|
2%
|
0
|
0%
|
|
134
|
To an Unborn Pauper Child
|
2
|
2%
|
0
|
0%
|
|
135
|
To Flowers From Italy in Winter
|
1
|
1%
|
0
|
0%
|
|
136
|
Transformations
|
2
|
2%
|
0
|
0%
|
|
137
|
Under the Waterfall
|
7
|
8%
|
0
|
0%
|
|
138
|
We Are Getting to the End
|
1
|
1%
|
0
|
0%
|
|
139
|
Weathers
|
22
|
25%
|
0
|
0%
|
|
140
|
When I Set Out for Lyonnesse
|
1
|
1%
|
0
|
0%
|
|
141
|
Without Ceremony
|
1
|
1%
|
0
|
0%
|
|
142
|
Your Last Drive
|
8
|
9%
|
0
|
0%
|