Hits of May 30, 2011 Monday
Attention: Poems submitted after May 30, 2011 are not shown on the list.
Click the captions to change the order.
| # |
Poem Title |
Hits |
|
Posts |
|
|
1
|
"Between Us Now"
|
13
|
39%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
9
|
27%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
6
|
18%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
16
|
48%
|
0
|
0%
|
|
5
|
[Greek Title]
|
3
|
9%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
15
|
45%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
4
|
12%
|
0
|
0%
|
|
8
|
A Commonplace Day.
|
3
|
9%
|
0
|
0%
|
|
9
|
A Confession To A Friend in Trouble
|
7
|
21%
|
0
|
0%
|
|
10
|
A Death-Day Recalled
|
3
|
9%
|
0
|
0%
|
|
11
|
A Dream Or No
|
1
|
3%
|
0
|
0%
|
|
12
|
A King's Soliloquy [On the Night of His Funeral]
|
3
|
9%
|
0
|
0%
|
|
13
|
A Man (In Memory of H. of M.)
|
2
|
6%
|
0
|
0%
|
|
14
|
A Meeting With Despair
|
6
|
18%
|
0
|
0%
|
|
15
|
A Poet
|
2
|
6%
|
0
|
0%
|
|
16
|
A Sign-Seeker
|
3
|
9%
|
0
|
0%
|
|
17
|
A Thunderstorm in Town
|
5
|
15%
|
0
|
0%
|
|
18
|
A Wasted Illness
|
4
|
12%
|
0
|
0%
|
|
19
|
A Wife in London (December, 1899)
|
1
|
3%
|
0
|
0%
|
|
20
|
A Woman's Fancy
|
2
|
6%
|
0
|
0%
|
|
21
|
After A Journey
|
4
|
12%
|
0
|
0%
|
|
22
|
After The Visit
|
1
|
3%
|
0
|
0%
|
|
23
|
Afterwards
|
11
|
33%
|
0
|
0%
|
|
24
|
Ah, Are You Digging on My Grave?
|
8
|
24%
|
0
|
0%
|
|
25
|
An August Midnight
|
4
|
12%
|
0
|
0%
|
|
26
|
Aquae Sulis
|
1
|
3%
|
0
|
0%
|
|
27
|
At a Lunar Eclipse
|
5
|
15%
|
0
|
0%
|
|
28
|
At the War Office, London.
|
1
|
3%
|
0
|
0%
|
|
29
|
Beeny Cliff
|
4
|
12%
|
0
|
0%
|
|
30
|
Before And After Summer
|
3
|
9%
|
0
|
0%
|
|
31
|
Bereft, She Thinks She Dreams
|
2
|
6%
|
0
|
0%
|
|
32
|
Between Us Now
|
3
|
9%
|
0
|
0%
|
|
33
|
Birds at Winter Nightfall (Triolet)
|
3
|
9%
|
0
|
0%
|
|
34
|
By the Earth's Corpse
|
1
|
3%
|
0
|
0%
|
|
35
|
Cardinal Bembo's Epitaph on Raphael
|
1
|
3%
|
0
|
0%
|
|
36
|
Catullus: XXXI
|
2
|
6%
|
0
|
0%
|
|
37
|
Channel Firing
|
2
|
6%
|
0
|
0%
|
|
38
|
Convergence Of The Twain
|
2
|
6%
|
0
|
0%
|
|
39
|
De Profundis
|
1
|
3%
|
0
|
0%
|
|
40
|
Departure (Southampton Docks: October, 1899)
|
1
|
3%
|
0
|
0%
|
|
41
|
Departure.
|
1
|
3%
|
0
|
0%
|
|
42
|
Ditty
|
1
|
3%
|
0
|
0%
|
|
43
|
Domicilium
|
1
|
3%
|
0
|
0%
|
|
44
|
Doom and She
|
1
|
3%
|
0
|
0%
|
|
45
|
Drummer Hodge
|
33
|
100%
|
0
|
0%
|
|
46
|
During Wind and Rain
|
2
|
6%
|
0
|
0%
|
|
47
|
Embarcation
|
1
|
3%
|
0
|
0%
|
|
48
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
3%
|
0
|
0%
|
|
49
|
Epeisodia
|
1
|
3%
|
0
|
0%
|
|
50
|
Epitaph on a pessimist
|
7
|
21%
|
0
|
0%
|
|
51
|
Exeunt Omnes
|
1
|
3%
|
0
|
0%
|
|
52
|
Faintheart In A Railway Train
|
14
|
42%
|
0
|
0%
|
|
53
|
Fragment
|
1
|
3%
|
0
|
0%
|
|
54
|
Friends Beyond
|
2
|
6%
|
0
|
0%
|
|
55
|
From Victor Hugo
|
2
|
6%
|
0
|
0%
|
|
56
|
From: Men Who March Away
|
1
|
3%
|
0
|
0%
|
|
57
|
Genoa and the Mediterranean (March, 1887)
|
1
|
3%
|
0
|
0%
|
|
58
|
George Meredith
|
1
|
3%
|
0
|
0%
|
|
59
|
God-Forgotten
|
3
|
9%
|
0
|
0%
|
|
60
|
God's Funeral
|
5
|
15%
|
0
|
0%
|
|
61
|
Going And Staying
|
2
|
6%
|
0
|
0%
|
|
62
|
Had You Wept
|
2
|
6%
|
0
|
0%
|
|
63
|
Hap
|
19
|
57%
|
0
|
0%
|
|
64
|
He Never Expected Much
|
1
|
3%
|
0
|
0%
|
|
65
|
Her Immortality
|
1
|
3%
|
0
|
0%
|
|
66
|
Her Initials
|
1
|
3%
|
0
|
0%
|
|
67
|
Heredity
|
2
|
6%
|
0
|
0%
|
|
68
|
I Look Into My Glass
|
2
|
6%
|
0
|
0%
|
|
69
|
I Sometimes Think
|
2
|
6%
|
0
|
0%
|
|
70
|
In a Museum
|
1
|
3%
|
0
|
0%
|
|
71
|
In Front Of The Landscape
|
1
|
3%
|
0
|
0%
|
|
72
|
In Tenebris
|
5
|
15%
|
0
|
0%
|
|
73
|
In Time of 'The Breaking of Nations'
|
10
|
30%
|
0
|
0%
|
|
74
|
Let Me Enjoy
|
1
|
3%
|
0
|
0%
|
|
75
|
Men Who March Away
|
5
|
15%
|
0
|
0%
|
|
76
|
Mute Opinion
|
1
|
3%
|
0
|
0%
|
|
77
|
Neutral Tones
|
4
|
12%
|
0
|
0%
|
|
78
|
Places
|
1
|
3%
|
0
|
0%
|
|
79
|
Revulsion
|
1
|
3%
|
0
|
0%
|
|
80
|
San Sebastian
|
1
|
3%
|
0
|
0%
|
|
81
|
Self- Unconscious
|
16
|
48%
|
0
|
0%
|
|
82
|
She, To Him
|
4
|
12%
|
0
|
0%
|
|
83
|
She, to Him, I
|
1
|
3%
|
0
|
0%
|
|
84
|
She, to Him, II
|
1
|
3%
|
0
|
0%
|
|
85
|
She, To Him, II
|
2
|
6%
|
0
|
0%
|
|
86
|
She, to Him, III
|
1
|
3%
|
0
|
0%
|
|
87
|
She, to Him, IV
|
1
|
3%
|
0
|
0%
|
|
88
|
Song of the Soldiers
|
1
|
3%
|
0
|
0%
|
|
89
|
The Alarm
|
2
|
6%
|
0
|
0%
|
|
90
|
The Cave of the Unborn
|
1
|
3%
|
0
|
0%
|
|
91
|
The Convergence Of The Twain
|
1
|
3%
|
0
|
0%
|
|
92
|
The Darkling Thrush
|
6
|
18%
|
0
|
0%
|
|
93
|
The Dead Man Walking
|
1
|
3%
|
0
|
0%
|
|
94
|
The Discovery
|
1
|
3%
|
0
|
0%
|
|
95
|
The Garden Seat
|
1
|
3%
|
0
|
0%
|
|
96
|
The Going
|
9
|
27%
|
0
|
0%
|
|
97
|
The Haunter
|
1
|
3%
|
0
|
0%
|
|
98
|
The Ivy-Wife
|
1
|
3%
|
0
|
0%
|
|
99
|
The Lost Pyx: A Mediaeval Legend
|
1
|
3%
|
0
|
0%
|
|
100
|
The Man He Killed
|
16
|
48%
|
0
|
0%
|
|
101
|
The Milkmaid
|
2
|
6%
|
0
|
0%
|
|
102
|
The Peasent's Confession
|
1
|
3%
|
0
|
0%
|
|
103
|
The Phantom Horsewoman.
|
4
|
12%
|
0
|
0%
|
|
104
|
The Puzzled Game-Birds (Triolet)
|
3
|
9%
|
0
|
0%
|
|
105
|
The Rambler
|
1
|
3%
|
0
|
0%
|
|
106
|
The Ruined Maid
|
2
|
6%
|
0
|
0%
|
|
107
|
The Self-Unseeing
|
3
|
9%
|
0
|
0%
|
|
108
|
The Sick God
|
1
|
3%
|
0
|
0%
|
|
109
|
The Spell Of The Rose
|
1
|
3%
|
0
|
0%
|
|
110
|
The Subalterns
|
1
|
3%
|
0
|
0%
|
|
111
|
The Subalterns
|
1
|
3%
|
0
|
0%
|
|
112
|
The Two Soldiers
|
1
|
3%
|
0
|
0%
|
|
113
|
The Voice
|
2
|
6%
|
0
|
0%
|
|
114
|
The Voice
|
1
|
3%
|
0
|
0%
|
|
115
|
The Walk
|
2
|
6%
|
0
|
0%
|
|
116
|
The Wistful Lady
|
1
|
3%
|
0
|
0%
|
|
117
|
Thoughts of Phena
|
2
|
6%
|
0
|
0%
|
|
118
|
To An Orphan Child
|
1
|
3%
|
0
|
0%
|
|
119
|
Tolerance
|
1
|
3%
|
0
|
0%
|
|
120
|
Transformations
|
2
|
6%
|
0
|
0%
|
|
121
|
Under the Waterfall
|
2
|
6%
|
0
|
0%
|
|
122
|
We Are Getting to the End
|
1
|
3%
|
0
|
0%
|
|
123
|
Weathers
|
10
|
30%
|
0
|
0%
|
|
124
|
Welcome Home
|
1
|
3%
|
0
|
0%
|
|
125
|
When I Set Out for Lyonnesse
|
1
|
3%
|
0
|
0%
|
|
126
|
Your Last Drive
|
1
|
3%
|
0
|
0%
|
|
Total |
428 |
|
0 |
|
|
Average |
3.4 |
|
0.0 |
|
Descriptions:
-
Hits: Number of visitors who read the poem on the given date.
-
Posts: Number of visitors who posted the poem to a friend (via e-mail) on the given date.
Attention:
-
Poems submitted after Sep 17, 2011 are not shown on the list.
-
Dates, poems and poets that have β0β hits may not be shown on the list. Statistics are generated daily.