|
1
|
"Between Us Now"
|
48
|
100%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
23
|
47%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
23
|
47%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
33
|
68%
|
0
|
0%
|
|
5
|
[Greek Title]
|
5
|
10%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
21
|
43%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
9
|
18%
|
0
|
0%
|
|
8
|
A Circular
|
3
|
6%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
5
|
10%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
16
|
33%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
13
|
27%
|
0
|
0%
|
|
12
|
A Dream Or No
|
13
|
27%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
5
|
10%
|
0
|
0%
|
|
14
|
A King's Soliloquy [On the Night of His Funeral]
|
3
|
6%
|
0
|
0%
|
|
15
|
A Man (In Memory of H. of M.)
|
4
|
8%
|
0
|
0%
|
|
16
|
A Meeting With Despair
|
2
|
4%
|
0
|
0%
|
|
17
|
A Poet
|
4
|
8%
|
0
|
0%
|
|
18
|
A Spot
|
2
|
4%
|
0
|
0%
|
|
19
|
A Thunderstorm in Town
|
2
|
4%
|
0
|
0%
|
|
20
|
A Week
|
1
|
2%
|
0
|
0%
|
|
21
|
A Wife in London (December, 1899)
|
2
|
4%
|
0
|
0%
|
|
22
|
A Woman's Fancy
|
1
|
2%
|
0
|
0%
|
|
23
|
After A Journey
|
2
|
4%
|
0
|
0%
|
|
24
|
After Schiller
|
1
|
2%
|
0
|
0%
|
|
25
|
After The Visit
|
1
|
2%
|
0
|
0%
|
|
26
|
Afterwards
|
2
|
4%
|
0
|
0%
|
|
27
|
Ah, Are You Digging on My Grave?
|
5
|
10%
|
0
|
0%
|
|
28
|
Amabel
|
1
|
2%
|
0
|
0%
|
|
29
|
An Ancient to Ancients
|
2
|
4%
|
0
|
0%
|
|
30
|
An August Midnight
|
1
|
2%
|
0
|
0%
|
|
31
|
An Autumn Rain-Scene
|
3
|
6%
|
0
|
0%
|
|
32
|
Aquae Sulis
|
1
|
2%
|
0
|
0%
|
|
33
|
Architectural Masks
|
1
|
2%
|
0
|
0%
|
|
34
|
At Day-Close In November
|
1
|
2%
|
0
|
0%
|
|
35
|
At A Bridal
|
2
|
4%
|
0
|
0%
|
|
36
|
At a Hasty Wedding
|
1
|
2%
|
0
|
0%
|
|
37
|
At A House In Hampstead Sometime The Dwelling Of John Keats
|
2
|
4%
|
0
|
0%
|
|
38
|
At a Lunar Eclipse
|
2
|
4%
|
0
|
0%
|
|
39
|
At An Inn
|
1
|
2%
|
0
|
0%
|
|
40
|
At Castle Boterel
|
2
|
4%
|
0
|
0%
|
|
41
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
1
|
2%
|
0
|
0%
|
|
42
|
At the War Office, London.
|
1
|
2%
|
0
|
0%
|
|
43
|
Beeny Cliff
|
1
|
2%
|
0
|
0%
|
|
44
|
Before And After Summer
|
3
|
6%
|
0
|
0%
|
|
45
|
Bereft, She Thinks She Dreams
|
1
|
2%
|
0
|
0%
|
|
46
|
Between Us Now
|
2
|
4%
|
0
|
0%
|
|
47
|
Channel Firing
|
1
|
2%
|
0
|
0%
|
|
48
|
Convergence Of The Twain
|
1
|
2%
|
0
|
0%
|
|
49
|
De Profundis
|
1
|
2%
|
0
|
0%
|
|
50
|
Departure.
|
1
|
2%
|
0
|
0%
|
|
51
|
Drummer Hodge
|
12
|
25%
|
0
|
0%
|
|
52
|
Epeisodia
|
1
|
2%
|
0
|
0%
|
|
53
|
Friends Beyond
|
1
|
2%
|
0
|
0%
|
|
54
|
From: Men Who March Away
|
2
|
4%
|
0
|
0%
|
|
55
|
God's Funeral
|
6
|
12%
|
0
|
0%
|
|
56
|
Had You Wept
|
2
|
4%
|
0
|
0%
|
|
57
|
Hap
|
3
|
6%
|
0
|
0%
|
|
58
|
He Never Expected Much
|
1
|
2%
|
0
|
0%
|
|
59
|
Her Death And After
|
1
|
2%
|
0
|
0%
|
|
60
|
Her Dilemma
|
1
|
2%
|
0
|
0%
|
|
61
|
Her Immortality
|
2
|
4%
|
0
|
0%
|
|
62
|
Her Initials
|
1
|
2%
|
0
|
0%
|
|
63
|
Her Reproach
|
1
|
2%
|
0
|
0%
|
|
64
|
Her Secret
|
4
|
8%
|
0
|
0%
|
|
65
|
Her Song
|
3
|
6%
|
0
|
0%
|
|
66
|
Heredity
|
2
|
4%
|
0
|
0%
|
|
67
|
His Immortality
|
4
|
8%
|
0
|
0%
|
|
68
|
His Visitor
|
2
|
4%
|
0
|
0%
|
|
69
|
How She Went To Ireland
|
1
|
2%
|
0
|
0%
|
|
70
|
I Found Her Out There
|
2
|
4%
|
0
|
0%
|
|
71
|
I have lived with Shades
|
3
|
6%
|
0
|
0%
|
|
72
|
I Look Into My Glass
|
3
|
6%
|
0
|
0%
|
|
73
|
I Need Not Go
|
3
|
6%
|
0
|
0%
|
|
74
|
I Rose Up As My Custom Is
|
2
|
4%
|
0
|
0%
|
|
75
|
I said to Love
|
1
|
2%
|
0
|
0%
|
|
76
|
I Said to Love.
|
1
|
2%
|
0
|
0%
|
|
77
|
I Sometimes Think
|
4
|
8%
|
0
|
0%
|
|
78
|
I Was Not He
|
2
|
4%
|
0
|
0%
|
|
79
|
In A Eweleaze Near Weatherbury
|
1
|
2%
|
0
|
0%
|
|
80
|
In a Museum
|
4
|
8%
|
0
|
0%
|
|
81
|
In a Wood
|
1
|
2%
|
0
|
0%
|
|
82
|
In A Wook
|
1
|
2%
|
0
|
0%
|
|
83
|
In Front Of The Landscape
|
2
|
4%
|
0
|
0%
|
|
84
|
In Tenebris
|
5
|
10%
|
0
|
0%
|
|
85
|
In The British Museum
|
2
|
4%
|
0
|
0%
|
|
86
|
In The Days Of Crinoline
|
1
|
2%
|
0
|
0%
|
|
87
|
In The Moonlight
|
2
|
4%
|
0
|
0%
|
|
88
|
In the Old Theatre, Fiesole (April, 1887)
|
1
|
2%
|
0
|
0%
|
|
89
|
In The Old Theatre, Fiesole.
|
1
|
2%
|
0
|
0%
|
|
90
|
In The Servants' Quarters
|
1
|
2%
|
0
|
0%
|
|
91
|
In The Vaulted Way
|
1
|
2%
|
0
|
0%
|
|
92
|
In Time Of
|
2
|
4%
|
0
|
0%
|
|
93
|
In Time of 'The Breaking of Nations'
|
4
|
8%
|
0
|
0%
|
|
94
|
In Vision I Roamed
|
2
|
4%
|
0
|
0%
|
|
95
|
Jezreel
|
1
|
2%
|
0
|
0%
|
|
96
|
Lament
|
1
|
2%
|
0
|
0%
|
|
97
|
Last Words to a Dumb Friend
|
1
|
2%
|
0
|
0%
|
|
98
|
Let Me Enjoy
|
3
|
6%
|
0
|
0%
|
|
99
|
Midnight on the Great Western
|
1
|
2%
|
0
|
0%
|
|
100
|
Mute Opinion
|
1
|
2%
|
0
|
0%
|
|
101
|
My Cicely
|
1
|
2%
|
0
|
0%
|
|
102
|
My spirit will not haunt the mound
|
1
|
2%
|
0
|
0%
|
|
103
|
Nature's Questioning
|
2
|
4%
|
0
|
0%
|
|
104
|
Neutral Tones
|
1
|
2%
|
0
|
0%
|
|
105
|
On an Invitation to the United States.
|
1
|
2%
|
0
|
0%
|
|
106
|
Places
|
1
|
2%
|
0
|
0%
|
|
107
|
Self- Unconscious
|
1
|
2%
|
0
|
0%
|
|
108
|
Seventy-Four And Twenty
|
1
|
2%
|
0
|
0%
|
|
109
|
She At His Funeral
|
1
|
2%
|
0
|
0%
|
|
110
|
Shelley's Skylark.
|
1
|
2%
|
0
|
0%
|
|
111
|
Song of Hope
|
2
|
4%
|
0
|
0%
|
|
112
|
Tess's Lament
|
3
|
6%
|
0
|
0%
|
|
113
|
The Alarm
|
1
|
2%
|
0
|
0%
|
|
114
|
The Curtains Now Are Drawn
|
1
|
2%
|
0
|
0%
|
|
115
|
The Dame of Athelhall
|
1
|
2%
|
0
|
0%
|
|
116
|
The Dance At The Phoenix
|
1
|
2%
|
0
|
0%
|
|
117
|
The Darkling Thrush
|
7
|
14%
|
0
|
0%
|
|
118
|
The Discovery
|
1
|
2%
|
0
|
0%
|
|
119
|
The Dream-Follower
|
2
|
4%
|
0
|
0%
|
|
120
|
The Going
|
1
|
2%
|
0
|
0%
|
|
121
|
The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
|
1
|
2%
|
0
|
0%
|
|
122
|
The Last Chrysanthemum
|
2
|
4%
|
0
|
0%
|
|
123
|
The Levelled Churchyard
|
2
|
4%
|
0
|
0%
|
|
124
|
The Lost Pyx: A Mediaeval Legend
|
2
|
4%
|
0
|
0%
|
|
125
|
The Maid of Keinton Mandeville (A Tribute To Sir H. Bishop)
|
1
|
2%
|
0
|
0%
|
|
126
|
The Man He Killed
|
13
|
27%
|
0
|
0%
|
|
127
|
The Masked Face
|
1
|
2%
|
0
|
0%
|
|
128
|
The Master And The Leaves
|
1
|
2%
|
0
|
0%
|
|
129
|
The Milkmaid
|
1
|
2%
|
0
|
0%
|
|
130
|
The Moon Looks In
|
1
|
2%
|
0
|
0%
|
|
131
|
The Oxen
|
3
|
6%
|
0
|
0%
|
|
132
|
The Pity Of It
|
1
|
2%
|
0
|
0%
|
|
133
|
The Puzzled Game-Birds (Triolet)
|
1
|
2%
|
0
|
0%
|
|
134
|
The Roman Gravemounds
|
3
|
6%
|
0
|
0%
|
|
135
|
The Roman Road
|
2
|
4%
|
0
|
0%
|
|
136
|
The Self-Unseeing
|
4
|
8%
|
0
|
0%
|
|
137
|
The Sergeant's Song
|
1
|
2%
|
0
|
0%
|
|
138
|
The Sick God
|
1
|
2%
|
0
|
0%
|
|
139
|
The Spell Of The Rose
|
1
|
2%
|
0
|
0%
|
|
140
|
The Sweet Hussy
|
1
|
2%
|
0
|
0%
|
|
141
|
The Well-Beloved
|
1
|
2%
|
0
|
0%
|
|
142
|
The West-Of-Wessex Girl
|
2
|
4%
|
0
|
0%
|
|
143
|
Thought Of Ph---a At News Of Her Death
|
1
|
2%
|
0
|
0%
|
|
144
|
To An Orphan Child
|
1
|
2%
|
0
|
0%
|
|
145
|
To an Unborn Pauper Child
|
1
|
2%
|
0
|
0%
|
|
146
|
Under the Waterfall
|
4
|
8%
|
0
|
0%
|
|
147
|
V.R. 1819-1901, A Reverie
|
1
|
2%
|
0
|
0%
|
|
148
|
We Are Getting to the End
|
1
|
2%
|
0
|
0%
|
|
149
|
Weathers
|
6
|
12%
|
0
|
0%
|
|
150
|
Welcome Home
|
4
|
8%
|
0
|
0%
|
|
151
|
When I Set Out for Lyonnesse
|
1
|
2%
|
0
|
0%
|
|
152
|
Your Last Drive
|
1
|
2%
|
0
|
0%
|