Hits of Jul 4, 2012 Saturday
Attention: Poems submitted after Jul 4, 2012 are not shown on the list.
Click the captions to change the order.
| # |
Poem Title |
Hits |
|
Posts |
|
|
1
|
"Between Us Now"
|
54
|
100%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
19
|
35%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
26
|
48%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
25
|
46%
|
0
|
0%
|
|
5
|
[Greek Title]
|
2
|
3%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
15
|
27%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
7
|
12%
|
0
|
0%
|
|
8
|
A Circular
|
9
|
16%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
5
|
9%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
10
|
18%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
8
|
14%
|
0
|
0%
|
|
12
|
A Dream Or No
|
10
|
18%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
3
|
5%
|
0
|
0%
|
|
14
|
A King's Soliloquy [On the Night of His Funeral]
|
3
|
5%
|
0
|
0%
|
|
15
|
A Man (In Memory of H. of M.)
|
3
|
5%
|
0
|
0%
|
|
16
|
A Meeting With Despair
|
16
|
29%
|
0
|
0%
|
|
17
|
A Poet
|
2
|
3%
|
0
|
0%
|
|
18
|
A Sign-Seeker
|
2
|
3%
|
0
|
0%
|
|
19
|
A Spot
|
2
|
3%
|
0
|
0%
|
|
20
|
A Thunderstorm in Town
|
6
|
11%
|
0
|
0%
|
|
21
|
A Week
|
3
|
5%
|
0
|
0%
|
|
22
|
A Wife in London (December, 1899)
|
2
|
3%
|
0
|
0%
|
|
23
|
Additions
|
1
|
1%
|
0
|
0%
|
|
24
|
After A Journey
|
4
|
7%
|
0
|
0%
|
|
25
|
Afterwards
|
16
|
29%
|
0
|
0%
|
|
26
|
Ah, Are You Digging on My Grave?
|
1
|
1%
|
0
|
0%
|
|
27
|
An August Midnight
|
1
|
1%
|
0
|
0%
|
|
28
|
An Autumn Rain-Scene
|
2
|
3%
|
0
|
0%
|
|
29
|
Architectural Masks
|
1
|
1%
|
0
|
0%
|
|
30
|
At Castle Boterel
|
5
|
9%
|
0
|
0%
|
|
31
|
At Moonrise And Onwards
|
1
|
1%
|
0
|
0%
|
|
32
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
1
|
1%
|
0
|
0%
|
|
33
|
At the War Office, London.
|
1
|
1%
|
0
|
0%
|
|
34
|
Beeny Cliff
|
1
|
1%
|
0
|
0%
|
|
35
|
Before And After Summer
|
1
|
1%
|
0
|
0%
|
|
36
|
Bereft, She Thinks She Dreams
|
1
|
1%
|
0
|
0%
|
|
37
|
Between Us Now
|
2
|
3%
|
0
|
0%
|
|
38
|
Birds at Winter Nightfall (Triolet)
|
1
|
1%
|
0
|
0%
|
|
39
|
Cardinal Bembo's Epitaph on Raphael
|
2
|
3%
|
0
|
0%
|
|
40
|
Channel Firing
|
2
|
3%
|
0
|
0%
|
|
41
|
Convergence Of The Twain
|
2
|
3%
|
0
|
0%
|
|
42
|
Departure.
|
2
|
3%
|
0
|
0%
|
|
43
|
Drummer Hodge
|
28
|
51%
|
0
|
0%
|
|
44
|
During Wind and Rain
|
1
|
1%
|
0
|
0%
|
|
45
|
Fragment
|
1
|
1%
|
0
|
0%
|
|
46
|
Friends Beyond
|
1
|
1%
|
0
|
0%
|
|
47
|
From: Men Who March Away
|
1
|
1%
|
0
|
0%
|
|
48
|
God-Forgotten
|
4
|
7%
|
0
|
0%
|
|
49
|
God's Funeral
|
5
|
9%
|
0
|
0%
|
|
50
|
Going And Staying
|
2
|
3%
|
0
|
0%
|
|
51
|
Had You Wept
|
1
|
1%
|
0
|
0%
|
|
52
|
Hap
|
8
|
14%
|
0
|
0%
|
|
53
|
He Never Expected Much
|
1
|
1%
|
0
|
0%
|
|
54
|
Her Death And After
|
2
|
3%
|
0
|
0%
|
|
55
|
Her Dilemma
|
1
|
1%
|
0
|
0%
|
|
56
|
Her Immortality
|
1
|
1%
|
0
|
0%
|
|
57
|
Her Initals
|
1
|
1%
|
0
|
0%
|
|
58
|
Her Initials
|
3
|
5%
|
0
|
0%
|
|
59
|
Her Reproach
|
1
|
1%
|
0
|
0%
|
|
60
|
Her Secret
|
1
|
1%
|
0
|
0%
|
|
61
|
Her Song
|
1
|
1%
|
0
|
0%
|
|
62
|
Heredity
|
2
|
3%
|
0
|
0%
|
|
63
|
His Visitor
|
1
|
1%
|
0
|
0%
|
|
64
|
I Look Into My Glass
|
2
|
3%
|
0
|
0%
|
|
65
|
I Need Not Go
|
1
|
1%
|
0
|
0%
|
|
66
|
In a Museum
|
1
|
1%
|
0
|
0%
|
|
67
|
In a Wood
|
1
|
1%
|
0
|
0%
|
|
68
|
In Tenebris
|
3
|
5%
|
0
|
0%
|
|
69
|
In The Moonlight
|
1
|
1%
|
0
|
0%
|
|
70
|
In The Old Theatre, Fiesole.
|
1
|
1%
|
0
|
0%
|
|
71
|
In Time of 'The Breaking of Nations'
|
12
|
22%
|
0
|
0%
|
|
72
|
Lament
|
1
|
1%
|
0
|
0%
|
|
73
|
Last Words to a Dumb Friend
|
4
|
7%
|
0
|
0%
|
|
74
|
Lines On The Loss Of The "Titanic"
|
1
|
1%
|
0
|
0%
|
|
75
|
Men Who March Away
|
3
|
5%
|
0
|
0%
|
|
76
|
Moments of Vision
|
1
|
1%
|
0
|
0%
|
|
77
|
Nature's Questioning
|
2
|
3%
|
0
|
0%
|
|
78
|
Near Lanivet 1872
|
1
|
1%
|
0
|
0%
|
|
79
|
Neutral Tones
|
1
|
1%
|
0
|
0%
|
|
80
|
On a Fine Morning
|
1
|
1%
|
0
|
0%
|
|
81
|
Places
|
1
|
1%
|
0
|
0%
|
|
82
|
Postponement
|
1
|
1%
|
0
|
0%
|
|
83
|
Revulsion
|
2
|
3%
|
0
|
0%
|
|
84
|
Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
|
1
|
1%
|
0
|
0%
|
|
85
|
She At His Funeral
|
2
|
3%
|
0
|
0%
|
|
86
|
She Hears The Storm
|
1
|
1%
|
0
|
0%
|
|
87
|
She, at His Funeral
|
1
|
1%
|
0
|
0%
|
|
88
|
She, To Him
|
1
|
1%
|
0
|
0%
|
|
89
|
She, To Him III
|
1
|
1%
|
0
|
0%
|
|
90
|
She, To Him IV
|
1
|
1%
|
0
|
0%
|
|
91
|
She, to Him, II
|
1
|
1%
|
0
|
0%
|
|
92
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
1
|
1%
|
0
|
0%
|
|
93
|
Shelley's Skylark.
|
1
|
1%
|
0
|
0%
|
|
94
|
Song of Hope
|
2
|
3%
|
0
|
0%
|
|
95
|
Song of the Soldiers
|
1
|
1%
|
0
|
0%
|
|
96
|
Song of the Soldier's Wifes.
|
1
|
1%
|
0
|
0%
|
|
97
|
Tess's Lament
|
2
|
3%
|
0
|
0%
|
|
98
|
The Alarm
|
1
|
1%
|
0
|
0%
|
|
99
|
The Colonel's Solilquy.
|
1
|
1%
|
0
|
0%
|
|
100
|
The Convergence Of The Twain
|
3
|
5%
|
0
|
0%
|
|
101
|
The Curtains Now Are Drawn
|
1
|
1%
|
0
|
0%
|
|
102
|
The Darkling Thrush
|
6
|
11%
|
0
|
0%
|
|
103
|
The Dead Drummer
|
1
|
1%
|
0
|
0%
|
|
104
|
The Dead Man Walking
|
2
|
3%
|
0
|
0%
|
|
105
|
The Elopement
|
1
|
1%
|
0
|
0%
|
|
106
|
The Garden Seat
|
1
|
1%
|
0
|
0%
|
|
107
|
The Ghost of the Past
|
3
|
5%
|
0
|
0%
|
|
108
|
The Going
|
3
|
5%
|
0
|
0%
|
|
109
|
The Going of the Battery Wives. (Lament)
|
1
|
1%
|
0
|
0%
|
|
110
|
The Man He Killed
|
32
|
59%
|
0
|
0%
|
|
111
|
The Moon Looks In
|
1
|
1%
|
0
|
0%
|
|
112
|
The Mother Mourns
|
1
|
1%
|
0
|
0%
|
|
113
|
The Night Of Trafalgar
|
1
|
1%
|
0
|
0%
|
|
114
|
The Oxen
|
2
|
3%
|
0
|
0%
|
|
115
|
The Puzzled Game-Birds (Triolet)
|
2
|
3%
|
0
|
0%
|
|
116
|
The Recalcitrants
|
1
|
1%
|
0
|
0%
|
|
117
|
The Ruined Maid
|
1
|
1%
|
0
|
0%
|
|
118
|
The Sacrilege: (A Ballad-Tragedy)
|
1
|
1%
|
0
|
0%
|
|
119
|
The Self-Unseeing
|
1
|
1%
|
0
|
0%
|
|
120
|
The Sergeant's Song
|
2
|
3%
|
0
|
0%
|
|
121
|
The Sick God
|
1
|
1%
|
0
|
0%
|
|
122
|
The Souls of the Slain
|
1
|
1%
|
0
|
0%
|
|
123
|
The Stranger's Song
|
1
|
1%
|
0
|
0%
|
|
124
|
The Subalterns
|
1
|
1%
|
0
|
0%
|
|
125
|
The Sun on the Bookcase
|
1
|
1%
|
0
|
0%
|
|
126
|
The Telegram
|
1
|
1%
|
0
|
0%
|
|
127
|
The Two Men
|
1
|
1%
|
0
|
0%
|
|
128
|
The Two Soldiers
|
2
|
3%
|
0
|
0%
|
|
129
|
The Voice
|
2
|
3%
|
0
|
0%
|
|
130
|
The Voice
|
2
|
3%
|
0
|
0%
|
|
131
|
The Walk
|
2
|
3%
|
0
|
0%
|
|
132
|
The Well-Beloved
|
1
|
1%
|
0
|
0%
|
|
133
|
The Woman In The Rye
|
1
|
1%
|
0
|
0%
|
|
134
|
The Workbox
|
3
|
5%
|
0
|
0%
|
|
135
|
The Year's Awakening
|
2
|
3%
|
0
|
0%
|
|
136
|
To A Lady
|
2
|
3%
|
0
|
0%
|
|
137
|
Under the Waterfall
|
6
|
11%
|
0
|
0%
|
|
138
|
Weathers
|
12
|
22%
|
0
|
0%
|
|
139
|
Welcome Home
|
1
|
1%
|
0
|
0%
|
|
140
|
Your Last Drive
|
1
|
1%
|
0
|
0%
|
|
Total |
518 |
|
0 |
|
|
Average |
3.7 |
|
0.0 |
|
Descriptions:
-
Hits: Number of visitors who read the poem on the given date.
-
Posts: Number of visitors who posted the poem to a friend (via e-mail) on the given date.
Attention:
-
Poems submitted after Sep 17, 2011 are not shown on the list.
-
Dates, poems and poets that have β0β hits may not be shown on the list. Statistics are generated daily.