|
1
|
"Between Us Now"
|
54
|
96%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
32
|
57%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
21
|
37%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
51
|
91%
|
0
|
0%
|
|
5
|
[Greek Title]
|
7
|
12%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
42
|
75%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
9
|
16%
|
0
|
0%
|
|
8
|
A Commonplace Day
|
4
|
7%
|
0
|
0%
|
|
9
|
A Confession To A Friend in Trouble
|
6
|
10%
|
0
|
0%
|
|
10
|
A Death-Day Recalled
|
2
|
3%
|
0
|
0%
|
|
11
|
A Dream Or No
|
2
|
3%
|
0
|
0%
|
|
12
|
A King's Soliloquy [On the Night of His Funeral]
|
3
|
5%
|
0
|
0%
|
|
13
|
A Man (In Memory of H. of M.)
|
1
|
1%
|
0
|
0%
|
|
14
|
A Meeting With Despair
|
3
|
5%
|
0
|
0%
|
|
15
|
A Poet
|
5
|
8%
|
0
|
0%
|
|
16
|
A Sign-Seeker
|
3
|
5%
|
0
|
0%
|
|
17
|
A Spot
|
2
|
3%
|
0
|
0%
|
|
18
|
A Thunderstorm in Town
|
9
|
16%
|
0
|
0%
|
|
19
|
A Wife in London (December, 1899)
|
12
|
21%
|
0
|
0%
|
|
20
|
A Woman's Fancy
|
1
|
1%
|
0
|
0%
|
|
21
|
After A Journey
|
10
|
17%
|
0
|
0%
|
|
22
|
Afterwards
|
26
|
46%
|
0
|
0%
|
|
23
|
Ah, Are You Digging on My Grave?
|
1
|
1%
|
0
|
0%
|
|
24
|
An August Midnight
|
1
|
1%
|
0
|
0%
|
|
25
|
An Autumn Rain-Scene
|
1
|
1%
|
0
|
0%
|
|
26
|
At Day-Close In November
|
1
|
1%
|
0
|
0%
|
|
27
|
At a Hasty Wedding
|
1
|
1%
|
0
|
0%
|
|
28
|
At An Inn
|
4
|
7%
|
0
|
0%
|
|
29
|
At Castle Boterel
|
22
|
39%
|
0
|
0%
|
|
30
|
At Lulworth Cove a Century Back
|
1
|
1%
|
0
|
0%
|
|
31
|
At Moonrise And Onwards
|
4
|
7%
|
0
|
0%
|
|
32
|
At the Railway Station, Upways
|
1
|
1%
|
0
|
0%
|
|
33
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
1
|
1%
|
0
|
0%
|
|
34
|
At the War Office, London.
|
2
|
3%
|
0
|
0%
|
|
35
|
Beeny Cliff
|
2
|
3%
|
0
|
0%
|
|
36
|
Bereft, She Thinks She Dreams
|
2
|
3%
|
0
|
0%
|
|
37
|
Between Us Now
|
1
|
1%
|
0
|
0%
|
|
38
|
Birds at Winter Nightfall (Triolet)
|
3
|
5%
|
0
|
0%
|
|
39
|
By the Earth's Corpse
|
1
|
1%
|
0
|
0%
|
|
40
|
Channel Firing
|
3
|
5%
|
0
|
0%
|
|
41
|
Convergence Of The Twain
|
2
|
3%
|
0
|
0%
|
|
42
|
De Profundis
|
5
|
8%
|
0
|
0%
|
|
43
|
Departure.
|
1
|
1%
|
0
|
0%
|
|
44
|
Domicilium
|
1
|
1%
|
0
|
0%
|
|
45
|
Drummer Hodge
|
30
|
53%
|
0
|
0%
|
|
46
|
During Wind and Rain
|
4
|
7%
|
0
|
0%
|
|
47
|
Embarcation
|
2
|
3%
|
0
|
0%
|
|
48
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
1%
|
0
|
0%
|
|
49
|
Epeisodia
|
1
|
1%
|
0
|
0%
|
|
50
|
Epitaph on a pessimist
|
3
|
5%
|
0
|
0%
|
|
51
|
Exeunt Omnes
|
1
|
1%
|
0
|
0%
|
|
52
|
Faintheart In A Railway Train
|
2
|
3%
|
0
|
0%
|
|
53
|
Fragment
|
1
|
1%
|
0
|
0%
|
|
54
|
Friends Beyond
|
2
|
3%
|
0
|
0%
|
|
55
|
From Victor Hugo
|
1
|
1%
|
0
|
0%
|
|
56
|
From: Men Who March Away
|
2
|
3%
|
0
|
0%
|
|
57
|
Genoa and the Mediterranean (March, 1887)
|
1
|
1%
|
0
|
0%
|
|
58
|
Genoa and the Mediterranean.
|
1
|
1%
|
0
|
0%
|
|
59
|
George Meredith
|
1
|
1%
|
0
|
0%
|
|
60
|
God-Forgotten
|
3
|
5%
|
0
|
0%
|
|
61
|
God's Funeral
|
5
|
8%
|
0
|
0%
|
|
62
|
Going And Staying
|
2
|
3%
|
0
|
0%
|
|
63
|
Had You Wept
|
1
|
1%
|
0
|
0%
|
|
64
|
Hap
|
27
|
48%
|
0
|
0%
|
|
65
|
He Never Expected Much
|
2
|
3%
|
0
|
0%
|
|
66
|
Heiress And Architect
|
1
|
1%
|
0
|
0%
|
|
67
|
Her Death And After
|
2
|
3%
|
0
|
0%
|
|
68
|
Her Dilemma
|
2
|
3%
|
0
|
0%
|
|
69
|
Her Immortality
|
1
|
1%
|
0
|
0%
|
|
70
|
Her Initals
|
1
|
1%
|
0
|
0%
|
|
71
|
Her Initials
|
2
|
3%
|
0
|
0%
|
|
72
|
Her Late Husband (King's-Hintock, 182-.)
|
1
|
1%
|
0
|
0%
|
|
73
|
Her Reproach
|
1
|
1%
|
0
|
0%
|
|
74
|
Her Secret
|
1
|
1%
|
0
|
0%
|
|
75
|
Her Song
|
2
|
3%
|
0
|
0%
|
|
76
|
Heredity
|
5
|
8%
|
0
|
0%
|
|
77
|
His Immortality
|
1
|
1%
|
0
|
0%
|
|
78
|
His Visitor
|
1
|
1%
|
0
|
0%
|
|
79
|
How She Went To Ireland
|
1
|
1%
|
0
|
0%
|
|
80
|
I Found Her Out There
|
1
|
1%
|
0
|
0%
|
|
81
|
I have lived with Shades
|
1
|
1%
|
0
|
0%
|
|
82
|
I Look Into My Glass
|
9
|
16%
|
0
|
0%
|
|
83
|
I Need Not Go
|
7
|
12%
|
0
|
0%
|
|
84
|
I Rose Up As My Custom Is
|
1
|
1%
|
0
|
0%
|
|
85
|
I Said to Love.
|
1
|
1%
|
0
|
0%
|
|
86
|
I Sometimes Think
|
1
|
1%
|
0
|
0%
|
|
87
|
I Was Not He
|
1
|
1%
|
0
|
0%
|
|
88
|
In A Eweleaze Near Weatherbury
|
1
|
1%
|
0
|
0%
|
|
89
|
In a Museum
|
1
|
1%
|
0
|
0%
|
|
90
|
In a Wood
|
2
|
3%
|
0
|
0%
|
|
91
|
In A Wook
|
1
|
1%
|
0
|
0%
|
|
92
|
In Front Of The Landscape
|
1
|
1%
|
0
|
0%
|
|
93
|
In Tenebris
|
11
|
19%
|
0
|
0%
|
|
94
|
In The British Museum
|
3
|
5%
|
0
|
0%
|
|
95
|
In The Days Of Crinoline
|
1
|
1%
|
0
|
0%
|
|
96
|
In The Moonlight
|
2
|
3%
|
0
|
0%
|
|
97
|
In the Old Theatre, Fiesole (April, 1887)
|
2
|
3%
|
0
|
0%
|
|
98
|
In The Old Theatre, Fiesole.
|
1
|
1%
|
0
|
0%
|
|
99
|
In The Servants' Quarters
|
1
|
1%
|
0
|
0%
|
|
100
|
In The Vaulted Way
|
1
|
1%
|
0
|
0%
|
|
101
|
In Time Of
|
2
|
3%
|
0
|
0%
|
|
102
|
In Time of 'The Breaking of Nations'
|
19
|
33%
|
0
|
0%
|
|
103
|
In Vision I Roamed
|
1
|
1%
|
0
|
0%
|
|
104
|
Jezreel
|
1
|
1%
|
0
|
0%
|
|
105
|
Lament
|
2
|
3%
|
0
|
0%
|
|
106
|
Last Words to a Dumb Friend
|
1
|
1%
|
0
|
0%
|
|
107
|
Lines On The Loss Of The "Titanic"
|
2
|
3%
|
0
|
0%
|
|
108
|
Men Who March Away
|
1
|
1%
|
0
|
0%
|
|
109
|
Midnight on the Great Western
|
1
|
1%
|
0
|
0%
|
|
110
|
Moments of Vision
|
5
|
8%
|
0
|
0%
|
|
111
|
Mute Opinion
|
2
|
3%
|
0
|
0%
|
|
112
|
Nature's Questioning
|
6
|
10%
|
0
|
0%
|
|
113
|
Neutral Tones
|
3
|
5%
|
0
|
0%
|
|
114
|
Night in the Old Home
|
1
|
1%
|
0
|
0%
|
|
115
|
No Buyers
|
2
|
3%
|
0
|
0%
|
|
116
|
On a Fine Morning
|
3
|
5%
|
0
|
0%
|
|
117
|
On an Invitation to the United States.
|
2
|
3%
|
0
|
0%
|
|
118
|
Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)
|
1
|
1%
|
0
|
0%
|
|
119
|
Rome: Building a New Street in the Ancient Quarter (April, 1887)
|
1
|
1%
|
0
|
0%
|
|
120
|
Rome: Building a New Street in the Ancient Quarter.
|
1
|
1%
|
0
|
0%
|
|
121
|
Rome: On the Palatine.
|
1
|
1%
|
0
|
0%
|
|
122
|
Rome: The Vatican--Sala Delle Muse (1887)
|
1
|
1%
|
0
|
0%
|
|
123
|
Sapphic Fragment
|
1
|
1%
|
0
|
0%
|
|
124
|
Seventy-Four And Twenty
|
1
|
1%
|
0
|
0%
|
|
125
|
She Charged Me
|
1
|
1%
|
0
|
0%
|
|
126
|
She, at His Funeral
|
1
|
1%
|
0
|
0%
|
|
127
|
Shelley's Skylark.
|
7
|
12%
|
0
|
0%
|
|
128
|
The Burghers
|
1
|
1%
|
0
|
0%
|
|
129
|
The Caged Thrush Freed and Home Again (Villanelle)
|
1
|
1%
|
0
|
0%
|
|
130
|
The Darkling Thrush
|
4
|
7%
|
0
|
0%
|
|
131
|
The Dead Drummer
|
2
|
3%
|
0
|
0%
|
|
132
|
The Death Of Regret
|
1
|
1%
|
0
|
0%
|
|
133
|
The Difference
|
1
|
1%
|
0
|
0%
|
|
134
|
The Going
|
5
|
8%
|
0
|
0%
|
|
135
|
The House of Hospitalities
|
1
|
1%
|
0
|
0%
|
|
136
|
The Impercipient
|
2
|
3%
|
0
|
0%
|
|
137
|
The Man He Killed
|
56
|
100%
|
0
|
0%
|
|
138
|
The Masked Face
|
1
|
1%
|
0
|
0%
|
|
139
|
The Milkmaid
|
4
|
7%
|
0
|
0%
|
|
140
|
The Moth-Signal (On Egdon Heath)
|
18
|
32%
|
0
|
0%
|
|
141
|
The Oxen
|
3
|
5%
|
0
|
0%
|
|
142
|
The Problem
|
1
|
1%
|
0
|
0%
|
|
143
|
The Puzzled Game-Birds (Triolet)
|
1
|
1%
|
0
|
0%
|
|
144
|
The Recalcitrants
|
1
|
1%
|
0
|
0%
|
|
145
|
The Ruined Maid
|
2
|
3%
|
0
|
0%
|
|
146
|
The Seasons of Her Year
|
2
|
3%
|
0
|
0%
|
|
147
|
The Selfsame Song
|
1
|
1%
|
0
|
0%
|
|
148
|
The Self-Unseeing
|
12
|
21%
|
0
|
0%
|
|
149
|
The Subalterns
|
2
|
3%
|
0
|
0%
|
|
150
|
The Two Men
|
1
|
1%
|
0
|
0%
|
|
151
|
The Voice
|
1
|
1%
|
0
|
0%
|
|
152
|
The Voice
|
1
|
1%
|
0
|
0%
|
|
153
|
The Walk
|
1
|
1%
|
0
|
0%
|
|
154
|
Thoughts of Phena
|
1
|
1%
|
0
|
0%
|
|
155
|
To A Lady
|
1
|
1%
|
0
|
0%
|
|
156
|
To An Orphan Child
|
1
|
1%
|
0
|
0%
|
|
157
|
To an Unborn Pauper Child
|
1
|
1%
|
0
|
0%
|
|
158
|
To Lizbie Browne
|
1
|
1%
|
0
|
0%
|
|
159
|
Transformations
|
3
|
5%
|
0
|
0%
|
|
160
|
Under the Waterfall
|
5
|
8%
|
0
|
0%
|
|
161
|
Unknowing
|
2
|
3%
|
0
|
0%
|
|
162
|
Weathers
|
9
|
16%
|
0
|
0%
|
|
163
|
Without Ceremony
|
1
|
1%
|
0
|
0%
|
|
164
|
Your Last Drive
|
4
|
7%
|
0
|
0%
|
|
165
|
Zermatt to the Matterhorn.
|
1
|
1%
|
0
|
0%
|