|
1
|
"Between Us Now"
|
17
|
70%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
7
|
29%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
6
|
25%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
16
|
66%
|
0
|
0%
|
|
5
|
[Greek Title]
|
1
|
4%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
18
|
75%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
1
|
4%
|
0
|
0%
|
|
8
|
A Circular
|
5
|
20%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
3
|
12%
|
0
|
0%
|
|
10
|
A Death-Day Recalled
|
2
|
8%
|
0
|
0%
|
|
11
|
A Dream Or No
|
2
|
8%
|
0
|
0%
|
|
12
|
A Jog-Trot Pair
|
1
|
4%
|
0
|
0%
|
|
13
|
A King's Soliloquy [On the Night of His Funeral]
|
1
|
4%
|
0
|
0%
|
|
14
|
A Man (In Memory of H. of M.)
|
1
|
4%
|
0
|
0%
|
|
15
|
A Meeting With Despair
|
1
|
4%
|
0
|
0%
|
|
16
|
A Thunderstorm in Town
|
1
|
4%
|
0
|
0%
|
|
17
|
A Wife in London (December, 1899)
|
2
|
8%
|
0
|
0%
|
|
18
|
A Woman's Fancy
|
2
|
8%
|
0
|
0%
|
|
19
|
After A Journey
|
2
|
8%
|
0
|
0%
|
|
20
|
Afterwards
|
16
|
66%
|
0
|
0%
|
|
21
|
Ah, Are You Digging on My Grave?
|
1
|
4%
|
0
|
0%
|
|
22
|
An August Midnight
|
2
|
8%
|
0
|
0%
|
|
23
|
An Autumn Rain-Scene
|
3
|
12%
|
0
|
0%
|
|
24
|
At Day-Close In November
|
2
|
8%
|
0
|
0%
|
|
25
|
At a Hasty Wedding
|
3
|
12%
|
0
|
0%
|
|
26
|
At An Inn
|
1
|
4%
|
0
|
0%
|
|
27
|
At Castle Boterel
|
2
|
8%
|
0
|
0%
|
|
28
|
At Moonrise And Onwards
|
1
|
4%
|
0
|
0%
|
|
29
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
1
|
4%
|
0
|
0%
|
|
30
|
Before And After Summer
|
1
|
4%
|
0
|
0%
|
|
31
|
Between Us Now
|
1
|
4%
|
0
|
0%
|
|
32
|
By the Earth's Corpse
|
1
|
4%
|
0
|
0%
|
|
33
|
Convergence Of The Twain
|
3
|
12%
|
0
|
0%
|
|
34
|
Departure.
|
1
|
4%
|
0
|
0%
|
|
35
|
Domicilium
|
3
|
12%
|
0
|
0%
|
|
36
|
Drummer Hodge
|
24
|
100%
|
0
|
0%
|
|
37
|
During Wind and Rain
|
1
|
4%
|
0
|
0%
|
|
38
|
Epitaph on a pessimist
|
1
|
4%
|
0
|
0%
|
|
39
|
Friends Beyond
|
5
|
20%
|
0
|
0%
|
|
40
|
God's Funeral
|
6
|
25%
|
0
|
0%
|
|
41
|
Hap
|
16
|
66%
|
0
|
0%
|
|
42
|
He Never Expected Much
|
3
|
12%
|
0
|
0%
|
|
43
|
Her Immortality
|
4
|
16%
|
0
|
0%
|
|
44
|
Her Initials
|
1
|
4%
|
0
|
0%
|
|
45
|
Heredity
|
1
|
4%
|
0
|
0%
|
|
46
|
I Look Into My Glass
|
9
|
37%
|
0
|
0%
|
|
47
|
I Need Not Go
|
3
|
12%
|
0
|
0%
|
|
48
|
I said to Love
|
3
|
12%
|
0
|
0%
|
|
49
|
In Front Of The Landscape
|
1
|
4%
|
0
|
0%
|
|
50
|
In Tenebris
|
4
|
16%
|
0
|
0%
|
|
51
|
In The Moonlight
|
2
|
8%
|
0
|
0%
|
|
52
|
In Time of 'The Breaking of Nations'
|
8
|
33%
|
0
|
0%
|
|
53
|
Jezreel
|
1
|
4%
|
0
|
0%
|
|
54
|
Leipzig
|
1
|
4%
|
0
|
0%
|
|
55
|
Let Me Enjoy
|
1
|
4%
|
0
|
0%
|
|
56
|
Lines
|
1
|
4%
|
0
|
0%
|
|
57
|
Lines On The Loss Of The "Titanic"
|
5
|
20%
|
0
|
0%
|
|
58
|
Long Plighted
|
1
|
4%
|
0
|
0%
|
|
59
|
Mad Judy
|
1
|
4%
|
0
|
0%
|
|
60
|
Men Who March Away
|
3
|
12%
|
0
|
0%
|
|
61
|
Middle-Age Enthusiasms
|
1
|
4%
|
0
|
0%
|
|
62
|
Midnight on the Great Western
|
1
|
4%
|
0
|
0%
|
|
63
|
Mismet
|
1
|
4%
|
0
|
0%
|
|
64
|
Moments of Vision
|
3
|
12%
|
0
|
0%
|
|
65
|
Mute Opinion
|
1
|
4%
|
0
|
0%
|
|
66
|
My Cicely
|
1
|
4%
|
0
|
0%
|
|
67
|
My spirit will not haunt the mound
|
2
|
8%
|
0
|
0%
|
|
68
|
Nature's Questioning
|
3
|
12%
|
0
|
0%
|
|
69
|
Near Lanivet 1872
|
1
|
4%
|
0
|
0%
|
|
70
|
Neutral Tones
|
5
|
20%
|
0
|
0%
|
|
71
|
Night in the Old Home
|
2
|
8%
|
0
|
0%
|
|
72
|
No Buyers
|
1
|
4%
|
0
|
0%
|
|
73
|
On a Fine Morning
|
1
|
4%
|
0
|
0%
|
|
74
|
On an Invitation to the United States.
|
1
|
4%
|
0
|
0%
|
|
75
|
Places
|
3
|
12%
|
0
|
0%
|
|
76
|
Postponement
|
1
|
4%
|
0
|
0%
|
|
77
|
Revulsion
|
1
|
4%
|
0
|
0%
|
|
78
|
Rom: On the Palatine (April, 1887)
|
1
|
4%
|
0
|
0%
|
|
79
|
Rome at the Pyramid of Cestius Near the Graves of Shelley and Keats (1887)
|
1
|
4%
|
0
|
0%
|
|
80
|
Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
|
1
|
4%
|
0
|
0%
|
|
81
|
Rome: Building a New Street in the Ancient Quarter (April, 1887)
|
1
|
4%
|
0
|
0%
|
|
82
|
Rome: Building a New Street in the Ancient Quarter.
|
1
|
4%
|
0
|
0%
|
|
83
|
Rome: On the Palatine.
|
1
|
4%
|
0
|
0%
|
|
84
|
Rome: The Vatican--Sala Delle Muse (1887)
|
1
|
4%
|
0
|
0%
|
|
85
|
San Sebastian
|
1
|
4%
|
0
|
0%
|
|
86
|
Sapphic Fragment
|
1
|
4%
|
0
|
0%
|
|
87
|
Satires of Circumstance in Fifteen Glimpses VIII: In the St
|
1
|
4%
|
0
|
0%
|
|
88
|
Seen By The Waits
|
1
|
4%
|
0
|
0%
|
|
89
|
Self- Unconscious
|
2
|
8%
|
0
|
0%
|
|
90
|
Seventy-Four And Twenty
|
1
|
4%
|
0
|
0%
|
|
91
|
She At His Funeral
|
1
|
4%
|
0
|
0%
|
|
92
|
She Charged Me
|
1
|
4%
|
0
|
0%
|
|
93
|
She Hears the Storm
|
1
|
4%
|
0
|
0%
|
|
94
|
She Hears The Storm
|
1
|
4%
|
0
|
0%
|
|
95
|
She, at His Funeral
|
1
|
4%
|
0
|
0%
|
|
96
|
She, To Him
|
1
|
4%
|
0
|
0%
|
|
97
|
She, To Him III
|
1
|
4%
|
0
|
0%
|
|
98
|
She, To Him IV
|
1
|
4%
|
0
|
0%
|
|
99
|
She, to Him, I
|
1
|
4%
|
0
|
0%
|
|
100
|
She, to Him, II
|
1
|
4%
|
0
|
0%
|
|
101
|
She, To Him, II
|
1
|
4%
|
0
|
0%
|
|
102
|
She, to Him, III
|
1
|
4%
|
0
|
0%
|
|
103
|
She, to Him, IV
|
1
|
4%
|
0
|
0%
|
|
104
|
Shelley's Skylark (The neighbourhood of Leghorn: March, 1887)
|
1
|
4%
|
0
|
0%
|
|
105
|
Shelley's Skylark.
|
5
|
20%
|
0
|
0%
|
|
106
|
Song From Heine
|
1
|
4%
|
0
|
0%
|
|
107
|
Song of Hope
|
2
|
8%
|
0
|
0%
|
|
108
|
Song of the Soldiers
|
2
|
8%
|
0
|
0%
|
|
109
|
Song of the Soldier's Wifes.
|
3
|
12%
|
0
|
0%
|
|
110
|
The Bridge of Lodi (Spring, 1887)
|
1
|
4%
|
0
|
0%
|
|
111
|
The Cave of the Unborn
|
3
|
12%
|
0
|
0%
|
|
112
|
The Convergence Of The Twain
|
2
|
8%
|
0
|
0%
|
|
113
|
The Darkling Thrush
|
5
|
20%
|
0
|
0%
|
|
114
|
The Dead Drummer
|
4
|
16%
|
0
|
0%
|
|
115
|
The Farm Woman's Winter
|
1
|
4%
|
0
|
0%
|
|
116
|
The Fire at Tranter Sweatley's
|
1
|
4%
|
0
|
0%
|
|
117
|
The Going
|
1
|
4%
|
0
|
0%
|
|
118
|
The House of Hospitalities
|
1
|
4%
|
0
|
0%
|
|
119
|
The Jubilee Of A Magazine:(To The Editor)
|
2
|
8%
|
0
|
0%
|
|
120
|
The Man He Killed
|
22
|
91%
|
0
|
0%
|
|
121
|
The Moon Looks In
|
1
|
4%
|
0
|
0%
|
|
122
|
The Moth-Signal (On Egdon Heath)
|
1
|
4%
|
0
|
0%
|
|
123
|
The Oxen
|
5
|
20%
|
0
|
0%
|
|
124
|
The Puzzled Game-Birds (Triolet)
|
1
|
4%
|
0
|
0%
|
|
125
|
The Rambler
|
1
|
4%
|
0
|
0%
|
|
126
|
The Self-Unseeing
|
1
|
4%
|
0
|
0%
|
|
127
|
The Walk
|
1
|
4%
|
0
|
0%
|
|
128
|
The Woman In The Rye
|
1
|
4%
|
0
|
0%
|
|
129
|
The Workbox
|
1
|
4%
|
0
|
0%
|
|
130
|
To an Unborn Pauper Child
|
1
|
4%
|
0
|
0%
|
|
131
|
To Life
|
2
|
8%
|
0
|
0%
|
|
132
|
To Outer Nature
|
1
|
4%
|
0
|
0%
|
|
133
|
Under the Waterfall
|
2
|
8%
|
0
|
0%
|
|
134
|
Unknowing
|
1
|
4%
|
0
|
0%
|
|
135
|
V.R. 1819-1901 (A Reverie.)
|
1
|
4%
|
0
|
0%
|
|
136
|
V.R. 1819-1901, A Reverie
|
1
|
4%
|
0
|
0%
|
|
137
|
Weathers
|
5
|
20%
|
0
|
0%
|
|
138
|
Welcome Home
|
1
|
4%
|
0
|
0%
|
|
139
|
Your Last Drive
|
7
|
29%
|
0
|
0%
|