|
1
|
"Between Us Now"
|
20
|
71%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
23
|
82%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
10
|
35%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
15
|
53%
|
0
|
0%
|
|
5
|
[Greek Title]
|
2
|
7%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
28
|
100%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
12
|
42%
|
0
|
0%
|
|
8
|
A Christmas Ghost-Story
|
11
|
39%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
8
|
28%
|
0
|
0%
|
|
10
|
A Commonplace Day.
|
10
|
35%
|
0
|
0%
|
|
11
|
A Confession To A Friend in Trouble
|
11
|
39%
|
0
|
0%
|
|
12
|
A Man (In Memory of H. of M.)
|
7
|
25%
|
0
|
0%
|
|
13
|
A Meeting With Despair
|
11
|
39%
|
0
|
0%
|
|
14
|
A Sign-Seeker
|
4
|
14%
|
0
|
0%
|
|
15
|
A Spot
|
6
|
21%
|
0
|
0%
|
|
16
|
A Thunderstorm in Town
|
8
|
28%
|
0
|
0%
|
|
17
|
A Wasted Illness
|
9
|
32%
|
0
|
0%
|
|
18
|
A Wife in London (December, 1899)
|
3
|
10%
|
0
|
0%
|
|
19
|
Additions
|
3
|
10%
|
0
|
0%
|
|
20
|
Afterwards
|
5
|
17%
|
0
|
0%
|
|
21
|
Ah, Are You Digging on My Grave?
|
4
|
14%
|
0
|
0%
|
|
22
|
Amabel
|
2
|
7%
|
0
|
0%
|
|
23
|
An Ancient to Ancients
|
1
|
3%
|
0
|
0%
|
|
24
|
An August Midnight
|
4
|
14%
|
0
|
0%
|
|
25
|
An Autumn Rain-Scene
|
4
|
14%
|
0
|
0%
|
|
26
|
At a Hasty Wedding
|
4
|
14%
|
0
|
0%
|
|
27
|
At Castle Boterel
|
1
|
3%
|
0
|
0%
|
|
28
|
At Lulworth Cove a Century Back
|
1
|
3%
|
0
|
0%
|
|
29
|
At the Railway Station, Upways
|
3
|
10%
|
0
|
0%
|
|
30
|
Between Us Now
|
6
|
21%
|
0
|
0%
|
|
31
|
Birds at Winter Nightfall (Triolet)
|
3
|
10%
|
0
|
0%
|
|
32
|
By the Earth's Corpse
|
1
|
3%
|
0
|
0%
|
|
33
|
Cardinal Bembo's Epitaph on Raphael
|
6
|
21%
|
0
|
0%
|
|
34
|
Channel Firing
|
3
|
10%
|
0
|
0%
|
|
35
|
Departure.
|
1
|
3%
|
0
|
0%
|
|
36
|
Domicilium
|
1
|
3%
|
0
|
0%
|
|
37
|
Drummer Hodge
|
7
|
25%
|
0
|
0%
|
|
38
|
During Wind and Rain
|
5
|
17%
|
0
|
0%
|
|
39
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
3%
|
0
|
0%
|
|
40
|
Epitaph on a pessimist
|
2
|
7%
|
0
|
0%
|
|
41
|
Friends Beyond
|
5
|
17%
|
0
|
0%
|
|
42
|
From Victor Hugo
|
2
|
7%
|
0
|
0%
|
|
43
|
Genoa and the Mediterranean.
|
1
|
3%
|
0
|
0%
|
|
44
|
God-Forgotten
|
1
|
3%
|
0
|
0%
|
|
45
|
God's Funeral
|
6
|
21%
|
0
|
0%
|
|
46
|
Hap
|
11
|
39%
|
0
|
0%
|
|
47
|
He Never Expected Much
|
1
|
3%
|
0
|
0%
|
|
48
|
Her Death And After
|
1
|
3%
|
0
|
0%
|
|
49
|
Her Dilemma
|
1
|
3%
|
0
|
0%
|
|
50
|
Her Initals
|
1
|
3%
|
0
|
0%
|
|
51
|
Her Late Husband (King's-Hintock, 182-.)
|
1
|
3%
|
0
|
0%
|
|
52
|
Heredity
|
2
|
7%
|
0
|
0%
|
|
53
|
His Immortality
|
1
|
3%
|
0
|
0%
|
|
54
|
I Need Not Go
|
14
|
50%
|
0
|
0%
|
|
55
|
I said to Love
|
4
|
14%
|
0
|
0%
|
|
56
|
I Said to Love.
|
1
|
3%
|
0
|
0%
|
|
57
|
In a Wood
|
3
|
10%
|
0
|
0%
|
|
58
|
In Tenebris
|
4
|
14%
|
0
|
0%
|
|
59
|
In The Moonlight
|
1
|
3%
|
0
|
0%
|
|
60
|
In Time of 'The Breaking of Nations'
|
8
|
28%
|
0
|
0%
|
|
61
|
Lines
|
1
|
3%
|
0
|
0%
|
|
62
|
Lines On The Loss Of The "Titanic"
|
5
|
17%
|
0
|
0%
|
|
63
|
Mad Judy
|
1
|
3%
|
0
|
0%
|
|
64
|
Men Who March Away
|
3
|
10%
|
0
|
0%
|
|
65
|
Middle-Age Enthusiasms
|
1
|
3%
|
0
|
0%
|
|
66
|
Mismet
|
1
|
3%
|
0
|
0%
|
|
67
|
My spirit will not haunt the mound
|
1
|
3%
|
0
|
0%
|
|
68
|
Nature's Questioning
|
1
|
3%
|
0
|
0%
|
|
69
|
Neutral Tones
|
4
|
14%
|
0
|
0%
|
|
70
|
Night in the Old Home
|
1
|
3%
|
0
|
0%
|
|
71
|
No Buyers
|
4
|
14%
|
0
|
0%
|
|
72
|
On a Fine Morning
|
3
|
10%
|
0
|
0%
|
|
73
|
On an Invitation to the United States.
|
3
|
10%
|
0
|
0%
|
|
74
|
Rom: On the Palatine (April, 1887)
|
1
|
3%
|
0
|
0%
|
|
75
|
Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
|
1
|
3%
|
0
|
0%
|
|
76
|
Rome: The Vatican--Sala Delle Muse (1887)
|
1
|
3%
|
0
|
0%
|
|
77
|
Sapphic Fragment
|
1
|
3%
|
0
|
0%
|
|
78
|
She Hears the Storm
|
1
|
3%
|
0
|
0%
|
|
79
|
She, To Him
|
1
|
3%
|
0
|
0%
|
|
80
|
She, To Him IV
|
2
|
7%
|
0
|
0%
|
|
81
|
She, to Him, III
|
1
|
3%
|
0
|
0%
|
|
82
|
Shelley's Skylark.
|
4
|
14%
|
0
|
0%
|
|
83
|
Song of the Soldier's Wifes.
|
2
|
7%
|
0
|
0%
|
|
84
|
The Bullfinches
|
1
|
3%
|
0
|
0%
|
|
85
|
The Burghers
|
2
|
7%
|
0
|
0%
|
|
86
|
The Caged Thrush Freed and Home Again (Villanelle)
|
2
|
7%
|
0
|
0%
|
|
87
|
The Casterbridge Captains
|
1
|
3%
|
0
|
0%
|
|
88
|
The Cave of the Unborn
|
4
|
14%
|
0
|
0%
|
|
89
|
The Comet at Valbury or Yell'ham
|
2
|
7%
|
0
|
0%
|
|
90
|
The Coquette, and After (Triolets)
|
1
|
3%
|
0
|
0%
|
|
91
|
The Dame of Athelhall
|
1
|
3%
|
0
|
0%
|
|
92
|
The Dance At The Phoenix
|
2
|
7%
|
0
|
0%
|
|
93
|
The Darkling Thrush
|
13
|
46%
|
0
|
0%
|
|
94
|
The Dead Drummer
|
1
|
3%
|
0
|
0%
|
|
95
|
The Dead Man Walking
|
1
|
3%
|
0
|
0%
|
|
96
|
The Fire at Tranter Sweatley's
|
1
|
3%
|
0
|
0%
|
|
97
|
The Going
|
6
|
21%
|
0
|
0%
|
|
98
|
The House of Hospitalities
|
2
|
7%
|
0
|
0%
|
|
99
|
The Ivy-Wife
|
2
|
7%
|
0
|
0%
|
|
100
|
The King's Experiment
|
2
|
7%
|
0
|
0%
|
|
101
|
The Lacking Sense Scene.--A sad-coloured landscape, Waddon Vale
|
1
|
3%
|
0
|
0%
|
|
102
|
The Last Chrysanthemum
|
2
|
7%
|
0
|
0%
|
|
103
|
The Levelled Churchyard
|
2
|
7%
|
0
|
0%
|
|
104
|
The Lost Pyx: A Mediaeval Legend
|
1
|
3%
|
0
|
0%
|
|
105
|
The Man He Killed
|
12
|
42%
|
0
|
0%
|
|
106
|
The Masked Face
|
1
|
3%
|
0
|
0%
|
|
107
|
The Milkmaid
|
3
|
10%
|
0
|
0%
|
|
108
|
The Mother Mourns
|
2
|
7%
|
0
|
0%
|
|
109
|
The Oxen
|
2
|
7%
|
0
|
0%
|
|
110
|
The Peasent's Confession
|
1
|
3%
|
0
|
0%
|
|
111
|
The Problem
|
1
|
3%
|
0
|
0%
|
|
112
|
The Rambler
|
1
|
3%
|
0
|
0%
|
|
113
|
The Roman Road
|
2
|
7%
|
0
|
0%
|
|
114
|
The Ruined Maid
|
2
|
7%
|
0
|
0%
|
|
115
|
The Seasons of Her Year
|
3
|
10%
|
0
|
0%
|
|
116
|
The Self-Unseeing
|
5
|
17%
|
0
|
0%
|
|
117
|
The Sergeant's Song
|
2
|
7%
|
0
|
0%
|
|
118
|
The Slow Nature
|
2
|
7%
|
0
|
0%
|
|
119
|
The Souls of the Slain
|
4
|
14%
|
0
|
0%
|
|
120
|
The Subalterns
|
5
|
17%
|
0
|
0%
|
|
121
|
The To-Be-Forgotten
|
3
|
10%
|
0
|
0%
|
|
122
|
The Tree: An Old Man's Story
|
3
|
10%
|
0
|
0%
|
|
123
|
The Voice
|
2
|
7%
|
0
|
0%
|
|
124
|
The Widow
|
4
|
14%
|
0
|
0%
|
|
125
|
To An Orphan Child
|
2
|
7%
|
0
|
0%
|
|
126
|
To an Unborn Pauper Child
|
3
|
10%
|
0
|
0%
|
|
127
|
To Life
|
4
|
14%
|
0
|
0%
|
|
128
|
To Lizbie Browne
|
1
|
3%
|
0
|
0%
|
|
129
|
Under the Waterfall
|
2
|
7%
|
0
|
0%
|
|
130
|
Unknowing
|
5
|
17%
|
0
|
0%
|
|
131
|
Valenciennes
|
1
|
3%
|
0
|
0%
|
|
132
|
Weathers
|
5
|
17%
|
0
|
0%
|
|
133
|
When I Set Out for Lyonnesse
|
1
|
3%
|
0
|
0%
|