|
1
|
"Between Us Now"
|
34
|
73%
|
0
|
0%
|
|
2
|
"How Great My Grief" (Triolet)
|
24
|
52%
|
0
|
0%
|
|
3
|
"I Have Lived With Shades"
|
28
|
60%
|
0
|
0%
|
|
4
|
"I Said to Love"
|
40
|
86%
|
0
|
0%
|
|
5
|
[Greek Title]
|
8
|
17%
|
0
|
0%
|
|
6
|
A Broken Appointment
|
34
|
73%
|
0
|
0%
|
|
7
|
A Christmas Ghost Story.
|
8
|
17%
|
0
|
0%
|
|
8
|
A Circular
|
3
|
6%
|
0
|
0%
|
|
9
|
A Commonplace Day
|
2
|
4%
|
0
|
0%
|
|
10
|
A Confession To A Friend in Trouble
|
3
|
6%
|
0
|
0%
|
|
11
|
A Death-Day Recalled
|
5
|
10%
|
0
|
0%
|
|
12
|
A Dream Or No
|
7
|
15%
|
0
|
0%
|
|
13
|
A Jog-Trot Pair
|
1
|
2%
|
0
|
0%
|
|
14
|
A King's Soliloquy [On the Night of His Funeral]
|
2
|
4%
|
0
|
0%
|
|
15
|
A Meeting With Despair
|
3
|
6%
|
0
|
0%
|
|
16
|
A Poet
|
3
|
6%
|
0
|
0%
|
|
17
|
A Sign-Seeker
|
2
|
4%
|
0
|
0%
|
|
18
|
A Spot
|
4
|
8%
|
0
|
0%
|
|
19
|
A Thunderstorm in Town
|
11
|
23%
|
0
|
0%
|
|
20
|
A Wasted Illness
|
2
|
4%
|
0
|
0%
|
|
21
|
A Week
|
1
|
2%
|
0
|
0%
|
|
22
|
A Wife in London (December, 1899)
|
4
|
8%
|
0
|
0%
|
|
23
|
According to the Mighty Working
|
1
|
2%
|
0
|
0%
|
|
24
|
After A Journey
|
7
|
15%
|
0
|
0%
|
|
25
|
After The Visit
|
2
|
4%
|
0
|
0%
|
|
26
|
Afterwards
|
22
|
47%
|
0
|
0%
|
|
27
|
Ah, Are You Digging on My Grave?
|
5
|
10%
|
0
|
0%
|
|
28
|
An August Midnight
|
1
|
2%
|
0
|
0%
|
|
29
|
An Autumn Rain-Scene
|
1
|
2%
|
0
|
0%
|
|
30
|
At Day-Close In November
|
4
|
8%
|
0
|
0%
|
|
31
|
At A Bridal
|
1
|
2%
|
0
|
0%
|
|
32
|
At a Hasty Wedding
|
1
|
2%
|
0
|
0%
|
|
33
|
At A House In Hampstead Sometime The Dwelling Of John Keats
|
1
|
2%
|
0
|
0%
|
|
34
|
At a Lunar Eclipse
|
1
|
2%
|
0
|
0%
|
|
35
|
At An Inn
|
3
|
6%
|
0
|
0%
|
|
36
|
At Castle Boterel
|
19
|
41%
|
0
|
0%
|
|
37
|
At Moonrise And Onwards
|
1
|
2%
|
0
|
0%
|
|
38
|
At the Railway Station, Upways
|
1
|
2%
|
0
|
0%
|
|
39
|
At the War Office, London.
|
3
|
6%
|
0
|
0%
|
|
40
|
Beeny Cliff
|
2
|
4%
|
0
|
0%
|
|
41
|
Before And After Summer
|
2
|
4%
|
0
|
0%
|
|
42
|
Bereft, She Thinks She Dreams
|
1
|
2%
|
0
|
0%
|
|
43
|
Between Us Now
|
2
|
4%
|
0
|
0%
|
|
44
|
Birds at Winter Nightfall (Triolet)
|
1
|
2%
|
0
|
0%
|
|
45
|
By the Earth's Corpse
|
3
|
6%
|
0
|
0%
|
|
46
|
Channel Firing
|
1
|
2%
|
0
|
0%
|
|
47
|
Convergence Of The Twain
|
3
|
6%
|
0
|
0%
|
|
48
|
Departure.
|
2
|
4%
|
0
|
0%
|
|
49
|
Domicilium
|
2
|
4%
|
0
|
0%
|
|
50
|
Drummer Hodge
|
37
|
80%
|
0
|
0%
|
|
51
|
During Wind and Rain
|
2
|
4%
|
0
|
0%
|
|
52
|
Embarcation
|
1
|
2%
|
0
|
0%
|
|
53
|
Embarcation (Southampton Docks: October, 1899)
|
1
|
2%
|
0
|
0%
|
|
54
|
Epeisodia
|
1
|
2%
|
0
|
0%
|
|
55
|
Epitaph on a pessimist
|
1
|
2%
|
0
|
0%
|
|
56
|
Exeunt Omnes
|
2
|
4%
|
0
|
0%
|
|
57
|
Faintheart In A Railway Train
|
2
|
4%
|
0
|
0%
|
|
58
|
Fragment
|
2
|
4%
|
0
|
0%
|
|
59
|
Friends Beyond
|
3
|
6%
|
0
|
0%
|
|
60
|
From Victor Hugo
|
1
|
2%
|
0
|
0%
|
|
61
|
From: Men Who March Away
|
2
|
4%
|
0
|
0%
|
|
62
|
Genoa and the Mediterranean (March, 1887)
|
1
|
2%
|
0
|
0%
|
|
63
|
Genoa and the Mediterranean.
|
2
|
4%
|
0
|
0%
|
|
64
|
George Meredith
|
1
|
2%
|
0
|
0%
|
|
65
|
God-Forgotten
|
3
|
6%
|
0
|
0%
|
|
66
|
God's Funeral
|
10
|
21%
|
0
|
0%
|
|
67
|
Hap
|
27
|
58%
|
0
|
0%
|
|
68
|
He Never Expected Much
|
2
|
4%
|
0
|
0%
|
|
69
|
Heiress And Architect
|
1
|
2%
|
0
|
0%
|
|
70
|
Her Death And After
|
6
|
13%
|
0
|
0%
|
|
71
|
Her Dilemma
|
1
|
2%
|
0
|
0%
|
|
72
|
Her Immortality
|
2
|
4%
|
0
|
0%
|
|
73
|
Her Initals
|
2
|
4%
|
0
|
0%
|
|
74
|
Her Secret
|
1
|
2%
|
0
|
0%
|
|
75
|
Heredity
|
8
|
17%
|
0
|
0%
|
|
76
|
His Immortality
|
2
|
4%
|
0
|
0%
|
|
77
|
His Visitor
|
1
|
2%
|
0
|
0%
|
|
78
|
How She Went To Ireland
|
3
|
6%
|
0
|
0%
|
|
79
|
I Found Her Out There
|
1
|
2%
|
0
|
0%
|
|
80
|
I have lived with Shades
|
2
|
4%
|
0
|
0%
|
|
81
|
I Look Into My Glass
|
8
|
17%
|
0
|
0%
|
|
82
|
I Need Not Go
|
3
|
6%
|
0
|
0%
|
|
83
|
I Sometimes Think
|
1
|
2%
|
0
|
0%
|
|
84
|
I Was Not He
|
1
|
2%
|
0
|
0%
|
|
85
|
In a Museum
|
1
|
2%
|
0
|
0%
|
|
86
|
In a Wood
|
1
|
2%
|
0
|
0%
|
|
87
|
In Front Of The Landscape
|
1
|
2%
|
0
|
0%
|
|
88
|
In Tenebris
|
11
|
23%
|
0
|
0%
|
|
89
|
In The Days Of Crinoline
|
1
|
2%
|
0
|
0%
|
|
90
|
In The Moonlight
|
4
|
8%
|
0
|
0%
|
|
91
|
In The Servants' Quarters
|
1
|
2%
|
0
|
0%
|
|
92
|
In Time of 'The Breaking of Nations'
|
9
|
19%
|
0
|
0%
|
|
93
|
In Vision I Roamed
|
1
|
2%
|
0
|
0%
|
|
94
|
Lament
|
1
|
2%
|
0
|
0%
|
|
95
|
Let Me Enjoy
|
1
|
2%
|
0
|
0%
|
|
96
|
Lines
|
2
|
4%
|
0
|
0%
|
|
97
|
Lines On The Loss Of The "Titanic"
|
8
|
17%
|
0
|
0%
|
|
98
|
Long Plighted
|
2
|
4%
|
0
|
0%
|
|
99
|
Mad Judy
|
2
|
4%
|
0
|
0%
|
|
100
|
Men Who March Away
|
7
|
15%
|
0
|
0%
|
|
101
|
Middle-Age Enthusiasms
|
1
|
2%
|
0
|
0%
|
|
102
|
Moments of Vision
|
4
|
8%
|
0
|
0%
|
|
103
|
Nature's Questioning
|
8
|
17%
|
0
|
0%
|
|
104
|
Neutral Tones
|
6
|
13%
|
0
|
0%
|
|
105
|
Night in the Old Home
|
3
|
6%
|
0
|
0%
|
|
106
|
No Buyers
|
1
|
2%
|
0
|
0%
|
|
107
|
Places
|
1
|
2%
|
0
|
0%
|
|
108
|
Postponement
|
1
|
2%
|
0
|
0%
|
|
109
|
Sapphic Fragment
|
2
|
4%
|
0
|
0%
|
|
110
|
She Charged Me
|
1
|
2%
|
0
|
0%
|
|
111
|
She Hears the Storm
|
1
|
2%
|
0
|
0%
|
|
112
|
She, To Him
|
5
|
10%
|
0
|
0%
|
|
113
|
She, To Him III
|
2
|
4%
|
0
|
0%
|
|
114
|
Shelley's Skylark.
|
2
|
4%
|
0
|
0%
|
|
115
|
Song of Hope
|
3
|
6%
|
0
|
0%
|
|
116
|
Song of the Soldiers
|
1
|
2%
|
0
|
0%
|
|
117
|
Song of the Soldier's Wifes.
|
1
|
2%
|
0
|
0%
|
|
118
|
Tess's Lament
|
1
|
2%
|
0
|
0%
|
|
119
|
The Alarm
|
2
|
4%
|
0
|
0%
|
|
120
|
The Bedridden Peasant to an Unknown God
|
1
|
2%
|
0
|
0%
|
|
121
|
The Bridge of Lodi (Spring, 1887)
|
1
|
2%
|
0
|
0%
|
|
122
|
The Bullfinches
|
1
|
2%
|
0
|
0%
|
|
123
|
The Caged Thrush Freed and Home Again (Villanelle)
|
3
|
6%
|
0
|
0%
|
|
124
|
The Convergence Of The Twain
|
1
|
2%
|
0
|
0%
|
|
125
|
The Curtains Now Are Drawn
|
1
|
2%
|
0
|
0%
|
|
126
|
The Darkling Thrush
|
10
|
21%
|
0
|
0%
|
|
127
|
The Death Of Regret
|
3
|
6%
|
0
|
0%
|
|
128
|
The Difference
|
1
|
2%
|
0
|
0%
|
|
129
|
The Discovery
|
1
|
2%
|
0
|
0%
|
|
130
|
The Farm Woman's Winter
|
1
|
2%
|
0
|
0%
|
|
131
|
The Ghost of the Past
|
4
|
8%
|
0
|
0%
|
|
132
|
The Going
|
12
|
26%
|
0
|
0%
|
|
133
|
The Going of the Battery Wives. (Lament)
|
2
|
4%
|
0
|
0%
|
|
134
|
The Haunter
|
1
|
2%
|
0
|
0%
|
|
135
|
The House of Hospitalities
|
1
|
2%
|
0
|
0%
|
|
136
|
The Inconsistent
|
1
|
2%
|
0
|
0%
|
|
137
|
The Last Chrysanthemum
|
1
|
2%
|
0
|
0%
|
|
138
|
The Levelled Churchyard
|
1
|
2%
|
0
|
0%
|
|
139
|
The Man He Killed
|
46
|
100%
|
0
|
0%
|
|
140
|
The Missed Train
|
1
|
2%
|
0
|
0%
|
|
141
|
The Moth-Signal (On Egdon Heath)
|
6
|
13%
|
0
|
0%
|
|
142
|
The Oxen
|
3
|
6%
|
0
|
0%
|
|
143
|
The Pity Of It
|
3
|
6%
|
0
|
0%
|
|
144
|
The Puzzled Game-Birds (Triolet)
|
1
|
2%
|
0
|
0%
|
|
145
|
The Ruined Maid
|
6
|
13%
|
0
|
0%
|
|
146
|
The Satin Shoes
|
1
|
2%
|
0
|
0%
|
|
147
|
The Seasons of Her Year
|
2
|
4%
|
0
|
0%
|
|
148
|
The Self-Unseeing
|
8
|
17%
|
0
|
0%
|
|
149
|
The Sergeant's Song
|
1
|
2%
|
0
|
0%
|
|
150
|
The Shadow On The Stone
|
2
|
4%
|
0
|
0%
|
|
151
|
The Slow Nature
|
2
|
4%
|
0
|
0%
|
|
152
|
The Spell Of The Rose
|
2
|
4%
|
0
|
0%
|
|
153
|
The Subalterns
|
1
|
2%
|
0
|
0%
|
|
154
|
The Subalterns
|
1
|
2%
|
0
|
0%
|
|
155
|
The Sun On The Bookcase
|
1
|
2%
|
0
|
0%
|
|
156
|
The Temporary The All
|
1
|
2%
|
0
|
0%
|
|
157
|
The Two Men
|
1
|
2%
|
0
|
0%
|
|
158
|
The Two Soldiers
|
2
|
4%
|
0
|
0%
|
|
159
|
The Voice
|
3
|
6%
|
0
|
0%
|
|
160
|
The Voice
|
4
|
8%
|
0
|
0%
|
|
161
|
The Walk
|
3
|
6%
|
0
|
0%
|
|
162
|
The Workbox
|
1
|
2%
|
0
|
0%
|
|
163
|
Then and Now
|
2
|
4%
|
0
|
0%
|
|
164
|
Thoughts of Phena
|
1
|
2%
|
0
|
0%
|
|
165
|
To an Unborn Pauper Child
|
1
|
2%
|
0
|
0%
|
|
166
|
To Flowers From Italy in Winter
|
3
|
6%
|
0
|
0%
|
|
167
|
To Life
|
1
|
2%
|
0
|
0%
|
|
168
|
To Lizbie Browne
|
1
|
2%
|
0
|
0%
|
|
169
|
To Outer Nature
|
1
|
2%
|
0
|
0%
|
|
170
|
Transformations
|
2
|
4%
|
0
|
0%
|
|
171
|
Under the Waterfall
|
7
|
15%
|
0
|
0%
|
|
172
|
Unknowing
|
1
|
2%
|
0
|
0%
|
|
173
|
We Are Getting to the End
|
2
|
4%
|
0
|
0%
|
|
174
|
Weathers
|
6
|
13%
|
0
|
0%
|
|
175
|
Welcome Home
|
1
|
2%
|
0
|
0%
|
|
176
|
When I Set Out for Lyonnesse
|
2
|
4%
|
0
|
0%
|
|
177
|
Your Last Drive
|
11
|
23%
|
0
|
0%
|