|
1
|
"I Said to Love"
|
31
|
100%
|
0
|
0%
|
|
2
|
The Man He Killed
|
30
|
96%
|
0
|
0%
|
|
3
|
A Meeting With Despair
|
29
|
93%
|
0
|
0%
|
|
4
|
Hap
|
23
|
74%
|
0
|
0%
|
|
5
|
A Broken Appointment
|
22
|
70%
|
0
|
0%
|
|
6
|
Drummer Hodge
|
22
|
70%
|
0
|
0%
|
|
7
|
"Between Us Now"
|
21
|
67%
|
0
|
0%
|
|
8
|
I Need Not Go
|
20
|
64%
|
0
|
0%
|
|
9
|
The Self-Unseeing
|
14
|
45%
|
0
|
0%
|
|
10
|
At Castle Boterel
|
13
|
41%
|
0
|
0%
|
|
11
|
Afterwards
|
12
|
38%
|
0
|
0%
|
|
12
|
Friends Beyond
|
12
|
38%
|
0
|
0%
|
|
13
|
A Wife in London (December, 1899)
|
11
|
35%
|
0
|
0%
|
|
14
|
In Time of 'The Breaking of Nations'
|
11
|
35%
|
0
|
0%
|
|
15
|
A Confession To A Friend in Trouble
|
10
|
32%
|
0
|
0%
|
|
16
|
After A Journey
|
10
|
32%
|
0
|
0%
|
|
17
|
God's Funeral
|
9
|
29%
|
0
|
0%
|
|
18
|
The Ruined Maid
|
9
|
29%
|
0
|
0%
|
|
19
|
Weathers
|
9
|
29%
|
0
|
0%
|
|
20
|
God-Forgotten
|
8
|
25%
|
0
|
0%
|
|
21
|
I Look Into My Glass
|
8
|
25%
|
0
|
0%
|
|
22
|
Nature's Questioning
|
8
|
25%
|
0
|
0%
|
|
23
|
The Walk
|
8
|
25%
|
0
|
0%
|
|
24
|
"How Great My Grief" (Triolet)
|
7
|
22%
|
0
|
0%
|
|
25
|
A Death-Day Recalled
|
7
|
22%
|
0
|
0%
|
|
26
|
A Dream Or No
|
7
|
22%
|
0
|
0%
|
|
27
|
Between Us Now
|
7
|
22%
|
0
|
0%
|
|
28
|
I Found Her Out There
|
7
|
22%
|
0
|
0%
|
|
29
|
Men Who March Away
|
7
|
22%
|
0
|
0%
|
|
30
|
Your Last Drive
|
7
|
22%
|
0
|
0%
|
|
31
|
The Darkling Thrush
|
6
|
19%
|
0
|
0%
|
|
32
|
The Death Of Regret
|
6
|
19%
|
0
|
0%
|
|
33
|
The Satin Shoes
|
6
|
19%
|
0
|
0%
|
|
34
|
Thoughts of Phena
|
6
|
19%
|
0
|
0%
|
|
35
|
An Autumn Rain-Scene
|
5
|
16%
|
0
|
0%
|
|
36
|
By the Earth's Corpse
|
5
|
16%
|
0
|
0%
|
|
37
|
In Tenebris
|
5
|
16%
|
0
|
0%
|
|
38
|
Neutral Tones
|
5
|
16%
|
0
|
0%
|
|
39
|
She, To Him
|
5
|
16%
|
0
|
0%
|
|
40
|
Song of Hope
|
5
|
16%
|
0
|
0%
|
|
41
|
The Going
|
5
|
16%
|
0
|
0%
|
|
42
|
"I Have Lived With Shades"
|
4
|
12%
|
0
|
0%
|
|
43
|
Ah, Are You Digging on My Grave?
|
4
|
12%
|
0
|
0%
|
|
44
|
At the War Office, London (Affixing the Lists of Killed and Wounded: December, 1899)
|
4
|
12%
|
0
|
0%
|
|
45
|
Channel Firing
|
4
|
12%
|
0
|
0%
|
|
46
|
During Wind and Rain
|
4
|
12%
|
0
|
0%
|
|
47
|
Moments of Vision
|
4
|
12%
|
0
|
0%
|
|
48
|
On a Fine Morning
|
4
|
12%
|
0
|
0%
|
|
49
|
The Oxen
|
4
|
12%
|
0
|
0%
|
|
50
|
The Widow
|
4
|
12%
|
0
|
0%
|
|
51
|
The Year's Awakening
|
4
|
12%
|
0
|
0%
|
|
52
|
Under the Waterfall
|
4
|
12%
|
0
|
0%
|
|
53
|
A Commonplace Day.
|
3
|
9%
|
0
|
0%
|
|
54
|
A Poet
|
3
|
9%
|
0
|
0%
|
|
55
|
Amabel
|
3
|
9%
|
0
|
0%
|
|
56
|
An August Midnight
|
3
|
9%
|
0
|
0%
|
|
57
|
At a Hasty Wedding
|
3
|
9%
|
0
|
0%
|
|
58
|
At A House In Hampstead Sometime The Dwelling Of John Keats
|
3
|
9%
|
0
|
0%
|
|
59
|
Before And After Summer
|
3
|
9%
|
0
|
0%
|
|
60
|
Bereft, She Thinks She Dreams
|
3
|
9%
|
0
|
0%
|
|
61
|
Birds at Winter Nightfall (Triolet)
|
3
|
9%
|
0
|
0%
|
|
62
|
Departure.
|
3
|
9%
|
0
|
0%
|
|
63
|
From Victor Hugo
|
3
|
9%
|
0
|
0%
|
|
64
|
Going And Staying
|
3
|
9%
|
0
|
0%
|
|
65
|
Had You Wept
|
3
|
9%
|
0
|
0%
|
|
66
|
He Never Expected Much
|
3
|
9%
|
0
|
0%
|
|
67
|
In a Wood
|
3
|
9%
|
0
|
0%
|
|
68
|
In the Old Theatre, Fiesole (April, 1887)
|
3
|
9%
|
0
|
0%
|
|
69
|
Lines On The Loss Of The "Titanic"
|
3
|
9%
|
0
|
0%
|
|
70
|
No Buyers
|
3
|
9%
|
0
|
0%
|
|
71
|
Shelley's Skylark.
|
3
|
9%
|
0
|
0%
|
|
72
|
The Subalterns
|
3
|
9%
|
0
|
0%
|
|
73
|
The Supplanter: A Tale
|
3
|
9%
|
0
|
0%
|
|
74
|
The Temporary The All
|
3
|
9%
|
0
|
0%
|
|
75
|
The Well-Beloved
|
3
|
9%
|
0
|
0%
|
|
76
|
[Greek Title]
|
2
|
6%
|
0
|
0%
|
|
77
|
A Christmas Ghost Story.
|
2
|
6%
|
0
|
0%
|
|
78
|
A Circular
|
2
|
6%
|
0
|
0%
|
|
79
|
A Commonplace Day
|
2
|
6%
|
0
|
0%
|
|
80
|
A Thunderstorm in Town
|
2
|
6%
|
0
|
0%
|
|
81
|
An Ancient to Ancients
|
2
|
6%
|
0
|
0%
|
|
82
|
At Day-Close In November
|
2
|
6%
|
0
|
0%
|
|
83
|
At An Inn
|
2
|
6%
|
0
|
0%
|
|
84
|
Convergence Of The Twain
|
2
|
6%
|
0
|
0%
|
|
85
|
Domicilium
|
2
|
6%
|
0
|
0%
|
|
86
|
Fragment
|
2
|
6%
|
0
|
0%
|
|
87
|
Her Death And After
|
2
|
6%
|
0
|
0%
|
|
88
|
I said to Love
|
2
|
6%
|
0
|
0%
|
|
89
|
In The Moonlight
|
2
|
6%
|
0
|
0%
|
|
90
|
Sapphic Fragment
|
2
|
6%
|
0
|
0%
|
|
91
|
Satires of Circumstance in Fifteen Glimpses VIII: In the St
|
2
|
6%
|
0
|
0%
|
|
92
|
She, to Him, IV
|
2
|
6%
|
0
|
0%
|
|
93
|
The Dance At The Phoenix
|
2
|
6%
|
0
|
0%
|
|
94
|
The Discovery
|
2
|
6%
|
0
|
0%
|
|
95
|
The Garden Seat
|
2
|
6%
|
0
|
0%
|
|
96
|
The Going of the Battery Wives. (Lament)
|
2
|
6%
|
0
|
0%
|
|
97
|
The Haunter
|
2
|
6%
|
0
|
0%
|
|
98
|
The Levelled Churchyard
|
2
|
6%
|
0
|
0%
|
|
99
|
The Sick God
|
2
|
6%
|
0
|
0%
|
|
100
|
The Sleep-Worker
|
2
|
6%
|
0
|
0%
|
|
101
|
The Voice
|
2
|
6%
|
0
|
0%
|
|
102
|
The Workbox
|
2
|
6%
|
0
|
0%
|
|
103
|
To an Unborn Pauper Child
|
2
|
6%
|
0
|
0%
|
|
104
|
To Lizbie Browne
|
2
|
6%
|
0
|
0%
|
|
105
|
Transformations
|
2
|
6%
|
0
|
0%
|
|
106
|
When I Set Out for Lyonnesse
|
2
|
6%
|
0
|
0%
|
|
107
|
A Christmas Ghost-Story
|
1
|
3%
|
0
|
0%
|
|
108
|
A Jog-Trot Pair
|
1
|
3%
|
0
|
0%
|
|
109
|
A Man (In Memory of H. of M.)
|
1
|
3%
|
0
|
0%
|
|
110
|
A Sign-Seeker
|
1
|
3%
|
0
|
0%
|
|
111
|
A Spot
|
1
|
3%
|
0
|
0%
|
|
112
|
A Week
|
1
|
3%
|
0
|
0%
|
|
113
|
A Woman's Fancy
|
1
|
3%
|
0
|
0%
|
|
114
|
According to the Mighty Working
|
1
|
3%
|
0
|
0%
|
|
115
|
At A Bridal
|
1
|
3%
|
0
|
0%
|
|
116
|
At a Lunar Eclipse
|
1
|
3%
|
0
|
0%
|
|
117
|
Cardinal Bembo's Epitaph on Raphael
|
1
|
3%
|
0
|
0%
|
|
118
|
Catullus: XXXI
|
1
|
3%
|
0
|
0%
|
|
119
|
De Profundis
|
1
|
3%
|
0
|
0%
|
|
120
|
Departure (Southampton Docks: October, 1899)
|
1
|
3%
|
0
|
0%
|
|
121
|
Ditty
|
1
|
3%
|
0
|
0%
|
|
122
|
Doom and She
|
1
|
3%
|
0
|
0%
|
|
123
|
Epeisodia
|
1
|
3%
|
0
|
0%
|
|
124
|
Faintheart In A Railway Train
|
1
|
3%
|
0
|
0%
|
|
125
|
From: Men Who March Away
|
1
|
3%
|
0
|
0%
|
|
126
|
Genoa and the Mediterranean (March, 1887)
|
1
|
3%
|
0
|
0%
|
|
127
|
Genoa and the Mediterranean.
|
1
|
3%
|
0
|
0%
|
|
128
|
George Meredith
|
1
|
3%
|
0
|
0%
|
|
129
|
Her Immortality
|
1
|
3%
|
0
|
0%
|
|
130
|
Her Initials
|
1
|
3%
|
0
|
0%
|
|
131
|
Her Reproach
|
1
|
3%
|
0
|
0%
|
|
132
|
Her Song
|
1
|
3%
|
0
|
0%
|
|
133
|
I Said to Love.
|
1
|
3%
|
0
|
0%
|
|
134
|
In A Eweleaze Near Weatherbury
|
1
|
3%
|
0
|
0%
|
|
135
|
In The Days Of Crinoline
|
1
|
3%
|
0
|
0%
|
|
136
|
In The Vaulted Way
|
1
|
3%
|
0
|
0%
|
|
137
|
In Vision I Roamed
|
1
|
3%
|
0
|
0%
|
|
138
|
Lament
|
1
|
3%
|
0
|
0%
|
|
139
|
Let Me Enjoy
|
1
|
3%
|
0
|
0%
|
|
140
|
Places
|
1
|
3%
|
0
|
0%
|
|
141
|
Rome: At the Pyramid of Cestius. (Near the graves of Shelley & Keats)
|
1
|
3%
|
0
|
0%
|
|
142
|
Rome: On the Palatine.
|
1
|
3%
|
0
|
0%
|
|
143
|
She Hears The Storm
|
1
|
3%
|
0
|
0%
|
|
144
|
Song of the Soldier's Wifes.
|
1
|
3%
|
0
|
0%
|
|
145
|
Tess's Lament
|
1
|
3%
|
0
|
0%
|
|
146
|
The Comet at Valbury or Yell'ham
|
1
|
3%
|
0
|
0%
|
|
147
|
The Difference
|
1
|
3%
|
0
|
0%
|
|
148
|
The Impercipient
|
1
|
3%
|
0
|
0%
|
|
149
|
The Inconsistent
|
1
|
3%
|
0
|
0%
|
|
150
|
The Last Chrysanthemum
|
1
|
3%
|
0
|
0%
|
|
151
|
The Masked Face
|
1
|
3%
|
0
|
0%
|
|
152
|
The Mother Mourns.
|
1
|
3%
|
0
|
0%
|
|
153
|
The Spell Of The Rose
|
1
|
3%
|
0
|
0%
|
|
154
|
The Telegram
|
1
|
3%
|
0
|
0%
|
|
155
|
To An Orphan Child
|
1
|
3%
|
0
|
0%
|
|
156
|
To Life
|
1
|
3%
|
0
|
0%
|
|
157
|
To Meet, Or Otherwise
|
1
|
3%
|
0
|
0%
|
|
158
|
We Are Getting to the End
|
1
|
3%
|
0
|
0%
|