William Ernest Henley (1849 - 1902 / Gloucester / England)
Quotations
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''What have I done for you,
William Ernest Henley (1849-1903), British poet, critic, editor. England, My England (l. 1-4). . . Oxford Book of English Verse, The, 1250-1918. Sir Arthur Quiller-Couch, ed. (New ed., rev. and enl., 1939) Oxford University Press.
England, my England?
What is there I would not do,
England, my own?'' -
''For it's home, dearie, homeit's home I want to be.
William Ernest Henley (1849-1903), British poet, critic, editor. Falmouth (l. 23-26). . . Modern British Poetry. Louis Untermeyer, ed. (7th rev. ed., 1962) Harcourt, Brace and Company.
Our topsails are hoisted, and we'll away to sea.
O, the oak and the ash and the bonnie birken tree
They're all growing green in the old countrie.'' -
''O, there's a wind a-blowing, a-blowing from the west,
William Ernest Henley (1849-1903), British poet, critic, editor. Falmouth (l. 19-22). . . Modern British Poetry. Louis Untermeyer, ed. (7th rev. ed., 1962) Harcourt, Brace and Company.
And that of all the winds is the one I like the best,
For it blows at our backs, and it shakes our pennon free,
And it soon will blow us home to the old countrie.'' -
''Madam Life's a piece in bloom
William Ernest Henley (1849-1903), British poet, critic, editor. Madam Life's a Piece in Bloom (l. 1-4). . . Oxford Book of Death, The. D. J. Enright, ed. (1987) Oxford University Press.
Death goes dogging everywhere:
She's the tenant of the room,
He's the ruffian on the stair.'' -
''It's up the spout and Charley Wag
William Ernest Henley (1849-1903), British poet, critic, editor. Villon's Straight Tip to All Cross Coves (l. 25-28). . . Faber Book of Comic Verse, The. Michael Roberts and Janet Adam Smith, eds. (Rev. ed., 1974; paperback 1978) Faber and Faber.
With wipes and tickers and what not
Until the squeezer nips your scrag,
Booze and the blowens cop the lot.''
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Ballade of Dead Actors
Where are the passions they essayed,
And where the tears they made to flow?
Where the wild humours they portrayed
For laughing worlds to see and know?
Othello's wrath and Juliet's woe?
Sir Peter's whims and Timon's gall?
And Millamant and Romeo?
Into the night go one and all.
Where are the braveries, fresh or frayed?
