|
1
|
A Character
|
23
|
8%
|
0
|
0%
|
|
2
|
A Complaint
|
17
|
6%
|
0
|
0%
|
|
3
|
A Narrow Girdle of Rough Stones and Crags
|
26
|
9%
|
0
|
0%
|
|
4
|
A Narrow Girdle of Rough Stones and Crags,
|
5
|
1%
|
0
|
0%
|
|
5
|
A Night Thought
|
30
|
10%
|
0
|
0%
|
|
6
|
A Night-Piece
|
13
|
4%
|
0
|
0%
|
|
7
|
A Poet! He Hath Put his Heart to School
|
12
|
4%
|
0
|
0%
|
|
8
|
A Poet's Epitaph
|
3
|
1%
|
0
|
0%
|
|
9
|
A Slumber Did My Spirit Seal
|
2
|
0%
|
0
|
0%
|
|
10
|
A Whirl-Blast from Behind The Hill
|
14
|
4%
|
0
|
0%
|
|
11
|
A Whirl-Blast from Behind the Hill
|
1
|
0%
|
0
|
0%
|
|
12
|
A Wren's Nest
|
3
|
1%
|
0
|
0%
|
|
13
|
Address To The Scholars Of The Village School Of ----
|
3
|
1%
|
0
|
0%
|
|
14
|
After-Thought
|
5
|
1%
|
0
|
0%
|
|
15
|
An Evening Walk, Addressed to a Young Lady
|
4
|
1%
|
0
|
0%
|
|
16
|
Andrew Jones
|
3
|
1%
|
0
|
0%
|
|
17
|
Anecdote For Fathers
|
1
|
0%
|
0
|
0%
|
|
18
|
Animal Tranquillity and Decay
|
3
|
1%
|
0
|
0%
|
|
19
|
By the Seaside
|
16
|
5%
|
0
|
0%
|
|
20
|
Calm is all nature as a resting wheel
|
29
|
10%
|
0
|
0%
|
|
21
|
Calm is all Nature as a Resting Wheel.
|
4
|
1%
|
0
|
0%
|
|
22
|
Character of the Happy Warrior
|
2
|
0%
|
0
|
0%
|
|
23
|
Composed During a Storm
|
3
|
1%
|
0
|
0%
|
|
24
|
Composed Upon Westminster Bridge, September 3, 1802
|
3
|
1%
|
0
|
0%
|
|
25
|
Daffodils
|
37
|
13%
|
0
|
0%
|
|
26
|
Desideria
|
4
|
1%
|
0
|
0%
|
|
27
|
Dion
|
3
|
1%
|
0
|
0%
|
|
28
|
Elegiac Stanzas
|
1
|
0%
|
0
|
0%
|
|
29
|
Ellen Irwin
|
1
|
0%
|
0
|
0%
|
|
30
|
Expostulation and Reply
|
2
|
0%
|
0
|
0%
|
|
31
|
Foresight
|
6
|
2%
|
0
|
0%
|
|
32
|
Fountain, The: A Conversation
|
2
|
0%
|
0
|
0%
|
|
33
|
Guilt and Sorrow
|
5
|
1%
|
0
|
0%
|
|
34
|
I Know an Old Man Constrained to Dwell
|
2
|
0%
|
0
|
0%
|
|
35
|
I Travelled Among Unknown Men
|
3
|
1%
|
0
|
0%
|
|
36
|
I wandered lonely as a cloud
|
283
|
100%
|
0
|
0%
|
|
37
|
I Wandered Lonely as a Cloud
|
2
|
0%
|
0
|
0%
|
|
38
|
'I wandered lonely as a cloud...'
|
1
|
0%
|
0
|
0%
|
|
39
|
Influence of Natural Objects
|
2
|
0%
|
0
|
0%
|
|
40
|
Inside of King's College Chapel, Cambridge
|
1
|
0%
|
0
|
0%
|
|
41
|
It Is a Beauteous Evening
|
3
|
1%
|
0
|
0%
|
|
42
|
It is not to be Thought of
|
3
|
1%
|
0
|
0%
|
|
43
|
It was an April morning: fresh and clear
|
22
|
7%
|
0
|
0%
|
|
44
|
It was an April morning: fresh and clear
|
1
|
0%
|
0
|
0%
|
|
45
|
Laodamia
|
2
|
0%
|
0
|
0%
|
|
46
|
Lines Composed A Few Miles Above Tintern Abbey
|
2
|
0%
|
0
|
0%
|
|
47
|
Lines Written In Early Spring
|
7
|
2%
|
0
|
0%
|
|
48
|
London, 1802
|
4
|
1%
|
0
|
0%
|
|
49
|
Lucy Gray
|
7
|
2%
|
0
|
0%
|
|
50
|
Memory
|
6
|
2%
|
0
|
0%
|
|
51
|
Michael: A Pastoral Poem
|
2
|
0%
|
0
|
0%
|
|
52
|
Most Sweet it is
|
2
|
0%
|
0
|
0%
|
|
53
|
My Heart Leaps Up
|
10
|
3%
|
0
|
0%
|
|
54
|
O Nightingale! Thou Surely Art
|
3
|
1%
|
0
|
0%
|
|
55
|
Ode On Intimations Of Immortality
|
8
|
2%
|
0
|
0%
|
|
56
|
Ode on Intimations of Immortality from Recollections of Early Childhood
|
2
|
0%
|
0
|
0%
|
|
57
|
Ode to Duty
|
2
|
0%
|
0
|
0%
|
|
58
|
Perfect Woman
|
8
|
2%
|
0
|
0%
|
|
59
|
Peter Bell, A Tale
|
5
|
1%
|
0
|
0%
|
|
60
|
Pet-Lamb, The: A Pastoral Poem
|
3
|
1%
|
0
|
0%
|
|
61
|
Remembrance of Collins
|
2
|
0%
|
0
|
0%
|
|
62
|
Resolution and Independence
|
4
|
1%
|
0
|
0%
|
|
63
|
Rural Architecture
|
1
|
0%
|
0
|
0%
|
|
64
|
Ruth
|
2
|
0%
|
0
|
0%
|
|
65
|
She dwelt among the untrodden ways
|
21
|
7%
|
0
|
0%
|
|
66
|
She Dwelt Among the Untrodden Ways
|
1
|
0%
|
0
|
0%
|
|
67
|
She was a phantom of delight
|
15
|
5%
|
0
|
0%
|
|
68
|
She Was a Phantom of Delight
|
1
|
0%
|
0
|
0%
|
|
69
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
|
70
|
Song at the Feast of Brougham Castle upon the Restoration o
|
1
|
0%
|
0
|
0%
|
|
71
|
Song For The Wandering Jew
|
4
|
1%
|
0
|
0%
|
|
72
|
Speak!
|
4
|
1%
|
0
|
0%
|
|
73
|
Stepping Westward
|
2
|
0%
|
0
|
0%
|
|
74
|
Strange fits of passion have I known
|
22
|
7%
|
0
|
0%
|
|
75
|
Strange Fits of Passion Have I Known
|
4
|
1%
|
0
|
0%
|
|
76
|
Surprised by Joy
|
3
|
1%
|
0
|
0%
|
|
77
|
Surprised by joy — impatient as the Wind
|
17
|
6%
|
0
|
0%
|
|
78
|
The Birth of Love
|
7
|
2%
|
0
|
0%
|
|
79
|
The Brothers
|
2
|
0%
|
0
|
0%
|
|
80
|
The Childless Father
|
5
|
1%
|
0
|
0%
|
|
81
|
The Complaint Of a Forsaken Indian Woman
|
2
|
0%
|
0
|
0%
|
|
82
|
The Complaint Of a Forsaken Indian Woman
|
1
|
0%
|
0
|
0%
|
|
83
|
The Forsaken
|
9
|
3%
|
0
|
0%
|
|
84
|
The Forsaken
|
1
|
0%
|
0
|
0%
|
|
85
|
The Fountain
|
2
|
0%
|
0
|
0%
|
|
86
|
The French Revolution as it appeared to Enthusiasts
|
1
|
0%
|
0
|
0%
|
|
87
|
The Green Linnet
|
2
|
0%
|
0
|
0%
|
|
88
|
The Green Linnet
|
1
|
0%
|
0
|
0%
|
|
89
|
The Idiot Boy
|
2
|
0%
|
0
|
0%
|
|
90
|
The Kitten And Falling Leaves
|
2
|
0%
|
0
|
0%
|
|
91
|
The Kitten And Falling Leaves
|
7
|
2%
|
0
|
0%
|
|
92
|
The Longest Day
|
2
|
0%
|
0
|
0%
|
|
93
|
The Mother's Return
|
4
|
1%
|
0
|
0%
|
|
94
|
The Old Cumberland Beggar
|
1
|
0%
|
0
|
0%
|
|
95
|
The Prelude, Book 1: Childhood and School-time
|
4
|
1%
|
0
|
0%
|
|
96
|
The Rainbow
|
5
|
1%
|
0
|
0%
|
|
97
|
The Rainbow
|
4
|
1%
|
0
|
0%
|
|
98
|
The Russian Fugitive
|
2
|
0%
|
0
|
0%
|
|
99
|
The Sailor's Mother
|
1
|
0%
|
0
|
0%
|
|
100
|
The Sailor's Mother
|
1
|
0%
|
0
|
0%
|
|
101
|
The Seven Sisters
|
3
|
1%
|
0
|
0%
|
|
102
|
The Seven Sisters
|
1
|
0%
|
0
|
0%
|
|
103
|
The Simplon Pass
|
2
|
0%
|
0
|
0%
|
|
104
|
The Solitary Reaper
|
18
|
6%
|
0
|
0%
|
|
105
|
The Solitary Reaper
|
6
|
2%
|
0
|
0%
|
|
106
|
The Sonnet i
|
1
|
0%
|
0
|
0%
|
|
107
|
The Sparrow's Nest
|
4
|
1%
|
0
|
0%
|
|
108
|
The Sparrow's Nest
|
1
|
0%
|
0
|
0%
|
|
109
|
The Sun Has Long Been Set
|
1
|
0%
|
0
|
0%
|
|
110
|
The Table Turned
|
2
|
0%
|
0
|
0%
|
|
111
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
112
|
The Virgin
|
1
|
0%
|
0
|
0%
|
|
113
|
The World
|
2
|
0%
|
0
|
0%
|
|
114
|
The World Is To Much With Us
|
2
|
0%
|
0
|
0%
|
|
115
|
The World is Too Much With Us
|
9
|
3%
|
0
|
0%
|
|
116
|
The world is too much with us; late and soon
|
11
|
3%
|
0
|
0%
|
|
117
|
There is an Eminence,--of these our hills
|
3
|
1%
|
0
|
0%
|
|
118
|
Three years she grew in sun and shower,
|
6
|
2%
|
0
|
0%
|
|
119
|
'Tis said, that some have died for love
|
5
|
1%
|
0
|
0%
|
|
120
|
To A Butterfly
|
4
|
1%
|
0
|
0%
|
|
121
|
To A Butterfly (2)
|
3
|
1%
|
0
|
0%
|
|
122
|
To A Butterfly (first poem)
|
1
|
0%
|
0
|
0%
|
|
123
|
To a Skylark
|
3
|
1%
|
0
|
0%
|
|
124
|
To a Sky-Lark
|
1
|
0%
|
0
|
0%
|
|
125
|
To Joanna
|
1
|
0%
|
0
|
0%
|
|
126
|
To My Sister
|
7
|
2%
|
0
|
0%
|
|
127
|
To The Cuckoo
|
8
|
2%
|
0
|
0%
|
|
128
|
To The Daisy
|
2
|
0%
|
0
|
0%
|
|
129
|
To The Daisy (third poem)
|
1
|
0%
|
0
|
0%
|
|
130
|
Upon Westminster Bridge
|
1
|
0%
|
0
|
0%
|
|
131
|
We are Seven
|
2
|
0%
|
0
|
0%
|
|
132
|
With ships the sea was sprinkled far and nigh
|
4
|
1%
|
0
|
0%
|
|
133
|
Written in Early Spring
|
1
|
0%
|
0
|
0%
|
|
134
|
Yarrow Visited
|
1
|
0%
|
0
|
0%
|