|
1
|
A Character
|
8
|
0%
|
0
|
0%
|
|
2
|
A Complaint
|
2
|
0%
|
0
|
0%
|
|
3
|
A Farewell
|
6
|
0%
|
0
|
0%
|
|
4
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
3
|
0%
|
0
|
0%
|
|
5
|
A Morning Exercise
|
1
|
0%
|
0
|
0%
|
|
6
|
A Narrow Girdle of Rough Stones and Crags,
|
1
|
0%
|
0
|
0%
|
|
7
|
A Night Thought
|
3
|
0%
|
0
|
0%
|
|
8
|
A Poet! He Hath Put his Heart to School
|
2
|
0%
|
0
|
0%
|
|
9
|
A Slumber Did My Spirit Seal
|
6
|
0%
|
0
|
0%
|
|
10
|
A Whirl-Blast from Behind The Hill
|
1
|
0%
|
0
|
0%
|
|
11
|
A Wren's Nest
|
2
|
0%
|
0
|
0%
|
|
12
|
After-Thought
|
1
|
0%
|
0
|
0%
|
|
13
|
Alas! What Boots The Long Laborious Quest
|
2
|
0%
|
0
|
0%
|
|
14
|
Among All Lovely Things My Love Had Been
|
1
|
0%
|
0
|
0%
|
|
15
|
An Evening Walk, Addressed to a Young Lady
|
11
|
1%
|
0
|
0%
|
|
16
|
Animal Tranquillity and Decay
|
1
|
0%
|
0
|
0%
|
|
17
|
Book Ninth [Residence in France]
|
2
|
0%
|
0
|
0%
|
|
18
|
Book Sixth [Cambridge and the Alps]
|
1
|
0%
|
0
|
0%
|
|
19
|
Book Twelfth [Imagination And Taste, How Impaired And Restored ]
|
2
|
0%
|
0
|
0%
|
|
20
|
Calm is all nature as a resting wheel
|
17
|
1%
|
0
|
0%
|
|
21
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
1
|
0%
|
0
|
0%
|
|
22
|
Composed Upon Westminster Bridge, September 3, 1802
|
5
|
0%
|
0
|
0%
|
|
23
|
Daffodils
|
213
|
24%
|
0
|
0%
|
|
24
|
Desideria
|
4
|
0%
|
0
|
0%
|
|
25
|
England iv
|
2
|
0%
|
0
|
0%
|
|
26
|
England! The Time Is Come When Thou Should’st Wean
|
1
|
0%
|
0
|
0%
|
|
27
|
Evening on Calais Beach
|
3
|
0%
|
0
|
0%
|
|
28
|
Fidelity
|
3
|
0%
|
0
|
0%
|
|
29
|
Foresight
|
4
|
0%
|
0
|
0%
|
|
30
|
From The Cuckoo And The Nightingale
|
1
|
0%
|
0
|
0%
|
|
31
|
From The Dark Chambers Of Dejection Freed
|
1
|
0%
|
0
|
0%
|
|
32
|
From The Italian Of Michael Angelo
|
1
|
0%
|
0
|
0%
|
|
33
|
Gipsies
|
1
|
0%
|
0
|
0%
|
|
34
|
Gipsies
|
2
|
0%
|
0
|
0%
|
|
35
|
Goody Blake and Harry Gill
|
1
|
0%
|
0
|
0%
|
|
36
|
Guilt and Sorrow
|
2
|
0%
|
0
|
0%
|
|
37
|
Hart-Leap Well
|
1
|
0%
|
0
|
0%
|
|
38
|
I wandered lonely as a cloud
|
868
|
100%
|
0
|
0%
|
|
39
|
I Wandered Lonely as a Cloud
|
5
|
0%
|
0
|
0%
|
|
40
|
'I wandered lonely as a cloud...'
|
1
|
0%
|
0
|
0%
|
|
41
|
Influence of Natural Objects
|
3
|
0%
|
0
|
0%
|
|
42
|
Is There A Power That Can Sustain And Cheer
|
1
|
0%
|
0
|
0%
|
|
43
|
It Is a Beauteous Evening
|
3
|
0%
|
0
|
0%
|
|
44
|
It was an April morning: fresh and clear
|
2
|
0%
|
0
|
0%
|
|
45
|
Lines Left upon a Seat in a Yew-tree
|
2
|
0%
|
0
|
0%
|
|
46
|
London, 1802
|
3
|
0%
|
0
|
0%
|
|
47
|
Lucy
|
3
|
0%
|
0
|
0%
|
|
48
|
Lucy i
|
2
|
0%
|
0
|
0%
|
|
49
|
Memorials Of A Tour In Scotland, 1803 XII. Sonnet Composed At ---- Castle
|
1
|
0%
|
0
|
0%
|
|
50
|
Memory
|
1
|
0%
|
0
|
0%
|
|
51
|
Michael Angelo In Reply To The Passage Upon His Staute Of Sleeping Night
|
1
|
0%
|
0
|
0%
|
|
52
|
Michael: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
|
53
|
My Heart Leaps Up
|
26
|
2%
|
0
|
0%
|
|
54
|
Nuns Fret Not at Their Convent's Narrow Room
|
7
|
0%
|
0
|
0%
|
|
55
|
Nutting
|
1
|
0%
|
0
|
0%
|
|
56
|
Ode Composed On A May Morning
|
3
|
0%
|
0
|
0%
|
|
57
|
Ode On Intimations Of Immortality
|
7
|
0%
|
0
|
0%
|
|
58
|
Ode on Intimations of Immortality from Recollections of Early Childhood
|
2
|
0%
|
0
|
0%
|
|
59
|
Ode to Duty
|
2
|
0%
|
0
|
0%
|
|
60
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
1
|
0%
|
0
|
0%
|
|
61
|
Ode: Intimations of Immortality
|
10
|
1%
|
0
|
0%
|
|
62
|
On the Extinction of the Venetian Republic
|
1
|
0%
|
0
|
0%
|
|
63
|
Perfect Woman
|
12
|
1%
|
0
|
0%
|
|
64
|
Scorn Not the Sonnet
|
1
|
0%
|
0
|
0%
|
|
65
|
September, 1819
|
1
|
0%
|
0
|
0%
|
|
66
|
She dwelt among the untrodden ways
|
52
|
5%
|
0
|
0%
|
|
67
|
She was a phantom of delight
|
17
|
1%
|
0
|
0%
|
|
68
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
|
69
|
Sonnet:
|
2
|
0%
|
0
|
0%
|
|
70
|
Star-Gazers
|
1
|
0%
|
0
|
0%
|
|
71
|
Stepping Westward
|
2
|
0%
|
0
|
0%
|
|
72
|
Strange Fits of Passion Have I Known
|
2
|
0%
|
0
|
0%
|
|
73
|
Strange fits of passion have I known
|
22
|
2%
|
0
|
0%
|
|
74
|
Surprised by joy — impatient as the Wind
|
2
|
0%
|
0
|
0%
|
|
75
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
76
|
The Complaint Of a Forsaken Indian Woman
|
2
|
0%
|
0
|
0%
|
|
77
|
The Fountain
|
8
|
0%
|
0
|
0%
|
|
78
|
The French Revolution as it appeared to Enthusiasts
|
1
|
0%
|
0
|
0%
|
|
79
|
The King Of Sweden
|
1
|
0%
|
0
|
0%
|
|
80
|
The Prelude, Book 1: Childhood and School-time
|
23
|
2%
|
0
|
0%
|
|
81
|
The Rainbow
|
3
|
0%
|
0
|
0%
|
|
82
|
The Reaper
|
1
|
0%
|
0
|
0%
|
|
83
|
The Recluse - Book First
|
3
|
0%
|
0
|
0%
|
|
84
|
The Reverie of Poor Susan
|
1
|
0%
|
0
|
0%
|
|
85
|
The Sailor's Mother
|
2
|
0%
|
0
|
0%
|
|
86
|
The Solitary Reaper
|
18
|
2%
|
0
|
0%
|
|
87
|
The Solitary Reaper
|
27
|
3%
|
0
|
0%
|
|
88
|
The Sonnet i
|
2
|
0%
|
0
|
0%
|
|
89
|
The Sonnet ii
|
3
|
0%
|
0
|
0%
|
|
90
|
The Sparrow's Nest
|
5
|
0%
|
0
|
0%
|
|
91
|
The Sparrow's Nest
|
2
|
0%
|
0
|
0%
|
|
92
|
The Sun Has Long Been Set
|
7
|
0%
|
0
|
0%
|
|
93
|
The Tables Turned
|
5
|
0%
|
0
|
0%
|
|
94
|
The Thorn
|
3
|
0%
|
0
|
0%
|
|
95
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
96
|
The Virgin
|
2
|
0%
|
0
|
0%
|
|
97
|
The World Is To Much With Us
|
2
|
0%
|
0
|
0%
|
|
98
|
The World is Too Much With Us
|
11
|
1%
|
0
|
0%
|
|
99
|
The world is too much with us; late and soon
|
3
|
0%
|
0
|
0%
|
|
100
|
The world is too much with us; late and soon
|
1
|
0%
|
0
|
0%
|
|
101
|
There is an Eminence,--of these our hills
|
1
|
0%
|
0
|
0%
|
|
102
|
There was a Boy
|
3
|
0%
|
0
|
0%
|
|
103
|
Those Words Were Uttered As In Pensive Mood
|
1
|
0%
|
0
|
0%
|
|
104
|
Three Years She Grew
|
2
|
0%
|
0
|
0%
|
|
105
|
Three years she grew in sun and shower,
|
11
|
1%
|
0
|
0%
|
|
106
|
Three Years She Grew in Sun and Shower,
|
2
|
0%
|
0
|
0%
|
|
107
|
'Tis said, that some have died for love
|
1
|
0%
|
0
|
0%
|
|
108
|
To A Butterfly
|
5
|
0%
|
0
|
0%
|
|
109
|
To A Butterfly (2)
|
5
|
0%
|
0
|
0%
|
|
110
|
To a Skylark
|
4
|
0%
|
0
|
0%
|
|
111
|
To a Sky-Lark
|
2
|
0%
|
0
|
0%
|
|
112
|
To H. C.
|
1
|
0%
|
0
|
0%
|
|
113
|
To Mary
|
1
|
0%
|
0
|
0%
|
|
114
|
To My Sister
|
1
|
0%
|
0
|
0%
|
|
115
|
To The Cuckoo
|
1
|
0%
|
0
|
0%
|
|
116
|
To The Daisy
|
1
|
0%
|
0
|
0%
|
|
117
|
To The Daisy (first poem)
|
6
|
0%
|
0
|
0%
|
|
118
|
To The Memory Of Raisley Calvert
|
2
|
0%
|
0
|
0%
|
|
119
|
Upon The Punishment Of Death
|
1
|
0%
|
0
|
0%
|
|
120
|
Upon Westminster Bridge
|
13
|
1%
|
0
|
0%
|
|
121
|
Vaudracour And Julia
|
1
|
0%
|
0
|
0%
|
|
122
|
Water-Fowl Observed Frequently Over The Lakes Of Rydal And Grasmere
|
1
|
0%
|
0
|
0%
|
|
123
|
Where Lies The Land To Which Yon Ship Must Go?
|
1
|
0%
|
0
|
0%
|
|
124
|
Who Fancied What A Pretty Sight
|
1
|
0%
|
0
|
0%
|
|
125
|
With ships the sea was sprinkled far and nigh
|
4
|
0%
|
0
|
0%
|
|
126
|
Written in Germany, On One of The Coldest Days Of The Century
|
1
|
0%
|
0
|
0%
|
|
127
|
Written in March
|
6
|
0%
|
0
|
0%
|
|
128
|
Yarrow Unvisited
|
4
|
0%
|
0
|
0%
|