|
1
|
A Character
|
60
|
9%
|
0
|
0%
|
|
2
|
A Complaint
|
38
|
6%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
19
|
3%
|
0
|
0%
|
|
4
|
A Farewell
|
67
|
10%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
27
|
4%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
24
|
3%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
2
|
0%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
3
|
0%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
91
|
14%
|
0
|
0%
|
|
10
|
A Narrow Girdle of Rough Stones and Crags,
|
17
|
2%
|
0
|
0%
|
|
11
|
A Night Thought
|
13
|
2%
|
0
|
0%
|
|
12
|
A Night-Piece
|
10
|
1%
|
0
|
0%
|
|
13
|
A Parsonage In Oxfordshire
|
1
|
0%
|
0
|
0%
|
|
14
|
A Poet! He Hath Put his Heart to School
|
2
|
0%
|
0
|
0%
|
|
15
|
A Poet's Epitaph
|
5
|
0%
|
0
|
0%
|
|
16
|
A Prophecy. February 1807
|
1
|
0%
|
0
|
0%
|
|
17
|
A Sketch
|
3
|
0%
|
0
|
0%
|
|
18
|
A Slumber Did My Spirit Seal
|
1
|
0%
|
0
|
0%
|
|
19
|
A Whirl-Blast from Behind The Hill
|
64
|
10%
|
0
|
0%
|
|
20
|
A Wren's Nest
|
3
|
0%
|
0
|
0%
|
|
21
|
Address To The Scholars Of The Village School Of ----
|
1
|
0%
|
0
|
0%
|
|
22
|
Admonition
|
1
|
0%
|
0
|
0%
|
|
23
|
After-Thought
|
7
|
1%
|
0
|
0%
|
|
24
|
Among All Lovely Things My Love Had Been
|
1
|
0%
|
0
|
0%
|
|
25
|
Beggars
|
3
|
0%
|
0
|
0%
|
|
26
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
1
|
0%
|
0
|
0%
|
|
27
|
Book Fourth [Summer Vacation]
|
1
|
0%
|
0
|
0%
|
|
28
|
Book Second [School-Time Continued]
|
1
|
0%
|
0
|
0%
|
|
29
|
Book Seventh [Residence in London]
|
1
|
0%
|
0
|
0%
|
|
30
|
Book Sixth [Cambridge and the Alps]
|
1
|
0%
|
0
|
0%
|
|
31
|
British Freedom
|
1
|
0%
|
0
|
0%
|
|
32
|
By the Seaside
|
12
|
1%
|
0
|
0%
|
|
33
|
Calm is all nature as a resting wheel
|
90
|
14%
|
0
|
0%
|
|
34
|
Calm is all Nature as a Resting Wheel.
|
2
|
0%
|
0
|
0%
|
|
35
|
Character of the Happy Warrior
|
5
|
0%
|
0
|
0%
|
|
36
|
Characteristics Of A Child Three Years Old
|
2
|
0%
|
0
|
0%
|
|
37
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
1
|
0%
|
0
|
0%
|
|
38
|
Composed At The Same Time And On The Same Occasion
|
1
|
0%
|
0
|
0%
|
|
39
|
Composed By The Sea-Side, Near Calais, August 1802
|
1
|
0%
|
0
|
0%
|
|
40
|
Composed During a Storm
|
2
|
0%
|
0
|
0%
|
|
41
|
Composed In The Valley Near Dover, On The Day Of Landing
|
1
|
0%
|
0
|
0%
|
|
42
|
Composed Near Calais, On The Road Leading To Ardres, August 7, 1802
|
1
|
0%
|
0
|
0%
|
|
43
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
4
|
0%
|
0
|
0%
|
|
44
|
Composed Upon Westminster Bridge, September 3, 1802
|
10
|
1%
|
0
|
0%
|
|
45
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
9
|
1%
|
0
|
0%
|
|
46
|
Daffodils
|
335
|
54%
|
0
|
0%
|
|
47
|
Desideria
|
5
|
0%
|
0
|
0%
|
|
48
|
Dion
|
2
|
0%
|
0
|
0%
|
|
49
|
Elegiac Stanzas
|
3
|
0%
|
0
|
0%
|
|
50
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
2
|
0%
|
0
|
0%
|
|
51
|
Ellen Irwin
|
2
|
0%
|
0
|
0%
|
|
52
|
Emperors And Kings, How Oft Have Temples Rung
|
1
|
0%
|
0
|
0%
|
|
53
|
England i
|
1
|
0%
|
0
|
0%
|
|
54
|
England ii
|
1
|
0%
|
0
|
0%
|
|
55
|
England iii
|
2
|
0%
|
0
|
0%
|
|
56
|
England iv
|
1
|
0%
|
0
|
0%
|
|
57
|
England v
|
1
|
0%
|
0
|
0%
|
|
58
|
Expostulation and Reply
|
2
|
0%
|
0
|
0%
|
|
59
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
0%
|
0
|
0%
|
|
60
|
Fidelity
|
1
|
0%
|
0
|
0%
|
|
61
|
Foresight
|
3
|
0%
|
0
|
0%
|
|
62
|
From The Cuckoo And The Nightingale
|
1
|
0%
|
0
|
0%
|
|
63
|
Gipsies
|
4
|
0%
|
0
|
0%
|
|
64
|
Gipsies
|
2
|
0%
|
0
|
0%
|
|
65
|
Guilt and Sorrow
|
1
|
0%
|
0
|
0%
|
|
66
|
Hail, Zaragoza! If With Unwet eye
|
1
|
0%
|
0
|
0%
|
|
67
|
Hart-Leap Well
|
1
|
0%
|
0
|
0%
|
|
68
|
Hoffer
|
2
|
0%
|
0
|
0%
|
|
69
|
I Travelled Among Unknown Men
|
3
|
0%
|
0
|
0%
|
|
70
|
I Wandered Lonely as a Cloud
|
4
|
0%
|
0
|
0%
|
|
71
|
I wandered lonely as a cloud
|
614
|
100%
|
0
|
0%
|
|
72
|
'I wandered lonely as a cloud...'
|
7
|
1%
|
0
|
0%
|
|
73
|
Influence of Natural Objects
|
3
|
0%
|
0
|
0%
|
|
74
|
Inside of King's College Chapel, Cambridge
|
3
|
0%
|
0
|
0%
|
|
75
|
It Is a Beauteous Evening
|
1
|
0%
|
0
|
0%
|
|
76
|
It Is No Spirit Who From Heaven Hath Flown
|
3
|
0%
|
0
|
0%
|
|
77
|
It is not to be Thought of
|
1
|
0%
|
0
|
0%
|
|
78
|
It was an April morning: fresh and clear
|
139
|
22%
|
0
|
0%
|
|
79
|
Lament Of Mary Queen Of Scots
|
2
|
0%
|
0
|
0%
|
|
80
|
Lines written as a School Exercise at Hawkshead, Anno Aetatis
|
2
|
0%
|
0
|
0%
|
|
81
|
Lines Written In Early Spring
|
2
|
0%
|
0
|
0%
|
|
82
|
Lines Written On A Blank Leaf In A Copy Of The Author’s Poem
|
2
|
0%
|
0
|
0%
|
|
83
|
London, 1802
|
3
|
0%
|
0
|
0%
|
|
84
|
Louisa: After Accompanying Her On A Mountain Excursion
|
2
|
0%
|
0
|
0%
|
|
85
|
Lucy
|
2
|
0%
|
0
|
0%
|
|
86
|
Lucy Gray
|
2
|
0%
|
0
|
0%
|
|
87
|
Lucy i
|
3
|
0%
|
0
|
0%
|
|
88
|
Lucy ii
|
3
|
0%
|
0
|
0%
|
|
89
|
Lucy iii
|
3
|
0%
|
0
|
0%
|
|
90
|
Lucy iv
|
8
|
1%
|
0
|
0%
|
|
91
|
Lucy v
|
4
|
0%
|
0
|
0%
|
|
92
|
Matthew
|
1
|
0%
|
0
|
0%
|
|
93
|
Memorials Of A Tour In Scotland, 1803 X. Rob Roy’s Grave .
|
2
|
0%
|
0
|
0%
|
|
94
|
Memory
|
4
|
0%
|
0
|
0%
|
|
95
|
Michael: A Pastoral Poem
|
2
|
0%
|
0
|
0%
|
|
96
|
Most Sweet it is
|
2
|
0%
|
0
|
0%
|
|
97
|
My Heart Leaps Up
|
17
|
2%
|
0
|
0%
|
|
98
|
November, 1806
|
2
|
0%
|
0
|
0%
|
|
99
|
Nuns Fret Not at Their Convent's Narrow Room
|
5
|
0%
|
0
|
0%
|
|
100
|
Nutting
|
3
|
0%
|
0
|
0%
|
|
101
|
O Nightingale! Thou Surely Art
|
5
|
0%
|
0
|
0%
|
|
102
|
O’er The Wide Earth, On Mountain And On Plain
|
1
|
0%
|
0
|
0%
|
|
103
|
Oak and The Broom, The: A Pastoral Poem
|
2
|
0%
|
0
|
0%
|
|
104
|
Ode
|
2
|
0%
|
0
|
0%
|
|
105
|
Ode On Intimations Of Immortality
|
8
|
1%
|
0
|
0%
|
|
106
|
Ode, Composed On A May Morning
|
2
|
0%
|
0
|
0%
|
|
107
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
2
|
0%
|
0
|
0%
|
|
108
|
Ode: Intimations of Immortality
|
7
|
1%
|
0
|
0%
|
|
109
|
Perfect Woman
|
4
|
0%
|
0
|
0%
|
|
110
|
Personal Talk
|
2
|
0%
|
0
|
0%
|
|
111
|
Peter Bell, A Tale
|
1
|
0%
|
0
|
0%
|
|
112
|
Pet-Lamb, The: A Pastoral Poem
|
2
|
0%
|
0
|
0%
|
|
113
|
Power Of Music
|
1
|
0%
|
0
|
0%
|
|
114
|
Say, What Is Honour?--‘Tis The Finest Sense
|
2
|
0%
|
0
|
0%
|
|
115
|
September 1, 1802
|
3
|
0%
|
0
|
0%
|
|
116
|
September, 1819
|
2
|
0%
|
0
|
0%
|
|
117
|
She dwelt among the untrodden ways
|
65
|
10%
|
0
|
0%
|
|
118
|
She Dwelt Among the Untrodden Ways
|
6
|
0%
|
0
|
0%
|
|
119
|
She Was a Phantom of Delight
|
2
|
0%
|
0
|
0%
|
|
120
|
She was a phantom of delight
|
42
|
6%
|
0
|
0%
|
|
121
|
Siege Of Vienna Raised By John Sobieski
|
2
|
0%
|
0
|
0%
|
|
122
|
Simon Lee: The Old Huntsman
|
3
|
0%
|
0
|
0%
|
|
123
|
Song at the Feast of Brougham Castle upon the Restoration o
|
2
|
0%
|
0
|
0%
|
|
124
|
Song Of The Spinning Wheel
|
2
|
0%
|
0
|
0%
|
|
125
|
Speak!
|
1
|
0%
|
0
|
0%
|
|
126
|
Strange fits of passion have I known
|
29
|
4%
|
0
|
0%
|
|
127
|
Strange Fits of Passion Have I Known
|
4
|
0%
|
0
|
0%
|
|
128
|
Surprised by Joy
|
2
|
0%
|
0
|
0%
|
|
129
|
Surprised by joy — impatient as the Wind
|
22
|
3%
|
0
|
0%
|
|
130
|
The Birth of Love
|
6
|
0%
|
0
|
0%
|
|
131
|
The Birth Of Love
|
2
|
0%
|
0
|
0%
|
|
132
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
133
|
The Childless Father
|
3
|
0%
|
0
|
0%
|
|
134
|
The Complaint Of a Forsaken Indian Woman
|
1
|
0%
|
0
|
0%
|
|
135
|
The Danish Boy: A Fragment
|
4
|
0%
|
0
|
0%
|
|
136
|
The Eagle and the Dove
|
4
|
0%
|
0
|
0%
|
|
137
|
The Forsaken
|
1
|
0%
|
0
|
0%
|
|
138
|
The Fountain
|
5
|
0%
|
0
|
0%
|
|
139
|
The Germans On The Heighs Of Hochheim
|
2
|
0%
|
0
|
0%
|
|
140
|
The Idiot Boy
|
1
|
0%
|
0
|
0%
|
|
141
|
The Kitten And Falling Leaves
|
3
|
0%
|
0
|
0%
|
|
142
|
The Longest Day
|
3
|
0%
|
0
|
0%
|
|
143
|
The Mother's Return
|
2
|
0%
|
0
|
0%
|
|
144
|
The Mother's Return
|
3
|
0%
|
0
|
0%
|
|
145
|
The Old Cumberland Beggar
|
1
|
0%
|
0
|
0%
|
|
146
|
The Old Cumberland Beggar
|
2
|
0%
|
0
|
0%
|
|
147
|
The Prelude, Book 1: Childhood and School-time
|
7
|
1%
|
0
|
0%
|
|
148
|
The Prelude, Book 2: School-time (Continued)
|
1
|
0%
|
0
|
0%
|
|
149
|
The Prelude. (book V )
|
5
|
0%
|
0
|
0%
|
|
150
|
The Primrose of the Rock
|
2
|
0%
|
0
|
0%
|
|
151
|
The Prioress’s Tale [from Chaucer]
|
2
|
0%
|
0
|
0%
|
|
152
|
The Rainbow
|
4
|
0%
|
0
|
0%
|
|
153
|
The Rainbow
|
2
|
0%
|
0
|
0%
|
|
154
|
The Reaper
|
3
|
0%
|
0
|
0%
|
|
155
|
The Recluse - Book First
|
2
|
0%
|
0
|
0%
|
|
156
|
The Reverie of Poor Susan
|
2
|
0%
|
0
|
0%
|
|
157
|
The Russian Fugitive
|
2
|
0%
|
0
|
0%
|
|
158
|
The Russian Fugitive
|
2
|
0%
|
0
|
0%
|
|
159
|
The Sailor's Mother
|
4
|
0%
|
0
|
0%
|
|
160
|
The Seven Sisters
|
2
|
0%
|
0
|
0%
|
|
161
|
The Shepherd, Looking Eastward, Softly Said
|
4
|
0%
|
0
|
0%
|
|
162
|
The Simplon Pass
|
1
|
0%
|
0
|
0%
|
|
163
|
The Simplon Pass
|
2
|
0%
|
0
|
0%
|
|
164
|
The Solitary Reaper
|
57
|
9%
|
0
|
0%
|
|
165
|
The Solitary Reaper
|
41
|
6%
|
0
|
0%
|
|
166
|
The Sonnet i
|
4
|
0%
|
0
|
0%
|
|
167
|
The Sonnet ii
|
2
|
0%
|
0
|
0%
|
|
168
|
The Sparrow's Nest
|
5
|
0%
|
0
|
0%
|
|
169
|
The Sparrow's Nest
|
4
|
0%
|
0
|
0%
|
|
170
|
The Sparrow's Nest
|
2
|
0%
|
0
|
0%
|
|
171
|
The Sun Has Long Been Set
|
5
|
0%
|
0
|
0%
|
|
172
|
The Table Turned
|
6
|
0%
|
0
|
0%
|
|
173
|
The Tables Turned
|
6
|
0%
|
0
|
0%
|
|
174
|
The Two April Mornings
|
2
|
0%
|
0
|
0%
|
|
175
|
The Virgin
|
7
|
1%
|
0
|
0%
|
|
176
|
The Waggoner - Canto First
|
4
|
0%
|
0
|
0%
|
|
177
|
The Waggoner - Canto Third
|
2
|
0%
|
0
|
0%
|
|
178
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fourth
|
2
|
0%
|
0
|
0%
|
|
179
|
The World
|
1
|
0%
|
0
|
0%
|
|
180
|
The World Is To Much With Us
|
3
|
0%
|
0
|
0%
|
|
181
|
The World is Too Much With Us
|
10
|
1%
|
0
|
0%
|
|
182
|
The world is too much with us; late and soon
|
28
|
4%
|
0
|
0%
|
|
183
|
The world is too much with us; late and soon
|
4
|
0%
|
0
|
0%
|
|
184
|
There Is A Bondage Worse, Far Worse, To Bear
|
3
|
0%
|
0
|
0%
|
|
185
|
There is an Eminence,--of these our hills
|
10
|
1%
|
0
|
0%
|
|
186
|
There was a Boy
|
8
|
1%
|
0
|
0%
|
|
187
|
Three Years She Grew
|
2
|
0%
|
0
|
0%
|
|
188
|
Three years she grew in sun and shower,
|
24
|
3%
|
0
|
0%
|
|
189
|
Three Years She Grew in Sun and Shower,
|
1
|
0%
|
0
|
0%
|
|
190
|
'Tis said, that some have died for love
|
24
|
3%
|
0
|
0%
|
|
191
|
To A Butterfly
|
5
|
0%
|
0
|
0%
|
|
192
|
To A Butterfly (2)
|
6
|
0%
|
0
|
0%
|
|
193
|
To A Butterfly (first poem)
|
4
|
0%
|
0
|
0%
|
|
194
|
To A Butterfly (second poem)
|
1
|
0%
|
0
|
0%
|
|
195
|
To A Distant Friend
|
2
|
0%
|
0
|
0%
|
|
196
|
To a Skylark
|
1
|
0%
|
0
|
0%
|
|
197
|
To Joanna
|
2
|
0%
|
0
|
0%
|
|
198
|
To M.H.
|
1
|
0%
|
0
|
0%
|
|
199
|
To Mary
|
1
|
0%
|
0
|
0%
|
|
200
|
To May
|
2
|
0%
|
0
|
0%
|
|
201
|
To My Sister
|
5
|
0%
|
0
|
0%
|
|
202
|
To Sleep
|
5
|
0%
|
0
|
0%
|
|
203
|
To The Cuckoo
|
5
|
0%
|
0
|
0%
|
|
204
|
To The Daisy (first poem)
|
7
|
1%
|
0
|
0%
|
|
205
|
To The Daisy (fourth poem)
|
2
|
0%
|
0
|
0%
|
|
206
|
To The Same Flower (second poem)
|
2
|
0%
|
0
|
0%
|
|
207
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
2
|
0%
|
0
|
0%
|
|
208
|
Upon Westminster Bridge
|
7
|
1%
|
0
|
0%
|
|
209
|
We are Seven
|
2
|
0%
|
0
|
0%
|
|
210
|
With ships the sea was sprinkled far and nigh
|
22
|
3%
|
0
|
0%
|
|
211
|
Written In Germany On One Of The Coldest Days Of The Century
|
2
|
0%
|
0
|
0%
|
|
212
|
Written in Germany, On One of The Coldest Days Of The Century
|
2
|
0%
|
0
|
0%
|
|
213
|
Written in March
|
8
|
1%
|
0
|
0%
|
|
214
|
Written In Very Early Youth
|
1
|
0%
|
0
|
0%
|
|
215
|
Written Upon A Blank Leaf In
|
1
|
0%
|
0
|
0%
|
|
216
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
1
|
0%
|
0
|
0%
|
|
217
|
Yarrow Revisited
|
1
|
0%
|
0
|
0%
|
|
218
|
Yarrow Unvisited
|
3
|
0%
|
0
|
0%
|
|
219
|
Yarrow Visited
|
3
|
0%
|
0
|
0%
|
|
220
|
Yes! Thou Art Fair, Yet Be Not Moved
|
3
|
0%
|
0
|
0%
|
|
221
|
Yes, It Was The Mountain Echo
|
3
|
0%
|
0
|
0%
|