|
1
|
A Character
|
29
|
2%
|
0
|
0%
|
|
2
|
A Complaint
|
4
|
0%
|
0
|
0%
|
|
3
|
A Farewell
|
12
|
1%
|
0
|
0%
|
|
4
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
1
|
0%
|
0
|
0%
|
|
5
|
A Morning Exercise
|
1
|
0%
|
0
|
0%
|
|
6
|
A Night Thought
|
6
|
0%
|
0
|
0%
|
|
7
|
A Night-Piece
|
2
|
0%
|
0
|
0%
|
|
8
|
A Parsonage In Oxfordshire
|
3
|
0%
|
0
|
0%
|
|
9
|
A Slumber Did My Spirit Seal
|
7
|
0%
|
0
|
0%
|
|
10
|
A Whirl-Blast from Behind The Hill
|
6
|
0%
|
0
|
0%
|
|
11
|
A Whirl-Blast from Behind the Hill
|
1
|
0%
|
0
|
0%
|
|
12
|
A Wren's Nest
|
7
|
0%
|
0
|
0%
|
|
13
|
Alas! What Boots The Long Laborious Quest
|
1
|
0%
|
0
|
0%
|
|
14
|
Alice Fell, Or Poverty
|
1
|
0%
|
0
|
0%
|
|
15
|
An Evening Walk, Addressed to a Young Lady
|
7
|
0%
|
0
|
0%
|
|
16
|
Andrew Jones
|
1
|
0%
|
0
|
0%
|
|
17
|
Anecdote For Fathers
|
2
|
0%
|
0
|
0%
|
|
18
|
Animal Tranquillity and Decay
|
2
|
0%
|
0
|
0%
|
|
19
|
Anticipation, October 1803
|
1
|
0%
|
0
|
0%
|
|
20
|
Beggars
|
2
|
0%
|
0
|
0%
|
|
21
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
1
|
0%
|
0
|
0%
|
|
22
|
Book Fifth-Books
|
3
|
0%
|
0
|
0%
|
|
23
|
Book First [Introduction-Childhood and School Time]
|
1
|
0%
|
0
|
0%
|
|
24
|
Book Fourth [Summer Vacation]
|
2
|
0%
|
0
|
0%
|
|
25
|
Book Thirteenth [Imagination And Taste, How Impaired And Restored Concluded]
|
1
|
0%
|
0
|
0%
|
|
26
|
By the Seaside
|
5
|
0%
|
0
|
0%
|
|
27
|
Calais, August 1802
|
3
|
0%
|
0
|
0%
|
|
28
|
Calm is all nature as a resting wheel
|
55
|
5%
|
0
|
0%
|
|
29
|
Character of the Happy Warrior
|
2
|
0%
|
0
|
0%
|
|
30
|
Characteristics Of A Child Three Years Old
|
1
|
0%
|
0
|
0%
|
|
31
|
Composed During a Storm
|
1
|
0%
|
0
|
0%
|
|
32
|
Composed Upon Westminster Bridge, September 3, 1802
|
3
|
0%
|
0
|
0%
|
|
33
|
Daffodils
|
433
|
43%
|
0
|
0%
|
|
34
|
Desideria
|
6
|
0%
|
0
|
0%
|
|
35
|
Elegiac Stanzas
|
14
|
1%
|
0
|
0%
|
|
36
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
4
|
0%
|
0
|
0%
|
|
37
|
Ellen Irwin
|
2
|
0%
|
0
|
0%
|
|
38
|
England iv
|
1
|
0%
|
0
|
0%
|
|
39
|
Evening on Calais Beach
|
2
|
0%
|
0
|
0%
|
|
40
|
Expostulation and Reply
|
4
|
0%
|
0
|
0%
|
|
41
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
3
|
0%
|
0
|
0%
|
|
42
|
For The Spot Where The Hermitage Stood on St. Herbert's Island, Derwentwater.
|
2
|
0%
|
0
|
0%
|
|
43
|
From The Cuckoo And The Nightingale
|
3
|
0%
|
0
|
0%
|
|
44
|
George and Sarah Green
|
1
|
0%
|
0
|
0%
|
|
45
|
Guilt and Sorrow
|
4
|
0%
|
0
|
0%
|
|
46
|
Hart-Leap Well
|
1
|
0%
|
0
|
0%
|
|
47
|
I Know an Old Man Constrained to Dwell
|
2
|
0%
|
0
|
0%
|
|
48
|
I Travelled Among Unknown Men
|
2
|
0%
|
0
|
0%
|
|
49
|
I Wandered Lonely as a Cloud
|
9
|
0%
|
0
|
0%
|
|
50
|
I wandered lonely as a cloud
|
994
|
100%
|
0
|
0%
|
|
51
|
Inscriptions Written with a Slate Pencil upon a Stone
|
1
|
0%
|
0
|
0%
|
|
52
|
It Is a Beauteous Evening
|
15
|
1%
|
0
|
0%
|
|
53
|
It Is a Beauteous Evening
|
1
|
0%
|
0
|
0%
|
|
54
|
It is not to be Thought of
|
1
|
0%
|
0
|
0%
|
|
55
|
It was an April morning: fresh and clear
|
1
|
0%
|
0
|
0%
|
|
56
|
It was an April morning: fresh and clear
|
1
|
0%
|
0
|
0%
|
|
57
|
Lines Written In Early Spring
|
3
|
0%
|
0
|
0%
|
|
58
|
Lines Written In Early Spring
|
3
|
0%
|
0
|
0%
|
|
59
|
London, 1802
|
6
|
0%
|
0
|
0%
|
|
60
|
Lucy
|
2
|
0%
|
0
|
0%
|
|
61
|
Lucy Gray
|
5
|
0%
|
0
|
0%
|
|
62
|
Lucy i
|
1
|
0%
|
0
|
0%
|
|
63
|
Maternal Grief
|
1
|
0%
|
0
|
0%
|
|
64
|
Memorials Of A Tour In Scotland,
|
1
|
0%
|
0
|
0%
|
|
65
|
Memorials Of A Tour In Scotland, 1803 XII. Sonnet Composed At ---- Castle
|
1
|
0%
|
0
|
0%
|
|
66
|
Memory
|
1
|
0%
|
0
|
0%
|
|
67
|
Michael: A Pastoral Poem
|
2
|
0%
|
0
|
0%
|
|
68
|
Most Sweet it is
|
4
|
0%
|
0
|
0%
|
|
69
|
Mutability
|
1
|
0%
|
0
|
0%
|
|
70
|
My Heart Leaps Up
|
49
|
4%
|
0
|
0%
|
|
71
|
November 1813
|
1
|
0%
|
0
|
0%
|
|
72
|
November, 1806
|
2
|
0%
|
0
|
0%
|
|
73
|
Nuns Fret Not at Their Convent's Narrow Room
|
25
|
2%
|
0
|
0%
|
|
74
|
O Nightingale! Thou Surely Art
|
2
|
0%
|
0
|
0%
|
|
75
|
Oak and The Broom, The: A Pastoral Poem
|
4
|
0%
|
0
|
0%
|
|
76
|
Ode Composed On A May Morning
|
4
|
0%
|
0
|
0%
|
|
77
|
Ode On Intimations Of Immortality
|
9
|
0%
|
0
|
0%
|
|
78
|
Ode, Composed On A May Morning
|
2
|
0%
|
0
|
0%
|
|
79
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
5
|
0%
|
0
|
0%
|
|
80
|
Ode: Intimations of Immortality
|
5
|
0%
|
0
|
0%
|
|
81
|
Perfect Woman
|
16
|
1%
|
0
|
0%
|
|
82
|
Peter Bell, A Tale
|
4
|
0%
|
0
|
0%
|
|
83
|
Pet-Lamb, The: A Pastoral Poem
|
7
|
0%
|
0
|
0%
|
|
84
|
Picture of Daniel in the Lion's Den at Hamilton Palace
|
1
|
0%
|
0
|
0%
|
|
85
|
Power Of Music
|
4
|
0%
|
0
|
0%
|
|
86
|
Resolution and Independence
|
2
|
0%
|
0
|
0%
|
|
87
|
Scorn Not the Sonnet
|
1
|
0%
|
0
|
0%
|
|
88
|
September 1, 1802
|
1
|
0%
|
0
|
0%
|
|
89
|
She dwelt among the untrodden ways
|
59
|
5%
|
0
|
0%
|
|
90
|
She Dwelt Among the Untrodden Ways
|
1
|
0%
|
0
|
0%
|
|
91
|
She was a phantom of delight
|
16
|
1%
|
0
|
0%
|
|
92
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
|
93
|
Song Of The Spinning Wheel
|
1
|
0%
|
0
|
0%
|
|
94
|
Sonnet: On seeing Miss Helen Maria Williams weep at a tale of distress
|
1
|
0%
|
0
|
0%
|
|
95
|
Speak!
|
2
|
0%
|
0
|
0%
|
|
96
|
Stepping Westward
|
6
|
0%
|
0
|
0%
|
|
97
|
Strange fits of passion have I known
|
29
|
2%
|
0
|
0%
|
|
98
|
Surprised by joy — impatient as the Wind
|
10
|
1%
|
0
|
0%
|
|
99
|
Sweet Was The Walk
|
1
|
0%
|
0
|
0%
|
|
100
|
The Birth of Love
|
3
|
0%
|
0
|
0%
|
|
101
|
The Birth Of Love
|
1
|
0%
|
0
|
0%
|
|
102
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
103
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
104
|
The Childless Father
|
1
|
0%
|
0
|
0%
|
|
105
|
The Complaint Of a Forsaken Indian Woman
|
3
|
0%
|
0
|
0%
|
|
106
|
The Danish Boy: A Fragment
|
3
|
0%
|
0
|
0%
|
|
107
|
The Fairest, Brightest, Hues Of Ether Fade
|
2
|
0%
|
0
|
0%
|
|
108
|
The Forsaken
|
2
|
0%
|
0
|
0%
|
|
109
|
The French And the Spanish Guerillas
|
1
|
0%
|
0
|
0%
|
|
110
|
The French Revolution as it appeared to Enthusiasts
|
3
|
0%
|
0
|
0%
|
|
111
|
The Idiot Boy
|
2
|
0%
|
0
|
0%
|
|
112
|
The Idle Shepherd Boys
|
1
|
0%
|
0
|
0%
|
|
113
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
|
114
|
The Last Of The Flock
|
2
|
0%
|
0
|
0%
|
|
115
|
The Martial Courage Of A Day Is Vain
|
1
|
0%
|
0
|
0%
|
|
116
|
The Oak And The Broom
|
1
|
0%
|
0
|
0%
|
|
117
|
The Old Cumberland Beggar
|
2
|
0%
|
0
|
0%
|
|
118
|
The Prelude, Book 1: Childhood and School-time
|
41
|
4%
|
0
|
0%
|
|
119
|
The Prelude, Book 2: School-time (Continued)
|
2
|
0%
|
0
|
0%
|
|
120
|
The Prelude. (book V )
|
5
|
0%
|
0
|
0%
|
|
121
|
The Primrose of the Rock
|
2
|
0%
|
0
|
0%
|
|
122
|
The Prioress’s Tale [from Chaucer]
|
1
|
0%
|
0
|
0%
|
|
123
|
The Rainbow
|
4
|
0%
|
0
|
0%
|
|
124
|
The Reaper
|
6
|
0%
|
0
|
0%
|
|
125
|
The Recluse - Book First
|
6
|
0%
|
0
|
0%
|
|
126
|
The Reverie of Poor Susan
|
1
|
0%
|
0
|
0%
|
|
127
|
The Simplon Pass
|
3
|
0%
|
0
|
0%
|
|
128
|
The Solitary Reaper
|
65
|
6%
|
0
|
0%
|
|
129
|
The Solitary Reaper
|
28
|
2%
|
0
|
0%
|
|
130
|
The Sonnet ii
|
1
|
0%
|
0
|
0%
|
|
131
|
The Sparrow's Nest
|
14
|
1%
|
0
|
0%
|
|
132
|
The Stars Are Mansions Built By Nature's Hand
|
3
|
0%
|
0
|
0%
|
|
133
|
The Sun Has Long Been Set
|
7
|
0%
|
0
|
0%
|
|
134
|
The Tables Turned
|
5
|
0%
|
0
|
0%
|
|
135
|
The Thorn
|
1
|
0%
|
0
|
0%
|
|
136
|
The Two April Mornings
|
8
|
0%
|
0
|
0%
|
|
137
|
The Virgin
|
3
|
0%
|
0
|
0%
|
|
138
|
The Waggoner - Canto Fourth
|
4
|
0%
|
0
|
0%
|
|
139
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication
|
1
|
0%
|
0
|
0%
|
|
140
|
The Wishing-gate
|
1
|
0%
|
0
|
0%
|
|
141
|
The World Is To Much With Us
|
3
|
0%
|
0
|
0%
|
|
142
|
The World is Too Much With Us
|
35
|
3%
|
0
|
0%
|
|
143
|
The world is too much with us; late and soon
|
6
|
0%
|
0
|
0%
|
|
144
|
The world is too much with us; late and soon
|
3
|
0%
|
0
|
0%
|
|
145
|
There is an Eminence,--of these our hills
|
5
|
0%
|
0
|
0%
|
|
146
|
Those Words Were Uttered As In Pensive Mood
|
1
|
0%
|
0
|
0%
|
|
147
|
Three Years She Grew
|
1
|
0%
|
0
|
0%
|
|
148
|
Three years she grew in sun and shower,
|
9
|
0%
|
0
|
0%
|
|
149
|
'Tis said, that some have died for love
|
2
|
0%
|
0
|
0%
|
|
150
|
To A Butterfly
|
10
|
1%
|
0
|
0%
|
|
151
|
To A Butterfly (2)
|
33
|
3%
|
0
|
0%
|
|
152
|
To A Butterfly (first poem)
|
10
|
1%
|
0
|
0%
|
|
153
|
To A Distant Friend
|
4
|
0%
|
0
|
0%
|
|
154
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
2
|
0%
|
0
|
0%
|
|
155
|
To a Skylark
|
3
|
0%
|
0
|
0%
|
|
156
|
To Joanna
|
3
|
0%
|
0
|
0%
|
|
157
|
To Mary
|
3
|
0%
|
0
|
0%
|
|
158
|
To May
|
3
|
0%
|
0
|
0%
|
|
159
|
To My Sister
|
6
|
0%
|
0
|
0%
|
|
160
|
To The Cuckoo
|
10
|
1%
|
0
|
0%
|
|
161
|
To The Daisy (2)
|
2
|
0%
|
0
|
0%
|
|
162
|
To The Daisy (first poem)
|
8
|
0%
|
0
|
0%
|
|
163
|
To The Daisy (fourth poem)
|
1
|
0%
|
0
|
0%
|
|
164
|
To The Daisy (third poem)
|
1
|
0%
|
0
|
0%
|
|
165
|
To The Same Flower (second poem)
|
3
|
0%
|
0
|
0%
|
|
166
|
To The Small Celandine
|
2
|
0%
|
0
|
0%
|
|
167
|
Upon Westminster Bridge
|
7
|
0%
|
0
|
0%
|
|
168
|
Vaudracour And Julia
|
1
|
0%
|
0
|
0%
|
|
169
|
Vernal Ode
|
1
|
0%
|
0
|
0%
|
|
170
|
We are Seven
|
4
|
0%
|
0
|
0%
|
|
171
|
With ships the sea was sprinkled far and nigh
|
3
|
0%
|
0
|
0%
|
|
172
|
Written in March
|
6
|
0%
|
0
|
0%
|
|
173
|
Yarrow Revisited
|
1
|
0%
|
0
|
0%
|
|
174
|
Yarrow Unvisited
|
3
|
0%
|
0
|
0%
|