|
1
|
A Character
|
352
|
40%
|
0
|
0%
|
|
2
|
A Complaint
|
156
|
17%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
73
|
8%
|
0
|
0%
|
|
4
|
A Farewell
|
237
|
26%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
77
|
8%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
48
|
5%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
39
|
4%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
156
|
17%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
39
|
4%
|
0
|
0%
|
|
10
|
A Night Thought
|
225
|
25%
|
0
|
0%
|
|
11
|
A Night-Piece
|
176
|
20%
|
0
|
0%
|
|
12
|
A Parsonage In Oxfordshire
|
37
|
4%
|
0
|
0%
|
|
13
|
A Poet! He Hath Put his Heart to School
|
40
|
4%
|
0
|
0%
|
|
14
|
A Poet's Epitaph
|
59
|
6%
|
0
|
0%
|
|
15
|
A Prophecy. February 1807
|
16
|
1%
|
0
|
0%
|
|
16
|
A Sketch
|
102
|
11%
|
0
|
0%
|
|
17
|
A Slumber Did My Spirit Seal
|
35
|
3%
|
0
|
0%
|
|
18
|
A Whirl-Blast from Behind The Hill
|
23
|
2%
|
0
|
0%
|
|
19
|
A Wren's Nest
|
49
|
5%
|
0
|
0%
|
|
20
|
Address To Kilchurn Castle, Upon Loch Awe
|
12
|
1%
|
0
|
0%
|
|
21
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
8
|
0%
|
0
|
0%
|
|
22
|
Address To The Scholars Of The Village School Of ----
|
6
|
0%
|
0
|
0%
|
|
23
|
Admonition
|
16
|
1%
|
0
|
0%
|
|
24
|
Advance – Come Forth From Thy Tyrolean Ground
|
4
|
0%
|
0
|
0%
|
|
25
|
After-Thought
|
15
|
1%
|
0
|
0%
|
|
26
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
6
|
0%
|
0
|
0%
|
|
27
|
Alas! What Boots The Long Laborious Quest
|
3
|
0%
|
0
|
0%
|
|
28
|
Alice Fell, Or Poverty
|
9
|
1%
|
0
|
0%
|
|
29
|
Among All Lovely Things My Love Had Been
|
13
|
1%
|
0
|
0%
|
|
30
|
An Evening Walk, Addressed to a Young Lady
|
8
|
0%
|
0
|
0%
|
|
31
|
And Is It Among Rude Untutored Dales
|
1
|
0%
|
0
|
0%
|
|
32
|
Andrew Jones
|
11
|
1%
|
0
|
0%
|
|
33
|
Anecdote For Fathers
|
5
|
0%
|
0
|
0%
|
|
34
|
Animal Tranquillity and Decay
|
8
|
0%
|
0
|
0%
|
|
35
|
Anticipation, October 1803
|
3
|
0%
|
0
|
0%
|
|
36
|
Artegal And Elidure
|
1
|
0%
|
0
|
0%
|
|
37
|
At Applewaite, Near Keswick 1804
|
1
|
0%
|
0
|
0%
|
|
38
|
Avaunt All Specious Pliancy Of Mind
|
1
|
0%
|
0
|
0%
|
|
39
|
Beggars
|
40
|
4%
|
0
|
0%
|
|
40
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
10
|
1%
|
0
|
0%
|
|
41
|
Book Eleventh: France [concluded]
|
2
|
0%
|
0
|
0%
|
|
42
|
Book Fifth-Books
|
2
|
0%
|
0
|
0%
|
|
43
|
Book First [Introduction-Childhood and School Time]
|
3
|
0%
|
0
|
0%
|
|
44
|
Book Fourteenth [conclusion]
|
1
|
0%
|
0
|
0%
|
|
45
|
Book Fourth [Summer Vacation]
|
4
|
0%
|
0
|
0%
|
|
46
|
Book Second [School-Time Continued]
|
1
|
0%
|
0
|
0%
|
|
47
|
Book Seventh [Residence in London]
|
3
|
0%
|
0
|
0%
|
|
48
|
Book Twelfth [Imagination And Taste, How Impaired And Restored ]
|
1
|
0%
|
0
|
0%
|
|
49
|
Bothwell Castle
|
4
|
0%
|
0
|
0%
|
|
50
|
Brave Schill! By Death Delivered
|
2
|
0%
|
0
|
0%
|
|
51
|
British Freedom
|
12
|
1%
|
0
|
0%
|
|
52
|
By Moscow Self-Devoted To A Blaze
|
3
|
0%
|
0
|
0%
|
|
53
|
By the Seaside
|
31
|
3%
|
0
|
0%
|
|
54
|
By The Side Of The Grave Some Years After
|
6
|
0%
|
0
|
0%
|
|
55
|
Calais, August 15, 1802
|
2
|
0%
|
0
|
0%
|
|
56
|
Calais, August 1802
|
2
|
0%
|
0
|
0%
|
|
57
|
Call Not The Royal Swede Unfortunate
|
3
|
0%
|
0
|
0%
|
|
58
|
Calm is all nature as a resting wheel
|
53
|
6%
|
0
|
0%
|
|
59
|
Calm is all Nature as a Resting Wheel.
|
7
|
0%
|
0
|
0%
|
|
60
|
Character of the Happy Warrior
|
5
|
0%
|
0
|
0%
|
|
61
|
Characteristics Of A Child Three Years Old
|
6
|
0%
|
0
|
0%
|
|
62
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
2
|
0%
|
0
|
0%
|
|
63
|
Composed By The Sea-Side, Near Calais, August 1802
|
1
|
0%
|
0
|
0%
|
|
64
|
Composed By The Side Of Grasmere Lake 1806
|
3
|
0%
|
0
|
0%
|
|
65
|
Composed During a Storm
|
6
|
0%
|
0
|
0%
|
|
66
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
2
|
0%
|
0
|
0%
|
|
67
|
Composed Upon Westminster Bridge, September 3, 1802
|
30
|
3%
|
0
|
0%
|
|
68
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
2
|
0%
|
0
|
0%
|
|
69
|
Daffodils
|
879
|
100%
|
0
|
0%
|
|
70
|
Desideria
|
14
|
1%
|
0
|
0%
|
|
71
|
Dion
|
4
|
0%
|
0
|
0%
|
|
72
|
Elegiac Stanzas
|
5
|
0%
|
0
|
0%
|
|
73
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
1
|
0%
|
0
|
0%
|
|
74
|
Ellen Irwin
|
1
|
0%
|
0
|
0%
|
|
75
|
Emperors And Kings, How Oft Have Temples Rung
|
1
|
0%
|
0
|
0%
|
|
76
|
England i
|
1
|
0%
|
0
|
0%
|
|
77
|
England ii
|
1
|
0%
|
0
|
0%
|
|
78
|
England iii
|
1
|
0%
|
0
|
0%
|
|
79
|
England! The Time Is Come When Thou Should’st Wean
|
2
|
0%
|
0
|
0%
|
|
80
|
Epitaphs Translated From Chiabrera
|
1
|
0%
|
0
|
0%
|
|
81
|
Even As A Dragon’s Eye That Feels The Stress
|
1
|
0%
|
0
|
0%
|
|
82
|
Evening on Calais Beach
|
1
|
0%
|
0
|
0%
|
|
83
|
Expostulation and Reply
|
10
|
1%
|
0
|
0%
|
|
84
|
Extempore Effusion upon the Death of James Hogg
|
2
|
0%
|
0
|
0%
|
|
85
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
4
|
0%
|
0
|
0%
|
|
86
|
Feelings of A French Royalist, On The Disinterment Of The Remains Of The Duke D’Enghien
|
1
|
0%
|
0
|
0%
|
|
87
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
0%
|
0
|
0%
|
|
88
|
Feelings Of The Tyrolese
|
1
|
0%
|
0
|
0%
|
|
89
|
Fidelity
|
12
|
1%
|
0
|
0%
|
|
90
|
For The Spot Where The Hermitage Stood on St. Herbert's Island, Derwentwater.
|
1
|
0%
|
0
|
0%
|
|
91
|
Foresight
|
13
|
1%
|
0
|
0%
|
|
92
|
Fountain, The: A Conversation
|
5
|
0%
|
0
|
0%
|
|
93
|
From The Cuckoo And The Nightingale
|
5
|
0%
|
0
|
0%
|
|
94
|
From The Dark Chambers Of Dejection Freed
|
5
|
0%
|
0
|
0%
|
|
95
|
From The Italian Of Michael Angelo
|
1
|
0%
|
0
|
0%
|
|
96
|
George and Sarah Green
|
1
|
0%
|
0
|
0%
|
|
97
|
Gipsies
|
9
|
1%
|
0
|
0%
|
|
98
|
Goody Blake and Harry Gill
|
2
|
0%
|
0
|
0%
|
|
99
|
Guilt and Sorrow
|
12
|
1%
|
0
|
0%
|
|
100
|
Hail, Twilight, Sovereign Of One Peaceful Hour
|
3
|
0%
|
0
|
0%
|
|
101
|
Hail, Zaragoza! If With Unwet eye
|
1
|
0%
|
0
|
0%
|
|
102
|
Hart-Leap Well
|
4
|
0%
|
0
|
0%
|
|
103
|
Here Pause: The Poet Claims At Least This Praise
|
2
|
0%
|
0
|
0%
|
|
104
|
Hint From The Mountains For Certain Political Pretenders
|
2
|
0%
|
0
|
0%
|
|
105
|
Hoffer
|
3
|
0%
|
0
|
0%
|
|
106
|
How Sweet It Is, When Mother Fancy Rocks
|
3
|
0%
|
0
|
0%
|
|
107
|
I Grieved For Buonaparte
|
3
|
0%
|
0
|
0%
|
|
108
|
I Know an Old Man Constrained to Dwell
|
5
|
0%
|
0
|
0%
|
|
109
|
I Travelled Among Unknown Men
|
15
|
1%
|
0
|
0%
|
|
110
|
I wandered lonely as a cloud
|
615
|
69%
|
0
|
0%
|
|
111
|
In Due Observance Of An Ancient Rite
|
5
|
0%
|
0
|
0%
|
|
112
|
In The Pass Of Killicranky
|
4
|
0%
|
0
|
0%
|
|
113
|
Incident Characteristic Of A Favorite Dog
|
4
|
0%
|
0
|
0%
|
|
114
|
Indignation Of A High-Minded Spaniard
|
3
|
0%
|
0
|
0%
|
|
115
|
Influence of Natural Objects
|
5
|
0%
|
0
|
0%
|
|
116
|
Inscriptions For A Seat In The Groves Of Coleorton
|
2
|
0%
|
0
|
0%
|
|
117
|
Inscriptions In The Ground Of Coleorton, The Seat Of Sir George Beaumont, Bart., Leicestershire
|
1
|
0%
|
0
|
0%
|
|
118
|
Inscriptions Written with a Slate Pencil upon a Stone
|
1
|
0%
|
0
|
0%
|
|
119
|
Inside of King's College Chapel, Cambridge
|
1
|
0%
|
0
|
0%
|
|
120
|
Invocation To The Earth, February 1816
|
1
|
0%
|
0
|
0%
|
|
121
|
Is There A Power That Can Sustain And Cheer
|
3
|
0%
|
0
|
0%
|
|
122
|
It Is a Beauteous Evening
|
14
|
1%
|
0
|
0%
|
|
123
|
It is not to be Thought of
|
3
|
0%
|
0
|
0%
|
|
124
|
It was an April morning: fresh and clear
|
6
|
0%
|
0
|
0%
|
|
125
|
Laodamia
|
2
|
0%
|
0
|
0%
|
|
126
|
Lines Composed A Few Miles Above Tintern Abbey
|
16
|
1%
|
0
|
0%
|
|
127
|
Lines Written In Early Spring
|
6
|
0%
|
0
|
0%
|
|
128
|
London, 1802
|
5
|
0%
|
0
|
0%
|
|
129
|
Louisa: After Accompanying Her On A Mountain Excursion
|
1
|
0%
|
0
|
0%
|
|
130
|
Lucy
|
8
|
0%
|
0
|
0%
|
|
131
|
Lucy Gray
|
8
|
0%
|
0
|
0%
|
|
132
|
Lucy i
|
3
|
0%
|
0
|
0%
|
|
133
|
Lucy ii
|
3
|
0%
|
0
|
0%
|
|
134
|
Lucy iii
|
3
|
0%
|
0
|
0%
|
|
135
|
Lucy iv
|
1
|
0%
|
0
|
0%
|
|
136
|
Maternal Grief
|
3
|
0%
|
0
|
0%
|
|
137
|
Matthew
|
4
|
0%
|
0
|
0%
|
|
138
|
Memory
|
9
|
1%
|
0
|
0%
|
|
139
|
Methought I Saw The Footsteps Of A Throne
|
2
|
0%
|
0
|
0%
|
|
140
|
Michael: A Pastoral Poem
|
4
|
0%
|
0
|
0%
|
|
141
|
Minstrels
|
1
|
0%
|
0
|
0%
|
|
142
|
Most Sweet it is
|
7
|
0%
|
0
|
0%
|
|
143
|
Mutability
|
1
|
0%
|
0
|
0%
|
|
144
|
My Heart Leaps Up
|
47
|
5%
|
0
|
0%
|
|
145
|
November 1813
|
1
|
0%
|
0
|
0%
|
|
146
|
Nuns Fret Not at Their Convent's Narrow Room
|
14
|
1%
|
0
|
0%
|
|
147
|
Nutting
|
5
|
0%
|
0
|
0%
|
|
148
|
O Nightingale! Thou Surely Art
|
6
|
0%
|
0
|
0%
|
|
149
|
O’er The Wide Earth, On Mountain And On Plain
|
2
|
0%
|
0
|
0%
|
|
150
|
Occasioned By The Battle Of Waterloo February 1816
|
1
|
0%
|
0
|
0%
|
|
151
|
October, 1803
|
1
|
0%
|
0
|
0%
|
|
152
|
Ode
|
4
|
0%
|
0
|
0%
|
|
153
|
Ode Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
|
154
|
Ode On Intimations Of Immortality
|
8
|
0%
|
0
|
0%
|
|
155
|
Ode to Duty
|
5
|
0%
|
0
|
0%
|
|
156
|
Ode, Composed On A May Morning
|
2
|
0%
|
0
|
0%
|
|
157
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
6
|
0%
|
0
|
0%
|
|
158
|
Ode: Intimations of Immortality
|
6
|
0%
|
0
|
0%
|
|
159
|
On the Extinction of the Venetian Republic
|
1
|
0%
|
0
|
0%
|
|
160
|
On The Same Occasion
|
1
|
0%
|
0
|
0%
|
|
161
|
Perfect Woman
|
25
|
2%
|
0
|
0%
|
|
162
|
Personal Talk
|
7
|
0%
|
0
|
0%
|
|
163
|
Peter Bell, A Tale
|
6
|
0%
|
0
|
0%
|
|
164
|
Pet-Lamb, The: A Pastoral Poem
|
6
|
0%
|
0
|
0%
|
|
165
|
Picture of Daniel in the Lion's Den at Hamilton Palace
|
2
|
0%
|
0
|
0%
|
|
166
|
Power Of Music
|
7
|
0%
|
0
|
0%
|
|
167
|
Repentance
|
3
|
0%
|
0
|
0%
|
|
168
|
Resolution and Independence
|
3
|
0%
|
0
|
0%
|
|
169
|
Scorn Not the Sonnet
|
3
|
0%
|
0
|
0%
|
|
170
|
September 1, 1802
|
2
|
0%
|
0
|
0%
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171
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She dwelt among the untrodden ways
|
2
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0%
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0
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0%
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172
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She Was a Phantom of Delight
|
2
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0%
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0
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0%
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|
173
|
Song Of The Spinning Wheel
|
1
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0%
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0
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0%
|
|
174
|
Sonnet:
|
1
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0%
|
0
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0%
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|
175
|
Sonnet: On seeing Miss Helen Maria Williams weep at a tale of distress
|
1
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0%
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0
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0%
|
|
176
|
Speak!
|
3
|
0%
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0
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0%
|
|
177
|
Stanzas
|
2
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0%
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0
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0%
|
|
178
|
Star-Gazers
|
2
|
0%
|
0
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0%
|
|
179
|
Stepping Westward
|
1
|
0%
|
0
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0%
|
|
180
|
Strange fits of passion have I known
|
31
|
3%
|
0
|
0%
|
|
181
|
Surprised by Joy
|
4
|
0%
|
0
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0%
|
|
182
|
The Birth of Love
|
6
|
0%
|
0
|
0%
|
|
183
|
The Brothers
|
7
|
0%
|
0
|
0%
|
|
184
|
The Childless Father
|
3
|
0%
|
0
|
0%
|
|
185
|
The Eagle and the Dove
|
3
|
0%
|
0
|
0%
|
|
186
|
The Emigrant Mother
|
3
|
0%
|
0
|
0%
|
|
187
|
The Forsaken
|
2
|
0%
|
0
|
0%
|
|
188
|
The Fountain
|
11
|
1%
|
0
|
0%
|
|
189
|
The French Revolution as it appeared to Enthusiasts
|
2
|
0%
|
0
|
0%
|
|
190
|
The Green Linnet
|
2
|
0%
|
0
|
0%
|
|
191
|
The Highland Broach
|
1
|
0%
|
0
|
0%
|
|
192
|
The Horn Of Egremont Castle
|
2
|
0%
|
0
|
0%
|
|
193
|
The Idiot Boy
|
2
|
0%
|
0
|
0%
|
|
194
|
The King Of Sweden
|
1
|
0%
|
0
|
0%
|
|
195
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
|
196
|
The Last of The Flock
|
1
|
0%
|
0
|
0%
|
|
197
|
The Longest Day
|
2
|
0%
|
0
|
0%
|
|
198
|
The Mother's Return
|
3
|
0%
|
0
|
0%
|
|
199
|
The Oak And The Broom
|
3
|
0%
|
0
|
0%
|
|
200
|
The Oak Of Guernica Supposed Address To The Same
|
1
|
0%
|
0
|
0%
|
|
201
|
The Prelude, Book 1: Childhood and School-time
|
21
|
2%
|
0
|
0%
|
|
202
|
The Prelude. (book V )
|
3
|
0%
|
0
|
0%
|
|
203
|
The Rainbow
|
20
|
2%
|
0
|
0%
|
|
204
|
The Reaper
|
4
|
0%
|
0
|
0%
|
|
205
|
The Sailor's Mother
|
1
|
0%
|
0
|
0%
|
|
206
|
The Seven Sisters
|
2
|
0%
|
0
|
0%
|
|
207
|
The Shepherd, Looking Eastward, Softly Said
|
1
|
0%
|
0
|
0%
|
|
208
|
The Simplon Pass
|
1
|
0%
|
0
|
0%
|
|
209
|
The Solitary Reaper
|
134
|
15%
|
0
|
0%
|
|
210
|
The Sonnet i
|
5
|
0%
|
0
|
0%
|
|
211
|
The Sonnet ii
|
2
|
0%
|
0
|
0%
|
|
212
|
The Sparrow's Nest
|
10
|
1%
|
0
|
0%
|
|
213
|
The Stars Are Mansions Built By Nature's Hand
|
3
|
0%
|
0
|
0%
|
|
214
|
The Sun Has Long Been Set
|
7
|
0%
|
0
|
0%
|
|
215
|
The Table Turned
|
1
|
0%
|
0
|
0%
|
|
216
|
The Thorn
|
2
|
0%
|
0
|
0%
|
|
217
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
218
|
The Two Thieves
|
2
|
0%
|
0
|
0%
|
|
219
|
The Virgin
|
4
|
0%
|
0
|
0%
|
|
220
|
The Waterfall and The Eglantine
|
1
|
0%
|
0
|
0%
|
|
221
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication
|
1
|
0%
|
0
|
0%
|
|
222
|
The Wishing Gate
|
3
|
0%
|
0
|
0%
|
|
223
|
The World
|
9
|
1%
|
0
|
0%
|
|
224
|
The World Is To Much With Us
|
14
|
1%
|
0
|
0%
|
|
225
|
The world is too much with us; late and soon
|
54
|
6%
|
0
|
0%
|
|
226
|
There was a Boy
|
5
|
0%
|
0
|
0%
|
|
227
|
Three Years She Grew in Sun and Shower,
|
3
|
0%
|
0
|
0%
|
|
228
|
To A Butterfly
|
24
|
2%
|
0
|
0%
|
|
229
|
To A Butterfly (2)
|
7
|
0%
|
0
|
0%
|
|
230
|
To A Distant Friend
|
11
|
1%
|
0
|
0%
|
|
231
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
2
|
0%
|
0
|
0%
|
|
232
|
To A Sexton
|
1
|
0%
|
0
|
0%
|
|
233
|
To a Sky-Lark
|
1
|
0%
|
0
|
0%
|
|
234
|
To Dora
|
2
|
0%
|
0
|
0%
|
|
235
|
To My Sister
|
3
|
0%
|
0
|
0%
|
|
236
|
To Sir George Howland Beaumont, Bart From the South-West Coast Or Cumberland 1811
|
1
|
0%
|
0
|
0%
|
|
237
|
To Sleep
|
3
|
0%
|
0
|
0%
|
|
238
|
To The Cuckoo
|
10
|
1%
|
0
|
0%
|
|
239
|
To The Daisy (2)
|
2
|
0%
|
0
|
0%
|
|
240
|
To The Daisy (first poem)
|
9
|
1%
|
0
|
0%
|
|
241
|
To The Daisy (fourth poem)
|
1
|
0%
|
0
|
0%
|
|
242
|
To The Daisy (third poem)
|
5
|
0%
|
0
|
0%
|
|
243
|
Upon The Punishment Of Death
|
3
|
0%
|
0
|
0%
|
|
244
|
Upon The Same Event
|
2
|
0%
|
0
|
0%
|
|
245
|
Upon Westminster Bridge
|
12
|
1%
|
0
|
0%
|
|
246
|
Valedictory Sonnet to the River Duddon
|
2
|
0%
|
0
|
0%
|
|
247
|
Vaudracour And Julia
|
9
|
1%
|
0
|
0%
|
|
248
|
We are Seven
|
6
|
0%
|
0
|
0%
|
|
249
|
Weak Is The Will Of Man, His Judgement Blind
|
1
|
0%
|
0
|
0%
|
|
250
|
When I Have Borne In Memory
|
2
|
0%
|
0
|
0%
|
|
251
|
When To The Attractions Of The Busy World
|
3
|
0%
|
0
|
0%
|
|
252
|
Where Lies The Land To Which Yon Ship Must Go?
|
2
|
0%
|
0
|
0%
|
|
253
|
Who Fancied What A Pretty Sight
|
2
|
0%
|
0
|
0%
|
|
254
|
With How Sad Steps, O Moon, Thou Climb'st the Sky
|
1
|
0%
|
0
|
0%
|
|
255
|
With ships the sea was sprinkled
|
1
|
0%
|
0
|
0%
|
|
256
|
With ships the sea was sprinkled far and nigh
|
10
|
1%
|
0
|
0%
|
|
257
|
Written In A Blank Leaf Of Macpherson's Ossian
|
1
|
0%
|
0
|
0%
|
|
258
|
Written in Early Spring
|
3
|
0%
|
0
|
0%
|
|
259
|
Written in Germany, On One of The Coldest Days Of The Century
|
1
|
0%
|
0
|
0%
|
|
260
|
Written in London. September, 1802
|
1
|
0%
|
0
|
0%
|
|
261
|
Written in March
|
17
|
1%
|
0
|
0%
|
|
262
|
Written In Very Early Youth
|
4
|
0%
|
0
|
0%
|
|
263
|
Written Upon A Blank Leaf In
|
1
|
0%
|
0
|
0%
|
|
264
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
5
|
0%
|
0
|
0%
|
|
265
|
Yarrow Revisited
|
1
|
0%
|
0
|
0%
|
|
266
|
Yarrow Unvisited
|
1
|
0%
|
0
|
0%
|
|
267
|
Yarrow Visited
|
1
|
0%
|
0
|
0%
|
|
268
|
Yes! Thou Art Fair, Yet Be Not Moved
|
2
|
0%
|
0
|
0%
|
|
269
|
Yes, It Was The Mountain Echo
|
6
|
0%
|
0
|
0%
|
|
270
|
Yew-Trees
|
6
|
0%
|
0
|
0%
|
|
271
|
Young England--What Is Then Become Of Old
|
3
|
0%
|
0
|
0%
|
