|
1
|
A Character
|
112
|
15%
|
0
|
0%
|
|
2
|
A Complaint
|
74
|
10%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
13
|
1%
|
0
|
0%
|
|
4
|
A Farewell
|
87
|
12%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
42
|
5%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
14
|
1%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
7
|
0%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
36
|
5%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
97
|
13%
|
0
|
0%
|
|
10
|
A Narrow Girdle of Rough Stones and Crags,
|
8
|
1%
|
0
|
0%
|
|
11
|
A Night Thought
|
48
|
6%
|
0
|
0%
|
|
12
|
A Night-Piece
|
20
|
2%
|
0
|
0%
|
|
13
|
A Parsonage In Oxfordshire
|
7
|
0%
|
0
|
0%
|
|
14
|
A Poet! He Hath Put his Heart to School
|
8
|
1%
|
0
|
0%
|
|
15
|
A Poet's Epitaph
|
11
|
1%
|
0
|
0%
|
|
16
|
A Prophecy. February 1807
|
8
|
1%
|
0
|
0%
|
|
17
|
A Sketch
|
25
|
3%
|
0
|
0%
|
|
18
|
A Slumber Did My Spirit Seal
|
12
|
1%
|
0
|
0%
|
|
19
|
A Whirl-Blast from Behind The Hill
|
90
|
12%
|
0
|
0%
|
|
20
|
A Whirl-Blast from Behind the Hill
|
5
|
0%
|
0
|
0%
|
|
21
|
A Wren's Nest
|
4
|
0%
|
0
|
0%
|
|
22
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
1
|
0%
|
0
|
0%
|
|
23
|
Address To The Scholars Of The Village School Of ---
|
1
|
0%
|
0
|
0%
|
|
24
|
Admonition
|
1
|
0%
|
0
|
0%
|
|
25
|
Advance – Come Forth From Thy Tyrolean Ground
|
1
|
0%
|
0
|
0%
|
|
26
|
After-Thought
|
11
|
1%
|
0
|
0%
|
|
27
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
5
|
0%
|
0
|
0%
|
|
28
|
Alice Fell, Or Poverty
|
5
|
0%
|
0
|
0%
|
|
29
|
Among All Lovely Things My Love Had Been
|
8
|
1%
|
0
|
0%
|
|
30
|
An Evening Walk, Addressed to a Young Lady
|
5
|
0%
|
0
|
0%
|
|
31
|
And Is It Among Rude Untutored Dales
|
1
|
0%
|
0
|
0%
|
|
32
|
Andrew Jones
|
2
|
0%
|
0
|
0%
|
|
33
|
Anecdote For Fathers
|
3
|
0%
|
0
|
0%
|
|
34
|
Anticipation, October 1803
|
2
|
0%
|
0
|
0%
|
|
35
|
At Applewaite, Near Keswick 1804
|
1
|
0%
|
0
|
0%
|
|
36
|
Beggars
|
9
|
1%
|
0
|
0%
|
|
37
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
1
|
0%
|
0
|
0%
|
|
38
|
Book Eleventh: France [concluded]
|
1
|
0%
|
0
|
0%
|
|
39
|
Book Fifth-Books
|
2
|
0%
|
0
|
0%
|
|
40
|
Book First [Introduction-Childhood and School Time]
|
5
|
0%
|
0
|
0%
|
|
41
|
Book Fourth [Summer Vacation]
|
4
|
0%
|
0
|
0%
|
|
42
|
Bothwell Castle
|
2
|
0%
|
0
|
0%
|
|
43
|
Brave Schill! By Death Delivered
|
1
|
0%
|
0
|
0%
|
|
44
|
British Freedom
|
8
|
1%
|
0
|
0%
|
|
45
|
By Moscow Self-Devoted To A Blaze
|
1
|
0%
|
0
|
0%
|
|
46
|
By the Seaside
|
18
|
2%
|
0
|
0%
|
|
47
|
By The Side Of The Grave Some Years After
|
2
|
0%
|
0
|
0%
|
|
48
|
Calm is all nature as a resting wheel
|
170
|
23%
|
0
|
0%
|
|
49
|
Calm is all Nature as a Resting Wheel.
|
5
|
0%
|
0
|
0%
|
|
50
|
Character of the Happy Warrior
|
5
|
0%
|
0
|
0%
|
|
51
|
Characteristics Of A Child Three Years Old
|
12
|
1%
|
0
|
0%
|
|
52
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
2
|
0%
|
0
|
0%
|
|
53
|
Composed At The Same Time And On The Same Occasion
|
1
|
0%
|
0
|
0%
|
|
54
|
Composed By The Sea-Side, Near Calais, August 1802
|
3
|
0%
|
0
|
0%
|
|
55
|
Composed By The Side Of Grasmere Lake 1806
|
4
|
0%
|
0
|
0%
|
|
56
|
Composed During a Storm
|
5
|
0%
|
0
|
0%
|
|
57
|
Composed Upon Westminster Bridge, September 3, 1802
|
6
|
0%
|
0
|
0%
|
|
58
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
6
|
0%
|
0
|
0%
|
|
59
|
Daffodils
|
351
|
48%
|
0
|
0%
|
|
60
|
Desideria
|
6
|
0%
|
0
|
0%
|
|
61
|
Dion
|
3
|
0%
|
0
|
0%
|
|
62
|
Elegiac Stanzas
|
3
|
0%
|
0
|
0%
|
|
63
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
3
|
0%
|
0
|
0%
|
|
64
|
Ellen Irwin
|
5
|
0%
|
0
|
0%
|
|
65
|
Emperors And Kings, How Oft Have Temples Rung
|
5
|
0%
|
0
|
0%
|
|
66
|
England i
|
4
|
0%
|
0
|
0%
|
|
67
|
England ii
|
1
|
0%
|
0
|
0%
|
|
68
|
England iii
|
3
|
0%
|
0
|
0%
|
|
69
|
Evening on Calais Beach
|
2
|
0%
|
0
|
0%
|
|
70
|
Expostulation and Reply
|
3
|
0%
|
0
|
0%
|
|
71
|
Fidelity
|
8
|
1%
|
0
|
0%
|
|
72
|
Foresight
|
3
|
0%
|
0
|
0%
|
|
73
|
Fountain, The: A Conversation
|
3
|
0%
|
0
|
0%
|
|
74
|
From The Cuckoo And The Nightingale
|
7
|
0%
|
0
|
0%
|
|
75
|
From The Dark Chambers Of Dejection Freed
|
2
|
0%
|
0
|
0%
|
|
76
|
From The Italian Of Michael Angelo
|
3
|
0%
|
0
|
0%
|
|
77
|
George and Sarah Green
|
2
|
0%
|
0
|
0%
|
|
78
|
Gipsies
|
3
|
0%
|
0
|
0%
|
|
79
|
Guilt and Sorrow
|
4
|
0%
|
0
|
0%
|
|
80
|
Hoffer
|
1
|
0%
|
0
|
0%
|
|
81
|
How Sweet It Is, When Mother Fancy Rocks
|
4
|
0%
|
0
|
0%
|
|
82
|
I Travelled Among Unknown Men
|
4
|
0%
|
0
|
0%
|
|
83
|
I wandered lonely as a cloud
|
717
|
100%
|
0
|
0%
|
|
84
|
I Wandered Lonely as a Cloud
|
8
|
1%
|
0
|
0%
|
|
85
|
Incident Characteristic Of A Favorite Dog
|
1
|
0%
|
0
|
0%
|
|
86
|
Influence of Natural Objects
|
2
|
0%
|
0
|
0%
|
|
87
|
Inside of King's College Chapel, Cambridge
|
1
|
0%
|
0
|
0%
|
|
88
|
It Is a Beauteous Evening
|
1
|
0%
|
0
|
0%
|
|
89
|
It Is a Beauteous Evening
|
6
|
0%
|
0
|
0%
|
|
90
|
It Is No Spirit Who From Heaven Hath Flown
|
3
|
0%
|
0
|
0%
|
|
91
|
It is not to be Thought of
|
6
|
0%
|
0
|
0%
|
|
92
|
It was an April morning: fresh and clear
|
87
|
12%
|
0
|
0%
|
|
93
|
It was an April morning: fresh and clear
|
3
|
0%
|
0
|
0%
|
|
94
|
Laodamia
|
1
|
0%
|
0
|
0%
|
|
95
|
Lines On The Expected Invasion, 1803
|
1
|
0%
|
0
|
0%
|
|
96
|
Lines Written In Early Spring
|
1
|
0%
|
0
|
0%
|
|
97
|
Lines Written In Early Spring
|
1
|
0%
|
0
|
0%
|
|
98
|
London, 1802
|
1
|
0%
|
0
|
0%
|
|
99
|
Lucy
|
15
|
2%
|
0
|
0%
|
|
100
|
Lucy Gray
|
3
|
0%
|
0
|
0%
|
|
101
|
Lucy i
|
1
|
0%
|
0
|
0%
|
|
102
|
Maternal Grief
|
1
|
0%
|
0
|
0%
|
|
103
|
Memory
|
2
|
0%
|
0
|
0%
|
|
104
|
Methought I Saw The Footsteps Of A Throne
|
2
|
0%
|
0
|
0%
|
|
105
|
Michael: A Pastoral Poem
|
5
|
0%
|
0
|
0%
|
|
106
|
My Heart Leaps Up
|
19
|
2%
|
0
|
0%
|
|
107
|
Nuns Fret Not at Their Convent's Narrow Room
|
3
|
0%
|
0
|
0%
|
|
108
|
O Nightingale! Thou Surely Art
|
1
|
0%
|
0
|
0%
|
|
109
|
October, 1803
|
1
|
0%
|
0
|
0%
|
|
110
|
Ode
|
5
|
0%
|
0
|
0%
|
|
111
|
Ode Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
|
112
|
Ode On Intimations Of Immortality
|
9
|
1%
|
0
|
0%
|
|
113
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
2
|
0%
|
0
|
0%
|
|
114
|
On the Extinction of the Venetian Republic
|
1
|
0%
|
0
|
0%
|
|
115
|
On The Final Submission Of The Tyrolese
|
2
|
0%
|
0
|
0%
|
|
116
|
On The Same Occasion
|
2
|
0%
|
0
|
0%
|
|
117
|
Perfect Woman
|
12
|
1%
|
0
|
0%
|
|
118
|
Personal Talk
|
1
|
0%
|
0
|
0%
|
|
119
|
Pet-Lamb, The: A Pastoral Poem
|
3
|
0%
|
0
|
0%
|
|
120
|
Power Of Music
|
10
|
1%
|
0
|
0%
|
|
121
|
Repentance
|
1
|
0%
|
0
|
0%
|
|
122
|
Ruth
|
4
|
0%
|
0
|
0%
|
|
123
|
Scorn Not the Sonnet
|
1
|
0%
|
0
|
0%
|
|
124
|
She dwelt among the untrodden ways
|
72
|
10%
|
0
|
0%
|
|
125
|
She Dwelt Among the Untrodden Ways
|
1
|
0%
|
0
|
0%
|
|
126
|
She was a phantom of delight
|
82
|
11%
|
0
|
0%
|
|
127
|
She Was a Phantom of Delight
|
1
|
0%
|
0
|
0%
|
|
128
|
Simon Lee: The Old Huntsman
|
2
|
0%
|
0
|
0%
|
|
129
|
Song Of The Spinning Wheel
|
1
|
0%
|
0
|
0%
|
|
130
|
Speak!
|
2
|
0%
|
0
|
0%
|
|
131
|
Star-Gazers
|
1
|
0%
|
0
|
0%
|
|
132
|
Stepping Westward
|
2
|
0%
|
0
|
0%
|
|
133
|
Strange fits of passion have I known
|
42
|
5%
|
0
|
0%
|
|
134
|
Strange Fits of Passion Have I Known
|
1
|
0%
|
0
|
0%
|
|
135
|
Stray Pleasures
|
1
|
0%
|
0
|
0%
|
|
136
|
Surprised by Joy
|
4
|
0%
|
0
|
0%
|
|
137
|
Surprised by joy — impatient as the Wind
|
44
|
6%
|
0
|
0%
|
|
138
|
Sweet Was The Walk
|
1
|
0%
|
0
|
0%
|
|
139
|
The Birth Of Love
|
8
|
1%
|
0
|
0%
|
|
140
|
The Birth of Love
|
13
|
1%
|
0
|
0%
|
|
141
|
The Brothers
|
8
|
1%
|
0
|
0%
|
|
142
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
143
|
The Childless Father
|
5
|
0%
|
0
|
0%
|
|
144
|
The Childless Father
|
1
|
0%
|
0
|
0%
|
|
145
|
The Complaint Of a Forsaken Indian Woman
|
3
|
0%
|
0
|
0%
|
|
146
|
The Complaint Of a Forsaken Indian Woman
|
5
|
0%
|
0
|
0%
|
|
147
|
The Cottager To Her Infant
|
1
|
0%
|
0
|
0%
|
|
148
|
The Danish Boy: A Fragment
|
8
|
1%
|
0
|
0%
|
|
149
|
The Fairest, Brightest, Hues Of Ether Fade
|
2
|
0%
|
0
|
0%
|
|
150
|
The Force Of Prayer, Or, The Founding Of Bolton, A Tradition
|
1
|
0%
|
0
|
0%
|
|
151
|
The Forsaken
|
5
|
0%
|
0
|
0%
|
|
152
|
The Forsaken
|
3
|
0%
|
0
|
0%
|
|
153
|
The Fountain
|
3
|
0%
|
0
|
0%
|
|
154
|
The French Revolution as it appeared to Enthusiasts
|
1
|
0%
|
0
|
0%
|
|
155
|
The Green Linnet
|
1
|
0%
|
0
|
0%
|
|
156
|
The Idiot Boy
|
1
|
0%
|
0
|
0%
|
|
157
|
The Idle Shepherd Boys
|
1
|
0%
|
0
|
0%
|
|
158
|
The Kitten And Falling Leaves
|
3
|
0%
|
0
|
0%
|
|
159
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
|
160
|
The Longest Day
|
7
|
0%
|
0
|
0%
|
|
161
|
The Mother's Return
|
2
|
0%
|
0
|
0%
|
|
162
|
The Prelude, Book 1: Childhood and School-time
|
10
|
1%
|
0
|
0%
|
|
163
|
The Prelude, Book 2: School-time (Continued)
|
3
|
0%
|
0
|
0%
|
|
164
|
The Prelude. (book V )
|
2
|
0%
|
0
|
0%
|
|
165
|
The Rainbow
|
3
|
0%
|
0
|
0%
|
|
166
|
The Rainbow
|
6
|
0%
|
0
|
0%
|
|
167
|
The Reaper
|
2
|
0%
|
0
|
0%
|
|
168
|
The Recluse - Book First
|
1
|
0%
|
0
|
0%
|
|
169
|
The Reverie of Poor Susan
|
1
|
0%
|
0
|
0%
|
|
170
|
The Seven Sisters
|
1
|
0%
|
0
|
0%
|
|
171
|
The Seven Sisters
|
1
|
0%
|
0
|
0%
|
|
172
|
The Simplon Pass
|
1
|
0%
|
0
|
0%
|
|
173
|
The Solitary Reaper
|
28
|
3%
|
0
|
0%
|
|
174
|
The Solitary Reaper
|
56
|
7%
|
0
|
0%
|
|
175
|
The Sonnet i
|
2
|
0%
|
0
|
0%
|
|
176
|
The Sparrow's Nest
|
8
|
1%
|
0
|
0%
|
|
177
|
The Stars Are Mansions Built By Nature's Hand
|
1
|
0%
|
0
|
0%
|
|
178
|
The Sun Has Long Been Set
|
4
|
0%
|
0
|
0%
|
|
179
|
The Table Turned
|
2
|
0%
|
0
|
0%
|
|
180
|
The Tables Turned
|
1
|
0%
|
0
|
0%
|
|
181
|
The Thorn
|
2
|
0%
|
0
|
0%
|
|
182
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
183
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
184
|
The Virgin
|
4
|
0%
|
0
|
0%
|
|
185
|
The Waterfall And The Eglantine
|
2
|
0%
|
0
|
0%
|
|
186
|
The Wishing Gate
|
1
|
0%
|
0
|
0%
|
|
187
|
The World
|
2
|
0%
|
0
|
0%
|
|
188
|
The World is Too Much With Us
|
12
|
1%
|
0
|
0%
|
|
189
|
The world is too much with us; late and soon
|
3
|
0%
|
0
|
0%
|
|
190
|
The world is too much with us; late and soon
|
43
|
5%
|
0
|
0%
|
|
191
|
There is an Eminence,--of these our hills
|
24
|
3%
|
0
|
0%
|
|
192
|
There is an Eminence,--of these our hills
|
2
|
0%
|
0
|
0%
|
|
193
|
There was a Boy
|
2
|
0%
|
0
|
0%
|
|
194
|
Three Years She Grew
|
2
|
0%
|
0
|
0%
|
|
195
|
Three years she grew in sun and shower,
|
45
|
6%
|
0
|
0%
|
|
196
|
'Tis said, that some have died for love
|
31
|
4%
|
0
|
0%
|
|
197
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
|
198
|
To A Butterfly
|
15
|
2%
|
0
|
0%
|
|
199
|
To A Butterfly (2)
|
14
|
1%
|
0
|
0%
|
|
200
|
To A Butterfly (first poem)
|
9
|
1%
|
0
|
0%
|
|
201
|
To A Butterfly (second poem)
|
2
|
0%
|
0
|
0%
|
|
202
|
To A Distant Friend
|
1
|
0%
|
0
|
0%
|
|
203
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
1
|
0%
|
0
|
0%
|
|
204
|
To a Skylark
|
13
|
1%
|
0
|
0%
|
|
205
|
To a Sky-Lark
|
2
|
0%
|
0
|
0%
|
|
206
|
To Joanna
|
3
|
0%
|
0
|
0%
|
|
207
|
To Lady Eleanor Butler and the Honourable Miss Ponsonby,
|
2
|
0%
|
0
|
0%
|
|
208
|
To M.H.
|
1
|
0%
|
0
|
0%
|
|
209
|
To Mary
|
1
|
0%
|
0
|
0%
|
|
210
|
To My Sister
|
9
|
1%
|
0
|
0%
|
|
211
|
To Sleep
|
1
|
0%
|
0
|
0%
|
|
212
|
To The Cuckoo
|
7
|
0%
|
0
|
0%
|
|
213
|
To The Daisy
|
1
|
0%
|
0
|
0%
|
|
214
|
To The Daisy (2)
|
1
|
0%
|
0
|
0%
|
|
215
|
To The Daisy (first poem)
|
5
|
0%
|
0
|
0%
|
|
216
|
To The Memory Of Raisley Calvert
|
2
|
0%
|
0
|
0%
|
|
217
|
To The Small Celandine
|
1
|
0%
|
0
|
0%
|
|
218
|
Upon The Same Event
|
2
|
0%
|
0
|
0%
|
|
219
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
3
|
0%
|
0
|
0%
|
|
220
|
Upon Westminster Bridge
|
6
|
0%
|
0
|
0%
|
|
221
|
Valedictory Sonnet to the River Duddon
|
1
|
0%
|
0
|
0%
|
|
222
|
Vaudracour And Julia
|
4
|
0%
|
0
|
0%
|
|
223
|
We are Seven
|
4
|
0%
|
0
|
0%
|
|
224
|
With How Sad Steps, O Moon, Thou Climb'st the Sky
|
3
|
0%
|
0
|
0%
|
|
225
|
With ships the sea was sprinkled far and nigh
|
39
|
5%
|
0
|
0%
|
|
226
|
Written in London. September, 1802
|
1
|
0%
|
0
|
0%
|
|
227
|
Written in March
|
6
|
0%
|
0
|
0%
|
|
228
|
Yarrow Unvisited
|
1
|
0%
|
0
|
0%
|
|
229
|
Yes, It Was The Mountain Echo
|
1
|
0%
|
0
|
0%
|
|
230
|
Yew-Trees
|
2
|
0%
|
0
|
0%
|