|
1
|
A Character
|
47
|
12%
|
0
|
0%
|
|
2
|
A Complaint
|
34
|
8%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
15
|
3%
|
0
|
0%
|
|
4
|
A Farewell
|
44
|
11%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
22
|
5%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
23
|
5%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
11
|
2%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
15
|
3%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
49
|
12%
|
0
|
0%
|
|
10
|
A Narrow Girdle of Rough Stones and Crags,
|
13
|
3%
|
0
|
0%
|
|
11
|
A Night Thought
|
18
|
4%
|
0
|
0%
|
|
12
|
A Night-Piece
|
15
|
3%
|
0
|
0%
|
|
13
|
A Parsonage In Oxfordshire
|
8
|
2%
|
0
|
0%
|
|
14
|
A Poet! He Hath Put his Heart to School
|
8
|
2%
|
0
|
0%
|
|
15
|
A Poet's Epitaph
|
8
|
2%
|
0
|
0%
|
|
16
|
A Prophecy. February 1807
|
7
|
1%
|
0
|
0%
|
|
17
|
A Sketch
|
10
|
2%
|
0
|
0%
|
|
18
|
A Slumber Did My Spirit Seal
|
10
|
2%
|
0
|
0%
|
|
19
|
A Whirl-Blast from Behind The Hill
|
36
|
9%
|
0
|
0%
|
|
20
|
A Whirl-Blast from Behind the Hill
|
7
|
1%
|
0
|
0%
|
|
21
|
A Wren's Nest
|
6
|
1%
|
0
|
0%
|
|
22
|
Address To Kilchurn Castle, Upon Loch Awe
|
5
|
1%
|
0
|
0%
|
|
23
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
6
|
1%
|
0
|
0%
|
|
24
|
After-Thought
|
4
|
1%
|
0
|
0%
|
|
25
|
Among All Lovely Things My Love Had Been
|
2
|
0%
|
0
|
0%
|
|
26
|
Andrew Jones
|
1
|
0%
|
0
|
0%
|
|
27
|
Anecdote For Fathers
|
3
|
0%
|
0
|
0%
|
|
28
|
Animal Tranquillity and Decay
|
1
|
0%
|
0
|
0%
|
|
29
|
Beggars
|
3
|
0%
|
0
|
0%
|
|
30
|
Book Fifth-Books
|
1
|
0%
|
0
|
0%
|
|
31
|
Book Fourteenth [conclusion]
|
1
|
0%
|
0
|
0%
|
|
32
|
Book Fourth [Summer Vacation]
|
1
|
0%
|
0
|
0%
|
|
33
|
Book Ninth [Residence in France]
|
1
|
0%
|
0
|
0%
|
|
34
|
Book Second [School-Time Continued]
|
1
|
0%
|
0
|
0%
|
|
35
|
Book Sixth [Cambridge and the Alps]
|
2
|
0%
|
0
|
0%
|
|
36
|
British Freedom
|
1
|
0%
|
0
|
0%
|
|
37
|
By Moscow Self-Devoted To A Blaze
|
2
|
0%
|
0
|
0%
|
|
38
|
By the Seaside
|
5
|
1%
|
0
|
0%
|
|
39
|
By The Side Of The Grave Some Years After
|
1
|
0%
|
0
|
0%
|
|
40
|
Calm is all nature as a resting wheel
|
84
|
21%
|
0
|
0%
|
|
41
|
Calm is all Nature as a Resting Wheel.
|
7
|
1%
|
0
|
0%
|
|
42
|
Character of the Happy Warrior
|
1
|
0%
|
0
|
0%
|
|
43
|
Composed Upon Westminster Bridge, September 3, 1802
|
3
|
0%
|
0
|
0%
|
|
44
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
2
|
0%
|
0
|
0%
|
|
45
|
Daffodils
|
225
|
58%
|
0
|
0%
|
|
46
|
Desideria
|
3
|
0%
|
0
|
0%
|
|
47
|
Dion
|
2
|
0%
|
0
|
0%
|
|
48
|
Elegiac Stanzas
|
3
|
0%
|
0
|
0%
|
|
49
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
2
|
0%
|
0
|
0%
|
|
50
|
Ellen Irwin
|
1
|
0%
|
0
|
0%
|
|
51
|
Emperors And Kings, How Oft Have Temples Rung
|
1
|
0%
|
0
|
0%
|
|
52
|
England i
|
1
|
0%
|
0
|
0%
|
|
53
|
England ii
|
1
|
0%
|
0
|
0%
|
|
54
|
England iii
|
1
|
0%
|
0
|
0%
|
|
55
|
England iv
|
1
|
0%
|
0
|
0%
|
|
56
|
England v
|
1
|
0%
|
0
|
0%
|
|
57
|
England! The Time Is Come When Thou Should’st Wean
|
1
|
0%
|
0
|
0%
|
|
58
|
Epitaphs Translated From Chiabrera
|
1
|
0%
|
0
|
0%
|
|
59
|
Even As A Dragon’s Eye That Feels The Stress
|
1
|
0%
|
0
|
0%
|
|
60
|
Evening on Calais Beach
|
1
|
0%
|
0
|
0%
|
|
61
|
Expostulation and Reply
|
3
|
0%
|
0
|
0%
|
|
62
|
Foresight
|
1
|
0%
|
0
|
0%
|
|
63
|
From The Cuckoo And The Nightingale
|
1
|
0%
|
0
|
0%
|
|
64
|
George and Sarah Green
|
1
|
0%
|
0
|
0%
|
|
65
|
Gipsies
|
1
|
0%
|
0
|
0%
|
|
66
|
Gipsies
|
1
|
0%
|
0
|
0%
|
|
67
|
Goody Blake and Harry Gill
|
1
|
0%
|
0
|
0%
|
|
68
|
Guilt and Sorrow
|
1
|
0%
|
0
|
0%
|
|
69
|
I Travelled Among Unknown Men
|
1
|
0%
|
0
|
0%
|
|
70
|
I Wandered Lonely as a Cloud
|
1
|
0%
|
0
|
0%
|
|
71
|
I wandered lonely as a cloud
|
384
|
100%
|
0
|
0%
|
|
72
|
'I wandered lonely as a cloud...'
|
2
|
0%
|
0
|
0%
|
|
73
|
Incident Characteristic Of A Favorite Dog
|
2
|
0%
|
0
|
0%
|
|
74
|
Influence of Natural Objects
|
1
|
0%
|
0
|
0%
|
|
75
|
It Is a Beauteous Evening
|
4
|
1%
|
0
|
0%
|
|
76
|
It was an April morning: fresh and clear
|
60
|
15%
|
0
|
0%
|
|
77
|
Lament of Mary Queen of Scots, on The Eve of a New Year
|
1
|
0%
|
0
|
0%
|
|
78
|
Lines Composed A Few Miles Above Tintern Abbey
|
2
|
0%
|
0
|
0%
|
|
79
|
Lines Left upon a Seat in a Yew-tree
|
1
|
0%
|
0
|
0%
|
|
80
|
Lines Left Upon The Seat Of A Yew-Tree,
|
1
|
0%
|
0
|
0%
|
|
81
|
Lines On The Expected Invasion, 1803
|
1
|
0%
|
0
|
0%
|
|
82
|
Lines Written In Early Spring
|
2
|
0%
|
0
|
0%
|
|
83
|
London, 1802
|
3
|
0%
|
0
|
0%
|
|
84
|
Lucy Gray
|
1
|
0%
|
0
|
0%
|
|
85
|
Lucy i
|
2
|
0%
|
0
|
0%
|
|
86
|
Memorials Of A Tour In Scotland, 1803
|
1
|
0%
|
0
|
0%
|
|
87
|
Michael: A Pastoral Poem
|
5
|
1%
|
0
|
0%
|
|
88
|
Most Sweet it is
|
1
|
0%
|
0
|
0%
|
|
89
|
My Heart Leaps Up
|
12
|
3%
|
0
|
0%
|
|
90
|
November 1813
|
1
|
0%
|
0
|
0%
|
|
91
|
Nuns Fret Not at Their Convent's Narrow Room
|
2
|
0%
|
0
|
0%
|
|
92
|
Nutting
|
3
|
0%
|
0
|
0%
|
|
93
|
October, 1803
|
1
|
0%
|
0
|
0%
|
|
94
|
Ode
|
2
|
0%
|
0
|
0%
|
|
95
|
Ode Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
|
96
|
Ode On Intimations Of Immortality
|
1
|
0%
|
0
|
0%
|
|
97
|
Ode: Intimations of Immortality
|
1
|
0%
|
0
|
0%
|
|
98
|
Perfect Woman
|
3
|
0%
|
0
|
0%
|
|
99
|
Personal Talk
|
1
|
0%
|
0
|
0%
|
|
100
|
Peter Bell, A Tale
|
2
|
0%
|
0
|
0%
|
|
101
|
Resolution and Independence
|
1
|
0%
|
0
|
0%
|
|
102
|
Ruth
|
1
|
0%
|
0
|
0%
|
|
103
|
Scorn Not the Sonnet
|
1
|
0%
|
0
|
0%
|
|
104
|
She dwelt among the untrodden ways
|
39
|
10%
|
0
|
0%
|
|
105
|
She Was a Phantom of Delight
|
2
|
0%
|
0
|
0%
|
|
106
|
She was a phantom of delight
|
33
|
8%
|
0
|
0%
|
|
107
|
Siege Of Vienna Raised By John Sobieski
|
1
|
0%
|
0
|
0%
|
|
108
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
|
109
|
Sonnet: On seeing Miss Helen Maria Williams weep at a tale of distress
|
1
|
0%
|
0
|
0%
|
|
110
|
Speak!
|
3
|
0%
|
0
|
0%
|
|
111
|
Stanzas
|
1
|
0%
|
0
|
0%
|
|
112
|
Star-Gazers
|
2
|
0%
|
0
|
0%
|
|
113
|
Strange fits of passion have I known
|
24
|
6%
|
0
|
0%
|
|
114
|
Stray Pleasures
|
1
|
0%
|
0
|
0%
|
|
115
|
Surprised by Joy
|
1
|
0%
|
0
|
0%
|
|
116
|
Surprised by joy — impatient as the Wind
|
18
|
4%
|
0
|
0%
|
|
117
|
Sweet Was The Walk
|
1
|
0%
|
0
|
0%
|
|
118
|
The Birth of Love
|
3
|
0%
|
0
|
0%
|
|
119
|
The Birth Of Love
|
1
|
0%
|
0
|
0%
|
|
120
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
121
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
122
|
The Childless Father
|
1
|
0%
|
0
|
0%
|
|
123
|
The Complaint Of a Forsaken Indian Woman
|
1
|
0%
|
0
|
0%
|
|
124
|
The Complaint Of a Forsaken Indian Woman
|
1
|
0%
|
0
|
0%
|
|
125
|
The Danish Boy: A Fragment
|
5
|
1%
|
0
|
0%
|
|
126
|
The Fountain
|
4
|
1%
|
0
|
0%
|
|
127
|
The Idle Shepherd Boys
|
1
|
0%
|
0
|
0%
|
|
128
|
The Last of The Flock
|
1
|
0%
|
0
|
0%
|
|
129
|
The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816
|
1
|
0%
|
0
|
0%
|
|
130
|
The Prelude, Book 1: Childhood and School-time
|
7
|
1%
|
0
|
0%
|
|
131
|
The Rainbow
|
7
|
1%
|
0
|
0%
|
|
132
|
The Reaper
|
2
|
0%
|
0
|
0%
|
|
133
|
The Seven Sisters
|
1
|
0%
|
0
|
0%
|
|
134
|
The Simplon Pass
|
3
|
0%
|
0
|
0%
|
|
135
|
The Solitary Reaper
|
34
|
8%
|
0
|
0%
|
|
136
|
The Solitary Reaper
|
18
|
4%
|
0
|
0%
|
|
137
|
The Sonnet i
|
1
|
0%
|
0
|
0%
|
|
138
|
The Sonnet ii
|
2
|
0%
|
0
|
0%
|
|
139
|
The Sparrow's Nest
|
5
|
1%
|
0
|
0%
|
|
140
|
The Stars Are Mansions Built By Nature's Hand
|
1
|
0%
|
0
|
0%
|
|
141
|
The Sun Has Long Been Set
|
4
|
1%
|
0
|
0%
|
|
142
|
The Tables Turned
|
6
|
1%
|
0
|
0%
|
|
143
|
The Thorn
|
5
|
1%
|
0
|
0%
|
|
144
|
The Thorn
|
1
|
0%
|
0
|
0%
|
|
145
|
The Trosachs
|
1
|
0%
|
0
|
0%
|
|
146
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
147
|
The Two Thieves; Or, The Last Stage Of Avarice
|
1
|
0%
|
0
|
0%
|
|
148
|
The Virgin
|
4
|
1%
|
0
|
0%
|
|
149
|
The Waggoner - Canto First
|
1
|
0%
|
0
|
0%
|
|
150
|
The Waggoner - Canto Fourth
|
1
|
0%
|
0
|
0%
|
|
151
|
The Waggoner - Canto Second
|
1
|
0%
|
0
|
0%
|
|
152
|
The Waggoner - Canto Third
|
1
|
0%
|
0
|
0%
|
|
153
|
The Waterfall And The Eglantine
|
1
|
0%
|
0
|
0%
|
|
154
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fifth
|
2
|
0%
|
0
|
0%
|
|
155
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto First
|
1
|
0%
|
0
|
0%
|
|
156
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fourth
|
1
|
0%
|
0
|
0%
|
|
157
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Second
|
1
|
0%
|
0
|
0%
|
|
158
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Seventh
|
1
|
0%
|
0
|
0%
|
|
159
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Sixth
|
1
|
0%
|
0
|
0%
|
|
160
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Third
|
1
|
0%
|
0
|
0%
|
|
161
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication
|
1
|
0%
|
0
|
0%
|
|
162
|
The Wishing Gate
|
2
|
0%
|
0
|
0%
|
|
163
|
The World
|
1
|
0%
|
0
|
0%
|
|
164
|
The World Is To Much With Us
|
1
|
0%
|
0
|
0%
|
|
165
|
The World is Too Much With Us
|
4
|
1%
|
0
|
0%
|
|
166
|
The world is too much with us; late and soon
|
20
|
5%
|
0
|
0%
|
|
167
|
The world is too much with us; late and soon
|
2
|
0%
|
0
|
0%
|
|
168
|
There Is A Bondage Worse, Far Worse, To Bear
|
1
|
0%
|
0
|
0%
|
|
169
|
There is an Eminence,--of these our hills
|
12
|
3%
|
0
|
0%
|
|
170
|
There is an Eminence,--of these our hills
|
2
|
0%
|
0
|
0%
|
|
171
|
There was a Boy
|
1
|
0%
|
0
|
0%
|
|
172
|
Those Words Were Uttered As In Pensive Mood
|
1
|
0%
|
0
|
0%
|
|
173
|
Three years she grew in sun and shower,
|
15
|
3%
|
0
|
0%
|
|
174
|
Three Years She Grew in Sun and Shower,
|
1
|
0%
|
0
|
0%
|
|
175
|
'Tis said, that some have died for love
|
21
|
5%
|
0
|
0%
|
|
176
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
|
177
|
To A Butterfly
|
3
|
0%
|
0
|
0%
|
|
178
|
To A Butterfly (2)
|
7
|
1%
|
0
|
0%
|
|
179
|
To A Butterfly (first poem)
|
3
|
0%
|
0
|
0%
|
|
180
|
To a Skylark
|
3
|
0%
|
0
|
0%
|
|
181
|
To Joanna
|
1
|
0%
|
0
|
0%
|
|
182
|
To Sleep
|
1
|
0%
|
0
|
0%
|
|
183
|
To The Cuckoo
|
4
|
1%
|
0
|
0%
|
|
184
|
To The Daisy (first poem)
|
3
|
0%
|
0
|
0%
|
|
185
|
Tribute To The Memory Of The Same Dog
|
1
|
0%
|
0
|
0%
|
|
186
|
Upon The Punishment Of Death
|
1
|
0%
|
0
|
0%
|
|
187
|
Upon Westminster Bridge
|
5
|
1%
|
0
|
0%
|
|
188
|
Vaudracour And Julia
|
3
|
0%
|
0
|
0%
|
|
189
|
Vernal Ode
|
1
|
0%
|
0
|
0%
|
|
190
|
We are Seven
|
2
|
0%
|
0
|
0%
|
|
191
|
When I Have Borne In Memory
|
1
|
0%
|
0
|
0%
|
|
192
|
With How Sad Steps, O Moon, Thou Climb'st the Sky
|
1
|
0%
|
0
|
0%
|
|
193
|
With ships the sea was sprinkled far and nigh
|
18
|
4%
|
0
|
0%
|
|
194
|
Written in Germany, On One of The Coldest Days Of The Century
|
2
|
0%
|
0
|
0%
|
|
195
|
Written in London. September, 1802
|
1
|
0%
|
0
|
0%
|
|
196
|
Written in March
|
4
|
1%
|
0
|
0%
|
|
197
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
1
|
0%
|
0
|
0%
|
|
198
|
Yarrow Unvisited
|
2
|
0%
|
0
|
0%
|
|
199
|
Yarrow Visited
|
2
|
0%
|
0
|
0%
|
|
200
|
Yes! Thou Art Fair, Yet Be Not Moved
|
1
|
0%
|
0
|
0%
|
|
201
|
Yes, It Was The Mountain Echo
|
2
|
0%
|
0
|
0%
|
|
202
|
Yew-Trees
|
2
|
0%
|
0
|
0%
|