|
1
|
A Character
|
247
|
31%
|
0
|
0%
|
|
2
|
A Complaint
|
132
|
16%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
33
|
4%
|
0
|
0%
|
|
4
|
A Farewell
|
137
|
17%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
43
|
5%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
28
|
3%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
17
|
2%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
34
|
4%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
160
|
20%
|
0
|
0%
|
|
10
|
A Narrow Girdle of Rough Stones and Crags,
|
11
|
1%
|
0
|
0%
|
|
11
|
A Night Thought
|
67
|
8%
|
0
|
0%
|
|
12
|
A Night-Piece
|
31
|
3%
|
0
|
0%
|
|
13
|
A Parsonage In Oxfordshire
|
9
|
1%
|
0
|
0%
|
|
14
|
A Poet! He Hath Put his Heart to School
|
11
|
1%
|
0
|
0%
|
|
15
|
A Poet's Epitaph
|
12
|
1%
|
0
|
0%
|
|
16
|
A Prophecy. February 1807
|
8
|
1%
|
0
|
0%
|
|
17
|
A Sketch
|
32
|
4%
|
0
|
0%
|
|
18
|
A Slumber Did My Spirit Seal
|
16
|
2%
|
0
|
0%
|
|
19
|
A Whirl-Blast from Behind The Hill
|
78
|
9%
|
0
|
0%
|
|
20
|
A Whirl-Blast from Behind the Hill
|
12
|
1%
|
0
|
0%
|
|
21
|
A Wren's Nest
|
15
|
1%
|
0
|
0%
|
|
22
|
Address To Kilchurn Castle, Upon Loch Awe
|
6
|
0%
|
0
|
0%
|
|
23
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
5
|
0%
|
0
|
0%
|
|
24
|
Address To The Scholars Of The Village School Of ---
|
9
|
1%
|
0
|
0%
|
|
25
|
Address To The Scholars Of The Village School Of ----
|
9
|
1%
|
0
|
0%
|
|
26
|
Admonition
|
15
|
1%
|
0
|
0%
|
|
27
|
Advance – Come Forth From Thy Tyrolean Ground
|
7
|
0%
|
0
|
0%
|
|
28
|
After-Thought
|
31
|
3%
|
0
|
0%
|
|
29
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
8
|
1%
|
0
|
0%
|
|
30
|
Alas! What Boots The Long Laborious Quest
|
5
|
0%
|
0
|
0%
|
|
31
|
Alice Fell, Or Poverty
|
11
|
1%
|
0
|
0%
|
|
32
|
Among All Lovely Things My Love Had Been
|
7
|
0%
|
0
|
0%
|
|
33
|
An Evening Walk, Addressed to a Young Lady
|
6
|
0%
|
0
|
0%
|
|
34
|
Andrew Jones
|
12
|
1%
|
0
|
0%
|
|
35
|
Anecdote For Fathers
|
2
|
0%
|
0
|
0%
|
|
36
|
Animal Tranquillity and Decay
|
1
|
0%
|
0
|
0%
|
|
37
|
Anticipation, October 1803
|
4
|
0%
|
0
|
0%
|
|
38
|
Beggars
|
24
|
3%
|
0
|
0%
|
|
39
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
3
|
0%
|
0
|
0%
|
|
40
|
Book Eleventh: France [concluded]
|
1
|
0%
|
0
|
0%
|
|
41
|
Book Fifth-Books
|
1
|
0%
|
0
|
0%
|
|
42
|
Book First [Introduction-Childhood and School Time]
|
3
|
0%
|
0
|
0%
|
|
43
|
Book Fourteenth [conclusion]
|
1
|
0%
|
0
|
0%
|
|
44
|
Book Fourth [Summer Vacation]
|
6
|
0%
|
0
|
0%
|
|
45
|
Book Seventh [Residence in London]
|
1
|
0%
|
0
|
0%
|
|
46
|
Book Sixth [Cambridge and the Alps]
|
3
|
0%
|
0
|
0%
|
|
47
|
British Freedom
|
5
|
0%
|
0
|
0%
|
|
48
|
By the Seaside
|
18
|
2%
|
0
|
0%
|
|
49
|
By The Side Of The Grave Some Years After
|
2
|
0%
|
0
|
0%
|
|
50
|
Calm is all nature as a resting wheel
|
231
|
29%
|
0
|
0%
|
|
51
|
Calm is all Nature as a Resting Wheel.
|
1
|
0%
|
0
|
0%
|
|
52
|
Character of the Happy Warrior
|
6
|
0%
|
0
|
0%
|
|
53
|
Characteristics Of A Child Three Years Old
|
5
|
0%
|
0
|
0%
|
|
54
|
Composed During a Storm
|
4
|
0%
|
0
|
0%
|
|
55
|
Composed In The Valley Near Dover, On The Day Of Landing
|
2
|
0%
|
0
|
0%
|
|
56
|
Composed Near Calais, On The Road Leading To Ardres, August 7, 1802
|
2
|
0%
|
0
|
0%
|
|
57
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
1
|
0%
|
0
|
0%
|
|
58
|
Composed Upon Westminster Bridge, September 3, 1802
|
9
|
1%
|
0
|
0%
|
|
59
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
4
|
0%
|
0
|
0%
|
|
60
|
Daffodils
|
447
|
56%
|
0
|
0%
|
|
61
|
Desideria
|
12
|
1%
|
0
|
0%
|
|
62
|
Dion
|
7
|
0%
|
0
|
0%
|
|
63
|
Elegiac Stanzas
|
4
|
0%
|
0
|
0%
|
|
64
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
3
|
0%
|
0
|
0%
|
|
65
|
Ellen Irwin
|
4
|
0%
|
0
|
0%
|
|
66
|
Emperors And Kings, How Oft Have Temples Rung
|
2
|
0%
|
0
|
0%
|
|
67
|
England i
|
3
|
0%
|
0
|
0%
|
|
68
|
England ii
|
2
|
0%
|
0
|
0%
|
|
69
|
England iii
|
2
|
0%
|
0
|
0%
|
|
70
|
England iv
|
1
|
0%
|
0
|
0%
|
|
71
|
England v
|
1
|
0%
|
0
|
0%
|
|
72
|
Even As A Dragon’s Eye That Feels The Stress
|
2
|
0%
|
0
|
0%
|
|
73
|
Evening on Calais Beach
|
2
|
0%
|
0
|
0%
|
|
74
|
Expostulation and Reply
|
3
|
0%
|
0
|
0%
|
|
75
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
1
|
0%
|
0
|
0%
|
|
76
|
Fidelity
|
11
|
1%
|
0
|
0%
|
|
77
|
Foresight
|
6
|
0%
|
0
|
0%
|
|
78
|
Fountain, The: A Conversation
|
2
|
0%
|
0
|
0%
|
|
79
|
From The Cuckoo And The Nightingale
|
7
|
0%
|
0
|
0%
|
|
80
|
From The Dark Chambers Of Dejection Freed
|
3
|
0%
|
0
|
0%
|
|
81
|
From The Italian Of Michael Angelo
|
4
|
0%
|
0
|
0%
|
|
82
|
Gipsies
|
4
|
0%
|
0
|
0%
|
|
83
|
Gipsies
|
1
|
0%
|
0
|
0%
|
|
84
|
Goody Blake and Harry Gill
|
3
|
0%
|
0
|
0%
|
|
85
|
Guilt and Sorrow
|
10
|
1%
|
0
|
0%
|
|
86
|
Hail, Twilight, Sovereign Of One Peaceful Hour
|
3
|
0%
|
0
|
0%
|
|
87
|
Hail, Zaragoza! If With Unwet eye
|
8
|
1%
|
0
|
0%
|
|
88
|
Hart-Leap Well
|
2
|
0%
|
0
|
0%
|
|
89
|
How Sweet It Is, When Mother Fancy Rocks
|
3
|
0%
|
0
|
0%
|
|
90
|
I Grieved For Buonaparte
|
1
|
0%
|
0
|
0%
|
|
91
|
I Travelled Among Unknown Men
|
11
|
1%
|
0
|
0%
|
|
92
|
I Wandered Lonely as a Cloud
|
13
|
1%
|
0
|
0%
|
|
93
|
I wandered lonely as a cloud
|
795
|
100%
|
0
|
0%
|
|
94
|
'I wandered lonely as a cloud...'
|
2
|
0%
|
0
|
0%
|
|
95
|
In Due Observance Of An Ancient Rite
|
2
|
0%
|
0
|
0%
|
|
96
|
In The Pass Of Killicranky
|
1
|
0%
|
0
|
0%
|
|
97
|
Incident Characteristic Of A Favorite Dog
|
1
|
0%
|
0
|
0%
|
|
98
|
Influence of Natural Objects
|
1
|
0%
|
0
|
0%
|
|
99
|
Is There A Power That Can Sustain And Cheer
|
1
|
0%
|
0
|
0%
|
|
100
|
It Is a Beauteous Evening
|
2
|
0%
|
0
|
0%
|
|
101
|
It Is a Beauteous Evening
|
2
|
0%
|
0
|
0%
|
|
102
|
It is not to be Thought of
|
1
|
0%
|
0
|
0%
|
|
103
|
It was an April morning: fresh and clear
|
145
|
18%
|
0
|
0%
|
|
104
|
It was an April morning: fresh and clear
|
2
|
0%
|
0
|
0%
|
|
105
|
Lament Of Mary Queen Of Scots
|
1
|
0%
|
0
|
0%
|
|
106
|
Laodamia
|
4
|
0%
|
0
|
0%
|
|
107
|
Laodamia
|
1
|
0%
|
0
|
0%
|
|
108
|
Lines Written In Early Spring
|
1
|
0%
|
0
|
0%
|
|
109
|
Lines Written In Early Spring
|
6
|
0%
|
0
|
0%
|
|
110
|
London, 1802
|
5
|
0%
|
0
|
0%
|
|
111
|
Lucy
|
6
|
0%
|
0
|
0%
|
|
112
|
Lucy Gray
|
7
|
0%
|
0
|
0%
|
|
113
|
Lucy i
|
1
|
0%
|
0
|
0%
|
|
114
|
Lucy ii
|
1
|
0%
|
0
|
0%
|
|
115
|
Lucy v
|
2
|
0%
|
0
|
0%
|
|
116
|
Maternal Grief
|
1
|
0%
|
0
|
0%
|
|
117
|
Matthew
|
1
|
0%
|
0
|
0%
|
|
118
|
Memorials Of A Tour In Scotland, 1803 XIV. Fly, Some Kind Haringer, To Grasmere-Dale
|
1
|
0%
|
0
|
0%
|
|
119
|
Memory
|
10
|
1%
|
0
|
0%
|
|
120
|
Michael: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
|
121
|
Most Sweet it is
|
3
|
0%
|
0
|
0%
|
|
122
|
Mutability
|
3
|
0%
|
0
|
0%
|
|
123
|
My Heart Leaps Up
|
20
|
2%
|
0
|
0%
|
|
124
|
Nuns Fret Not at Their Convent's Narrow Room
|
7
|
0%
|
0
|
0%
|
|
125
|
Nutting
|
3
|
0%
|
0
|
0%
|
|
126
|
O Nightingale! Thou Surely Art
|
4
|
0%
|
0
|
0%
|
|
127
|
October, 1803
|
1
|
0%
|
0
|
0%
|
|
128
|
Ode
|
4
|
0%
|
0
|
0%
|
|
129
|
Ode to Duty
|
3
|
0%
|
0
|
0%
|
|
130
|
Perfect Woman
|
16
|
2%
|
0
|
0%
|
|
131
|
Personal Talk
|
1
|
0%
|
0
|
0%
|
|
132
|
Peter Bell, A Tale
|
4
|
0%
|
0
|
0%
|
|
133
|
Pet-Lamb, The: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
|
134
|
Power Of Music
|
6
|
0%
|
0
|
0%
|
|
135
|
Remembrance of Collins
|
2
|
0%
|
0
|
0%
|
|
136
|
Repentance
|
5
|
0%
|
0
|
0%
|
|
137
|
Resolution and Independence
|
5
|
0%
|
0
|
0%
|
|
138
|
Rural Architecture
|
1
|
0%
|
0
|
0%
|
|
139
|
Scorn Not the Sonnet
|
4
|
0%
|
0
|
0%
|
|
140
|
She dwelt among the untrodden ways
|
111
|
13%
|
0
|
0%
|
|
141
|
She Dwelt Among the Untrodden Ways
|
2
|
0%
|
0
|
0%
|
|
142
|
She Was a Phantom of Delight
|
1
|
0%
|
0
|
0%
|
|
143
|
She was a phantom of delight
|
110
|
13%
|
0
|
0%
|
|
144
|
Speak!
|
2
|
0%
|
0
|
0%
|
|
145
|
Strange fits of passion have I known
|
82
|
10%
|
0
|
0%
|
|
146
|
Strange Fits of Passion Have I Known
|
1
|
0%
|
0
|
0%
|
|
147
|
Stray Pleasures
|
1
|
0%
|
0
|
0%
|
|
148
|
Surprised by Joy
|
5
|
0%
|
0
|
0%
|
|
149
|
Surprised by joy — impatient as the Wind
|
68
|
8%
|
0
|
0%
|
|
150
|
Sweet Was The Walk
|
2
|
0%
|
0
|
0%
|
|
151
|
The Birth of Love
|
23
|
2%
|
0
|
0%
|
|
152
|
The Birth Of Love
|
6
|
0%
|
0
|
0%
|
|
153
|
The Brothers
|
6
|
0%
|
0
|
0%
|
|
154
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
155
|
The Childless Father
|
5
|
0%
|
0
|
0%
|
|
156
|
The Childless Father
|
3
|
0%
|
0
|
0%
|
|
157
|
The Complaint Of a Forsaken Indian Woman
|
2
|
0%
|
0
|
0%
|
|
158
|
The Complaint Of a Forsaken Indian Woman
|
4
|
0%
|
0
|
0%
|
|
159
|
The Cottager To Her Infant
|
2
|
0%
|
0
|
0%
|
|
160
|
The Danish Boy: A Fragment
|
20
|
2%
|
0
|
0%
|
|
161
|
The Eagle and the Dove
|
5
|
0%
|
0
|
0%
|
|
162
|
The Forsaken
|
1
|
0%
|
0
|
0%
|
|
163
|
The Forsaken
|
5
|
0%
|
0
|
0%
|
|
164
|
The Fountain
|
4
|
0%
|
0
|
0%
|
|
165
|
The Green Linnet
|
6
|
0%
|
0
|
0%
|
|
166
|
The Idiot Boy
|
6
|
0%
|
0
|
0%
|
|
167
|
The Idle Shepherd Boys
|
1
|
0%
|
0
|
0%
|
|
168
|
The Idle Shepherd Boys
|
1
|
0%
|
0
|
0%
|
|
169
|
The Kitten And Falling Leaves
|
4
|
0%
|
0
|
0%
|
|
170
|
The Kitten And Falling Leaves
|
4
|
0%
|
0
|
0%
|
|
171
|
The Last of The Flock
|
2
|
0%
|
0
|
0%
|
|
172
|
The Last Of The Flock
|
2
|
0%
|
0
|
0%
|
|
173
|
The Longest Day
|
3
|
0%
|
0
|
0%
|
|
174
|
The Mother's Return
|
3
|
0%
|
0
|
0%
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|
175
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The Mother's Return
|
4
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0%
|
0
|
0%
|
|
176
|
The Oak And The Broom
|
1
|
0%
|
0
|
0%
|
|
177
|
The Oak Of Guernica Supposed Address To The Same
|
1
|
0%
|
0
|
0%
|
|
178
|
The Old Cumberland Beggar
|
1
|
0%
|
0
|
0%
|
|
179
|
The Passing of the Elder Bards
|
1
|
0%
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0
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0%
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|
180
|
The Pet-Lamb
|
1
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0%
|
0
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0%
|
|
181
|
The Power of Armies Is a Visible Thing
|
2
|
0%
|
0
|
0%
|
|
182
|
The Prelude, Book 1: Childhood and School-time
|
11
|
1%
|
0
|
0%
|
|
183
|
The Prelude, Book 2: School-time (Continued)
|
1
|
0%
|
0
|
0%
|
|
184
|
The Rainbow
|
12
|
1%
|
0
|
0%
|
|
185
|
The Rainbow
|
7
|
0%
|
0
|
0%
|
|
186
|
The Reaper
|
4
|
0%
|
0
|
0%
|
|
187
|
The Reverie of Poor Susan
|
2
|
0%
|
0
|
0%
|
|
188
|
The Russian Fugitive
|
2
|
0%
|
0
|
0%
|
|
189
|
The Sailor's Mother
|
2
|
0%
|
0
|
0%
|
|
190
|
The Seven Sisters
|
2
|
0%
|
0
|
0%
|
|
191
|
The Seven Sisters
|
2
|
0%
|
0
|
0%
|
|
192
|
The Simplon Pass
|
2
|
0%
|
0
|
0%
|
|
193
|
The Solitary Reaper
|
90
|
11%
|
0
|
0%
|
|
194
|
The Solitary Reaper
|
56
|
7%
|
0
|
0%
|
|
195
|
The Sonnet i
|
4
|
0%
|
0
|
0%
|
|
196
|
The Sonnet ii
|
4
|
0%
|
0
|
0%
|
|
197
|
The Sparrow's Nest
|
13
|
1%
|
0
|
0%
|
|
198
|
The Sparrow's Nest
|
3
|
0%
|
0
|
0%
|
|
199
|
The Sparrow's Nest
|
2
|
0%
|
0
|
0%
|
|
200
|
The Sun Has Long Been Set
|
5
|
0%
|
0
|
0%
|
|
201
|
The Table Turned
|
2
|
0%
|
0
|
0%
|
|
202
|
The Tables Turned
|
14
|
1%
|
0
|
0%
|
|
203
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
204
|
The Two Thieves
|
1
|
0%
|
0
|
0%
|
|
205
|
The Two Thieves; Or, The Last Stage Of Avarice
|
3
|
0%
|
0
|
0%
|
|
206
|
The Virgin
|
1
|
0%
|
0
|
0%
|
|
207
|
The Wishing Gate
|
2
|
0%
|
0
|
0%
|
|
208
|
The Wishing-gate
|
2
|
0%
|
0
|
0%
|
|
209
|
The World
|
2
|
0%
|
0
|
0%
|
|
210
|
The World Is To Much With Us
|
1
|
0%
|
0
|
0%
|
|
211
|
The World is Too Much With Us
|
10
|
1%
|
0
|
0%
|
|
212
|
The world is too much with us; late and soon
|
86
|
10%
|
0
|
0%
|
|
213
|
There is an Eminence,--of these our hills
|
44
|
5%
|
0
|
0%
|
|
214
|
There was a Boy
|
1
|
0%
|
0
|
0%
|
|
215
|
Thought Of A Briton On The Subjugation Of Switzerland
|
1
|
0%
|
0
|
0%
|
|
216
|
Three Years She Grew
|
5
|
0%
|
0
|
0%
|
|
217
|
Three years she grew in sun and shower,
|
78
|
9%
|
0
|
0%
|
|
218
|
Three Years She Grew in Sun and Shower,
|
3
|
0%
|
0
|
0%
|
|
219
|
'Tis said, that some have died for love
|
68
|
8%
|
0
|
0%
|
|
220
|
'Tis Said, That Some Have Died For Love
|
6
|
0%
|
0
|
0%
|
|
221
|
To A Butterfly
|
19
|
2%
|
0
|
0%
|
|
222
|
To A Butterfly (2)
|
20
|
2%
|
0
|
0%
|
|
223
|
To A Butterfly (first poem)
|
23
|
2%
|
0
|
0%
|
|
224
|
To A Butterfly (second poem)
|
3
|
0%
|
0
|
0%
|
|
225
|
To A Distant Friend
|
2
|
0%
|
0
|
0%
|
|
226
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
1
|
0%
|
0
|
0%
|
|
227
|
To a Skylark
|
4
|
0%
|
0
|
0%
|
|
228
|
To Joanna
|
3
|
0%
|
0
|
0%
|
|
229
|
To Lady Beaumont
|
1
|
0%
|
0
|
0%
|
|
230
|
To My Sister
|
3
|
0%
|
0
|
0%
|
|
231
|
To Sleep
|
7
|
0%
|
0
|
0%
|
|
232
|
To The Cuckoo
|
15
|
1%
|
0
|
0%
|
|
233
|
To The Daisy
|
2
|
0%
|
0
|
0%
|
|
234
|
To The Daisy (2)
|
2
|
0%
|
0
|
0%
|
|
235
|
To The Daisy (first poem)
|
3
|
0%
|
0
|
0%
|
|
236
|
To The Men Of Kent
|
1
|
0%
|
0
|
0%
|
|
237
|
To The Poet, John Dyer
|
1
|
0%
|
0
|
0%
|
|
238
|
Upon The Punishment Of Death
|
1
|
0%
|
0
|
0%
|
|
239
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
1
|
0%
|
0
|
0%
|
|
240
|
Upon Westminster Bridge
|
8
|
1%
|
0
|
0%
|
|
241
|
Vaudracour And Julia
|
3
|
0%
|
0
|
0%
|
|
242
|
Vernal Ode
|
2
|
0%
|
0
|
0%
|
|
243
|
View From The Top Of Black Comb
|
1
|
0%
|
0
|
0%
|
|
244
|
We are Seven
|
3
|
0%
|
0
|
0%
|
|
245
|
Weak Is The Will Of Man, His Judgement Blind
|
1
|
0%
|
0
|
0%
|
|
246
|
When I Have Borne In Memory
|
1
|
0%
|
0
|
0%
|
|
247
|
With ships the sea was sprinkled far and nigh
|
35
|
4%
|
0
|
0%
|
|
248
|
With Ships the Sea was Sprinkled Far and Nigh
|
1
|
0%
|
0
|
0%
|
|
249
|
Written in Early Spring
|
1
|
0%
|
0
|
0%
|
|
250
|
Written In Germany On One Of The Coldest Days Of The Century
|
1
|
0%
|
0
|
0%
|
|
251
|
Written in London. September, 1802
|
2
|
0%
|
0
|
0%
|
|
252
|
Written in March
|
12
|
1%
|
0
|
0%
|
|
253
|
Written In Very Early Youth
|
1
|
0%
|
0
|
0%
|
|
254
|
Yarrow Revisited
|
2
|
0%
|
0
|
0%
|
|
255
|
Yarrow Unvisited
|
1
|
0%
|
0
|
0%
|
|
256
|
Yarrow Visited
|
2
|
0%
|
0
|
0%
|
|
257
|
Yes! Thou Art Fair, Yet Be Not Moved
|
2
|
0%
|
0
|
0%
|
|
258
|
Yes, It Was The Mountain Echo
|
1
|
0%
|
0
|
0%
|
|
259
|
Yew-Trees
|
6
|
0%
|
0
|
0%
|
|
260
|
Young England--What Is Then Become Of Old
|
1
|
0%
|
0
|
0%
|