|
1
|
A Character
|
189
|
26%
|
0
|
0%
|
|
2
|
A Complaint
|
127
|
17%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
54
|
7%
|
0
|
0%
|
|
4
|
A Farewell
|
170
|
23%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
62
|
8%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
18
|
2%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
17
|
2%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
28
|
3%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
23
|
3%
|
0
|
0%
|
|
10
|
A Night Thought
|
40
|
5%
|
0
|
0%
|
|
11
|
A Night-Piece
|
25
|
3%
|
0
|
0%
|
|
12
|
A Parsonage In Oxfordshire
|
8
|
1%
|
0
|
0%
|
|
13
|
A Poet! He Hath Put his Heart to School
|
8
|
1%
|
0
|
0%
|
|
14
|
A Poet's Epitaph
|
10
|
1%
|
0
|
0%
|
|
15
|
A Prophecy. February 1807
|
5
|
0%
|
0
|
0%
|
|
16
|
A Sketch
|
29
|
4%
|
0
|
0%
|
|
17
|
A Slumber Did My Spirit Seal
|
15
|
2%
|
0
|
0%
|
|
18
|
A Whirl-Blast from Behind The Hill
|
8
|
1%
|
0
|
0%
|
|
19
|
A Wren's Nest
|
12
|
1%
|
0
|
0%
|
|
20
|
Address To Kilchurn Castle, Upon Loch Awe
|
3
|
0%
|
0
|
0%
|
|
21
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
2
|
0%
|
0
|
0%
|
|
22
|
Address To The Scholars Of The Village School Of ----
|
1
|
0%
|
0
|
0%
|
|
23
|
Admonition
|
1
|
0%
|
0
|
0%
|
|
24
|
After-Thought
|
6
|
0%
|
0
|
0%
|
|
25
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
1
|
0%
|
0
|
0%
|
|
26
|
Alas! What Boots The Long Laborious Quest
|
1
|
0%
|
0
|
0%
|
|
27
|
Alice Fell, Or Poverty
|
7
|
0%
|
0
|
0%
|
|
28
|
Among All Lovely Things My Love Had Been
|
6
|
0%
|
0
|
0%
|
|
29
|
An Evening Walk, Addressed to a Young Lady
|
7
|
0%
|
0
|
0%
|
|
30
|
And Is It Among Rude Untutored Dales
|
1
|
0%
|
0
|
0%
|
|
31
|
Andrew Jones
|
2
|
0%
|
0
|
0%
|
|
32
|
Anecdote For Fathers
|
3
|
0%
|
0
|
0%
|
|
33
|
Animal Tranquillity and Decay
|
5
|
0%
|
0
|
0%
|
|
34
|
Anticipation, October 1803
|
1
|
0%
|
0
|
0%
|
|
35
|
Artegal And Elidure
|
1
|
0%
|
0
|
0%
|
|
36
|
At Applewaite, Near Keswick 1804
|
2
|
0%
|
0
|
0%
|
|
37
|
Avaunt All Specious Pliancy Of Mind
|
1
|
0%
|
0
|
0%
|
|
38
|
Beggars
|
8
|
1%
|
0
|
0%
|
|
39
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
3
|
0%
|
0
|
0%
|
|
40
|
Book First [Introduction-Childhood and School Time]
|
1
|
0%
|
0
|
0%
|
|
41
|
Book Fourteenth [conclusion]
|
1
|
0%
|
0
|
0%
|
|
42
|
Book Fourth [Summer Vacation]
|
1
|
0%
|
0
|
0%
|
|
43
|
Book Second [School-Time Continued]
|
1
|
0%
|
0
|
0%
|
|
44
|
Book Seventh [Residence in London]
|
2
|
0%
|
0
|
0%
|
|
45
|
Book Sixth [Cambridge and the Alps]
|
5
|
0%
|
0
|
0%
|
|
46
|
Book Thirteenth [Imagination And Taste, How Impaired And Restored Concluded]
|
7
|
0%
|
0
|
0%
|
|
47
|
Book Twelfth [Imagination And Taste, How Impaired And Restored ]
|
9
|
1%
|
0
|
0%
|
|
48
|
Bothwell Castle
|
2
|
0%
|
0
|
0%
|
|
49
|
Brave Schill! By Death Delivered
|
2
|
0%
|
0
|
0%
|
|
50
|
British Freedom
|
2
|
0%
|
0
|
0%
|
|
51
|
By Moscow Self-Devoted To A Blaze
|
1
|
0%
|
0
|
0%
|
|
52
|
By the Seaside
|
10
|
1%
|
0
|
0%
|
|
53
|
By The Side Of The Grave Some Years After
|
5
|
0%
|
0
|
0%
|
|
54
|
Calais, August 15, 1802
|
3
|
0%
|
0
|
0%
|
|
55
|
Calais, August 1802
|
3
|
0%
|
0
|
0%
|
|
56
|
Call Not The Royal Swede Unfortunate
|
3
|
0%
|
0
|
0%
|
|
57
|
Calm is all nature as a resting wheel
|
17
|
2%
|
0
|
0%
|
|
58
|
Composed By The Sea-Side, Near Calais, August 1802
|
2
|
0%
|
0
|
0%
|
|
59
|
Composed By The Side Of Grasmere Lake 1806
|
2
|
0%
|
0
|
0%
|
|
60
|
Composed During a Storm
|
4
|
0%
|
0
|
0%
|
|
61
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
2
|
0%
|
0
|
0%
|
|
62
|
Composed Upon Westminster Bridge, September 3, 1802
|
7
|
0%
|
0
|
0%
|
|
63
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
3
|
0%
|
0
|
0%
|
|
64
|
Daffodils
|
723
|
100%
|
0
|
0%
|
|
65
|
Desideria
|
16
|
2%
|
0
|
0%
|
|
66
|
Dion
|
6
|
0%
|
0
|
0%
|
|
67
|
Elegiac Stanzas
|
8
|
1%
|
0
|
0%
|
|
68
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
4
|
0%
|
0
|
0%
|
|
69
|
Ellen Irwin
|
2
|
0%
|
0
|
0%
|
|
70
|
Emperors And Kings, How Oft Have Temples Rung
|
1
|
0%
|
0
|
0%
|
|
71
|
England i
|
2
|
0%
|
0
|
0%
|
|
72
|
England ii
|
1
|
0%
|
0
|
0%
|
|
73
|
England iii
|
1
|
0%
|
0
|
0%
|
|
74
|
England iv
|
1
|
0%
|
0
|
0%
|
|
75
|
England v
|
1
|
0%
|
0
|
0%
|
|
76
|
England! The Time Is Come When Thou Should’st Wean
|
2
|
0%
|
0
|
0%
|
|
77
|
Epitaphs Translated From Chiabrera
|
1
|
0%
|
0
|
0%
|
|
78
|
Even As A Dragon’s Eye That Feels The Stress
|
1
|
0%
|
0
|
0%
|
|
79
|
Evening on Calais Beach
|
5
|
0%
|
0
|
0%
|
|
80
|
Expostulation and Reply
|
4
|
0%
|
0
|
0%
|
|
81
|
Extempore Effusion upon the Death of James Hogg
|
1
|
0%
|
0
|
0%
|
|
82
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
1
|
0%
|
0
|
0%
|
|
83
|
Feelings of A French Royalist, On The Disinterment Of The Remains Of The Duke D’Enghien
|
1
|
0%
|
0
|
0%
|
|
84
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
0%
|
0
|
0%
|
|
85
|
Feelings Of The Tyrolese
|
1
|
0%
|
0
|
0%
|
|
86
|
Fidelity
|
4
|
0%
|
0
|
0%
|
|
87
|
For The Spot Where The Hermitage Stood on St. Herbert's Island, Derwentwater.
|
3
|
0%
|
0
|
0%
|
|
88
|
Foresight
|
5
|
0%
|
0
|
0%
|
|
89
|
Fountain, The: A Conversation
|
1
|
0%
|
0
|
0%
|
|
90
|
From The Cuckoo And The Nightingale
|
2
|
0%
|
0
|
0%
|
|
91
|
From The Dark Chambers Of Dejection Freed
|
2
|
0%
|
0
|
0%
|
|
92
|
From The Italian Of Michael Angelo
|
1
|
0%
|
0
|
0%
|
|
93
|
George and Sarah Green
|
2
|
0%
|
0
|
0%
|
|
94
|
Gipsies
|
4
|
0%
|
0
|
0%
|
|
95
|
Goody Blake and Harry Gill
|
2
|
0%
|
0
|
0%
|
|
96
|
Guilt and Sorrow
|
6
|
0%
|
0
|
0%
|
|
97
|
Hail, Twilight, Sovereign Of One Peaceful Hour
|
2
|
0%
|
0
|
0%
|
|
98
|
Hart-Leap Well
|
2
|
0%
|
0
|
0%
|
|
99
|
How Sweet It Is, When Mother Fancy Rocks
|
1
|
0%
|
0
|
0%
|
|
100
|
I Travelled Among Unknown Men
|
2
|
0%
|
0
|
0%
|
|
101
|
I Wandered Lonely as a Cloud
|
35
|
4%
|
0
|
0%
|
|
102
|
Incident Characteristic Of A Favorite Dog
|
1
|
0%
|
0
|
0%
|
|
103
|
Influence of Natural Objects
|
4
|
0%
|
0
|
0%
|
|
104
|
It Is a Beauteous Evening
|
10
|
1%
|
0
|
0%
|
|
105
|
It Is No Spirit Who From Heaven Hath Flown
|
1
|
0%
|
0
|
0%
|
|
106
|
It is not to be Thought of
|
2
|
0%
|
0
|
0%
|
|
107
|
It was an April morning: fresh and clear
|
3
|
0%
|
0
|
0%
|
|
108
|
Lament Of Mary Queen Of Scots
|
1
|
0%
|
0
|
0%
|
|
109
|
Lines Composed A Few Miles Above Tintern Abbey
|
4
|
0%
|
0
|
0%
|
|
110
|
Lines Left upon a Seat in a Yew-tree
|
1
|
0%
|
0
|
0%
|
|
111
|
Lines Written In Early Spring
|
6
|
0%
|
0
|
0%
|
|
112
|
London, 1802
|
2
|
0%
|
0
|
0%
|
|
113
|
Look Now On That Adventurer Who Hath Paid
|
1
|
0%
|
0
|
0%
|
|
114
|
Lucy
|
1
|
0%
|
0
|
0%
|
|
115
|
Lucy Gray
|
3
|
0%
|
0
|
0%
|
|
116
|
Lucy i
|
1
|
0%
|
0
|
0%
|
|
117
|
Lucy ii
|
1
|
0%
|
0
|
0%
|
|
118
|
Lucy iii
|
1
|
0%
|
0
|
0%
|
|
119
|
Maternal Grief
|
2
|
0%
|
0
|
0%
|
|
120
|
Matthew
|
1
|
0%
|
0
|
0%
|
|
121
|
Memorials Of A Tour In Scotland, 1803
|
3
|
0%
|
0
|
0%
|
|
122
|
Memory
|
3
|
0%
|
0
|
0%
|
|
123
|
Methought I Saw The Footsteps Of A Throne
|
2
|
0%
|
0
|
0%
|
|
124
|
Michael: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
|
125
|
Most Sweet it is
|
6
|
0%
|
0
|
0%
|
|
126
|
My Heart Leaps Up
|
39
|
5%
|
0
|
0%
|
|
127
|
Nuns Fret Not at Their Convent's Narrow Room
|
16
|
2%
|
0
|
0%
|
|
128
|
Nutting
|
3
|
0%
|
0
|
0%
|
|
129
|
O Nightingale! Thou Surely Art
|
5
|
0%
|
0
|
0%
|
|
130
|
O’erweening Statesmen Have Full Long Relied
|
1
|
0%
|
0
|
0%
|
|
131
|
October, 1803
|
1
|
0%
|
0
|
0%
|
|
132
|
Ode On Intimations Of Immortality
|
5
|
0%
|
0
|
0%
|
|
133
|
Ode to Duty
|
3
|
0%
|
0
|
0%
|
|
134
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
5
|
0%
|
0
|
0%
|
|
135
|
Ode: Intimations of Immortality
|
2
|
0%
|
0
|
0%
|
|
136
|
Perfect Woman
|
20
|
2%
|
0
|
0%
|
|
137
|
Personal Talk
|
1
|
0%
|
0
|
0%
|
|
138
|
Pet-Lamb, The: A Pastoral Poem
|
10
|
1%
|
0
|
0%
|
|
139
|
Picture of Daniel in the Lion's Den at Hamilton Palace
|
1
|
0%
|
0
|
0%
|
|
140
|
Power Of Music
|
7
|
0%
|
0
|
0%
|
|
141
|
Repentance
|
1
|
0%
|
0
|
0%
|
|
142
|
Rural Architecture
|
2
|
0%
|
0
|
0%
|
|
143
|
Say, What Is Honour?--‘Tis The Finest Sense
|
1
|
0%
|
0
|
0%
|
|
144
|
Scorn Not the Sonnet
|
5
|
0%
|
0
|
0%
|
|
145
|
September 1, 1802
|
2
|
0%
|
0
|
0%
|
|
146
|
She Was a Phantom of Delight
|
2
|
0%
|
0
|
0%
|
|
147
|
Simon Lee: The Old Huntsman
|
2
|
0%
|
0
|
0%
|
|
148
|
Song Of The Spinning Wheel
|
1
|
0%
|
0
|
0%
|
|
149
|
Sonnet:
|
2
|
0%
|
0
|
0%
|
|
150
|
Spanish Guerillas
|
1
|
0%
|
0
|
0%
|
|
151
|
Speak!
|
5
|
0%
|
0
|
0%
|
|
152
|
Stanzas
|
3
|
0%
|
0
|
0%
|
|
153
|
Star-Gazers
|
3
|
0%
|
0
|
0%
|
|
154
|
Stepping Westward
|
1
|
0%
|
0
|
0%
|
|
155
|
Strange fits of passion have I known
|
35
|
4%
|
0
|
0%
|
|
156
|
Stray Pleasures
|
1
|
0%
|
0
|
0%
|
|
157
|
Surprised by Joy
|
10
|
1%
|
0
|
0%
|
|
158
|
Sweet Was The Walk
|
4
|
0%
|
0
|
0%
|
|
159
|
The Birth of Love
|
7
|
0%
|
0
|
0%
|
|
160
|
The Brothers
|
4
|
0%
|
0
|
0%
|
|
161
|
The Childless Father
|
3
|
0%
|
0
|
0%
|
|
162
|
The Complaint Of a Forsaken Indian Woman
|
3
|
0%
|
0
|
0%
|
|
163
|
The Eagle and the Dove
|
3
|
0%
|
0
|
0%
|
|
164
|
The Emigrant Mother
|
2
|
0%
|
0
|
0%
|
|
165
|
The Forsaken
|
2
|
0%
|
0
|
0%
|
|
166
|
The Fountain
|
1
|
0%
|
0
|
0%
|
|
167
|
The French Army In Russia, 1812-13
|
2
|
0%
|
0
|
0%
|
|
168
|
The Green Linnet
|
1
|
0%
|
0
|
0%
|
|
169
|
The Highland Broach
|
1
|
0%
|
0
|
0%
|
|
170
|
The Idiot Boy
|
7
|
0%
|
0
|
0%
|
|
171
|
The Idle Shepherd Boys
|
1
|
0%
|
0
|
0%
|
|
172
|
The Kitten And Falling Leaves
|
4
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173
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The Last of The Flock
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1
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174
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The Longest Day
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3
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175
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The Martial Courage Of A Day Is Vain
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3
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176
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The Mother's Return
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3
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177
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The Oak And The Broom
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2
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178
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The Passing of the Elder Bards
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1
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179
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The Pet-Lamb
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2
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180
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The Power of Armies Is a Visible Thing
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1
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181
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The Prelude, Book 1: Childhood and School-time
|
33
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4%
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0
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182
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The Prelude, Book 2: School-time (Continued)
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1
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0
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183
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The Prelude. (book V )
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1
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184
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The Primrose of the Rock
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1
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185
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The Rainbow
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18
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2%
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186
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The Reaper
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3
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0
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187
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The Solitary Reaper
|
87
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12%
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188
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The Sonnet i
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1
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189
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The Sonnet ii
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3
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190
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The Sparrow's Nest
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4
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0
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191
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The Stars Are Mansions Built By Nature's Hand
|
2
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0
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192
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The Sun Has Long Been Set
|
4
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0
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193
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The Table Turned
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1
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0
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194
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The Thorn
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2
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0
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195
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The Two April Mornings
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3
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196
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The Two Thieves
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4
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197
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The Virgin
|
6
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0
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198
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The Waggoner - Canto First
|
1
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0
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|
199
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The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Second
|
1
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0%
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0
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0%
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|
200
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The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Seventh
|
1
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0%
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0
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0%
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|
201
|
The Wishing Gate
|
9
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1%
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0
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202
|
The World
|
6
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0
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203
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The World Is To Much With Us
|
11
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1%
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204
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The world is too much with us; late and soon
|
2
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0
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205
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There is an Eminence,--of these our hills
|
6
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0
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0%
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|
206
|
There was a Boy
|
4
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0
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0%
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|
207
|
Those Words Were Uttered As In Pensive Mood
|
1
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0%
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0
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0%
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|
208
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Thought Of A Briton On The Subjugation Of Switzerland
|
1
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0%
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0
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0%
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|
209
|
Three Years She Grew in Sun and Shower,
|
1
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0
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|
210
|
'Tis Said, That Some Have Died For Love
|
1
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0%
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0
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0%
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|
211
|
'Tis said, that some have died for love
|
5
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0%
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0
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0%
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|
212
|
To A Butterfly
|
14
|
1%
|
0
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0%
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|
213
|
To A Butterfly (2)
|
5
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0%
|
0
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0%
|
|
214
|
To A Distant Friend
|
2
|
0%
|
0
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0%
|
|
215
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
2
|
0%
|
0
|
0%
|
|
216
|
To a Sky-Lark
|
18
|
2%
|
0
|
0%
|
|
217
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
20
|
2%
|
0
|
0%
|
|
218
|
To B. R. Haydon
|
5
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0%
|
0
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0%
|
|
219
|
To Dora
|
8
|
1%
|
0
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0%
|
|
220
|
To H. C.
|
7
|
0%
|
0
|
0%
|
|
221
|
To Joanna
|
9
|
1%
|
0
|
0%
|
|
222
|
To Lady Beaumont
|
11
|
1%
|
0
|
0%
|
|
223
|
To Mary
|
1
|
0%
|
0
|
0%
|
|
224
|
To My Sister
|
4
|
0%
|
0
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0%
|
|
225
|
To Sleep
|
3
|
0%
|
0
|
0%
|
|
226
|
To The Cuckoo
|
7
|
0%
|
0
|
0%
|
|
227
|
To The Daisy
|
3
|
0%
|
0
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0%
|
|
228
|
To The Daisy (2)
|
2
|
0%
|
0
|
0%
|
|
229
|
To The Daisy (first poem)
|
9
|
1%
|
0
|
0%
|
|
230
|
To The Same Flower (second poem)
|
1
|
0%
|
0
|
0%
|
|
231
|
To The Spade Of A Friend (An Agriculturist)
|
1
|
0%
|
0
|
0%
|
|
232
|
Tribute To The Memory Of The Same Dog
|
1
|
0%
|
0
|
0%
|
|
233
|
Troilus And Cresida
|
2
|
0%
|
0
|
0%
|
|
234
|
Upon The Punishment Of Death
|
1
|
0%
|
0
|
0%
|
|
235
|
Upon The Same Event
|
1
|
0%
|
0
|
0%
|
|
236
|
Upon Westminster Bridge
|
23
|
3%
|
0
|
0%
|
|
237
|
Valedictory Sonnet to the River Duddon
|
1
|
0%
|
0
|
0%
|
|
238
|
Vaudracour And Julia
|
1
|
0%
|
0
|
0%
|
|
239
|
Vernal Ode
|
4
|
0%
|
0
|
0%
|
|
240
|
View From The Top Of Black Comb
|
1
|
0%
|
0
|
0%
|
|
241
|
Water-Fowl Observed Frequently Over The Lakes Of Rydal And Grasmere
|
1
|
0%
|
0
|
0%
|
|
242
|
We are Seven
|
9
|
1%
|
0
|
0%
|
|
243
|
Weak Is The Will Of Man, His Judgement Blind
|
2
|
0%
|
0
|
0%
|
|
244
|
When I Have Borne In Memory
|
2
|
0%
|
0
|
0%
|
|
245
|
When To The Attractions Of The Busy World
|
5
|
0%
|
0
|
0%
|
|
246
|
Where Lies The Land To Which Yon Ship Must Go?
|
5
|
0%
|
0
|
0%
|
|
247
|
Who Fancied What A Pretty Sight
|
5
|
0%
|
0
|
0%
|
|
248
|
With How Sad Steps, O Moon, Thou Climb'st the Sky
|
5
|
0%
|
0
|
0%
|
|
249
|
With ships the sea was sprinkled
|
4
|
0%
|
0
|
0%
|
|
250
|
With ships the sea was sprinkled far and nigh
|
4
|
0%
|
0
|
0%
|
|
251
|
Written in Early Spring
|
13
|
1%
|
0
|
0%
|
|
252
|
Written in Germany, On One of The Coldest Days Of The Century
|
4
|
0%
|
0
|
0%
|
|
253
|
Written in London. September, 1802
|
7
|
0%
|
0
|
0%
|
|
254
|
Written in March
|
16
|
2%
|
0
|
0%
|
|
255
|
Written In Very Early Youth
|
8
|
1%
|
0
|
0%
|
|
256
|
Written Upon A Blank Leaf In
|
5
|
0%
|
0
|
0%
|
|
257
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
9
|
1%
|
0
|
0%
|
|
258
|
Yarrow Revisited
|
3
|
0%
|
0
|
0%
|
|
259
|
Yarrow Unvisited
|
5
|
0%
|
0
|
0%
|
|
260
|
Yarrow Visited
|
6
|
0%
|
0
|
0%
|
|
261
|
Yes! Thou Art Fair, Yet Be Not Moved
|
9
|
1%
|
0
|
0%
|
|
262
|
Yes, It Was The Mountain Echo
|
10
|
1%
|
0
|
0%
|
|
263
|
Yew-Trees
|
18
|
2%
|
0
|
0%
|
|
264
|
Young England--What Is Then Become Of Old
|
24
|
3%
|
0
|
0%
|
