|
1
|
A Character
|
234
|
36%
|
0
|
0%
|
|
2
|
A Complaint
|
119
|
18%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
53
|
8%
|
0
|
0%
|
|
4
|
A Farewell
|
157
|
24%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
84
|
13%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
30
|
4%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
38
|
5%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
97
|
15%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
24
|
3%
|
0
|
0%
|
|
10
|
A Night Thought
|
136
|
21%
|
0
|
0%
|
|
11
|
A Night-Piece
|
132
|
20%
|
0
|
0%
|
|
12
|
A Parsonage In Oxfordshire
|
19
|
2%
|
0
|
0%
|
|
13
|
A Poet! He Hath Put his Heart to School
|
28
|
4%
|
0
|
0%
|
|
14
|
A Poet's Epitaph
|
34
|
5%
|
0
|
0%
|
|
15
|
A Prophecy. February 1807
|
10
|
1%
|
0
|
0%
|
|
16
|
A Sketch
|
43
|
6%
|
0
|
0%
|
|
17
|
A Slumber Did My Spirit Seal
|
20
|
3%
|
0
|
0%
|
|
18
|
A Whirl-Blast from Behind The Hill
|
15
|
2%
|
0
|
0%
|
|
19
|
A Wren's Nest
|
24
|
3%
|
0
|
0%
|
|
20
|
Address To Kilchurn Castle, Upon Loch Awe
|
6
|
0%
|
0
|
0%
|
|
21
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
5
|
0%
|
0
|
0%
|
|
22
|
Address To The Scholars Of The Village School Of ----
|
6
|
0%
|
0
|
0%
|
|
23
|
Admonition
|
8
|
1%
|
0
|
0%
|
|
24
|
Advance – Come Forth From Thy Tyrolean Ground
|
5
|
0%
|
0
|
0%
|
|
25
|
After-Thought
|
16
|
2%
|
0
|
0%
|
|
26
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
2
|
0%
|
0
|
0%
|
|
27
|
Alas! What Boots The Long Laborious Quest
|
4
|
0%
|
0
|
0%
|
|
28
|
Alice Fell, Or Poverty
|
7
|
1%
|
0
|
0%
|
|
29
|
Among All Lovely Things My Love Had Been
|
13
|
2%
|
0
|
0%
|
|
30
|
An Evening Walk, Addressed to a Young Lady
|
12
|
1%
|
0
|
0%
|
|
31
|
And Is It Among Rude Untutored Dales
|
2
|
0%
|
0
|
0%
|
|
32
|
Andrew Jones
|
5
|
0%
|
0
|
0%
|
|
33
|
Anecdote For Fathers
|
7
|
1%
|
0
|
0%
|
|
34
|
Animal Tranquillity and Decay
|
7
|
1%
|
0
|
0%
|
|
35
|
Anticipation, October 1803
|
3
|
0%
|
0
|
0%
|
|
36
|
Artegal And Elidure
|
2
|
0%
|
0
|
0%
|
|
37
|
At Applewaite, Near Keswick 1804
|
2
|
0%
|
0
|
0%
|
|
38
|
Avaunt All Specious Pliancy Of Mind
|
1
|
0%
|
0
|
0%
|
|
39
|
Beggars
|
17
|
2%
|
0
|
0%
|
|
40
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
6
|
0%
|
0
|
0%
|
|
41
|
Book Eleventh: France [concluded]
|
3
|
0%
|
0
|
0%
|
|
42
|
Book Fifth-Books
|
1
|
0%
|
0
|
0%
|
|
43
|
Book First [Introduction-Childhood and School Time]
|
3
|
0%
|
0
|
0%
|
|
44
|
Book Fourteenth [conclusion]
|
1
|
0%
|
0
|
0%
|
|
45
|
Book Fourth [Summer Vacation]
|
1
|
0%
|
0
|
0%
|
|
46
|
Book Seventh [Residence in London]
|
1
|
0%
|
0
|
0%
|
|
47
|
Bothwell Castle
|
3
|
0%
|
0
|
0%
|
|
48
|
British Freedom
|
4
|
0%
|
0
|
0%
|
|
49
|
By the Seaside
|
19
|
2%
|
0
|
0%
|
|
50
|
By The Side Of The Grave Some Years After
|
3
|
0%
|
0
|
0%
|
|
51
|
Calm is all nature as a resting wheel
|
30
|
4%
|
0
|
0%
|
|
52
|
Calm is all Nature as a Resting Wheel.
|
2
|
0%
|
0
|
0%
|
|
53
|
Character of the Happy Warrior
|
5
|
0%
|
0
|
0%
|
|
54
|
Characteristics Of A Child Three Years Old
|
6
|
0%
|
0
|
0%
|
|
55
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
1
|
0%
|
0
|
0%
|
|
56
|
Composed By The Sea-Side, Near Calais, August 1802
|
1
|
0%
|
0
|
0%
|
|
57
|
Composed By The Side Of Grasmere Lake 1806
|
1
|
0%
|
0
|
0%
|
|
58
|
Composed During a Storm
|
3
|
0%
|
0
|
0%
|
|
59
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
1
|
0%
|
0
|
0%
|
|
60
|
Composed Upon Westminster Bridge, September 3, 1802
|
13
|
2%
|
0
|
0%
|
|
61
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
3
|
0%
|
0
|
0%
|
|
62
|
Daffodils
|
642
|
100%
|
0
|
0%
|
|
63
|
Desideria
|
10
|
1%
|
0
|
0%
|
|
64
|
Dion
|
5
|
0%
|
0
|
0%
|
|
65
|
Elegiac Stanzas
|
8
|
1%
|
0
|
0%
|
|
66
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
2
|
0%
|
0
|
0%
|
|
67
|
Ellen Irwin
|
4
|
0%
|
0
|
0%
|
|
68
|
Emperors And Kings, How Oft Have Temples Rung
|
2
|
0%
|
0
|
0%
|
|
69
|
England i
|
1
|
0%
|
0
|
0%
|
|
70
|
England ii
|
1
|
0%
|
0
|
0%
|
|
71
|
England iii
|
1
|
0%
|
0
|
0%
|
|
72
|
England iv
|
1
|
0%
|
0
|
0%
|
|
73
|
England v
|
1
|
0%
|
0
|
0%
|
|
74
|
Evening on Calais Beach
|
1
|
0%
|
0
|
0%
|
|
75
|
Expostulation and Reply
|
3
|
0%
|
0
|
0%
|
|
76
|
Extempore Effusion upon the Death of James Hogg
|
2
|
0%
|
0
|
0%
|
|
77
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
1
|
0%
|
0
|
0%
|
|
78
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
0%
|
0
|
0%
|
|
79
|
Feelings Of The Tyrolese
|
3
|
0%
|
0
|
0%
|
|
80
|
Fidelity
|
5
|
0%
|
0
|
0%
|
|
81
|
For The Spot Where The Hermitage Stood on St. Herbert's Island, Derwentwater.
|
1
|
0%
|
0
|
0%
|
|
82
|
Foresight
|
5
|
0%
|
0
|
0%
|
|
83
|
Fountain, The: A Conversation
|
2
|
0%
|
0
|
0%
|
|
84
|
From The Cuckoo And The Nightingale
|
5
|
0%
|
0
|
0%
|
|
85
|
Gipsies
|
4
|
0%
|
0
|
0%
|
|
86
|
Guilt and Sorrow
|
9
|
1%
|
0
|
0%
|
|
87
|
Hart-Leap Well
|
2
|
0%
|
0
|
0%
|
|
88
|
How Sweet It Is, When Mother Fancy Rocks
|
3
|
0%
|
0
|
0%
|
|
89
|
I Grieved For Buonaparte
|
2
|
0%
|
0
|
0%
|
|
90
|
I Know an Old Man Constrained to Dwell
|
4
|
0%
|
0
|
0%
|
|
91
|
I Travelled Among Unknown Men
|
3
|
0%
|
0
|
0%
|
|
92
|
I wandered lonely as a cloud
|
312
|
48%
|
0
|
0%
|
|
93
|
In Due Observance Of An Ancient Rite
|
2
|
0%
|
0
|
0%
|
|
94
|
Influence of Natural Objects
|
3
|
0%
|
0
|
0%
|
|
95
|
Inside of King's College Chapel, Cambridge
|
1
|
0%
|
0
|
0%
|
|
96
|
Is There A Power That Can Sustain And Cheer
|
1
|
0%
|
0
|
0%
|
|
97
|
It Is a Beauteous Evening
|
8
|
1%
|
0
|
0%
|
|
98
|
It Is No Spirit Who From Heaven Hath Flown
|
2
|
0%
|
0
|
0%
|
|
99
|
It is not to be Thought of
|
3
|
0%
|
0
|
0%
|
|
100
|
It was an April morning: fresh and clear
|
4
|
0%
|
0
|
0%
|
|
101
|
Lament Of Mary Queen Of Scots
|
1
|
0%
|
0
|
0%
|
|
102
|
Laodamia
|
3
|
0%
|
0
|
0%
|
|
103
|
Lines Composed A Few Miles Above Tintern Abbey
|
2
|
0%
|
0
|
0%
|
|
104
|
Lines Left upon a Seat in a Yew-tree
|
2
|
0%
|
0
|
0%
|
|
105
|
Lines written as a School Exercise at Hawkshead, Anno Aetatis
|
1
|
0%
|
0
|
0%
|
|
106
|
Lines Written In Early Spring
|
4
|
0%
|
0
|
0%
|
|
107
|
London, 1802
|
2
|
0%
|
0
|
0%
|
|
108
|
Look Now On That Adventurer Who Hath Paid
|
1
|
0%
|
0
|
0%
|
|
109
|
Lucy
|
7
|
1%
|
0
|
0%
|
|
110
|
Lucy Gray
|
3
|
0%
|
0
|
0%
|
|
111
|
Lucy i
|
1
|
0%
|
0
|
0%
|
|
112
|
Lucy ii
|
1
|
0%
|
0
|
0%
|
|
113
|
Lucy iv
|
1
|
0%
|
0
|
0%
|
|
114
|
Maternal Grief
|
1
|
0%
|
0
|
0%
|
|
115
|
Matthew
|
2
|
0%
|
0
|
0%
|
|
116
|
Memorials Of A Tour Of Scotland, 1803 VI. Glen-Almain, Or, The Narrow Glen
|
3
|
0%
|
0
|
0%
|
|
117
|
Memory
|
6
|
0%
|
0
|
0%
|
|
118
|
Michael: A Pastoral Poem
|
2
|
0%
|
0
|
0%
|
|
119
|
Minstrels
|
1
|
0%
|
0
|
0%
|
|
120
|
Most Sweet it is
|
7
|
1%
|
0
|
0%
|
|
121
|
Mutability
|
2
|
0%
|
0
|
0%
|
|
122
|
My Heart Leaps Up
|
21
|
3%
|
0
|
0%
|
|
123
|
November 1813
|
1
|
0%
|
0
|
0%
|
|
124
|
November, 1806
|
2
|
0%
|
0
|
0%
|
|
125
|
Nuns Fret Not at Their Convent's Narrow Room
|
6
|
0%
|
0
|
0%
|
|
126
|
Nutting
|
4
|
0%
|
0
|
0%
|
|
127
|
O Nightingale! Thou Surely Art
|
7
|
1%
|
0
|
0%
|
|
128
|
O’er The Wide Earth, On Mountain And On Plain
|
1
|
0%
|
0
|
0%
|
|
129
|
October, 1803
|
1
|
0%
|
0
|
0%
|
|
130
|
Ode
|
2
|
0%
|
0
|
0%
|
|
131
|
Ode On Intimations Of Immortality
|
8
|
1%
|
0
|
0%
|
|
132
|
Ode to Duty
|
3
|
0%
|
0
|
0%
|
|
133
|
Ode, Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
|
134
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
5
|
0%
|
0
|
0%
|
|
135
|
Ode: Intimations of Immortality
|
5
|
0%
|
0
|
0%
|
|
136
|
On A Celebrated Event In Ancient History
|
2
|
0%
|
0
|
0%
|
|
137
|
On the Departure of Sir Walter Scott from Abbotsford
|
3
|
0%
|
0
|
0%
|
|
138
|
On the Extinction of the Venetian Republic
|
1
|
0%
|
0
|
0%
|
|
139
|
On The Final Submission Of The Tyrolese
|
1
|
0%
|
0
|
0%
|
|
140
|
On The Same Occasion
|
2
|
0%
|
0
|
0%
|
|
141
|
Perfect Woman
|
9
|
1%
|
0
|
0%
|
|
142
|
Personal Talk
|
5
|
0%
|
0
|
0%
|
|
143
|
Peter Bell, A Tale
|
2
|
0%
|
0
|
0%
|
|
144
|
Pet-Lamb, The: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
|
145
|
Picture of Daniel in the Lion's Den at Hamilton Palace
|
1
|
0%
|
0
|
0%
|
|
146
|
Power Of Music
|
9
|
1%
|
0
|
0%
|
|
147
|
Remembrance of Collins
|
1
|
0%
|
0
|
0%
|
|
148
|
Repentance
|
1
|
0%
|
0
|
0%
|
|
149
|
Resolution and Independence
|
4
|
0%
|
0
|
0%
|
|
150
|
Ruth
|
2
|
0%
|
0
|
0%
|
|
151
|
September, 1819
|
1
|
0%
|
0
|
0%
|
|
152
|
She dwelt among the untrodden ways
|
8
|
1%
|
0
|
0%
|
|
153
|
She Was a Phantom of Delight
|
5
|
0%
|
0
|
0%
|
|
154
|
Siege Of Vienna Raised By John Sobieski
|
1
|
0%
|
0
|
0%
|
|
155
|
Song For The Wandering Jew
|
1
|
0%
|
0
|
0%
|
|
156
|
Song Of The Spinning Wheel
|
2
|
0%
|
0
|
0%
|
|
157
|
Sonnet: On seeing Miss Helen Maria Williams weep at a tale of distress
|
1
|
0%
|
0
|
0%
|
|
158
|
Spanish Guerillas
|
1
|
0%
|
0
|
0%
|
|
159
|
Speak!
|
3
|
0%
|
0
|
0%
|
|
160
|
Stanzas
|
3
|
0%
|
0
|
0%
|
|
161
|
Star-Gazers
|
1
|
0%
|
0
|
0%
|
|
162
|
Stepping Westward
|
1
|
0%
|
0
|
0%
|
|
163
|
Strange fits of passion have I known
|
14
|
2%
|
0
|
0%
|
|
164
|
Stray Pleasures
|
2
|
0%
|
0
|
0%
|
|
165
|
Surprised by Joy
|
5
|
0%
|
0
|
0%
|
|
166
|
Sweet Was The Walk
|
3
|
0%
|
0
|
0%
|
|
167
|
The Birth of Love
|
6
|
0%
|
0
|
0%
|
|
168
|
The Brothers
|
3
|
0%
|
0
|
0%
|
|
169
|
The Childless Father
|
3
|
0%
|
0
|
0%
|
|
170
|
The Complaint Of a Forsaken Indian Woman
|
1
|
0%
|
0
|
0%
|
|
171
|
The Cottager To Her Infant
|
1
|
0%
|
0
|
0%
|
|
172
|
The Eagle and the Dove
|
3
|
0%
|
0
|
0%
|
|
173
|
The Emigrant Mother
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2
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0%
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0
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0%
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174
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The Force Of Prayer, Or, The Founding Of Bolton, A Tradition
|
1
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0%
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0
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0%
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175
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The Forsaken
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2
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0%
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0
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0%
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176
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The Fountain
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1
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0%
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0
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0%
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177
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The Highland Broach
|
1
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0%
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0
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0%
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178
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The Idiot Boy
|
5
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0%
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0
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0%
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179
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The Idle Shepherd Boys
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1
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0%
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0
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0%
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|
180
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The Last of The Flock
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1
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0
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0%
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181
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The Longest Day
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5
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0
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0%
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182
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The Mother's Return
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4
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0%
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0
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0%
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183
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The Pet-Lamb
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1
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0%
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0
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0%
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|
184
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The Prelude, Book 1: Childhood and School-time
|
18
|
2%
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0
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0%
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|
185
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The Prelude, Book 2: School-time (Continued)
|
2
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0%
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0
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0%
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|
186
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The Rainbow
|
8
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1%
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0
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0%
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187
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The Reaper
|
5
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0%
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0
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0%
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|
188
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The Recluse - Book First
|
1
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0%
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0
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0%
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189
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The Reverie of Poor Susan
|
1
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0%
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0
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0%
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|
190
|
The Russian Fugitive
|
2
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0%
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0
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0%
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|
191
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The Sailor's Mother
|
1
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0%
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0
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0%
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|
192
|
The Seven Sisters
|
3
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0%
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0
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0%
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|
193
|
The Shepherd, Looking Eastward, Softly Said
|
1
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0%
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0
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0%
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|
194
|
The Simplon Pass
|
2
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0%
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0
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0%
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|
195
|
The Solitary Reaper
|
91
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14%
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0
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0%
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|
196
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The Sonnet i
|
4
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0%
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0
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0%
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|
197
|
The Sparrow's Nest
|
7
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1%
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0
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0%
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|
198
|
The Stars Are Mansions Built By Nature's Hand
|
2
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0%
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0
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0%
|
|
199
|
The Sun Has Long Been Set
|
7
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1%
|
0
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0%
|
|
200
|
The Table Turned
|
4
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0%
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0
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0%
|
|
201
|
The Thorn
|
4
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0%
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0
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0%
|
|
202
|
The Trosachs
|
4
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0%
|
0
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0%
|
|
203
|
The Two Thieves
|
1
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0%
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0
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0%
|
|
204
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The Virgin
|
2
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|
0
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0%
|
|
205
|
The Waggoner - Canto First
|
1
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0%
|
0
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0%
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|
206
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The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fifth
|
1
|
0%
|
0
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0%
|
|
207
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fourth
|
1
|
0%
|
0
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0%
|
|
208
|
The Wishing Gate
|
3
|
0%
|
0
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0%
|
|
209
|
The World
|
2
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0%
|
0
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0%
|
|
210
|
The World Is To Much With Us
|
8
|
1%
|
0
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0%
|
|
211
|
The world is too much with us; late and soon
|
9
|
1%
|
0
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0%
|
|
212
|
There Is A Bondage Worse, Far Worse, To Bear
|
1
|
0%
|
0
|
0%
|
|
213
|
There is an Eminence,--of these our hills
|
1
|
0%
|
0
|
0%
|
|
214
|
There was a Boy
|
1
|
0%
|
0
|
0%
|
|
215
|
Three Years She Grew in Sun and Shower,
|
4
|
0%
|
0
|
0%
|
|
216
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
|
217
|
'Tis said, that some have died for love
|
1
|
0%
|
0
|
0%
|
|
218
|
To A Butterfly
|
10
|
1%
|
0
|
0%
|
|
219
|
To A Butterfly (2)
|
6
|
0%
|
0
|
0%
|
|
220
|
To A Distant Friend
|
3
|
0%
|
0
|
0%
|
|
221
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
1
|
0%
|
0
|
0%
|
|
222
|
To A Sexton
|
1
|
0%
|
0
|
0%
|
|
223
|
To a Sky-Lark
|
1
|
0%
|
0
|
0%
|
|
224
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
2
|
0%
|
0
|
0%
|
|
225
|
To Dora
|
1
|
0%
|
0
|
0%
|
|
226
|
To Joanna
|
1
|
0%
|
0
|
0%
|
|
227
|
To Lady Beaumont
|
1
|
0%
|
0
|
0%
|
|
228
|
To My Sister
|
3
|
0%
|
0
|
0%
|
|
229
|
To---- On Her First Ascent To The Summit Of Helvellyn
|
3
|
0%
|
0
|
0%
|
|
230
|
To Sleep
|
2
|
0%
|
0
|
0%
|
|
231
|
To The Cuckoo
|
6
|
0%
|
0
|
0%
|
|
232
|
To The Daisy
|
4
|
0%
|
0
|
0%
|
|
233
|
To The Daisy (2)
|
4
|
0%
|
0
|
0%
|
|
234
|
To The Daisy (first poem)
|
8
|
1%
|
0
|
0%
|
|
235
|
To The Daisy (fourth poem)
|
2
|
0%
|
0
|
0%
|
|
236
|
To The Daisy (third poem)
|
2
|
0%
|
0
|
0%
|
|
237
|
To The Men Of Kent
|
1
|
0%
|
0
|
0%
|
|
238
|
To The Same (John Dyer)
|
1
|
0%
|
0
|
0%
|
|
239
|
To The Same Flower (second poem)
|
1
|
0%
|
0
|
0%
|
|
240
|
To The Spade Of A Friend (An Agriculturist)
|
1
|
0%
|
0
|
0%
|
|
241
|
Translation Of Part Of The First Book Of The Aeneid
|
1
|
0%
|
0
|
0%
|
|
242
|
Troilus And Cresida
|
1
|
0%
|
0
|
0%
|
|
243
|
Upon The Punishment Of Death
|
1
|
0%
|
0
|
0%
|
|
244
|
Upon Westminster Bridge
|
16
|
2%
|
0
|
0%
|
|
245
|
Vernal Ode
|
3
|
0%
|
0
|
0%
|
|
246
|
View From The Top Of Black Comb
|
1
|
0%
|
0
|
0%
|
|
247
|
Water-Fowl Observed Frequently Over The Lakes Of Rydal And Grasmere
|
1
|
0%
|
0
|
0%
|
|
248
|
We are Seven
|
3
|
0%
|
0
|
0%
|
|
249
|
Weak Is The Will Of Man, His Judgement Blind
|
1
|
0%
|
0
|
0%
|
|
250
|
When I Have Borne In Memory
|
1
|
0%
|
0
|
0%
|
|
251
|
When To The Attractions Of The Busy World
|
1
|
0%
|
0
|
0%
|
|
252
|
Who Fancied What A Pretty Sight
|
2
|
0%
|
0
|
0%
|
|
253
|
With How Sad Steps, O Moon, Thou Climb'st the Sky
|
1
|
0%
|
0
|
0%
|
|
254
|
With ships the sea was sprinkled far and nigh
|
2
|
0%
|
0
|
0%
|
|
255
|
Written in Early Spring
|
1
|
0%
|
0
|
0%
|
|
256
|
Written in March
|
8
|
1%
|
0
|
0%
|
|
257
|
Written In Very Early Youth
|
1
|
0%
|
0
|
0%
|
|
258
|
Written Upon A Blank Leaf In
|
4
|
0%
|
0
|
0%
|
|
259
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
2
|
0%
|
0
|
0%
|
|
260
|
Yarrow Revisited
|
2
|
0%
|
0
|
0%
|
|
261
|
Yes! Thou Art Fair, Yet Be Not Moved
|
1
|
0%
|
0
|
0%
|
|
262
|
Yes, It Was The Mountain Echo
|
3
|
0%
|
0
|
0%
|
|
263
|
Yew-Trees
|
2
|
0%
|
0
|
0%
|
|
264
|
Young England--What Is Then Become Of Old
|
1
|
0%
|
0
|
0%
|