|
1
|
A Character
|
74
|
8%
|
0
|
0%
|
|
2
|
A Complaint
|
45
|
4%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
13
|
1%
|
0
|
0%
|
|
4
|
A Farewell
|
52
|
5%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
10
|
1%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
20
|
2%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
6
|
0%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
10
|
1%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
85
|
9%
|
0
|
0%
|
|
10
|
A Narrow Girdle of Rough Stones and Crags,
|
6
|
0%
|
0
|
0%
|
|
11
|
A Night Thought
|
22
|
2%
|
0
|
0%
|
|
12
|
A Night-Piece
|
14
|
1%
|
0
|
0%
|
|
13
|
A Parsonage In Oxfordshire
|
4
|
0%
|
0
|
0%
|
|
14
|
A Poet! He Hath Put his Heart to School
|
4
|
0%
|
0
|
0%
|
|
15
|
A Poet's Epitaph
|
7
|
0%
|
0
|
0%
|
|
16
|
A Prophecy. February 1807
|
8
|
0%
|
0
|
0%
|
|
17
|
A Sketch
|
8
|
0%
|
0
|
0%
|
|
18
|
A Slumber Did My Spirit Seal
|
10
|
1%
|
0
|
0%
|
|
19
|
A Whirl-Blast from Behind The Hill
|
80
|
8%
|
0
|
0%
|
|
20
|
A Whirl-Blast from Behind the Hill
|
4
|
0%
|
0
|
0%
|
|
21
|
A Wren's Nest
|
11
|
1%
|
0
|
0%
|
|
22
|
Address To Kilchurn Castle, Upon Loch Awe
|
5
|
0%
|
0
|
0%
|
|
23
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
2
|
0%
|
0
|
0%
|
|
24
|
Address To The Scholars Of The Village School Of ---
|
3
|
0%
|
0
|
0%
|
|
25
|
Address To The Scholars Of The Village School Of ----
|
1
|
0%
|
0
|
0%
|
|
26
|
Admonition
|
4
|
0%
|
0
|
0%
|
|
27
|
Advance – Come Forth From Thy Tyrolean Ground
|
1
|
0%
|
0
|
0%
|
|
28
|
After-Thought
|
5
|
0%
|
0
|
0%
|
|
29
|
Alice Fell, Or Poverty
|
1
|
0%
|
0
|
0%
|
|
30
|
Among All Lovely Things My Love Had Been
|
2
|
0%
|
0
|
0%
|
|
31
|
An Evening Walk, Addressed to a Young Lady
|
2
|
0%
|
0
|
0%
|
|
32
|
And Is It Among Rude Untutored Dales
|
3
|
0%
|
0
|
0%
|
|
33
|
Anecdote For Fathers
|
2
|
0%
|
0
|
0%
|
|
34
|
Animal Tranquillity and Decay
|
3
|
0%
|
0
|
0%
|
|
35
|
Anticipation, October 1803
|
4
|
0%
|
0
|
0%
|
|
36
|
At Applewaite, Near Keswick 1804
|
1
|
0%
|
0
|
0%
|
|
37
|
Beggars
|
10
|
1%
|
0
|
0%
|
|
38
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
4
|
0%
|
0
|
0%
|
|
39
|
Brave Schill! By Death Delivered
|
4
|
0%
|
0
|
0%
|
|
40
|
By the Seaside
|
12
|
1%
|
0
|
0%
|
|
41
|
Calm is all nature as a resting wheel
|
117
|
12%
|
0
|
0%
|
|
42
|
Calm is all Nature as a Resting Wheel.
|
1
|
0%
|
0
|
0%
|
|
43
|
Character of the Happy Warrior
|
1
|
0%
|
0
|
0%
|
|
44
|
Characteristics Of A Child Three Years Old
|
3
|
0%
|
0
|
0%
|
|
45
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
6
|
0%
|
0
|
0%
|
|
46
|
Composed At The Same Time And On The Same Occasion
|
4
|
0%
|
0
|
0%
|
|
47
|
Composed By The Sea-Side, Near Calais, August 1802
|
4
|
0%
|
0
|
0%
|
|
48
|
Composed By The Side Of Grasmere Lake 1806
|
3
|
0%
|
0
|
0%
|
|
49
|
Composed During a Storm
|
6
|
0%
|
0
|
0%
|
|
50
|
Composed In The Valley Near Dover, On The Day Of Landing
|
3
|
0%
|
0
|
0%
|
|
51
|
Composed Near Calais, On The Road Leading To Ardres, August 7, 1802
|
4
|
0%
|
0
|
0%
|
|
52
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
8
|
0%
|
0
|
0%
|
|
53
|
Composed Upon Westminster Bridge, September 3, 1802
|
6
|
0%
|
0
|
0%
|
|
54
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
7
|
0%
|
0
|
0%
|
|
55
|
Daffodils
|
430
|
46%
|
0
|
0%
|
|
56
|
Desideria
|
5
|
0%
|
0
|
0%
|
|
57
|
Dion
|
6
|
0%
|
0
|
0%
|
|
58
|
Elegiac Stanzas
|
4
|
0%
|
0
|
0%
|
|
59
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
2
|
0%
|
0
|
0%
|
|
60
|
Ellen Irwin
|
1
|
0%
|
0
|
0%
|
|
61
|
Emperors And Kings, How Oft Have Temples Rung
|
1
|
0%
|
0
|
0%
|
|
62
|
England i
|
2
|
0%
|
0
|
0%
|
|
63
|
Evening on Calais Beach
|
3
|
0%
|
0
|
0%
|
|
64
|
Expostulation and Reply
|
6
|
0%
|
0
|
0%
|
|
65
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
1
|
0%
|
0
|
0%
|
|
66
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
0%
|
0
|
0%
|
|
67
|
Fidelity
|
3
|
0%
|
0
|
0%
|
|
68
|
Foresight
|
1
|
0%
|
0
|
0%
|
|
69
|
From The Cuckoo And The Nightingale
|
6
|
0%
|
0
|
0%
|
|
70
|
Gipsies
|
1
|
0%
|
0
|
0%
|
|
71
|
Gipsies
|
3
|
0%
|
0
|
0%
|
|
72
|
Guilt and Sorrow
|
3
|
0%
|
0
|
0%
|
|
73
|
Hoffer
|
2
|
0%
|
0
|
0%
|
|
74
|
I Travelled Among Unknown Men
|
2
|
0%
|
0
|
0%
|
|
75
|
I wandered lonely as a cloud
|
918
|
100%
|
0
|
0%
|
|
76
|
I Wandered Lonely as a Cloud
|
3
|
0%
|
0
|
0%
|
|
77
|
'I wandered lonely as a cloud...'
|
5
|
0%
|
0
|
0%
|
|
78
|
Incident Characteristic Of A Favorite Dog
|
2
|
0%
|
0
|
0%
|
|
79
|
Indignation Of A High-Minded Spaniard
|
1
|
0%
|
0
|
0%
|
|
80
|
Influence of Natural Objects
|
2
|
0%
|
0
|
0%
|
|
81
|
Invocation To The Earth, February 1816
|
2
|
0%
|
0
|
0%
|
|
82
|
It Is a Beauteous Evening
|
7
|
0%
|
0
|
0%
|
|
83
|
It Is a Beauteous Evening
|
3
|
0%
|
0
|
0%
|
|
84
|
It is not to be Thought of
|
3
|
0%
|
0
|
0%
|
|
85
|
It was an April morning: fresh and clear
|
140
|
15%
|
0
|
0%
|
|
86
|
It was an April morning: fresh and clear
|
2
|
0%
|
0
|
0%
|
|
87
|
Lament Of Mary Queen Of Scots
|
2
|
0%
|
0
|
0%
|
|
88
|
Lament Of Mary Queen Of Scots
|
3
|
0%
|
0
|
0%
|
|
89
|
Lament of Mary Queen of Scots, on The Eve of a New Year
|
3
|
0%
|
0
|
0%
|
|
90
|
Laodamia
|
3
|
0%
|
0
|
0%
|
|
91
|
Lines Left upon a Seat in a Yew-tree
|
6
|
0%
|
0
|
0%
|
|
92
|
Lines Left Upon The Seat Of A Yew-Tree,
|
4
|
0%
|
0
|
0%
|
|
93
|
Lines On The Expected Invasion, 1803
|
6
|
0%
|
0
|
0%
|
|
94
|
Lines written as a School Exercise at Hawkshead, Anno Aetatis
|
3
|
0%
|
0
|
0%
|
|
95
|
Lines Written As A School Exercise At Hawkshead, Anno Aetatis 14
|
1
|
0%
|
0
|
0%
|
|
96
|
Lines Written In Early Spring
|
6
|
0%
|
0
|
0%
|
|
97
|
Lines Written In Early Spring
|
5
|
0%
|
0
|
0%
|
|
98
|
Lines Written On A Blank Leaf In A Copy Of The Author’s Poem
|
4
|
0%
|
0
|
0%
|
|
99
|
London, 1802
|
3
|
0%
|
0
|
0%
|
|
100
|
Look Now On That Adventurer Who Hath Paid
|
4
|
0%
|
0
|
0%
|
|
101
|
Louisa: After Accompanying Her On A Mountain Excursion
|
3
|
0%
|
0
|
0%
|
|
102
|
Lucy
|
3
|
0%
|
0
|
0%
|
|
103
|
Lucy Gray
|
7
|
0%
|
0
|
0%
|
|
104
|
Lucy i
|
5
|
0%
|
0
|
0%
|
|
105
|
Lucy ii
|
3
|
0%
|
0
|
0%
|
|
106
|
Lucy iii
|
3
|
0%
|
0
|
0%
|
|
107
|
Lucy iv
|
3
|
0%
|
0
|
0%
|
|
108
|
Lucy v
|
2
|
0%
|
0
|
0%
|
|
109
|
Mark The Concentrated Hazels That Enclose
|
2
|
0%
|
0
|
0%
|
|
110
|
Maternal Grief
|
3
|
0%
|
0
|
0%
|
|
111
|
Matthew
|
3
|
0%
|
0
|
0%
|
|
112
|
Memorials Of A Tour In Scotland 1814 I. Suggested By A Beautiful Ruin Upon One Of The Islands Of Loch Lomond,
|
3
|
0%
|
0
|
0%
|
|
113
|
Memorials Of A Tour In Scotland,
|
5
|
0%
|
0
|
0%
|
|
114
|
Memorials Of A Tour In Scotland, 1803
|
6
|
0%
|
0
|
0%
|
|
115
|
Memorials of A Tour In Scotland, 1803 I. Departure From The Vale Of Grasmere, August 1803
|
3
|
0%
|
0
|
0%
|
|
116
|
Memorials Of A Tour In Scotland, 1803 X. Rob Roy’s Grave .
|
3
|
0%
|
0
|
0%
|
|
117
|
Memorials Of A Tour In Scotland, 1803 XII. Sonnet Composed At ---- Castle
|
2
|
0%
|
0
|
0%
|
|
118
|
Memorials Of A Tour In Scotland, 1803 XII. Yarrow Unvisited
|
2
|
0%
|
0
|
0%
|
|
119
|
Memorials Of A Tour In Scotland, 1803 XIV. Fly, Some Kind Haringer, To Grasmere-Dale
|
1
|
0%
|
0
|
0%
|
|
120
|
Memorials Of A Tour Of Scotland, 1803 VI. Glen-Almain, Or, The Narrow Glen
|
3
|
0%
|
0
|
0%
|
|
121
|
Memory
|
9
|
0%
|
0
|
0%
|
|
122
|
Methought I Saw The Footsteps Of A Throne
|
4
|
0%
|
0
|
0%
|
|
123
|
Michael Angelo In Reply To The Passage Upon His Staute Of Sleeping Night
|
1
|
0%
|
0
|
0%
|
|
124
|
Michael: A Pastoral Poem
|
2
|
0%
|
0
|
0%
|
|
125
|
Minstrels
|
3
|
0%
|
0
|
0%
|
|
126
|
Most Sweet it is
|
1
|
0%
|
0
|
0%
|
|
127
|
Mutability
|
2
|
0%
|
0
|
0%
|
|
128
|
My Heart Leaps Up
|
38
|
4%
|
0
|
0%
|
|
129
|
November 1813
|
1
|
0%
|
0
|
0%
|
|
130
|
November, 1806
|
2
|
0%
|
0
|
0%
|
|
131
|
Nuns Fret Not at Their Convent's Narrow Room
|
46
|
5%
|
0
|
0%
|
|
132
|
Nutting
|
3
|
0%
|
0
|
0%
|
|
133
|
O Nightingale! Thou Surely Art
|
6
|
0%
|
0
|
0%
|
|
134
|
O’er The Wide Earth, On Mountain And On Plain
|
2
|
0%
|
0
|
0%
|
|
135
|
O’erweening Statesmen Have Full Long Relied
|
2
|
0%
|
0
|
0%
|
|
136
|
Oak and The Broom, The: A Pastoral Poem
|
3
|
0%
|
0
|
0%
|
|
137
|
Occasioned By The Battle Of Waterloo February 1816
|
3
|
0%
|
0
|
0%
|
|
138
|
October, 1803
|
4
|
0%
|
0
|
0%
|
|
139
|
Ode
|
4
|
0%
|
0
|
0%
|
|
140
|
Ode Composed On A May Morning
|
3
|
0%
|
0
|
0%
|
|
141
|
Ode On Intimations Of Immortality
|
4
|
0%
|
0
|
0%
|
|
142
|
Ode to Duty
|
12
|
1%
|
0
|
0%
|
|
143
|
Ode To Lycoris. May 1817
|
2
|
0%
|
0
|
0%
|
|
144
|
Ode, Composed On A May Morning
|
3
|
0%
|
0
|
0%
|
|
145
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
6
|
0%
|
0
|
0%
|
|
146
|
Ode: Intimations of Immortality
|
9
|
0%
|
0
|
0%
|
|
147
|
On A Celebrated Event In Ancient History
|
3
|
0%
|
0
|
0%
|
|
148
|
On the Departure of Sir Walter Scott from Abbotsford
|
3
|
0%
|
0
|
0%
|
|
149
|
On the Extinction of the Venetian Republic
|
2
|
0%
|
0
|
0%
|
|
150
|
On The Final Submission Of The Tyrolese
|
3
|
0%
|
0
|
0%
|
|
151
|
On The Same Occasion
|
3
|
0%
|
0
|
0%
|
|
152
|
Perfect Woman
|
15
|
1%
|
0
|
0%
|
|
153
|
Personal Talk
|
3
|
0%
|
0
|
0%
|
|
154
|
Peter Bell, A Tale
|
3
|
0%
|
0
|
0%
|
|
155
|
Pet-Lamb, The: A Pastoral Poem
|
6
|
0%
|
0
|
0%
|
|
156
|
Picture of Daniel in the Lion's Den at Hamilton Palace
|
5
|
0%
|
0
|
0%
|
|
157
|
Power Of Music
|
3
|
0%
|
0
|
0%
|
|
158
|
Remembrance of Collins
|
1
|
0%
|
0
|
0%
|
|
159
|
Repentance
|
2
|
0%
|
0
|
0%
|
|
160
|
Resolution and Independence
|
4
|
0%
|
0
|
0%
|
|
161
|
Rural Architecture
|
3
|
0%
|
0
|
0%
|
|
162
|
Ruth
|
3
|
0%
|
0
|
0%
|
|
163
|
Say, What Is Honour?--‘Tis The Finest Sense
|
3
|
0%
|
0
|
0%
|
|
164
|
Scorn Not the Sonnet
|
5
|
0%
|
0
|
0%
|
|
165
|
September 1, 1802
|
6
|
0%
|
0
|
0%
|
|
166
|
September 1815
|
4
|
0%
|
0
|
0%
|
|
167
|
September, 1819
|
3
|
0%
|
0
|
0%
|
|
168
|
She Dwelt Among the Untrodden Ways
|
4
|
0%
|
0
|
0%
|
|
169
|
She dwelt among the untrodden ways
|
71
|
7%
|
0
|
0%
|
|
170
|
She was a phantom of delight
|
54
|
5%
|
0
|
0%
|
|
171
|
She Was a Phantom of Delight
|
3
|
0%
|
0
|
0%
|
|
172
|
Siege Of Vienna Raised By John Sobieski
|
3
|
0%
|
0
|
0%
|
|
173
|
Simon Lee: The Old Huntsman
|
4
|
0%
|
0
|
0%
|
|
174
|
Song at the Feast of Brougham Castle upon the Restoration o
|
3
|
0%
|
0
|
0%
|
|
175
|
Song Of The Spinning Wheel
|
2
|
0%
|
0
|
0%
|
|
176
|
Song Of The Wandering Jew
|
2
|
0%
|
0
|
0%
|
|
177
|
Sonnet:
|
3
|
0%
|
0
|
0%
|
|
178
|
Sonnet: On seeing Miss Helen Maria Williams weep at a tale of distress
|
1
|
0%
|
0
|
0%
|
|
179
|
Spanish Guerillas
|
3
|
0%
|
0
|
0%
|
|
180
|
Speak!
|
8
|
0%
|
0
|
0%
|
|
181
|
Stanzas
|
8
|
0%
|
0
|
0%
|
|
182
|
Stanzas Written In My Pocket Copy Of Thomson’s
|
12
|
1%
|
0
|
0%
|
|
183
|
Star-Gazers
|
5
|
0%
|
0
|
0%
|
|
184
|
Stepping Westward
|
6
|
0%
|
0
|
0%
|
|
185
|
Strange fits of passion have I known
|
42
|
4%
|
0
|
0%
|
|
186
|
Strange Fits of Passion Have I Known
|
5
|
0%
|
0
|
0%
|
|
187
|
Stray Pleasures
|
4
|
0%
|
0
|
0%
|
|
188
|
Surprised by Joy
|
3
|
0%
|
0
|
0%
|
|
189
|
Surprised by joy — impatient as the Wind
|
29
|
3%
|
0
|
0%
|
|
190
|
Sweet Was The Walk
|
1
|
0%
|
0
|
0%
|
|
191
|
The Birth Of Love
|
3
|
0%
|
0
|
0%
|
|
192
|
The Birth of Love
|
9
|
0%
|
0
|
0%
|
|
193
|
The Brothers
|
1
|
0%
|
0
|
0%
|
|
194
|
The Brothers
|
5
|
0%
|
0
|
0%
|
|
195
|
The Childless Father
|
1
|
0%
|
0
|
0%
|
|
196
|
The Childless Father
|
3
|
0%
|
0
|
0%
|
|
197
|
The Complaint Of a Forsaken Indian Woman
|
9
|
0%
|
0
|
0%
|
|
198
|
The Complaint Of a Forsaken Indian Woman
|
8
|
0%
|
0
|
0%
|
|
199
|
The Cottager To Her Infant
|
4
|
0%
|
0
|
0%
|
|
200
|
The Danish Boy
|
3
|
0%
|
0
|
0%
|
|
201
|
The Danish Boy: A Fragment
|
11
|
1%
|
0
|
0%
|
|
202
|
The Eagle and the Dove
|
6
|
0%
|
0
|
0%
|
|
203
|
The Emigrant Mother
|
2
|
0%
|
0
|
0%
|
|
204
|
The Fairest, Brightest, Hues Of Ether Fade
|
2
|
0%
|
0
|
0%
|
|
205
|
The Farmer Of Tilsbury Vale
|
3
|
0%
|
0
|
0%
|
|
206
|
The Force Of Prayer, Or, The Founding Of Bolton, A Tradition
|
2
|
0%
|
0
|
0%
|
|
207
|
The Forsaken
|
6
|
0%
|
0
|
0%
|
|
208
|
The Fountain
|
5
|
0%
|
0
|
0%
|
|
209
|
The French And the Spanish Guerillas
|
2
|
0%
|
0
|
0%
|
|
210
|
The French Army In Russia, 1812-13
|
2
|
0%
|
0
|
0%
|
|
211
|
The French Revolution as it appeared to Enthusiasts
|
2
|
0%
|
0
|
0%
|
|
212
|
The Germans On The Heighs Of Hochheim
|
2
|
0%
|
0
|
0%
|
|
213
|
The Green Linnet
|
2
|
0%
|
0
|
0%
|
|
214
|
The Highland Broach
|
2
|
0%
|
0
|
0%
|
|
215
|
The Horn Of Egremont Castle
|
1
|
0%
|
0
|
0%
|
|
216
|
The Idiot Boy
|
1
|
0%
|
0
|
0%
|
|
217
|
The Idle Shepherd Boys
|
2
|
0%
|
0
|
0%
|
|
218
|
The King Of Sweden
|
3
|
0%
|
0
|
0%
|
|
219
|
The Kitten And Falling Leaves
|
2
|
0%
|
0
|
0%
|
|
220
|
The Kitten And Falling Leaves
|
3
|
0%
|
0
|
0%
|
|
221
|
The Last Of The Flock
|
2
|
0%
|
0
|
0%
|
|
222
|
The Last of The Flock
|
4
|
0%
|
0
|
0%
|
|
223
|
The Longest Day
|
5
|
0%
|
0
|
0%
|
|
224
|
The Martial Courage Of A Day Is Vain
|
5
|
0%
|
0
|
0%
|
|
225
|
The Morning Of The Day Appointed For A General Thanksgiving. January 18, 1816
|
2
|
0%
|
0
|
0%
|
|
226
|
The Mother's Return
|
7
|
0%
|
0
|
0%
|
|
227
|
The Mother's Return
|
2
|
0%
|
0
|
0%
|
|
228
|
The Oak And The Broom
|
2
|
0%
|
0
|
0%
|
|
229
|
The Oak Of Guernica Supposed Address To The Same
|
3
|
0%
|
0
|
0%
|
|
230
|
The Old Cumberland Beggar
|
2
|
0%
|
0
|
0%
|
|
231
|
The Old Cumberland Beggar
|
7
|
0%
|
0
|
0%
|
|
232
|
The Passing of the Elder Bards
|
3
|
0%
|
0
|
0%
|
|
233
|
The Pet-Lamb
|
6
|
0%
|
0
|
0%
|
|
234
|
The Power of Armies Is a Visible Thing
|
4
|
0%
|
0
|
0%
|
|
235
|
The Prelude, Book 1: Childhood and School-time
|
22
|
2%
|
0
|
0%
|
|
236
|
The Prelude, Book 2: School-time (Continued)
|
12
|
1%
|
0
|
0%
|
|
237
|
The Prelude. (book V )
|
11
|
1%
|
0
|
0%
|
|
238
|
The Primrose of the Rock
|
6
|
0%
|
0
|
0%
|
|
239
|
The Prioress’s Tale [from Chaucer]
|
4
|
0%
|
0
|
0%
|
|
240
|
The Rainbow
|
17
|
1%
|
0
|
0%
|
|
241
|
The Rainbow
|
8
|
0%
|
0
|
0%
|
|
242
|
The Reaper
|
13
|
1%
|
0
|
0%
|
|
243
|
The Recluse - Book First
|
10
|
1%
|
0
|
0%
|
|
244
|
The Reverie of Poor Susan
|
3
|
0%
|
0
|
0%
|
|
245
|
The Reverie of Poor Susan
|
4
|
0%
|
0
|
0%
|
|
246
|
The Russian Fugitive
|
3
|
0%
|
0
|
0%
|
|
247
|
The Russian Fugitive
|
2
|
0%
|
0
|
0%
|
|
248
|
The Sailor's Mother
|
8
|
0%
|
0
|
0%
|
|
249
|
The Sailor's Mother
|
3
|
0%
|
0
|
0%
|
|
250
|
The Seven Sisters
|
2
|
0%
|
0
|
0%
|
|
251
|
The Seven Sisters
|
3
|
0%
|
0
|
0%
|
|
252
|
The Shepherd, Looking Eastward, Softly Said
|
3
|
0%
|
0
|
0%
|
|
253
|
The Simplon Pass
|
5
|
0%
|
0
|
0%
|
|
254
|
The Simplon Pass
|
6
|
0%
|
0
|
0%
|
|
255
|
The Solitary Reaper
|
43
|
4%
|
0
|
0%
|
|
256
|
The Solitary Reaper
|
79
|
8%
|
0
|
0%
|
|
257
|
The Sonnet i
|
4
|
0%
|
0
|
0%
|
|
258
|
The Sonnet ii
|
7
|
0%
|
0
|
0%
|
|
259
|
The Sparrow's Nest
|
2
|
0%
|
0
|
0%
|
|
260
|
The Sparrow's Nest
|
3
|
0%
|
0
|
0%
|
|
261
|
The Sparrow's Nest
|
5
|
0%
|
0
|
0%
|
|
262
|
The Stars Are Mansions Built By Nature's Hand
|
4
|
0%
|
0
|
0%
|
|
263
|
The Sun Has Long Been Set
|
6
|
0%
|
0
|
0%
|
|
264
|
The Table Turned
|
7
|
0%
|
0
|
0%
|
|
265
|
The Tables Turned
|
7
|
0%
|
0
|
0%
|
|
266
|
The Thorn
|
4
|
0%
|
0
|
0%
|
|
267
|
The Thorn
|
6
|
0%
|
0
|
0%
|
|
268
|
The Trosachs
|
4
|
0%
|
0
|
0%
|
|
269
|
The Two April Mornings
|
2
|
0%
|
0
|
0%
|
|
270
|
The Two April Mornings
|
3
|
0%
|
0
|
0%
|
|
271
|
The Two Thieves
|
1
|
0%
|
0
|
0%
|
|
272
|
The Two Thieves; Or, The Last Stage Of Avarice
|
3
|
0%
|
0
|
0%
|
|
273
|
The Virgin
|
7
|
0%
|
0
|
0%
|
|
274
|
The Waggoner - Canto First
|
3
|
0%
|
0
|
0%
|
|
275
|
The Waggoner - Canto Fourth
|
5
|
0%
|
0
|
0%
|
|
276
|
The Waggoner - Canto Second
|
8
|
0%
|
0
|
0%
|
|
277
|
The Waggoner - Canto Third
|
8
|
0%
|
0
|
0%
|
|
278
|
The Waterfall And The Eglantine
|
9
|
0%
|
0
|
0%
|
|
279
|
The Waterfall and The Eglantine
|
2
|
0%
|
0
|
0%
|
|
280
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fifth
|
7
|
0%
|
0
|
0%
|
|
281
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto First
|
10
|
1%
|
0
|
0%
|
|
282
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Fourth
|
11
|
1%
|
0
|
0%
|
|
283
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Second
|
10
|
1%
|
0
|
0%
|
|
284
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Seventh
|
10
|
1%
|
0
|
0%
|
|
285
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Sixth
|
10
|
1%
|
0
|
0%
|
|
286
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Canto Third
|
9
|
0%
|
0
|
0%
|
|
287
|
The White Doe Of Rylstone, Or, The Fate Of The Nortons - Dedication
|
10
|
1%
|
0
|
0%
|
|
288
|
The Wishing Gate
|
10
|
1%
|
0
|
0%
|
|
289
|
The Wishing-gate
|
8
|
0%
|
0
|
0%
|
|
290
|
The World
|
7
|
0%
|
0
|
0%
|
|
291
|
The World Is To Much With Us
|
4
|
0%
|
0
|
0%
|
|
292
|
The World is Too Much With Us
|
4
|
0%
|
0
|
0%
|
|
293
|
The world is too much with us; late and soon
|
26
|
2%
|
0
|
0%
|
|
294
|
The world is too much with us; late and soon
|
5
|
0%
|
0
|
0%
|
|
295
|
There Is A Bondage Worse, Far Worse, To Bear
|
4
|
0%
|
0
|
0%
|
|
296
|
There is an Eminence,--of these our hills
|
3
|
0%
|
0
|
0%
|
|
297
|
There is an Eminence,--of these our hills
|
23
|
2%
|
0
|
0%
|
|
298
|
There was a Boy
|
4
|
0%
|
0
|
0%
|
|
299
|
Those Words Were Uttered As In Pensive Mood
|
2
|
0%
|
0
|
0%
|
|
300
|
Though Narrow Be That Old Man’s Cares .
|
4
|
0%
|
0
|
0%
|
|
301
|
Thought Of A Briton On The Subjugation Of Switzerland
|
3
|
0%
|
0
|
0%
|
|
302
|
Three Years She Grew
|
6
|
0%
|
0
|
0%
|
|
303
|
Three years she grew in sun and shower,
|
30
|
3%
|
0
|
0%
|
|
304
|
Three Years She Grew in Sun and Shower,
|
5
|
0%
|
0
|
0%
|
|
305
|
'Tis Said, That Some Have Died For Love
|
3
|
0%
|
0
|
0%
|
|
306
|
'Tis said, that some have died for love
|
23
|
2%
|
0
|
0%
|
|
307
|
To A Butterfly
|
16
|
1%
|
0
|
0%
|
|
308
|
To A Butterfly (2)
|
13
|
1%
|
0
|
0%
|
|
309
|
To A Butterfly (first poem)
|
7
|
0%
|
0
|
0%
|
|
310
|
To A Butterfly (second poem)
|
2
|
0%
|
0
|
0%
|
|
311
|
To A Distant Friend
|
7
|
0%
|
0
|
0%
|
|
312
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
3
|
0%
|
0
|
0%
|
|
313
|
To A Sexton
|
3
|
0%
|
0
|
0%
|
|
314
|
To a Skylark
|
14
|
1%
|
0
|
0%
|
|
315
|
To a Sky-Lark
|
5
|
0%
|
0
|
0%
|
|
316
|
To A Young Lady Who Had Been Reproached For Taking Long Walks In The Country
|
2
|
0%
|
0
|
0%
|
|
317
|
To B. R. Haydon
|
4
|
0%
|
0
|
0%
|
|
318
|
To Dora
|
4
|
0%
|
0
|
0%
|
|
319
|
To H. C.
|
3
|
0%
|
0
|
0%
|
|
320
|
To Joanna
|
8
|
0%
|
0
|
0%
|
|
321
|
To Lady Beaumont
|
3
|
0%
|
0
|
0%
|
|
322
|
To Lady Eleanor Butler and the Honourable Miss Ponsonby,
|
5
|
0%
|
0
|
0%
|
|
323
|
To M.H.
|
3
|
0%
|
0
|
0%
|
|
324
|
To Mary
|
3
|
0%
|
0
|
0%
|
|
325
|
To May
|
3
|
0%
|
0
|
0%
|
|
326
|
To My Sister
|
8
|
0%
|
0
|
0%
|
|
327
|
To---- On Her First Ascent To The Summit Of Helvellyn
|
2
|
0%
|
0
|
0%
|
|
328
|
To Sir George Howland Beaumont, Bart From the South-West Coast Or Cumberland 1811
|
3
|
0%
|
0
|
0%
|
|
329
|
To Sleep
|
8
|
0%
|
0
|
0%
|
|
330
|
To The Cuckoo
|
10
|
1%
|
0
|
0%
|
|
331
|
To The Daisy
|
8
|
0%
|
0
|
0%
|
|
332
|
To The Daisy (2)
|
4
|
0%
|
0
|
0%
|
|
333
|
To The Daisy (first poem)
|
15
|
1%
|
0
|
0%
|
|
334
|
To The Daisy (fourth poem)
|
6
|
0%
|
0
|
0%
|
|
335
|
To The Daisy (third poem)
|
9
|
0%
|
0
|
0%
|
|
336
|
To The Memory Of Raisley Calvert
|
6
|
0%
|
0
|
0%
|
|
337
|
To The Men Of Kent
|
3
|
0%
|
0
|
0%
|
|
338
|
To The Poet, John Dyer
|
3
|
0%
|
0
|
0%
|
|
339
|
To The Same (John Dyer)
|
4
|
0%
|
0
|
0%
|
|
340
|
To The Same Flower (second poem)
|
4
|
0%
|
0
|
0%
|
|
341
|
To The Small Celandine
|
3
|
0%
|
0
|
0%
|
|
342
|
To The Spade Of A Friend (An Agriculturist)
|
3
|
0%
|
0
|
0%
|
|
343
|
To The Supreme Being From The Italian Of Michael Angelo
|
2
|
0%
|
0
|
0%
|
|
344
|
To Thomas Clarkson
|
3
|
0%
|
0
|
0%
|
|
345
|
Translation Of Part Of The First Book Of The Aeneid
|
1
|
0%
|
0
|
0%
|
|
346
|
Tribute To The Memory Of The Same Dog
|
1
|
0%
|
0
|
0%
|
|
347
|
Troilus And Cresida
|
2
|
0%
|
0
|
0%
|
|
348
|
Upon Perusing The Forgoing Epistle Thirty Years After Its Composition
|
3
|
0%
|
0
|
0%
|
|
349
|
Upon The Punishment Of Death
|
4
|
0%
|
0
|
0%
|
|
350
|
Upon The Same Event
|
1
|
0%
|
0
|
0%
|
|
351
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
2
|
0%
|
0
|
0%
|
|
352
|
Upon Westminster Bridge
|
22
|
2%
|
0
|
0%
|
|
353
|
Valedictory Sonnet to the River Duddon
|
4
|
0%
|
0
|
0%
|
|
354
|
Vaudracour And Julia
|
6
|
0%
|
0
|
0%
|
|
355
|
Vernal Ode
|
6
|
0%
|
0
|
0%
|
|
356
|
View From The Top Of Black Comb
|
2
|
0%
|
0
|
0%
|
|
357
|
Water-Fowl Observed Frequently Over The Lakes Of Rydal And Grasmere
|
1
|
0%
|
0
|
0%
|
|
358
|
We are Seven
|
12
|
1%
|
0
|
0%
|
|
359
|
Weak Is The Will Of Man, His Judgement Blind
|
4
|
0%
|
0
|
0%
|
|
360
|
When I Have Borne In Memory
|
2
|
0%
|
0
|
0%
|
|
361
|
When To The Attractions Of The Busy World
|
2
|
0%
|
0
|
0%
|
|
362
|
Where Lies The Land To Which Yon Ship Must Go?
|
6
|
0%
|
0
|
0%
|
|
363
|
Who Fancied What A Pretty Sight
|
1
|
0%
|
0
|
0%
|
|
364
|
With How Sad Steps, O Moon, Thou Climb'st the Sky
|
2
|
0%
|
0
|
0%
|
|
365
|
With ships the sea was sprinkled
|
7
|
0%
|
0
|
0%
|
|
366
|
With Ships the Sea was Sprinkled Far and Nigh
|
2
|
0%
|
0
|
0%
|
|
367
|
With ships the sea was sprinkled far and nigh
|
22
|
2%
|
0
|
0%
|
|
368
|
Written In A Blank Leaf Of Macpherson's Ossian
|
1
|
0%
|
0
|
0%
|
|
369
|
Written in Early Spring
|
1
|
0%
|
0
|
0%
|
|
370
|
Written In Germany On One Of The Coldest Days Of The Century
|
1
|
0%
|
0
|
0%
|
|
371
|
Written in Germany, On One of The Coldest Days Of The Century
|
1
|
0%
|
0
|
0%
|
|
372
|
Written in London. September, 1802
|
2
|
0%
|
0
|
0%
|
|
373
|
Written in March
|
4
|
0%
|
0
|
0%
|
|
374
|
Written In Very Early Youth
|
2
|
0%
|
0
|
0%
|
|
375
|
Written Upon A Blank Leaf In
|
2
|
0%
|
0
|
0%
|
|
376
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
4
|
0%
|
0
|
0%
|
|
377
|
Yarrow Revisited
|
2
|
0%
|
0
|
0%
|
|
378
|
Yarrow Unvisited
|
4
|
0%
|
0
|
0%
|
|
379
|
Yarrow Visited
|
3
|
0%
|
0
|
0%
|
|
380
|
Yes! Thou Art Fair, Yet Be Not Moved
|
2
|
0%
|
0
|
0%
|
|
381
|
Yes, It Was The Mountain Echo
|
3
|
0%
|
0
|
0%
|
|
382
|
Yew-Trees
|
5
|
0%
|
0
|
0%
|
|
383
|
Young England--What Is Then Become Of Old
|
2
|
0%
|
0
|
0%
|