|
1
|
A Character
|
41
|
8%
|
0
|
0%
|
|
2
|
A Complaint
|
25
|
4%
|
0
|
0%
|
|
3
|
A Narrow Girdle of Rough Stones and Crags
|
48
|
9%
|
0
|
0%
|
|
4
|
A Narrow Girdle of Rough Stones and Crags,
|
14
|
2%
|
0
|
0%
|
|
5
|
A Night Thought
|
35
|
6%
|
0
|
0%
|
|
6
|
A Night-Piece
|
37
|
7%
|
0
|
0%
|
|
7
|
A Poet! He Hath Put his Heart to School
|
18
|
3%
|
0
|
0%
|
|
8
|
A Poet's Epitaph
|
12
|
2%
|
0
|
0%
|
|
9
|
A Slumber Did My Spirit Seal
|
13
|
2%
|
0
|
0%
|
|
10
|
A Whirl-Blast from Behind The Hill
|
25
|
4%
|
0
|
0%
|
|
11
|
A Whirl-Blast from Behind the Hill
|
9
|
1%
|
0
|
0%
|
|
12
|
A Wren's Nest
|
10
|
1%
|
0
|
0%
|
|
13
|
Address To The Scholars Of The Village School Of ----
|
10
|
1%
|
0
|
0%
|
|
14
|
After-Thought
|
12
|
2%
|
0
|
0%
|
|
15
|
An Evening Walk, Addressed to a Young Lady
|
16
|
3%
|
0
|
0%
|
|
16
|
Andrew Jones
|
6
|
1%
|
0
|
0%
|
|
17
|
Anecdote For Fathers
|
9
|
1%
|
0
|
0%
|
|
18
|
Animal Tranquillity and Decay
|
8
|
1%
|
0
|
0%
|
|
19
|
By the Seaside
|
23
|
4%
|
0
|
0%
|
|
20
|
Calm is all nature as a resting wheel
|
40
|
7%
|
0
|
0%
|
|
21
|
Calm is all Nature as a Resting Wheel.
|
9
|
1%
|
0
|
0%
|
|
22
|
Character of the Happy Warrior
|
13
|
2%
|
0
|
0%
|
|
23
|
Composed During a Storm
|
13
|
2%
|
0
|
0%
|
|
24
|
Composed Upon Westminster Bridge, September 3, 1802
|
9
|
1%
|
0
|
0%
|
|
25
|
Daffodils
|
82
|
16%
|
0
|
0%
|
|
26
|
Desideria
|
14
|
2%
|
0
|
0%
|
|
27
|
Dion
|
7
|
1%
|
0
|
0%
|
|
28
|
Elegiac Stanzas
|
8
|
1%
|
0
|
0%
|
|
29
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
8
|
1%
|
0
|
0%
|
|
30
|
Ellen Irwin
|
5
|
0%
|
0
|
0%
|
|
31
|
England i
|
7
|
1%
|
0
|
0%
|
|
32
|
England ii
|
2
|
0%
|
0
|
0%
|
|
33
|
England iii
|
3
|
0%
|
0
|
0%
|
|
34
|
England iv
|
6
|
1%
|
0
|
0%
|
|
35
|
England v
|
2
|
0%
|
0
|
0%
|
|
36
|
Evening on Calais Beach
|
6
|
1%
|
0
|
0%
|
|
37
|
Expostulation and Reply
|
9
|
1%
|
0
|
0%
|
|
38
|
Extempore Effusion upon the Death of James Hogg
|
5
|
0%
|
0
|
0%
|
|
39
|
For The Spot Where The Hermitage Stood on St. Herbert's Island, Derwentwater.
|
3
|
0%
|
0
|
0%
|
|
40
|
Foresight
|
5
|
0%
|
0
|
0%
|
|
41
|
Fountain, The: A Conversation
|
6
|
1%
|
0
|
0%
|
|
42
|
Goody Blake and Harry Gill
|
1
|
0%
|
0
|
0%
|
|
43
|
Guilt and Sorrow
|
14
|
2%
|
0
|
0%
|
|
44
|
Hart-Leap Well
|
8
|
1%
|
0
|
0%
|
|
45
|
I Know an Old Man Constrained to Dwell
|
4
|
0%
|
0
|
0%
|
|
46
|
I Travelled Among Unknown Men
|
4
|
0%
|
0
|
0%
|
|
47
|
I Wandered Lonely as a Cloud
|
7
|
1%
|
0
|
0%
|
|
48
|
I wandered lonely as a cloud
|
509
|
100%
|
0
|
0%
|
|
49
|
'I wandered lonely as a cloud...'
|
3
|
0%
|
0
|
0%
|
|
50
|
Influence of Natural Objects
|
2
|
0%
|
0
|
0%
|
|
51
|
Inscriptions Written with a Slate Pencil upon a Stone
|
1
|
0%
|
0
|
0%
|
|
52
|
Inside of King's College Chapel, Cambridge
|
1
|
0%
|
0
|
0%
|
|
53
|
It Is a Beauteous Evening
|
7
|
1%
|
0
|
0%
|
|
54
|
It is not to be Thought of
|
3
|
0%
|
0
|
0%
|
|
55
|
It was an April morning: fresh and clear
|
46
|
9%
|
0
|
0%
|
|
56
|
It was an April morning: fresh and clear
|
2
|
0%
|
0
|
0%
|
|
57
|
Lament Of Mary Queen Of Scots
|
1
|
0%
|
0
|
0%
|
|
58
|
Lament of Mary Queen of Scots, on The Eve of a New Year
|
2
|
0%
|
0
|
0%
|
|
59
|
Laodamia
|
3
|
0%
|
0
|
0%
|
|
60
|
Lines Composed A Few Miles Above Tintern Abbey
|
5
|
0%
|
0
|
0%
|
|
61
|
Lines Left upon a Seat in a Yew-tree
|
2
|
0%
|
0
|
0%
|
|
62
|
Lines written as a School Exercise at Hawkshead, Anno Aetatis
|
2
|
0%
|
0
|
0%
|
|
63
|
Lines Written In Early Spring
|
5
|
0%
|
0
|
0%
|
|
64
|
London, 1802
|
9
|
1%
|
0
|
0%
|
|
65
|
Lucy Gray
|
8
|
1%
|
0
|
0%
|
|
66
|
Lucy i
|
4
|
0%
|
0
|
0%
|
|
67
|
Lucy ii
|
2
|
0%
|
0
|
0%
|
|
68
|
Lucy iii
|
2
|
0%
|
0
|
0%
|
|
69
|
Lucy iv
|
2
|
0%
|
0
|
0%
|
|
70
|
Memory
|
8
|
1%
|
0
|
0%
|
|
71
|
Michael: A Pastoral Poem
|
3
|
0%
|
0
|
0%
|
|
72
|
Most Sweet it is
|
9
|
1%
|
0
|
0%
|
|
73
|
Mutability
|
6
|
1%
|
0
|
0%
|
|
74
|
My Heart Leaps Up
|
13
|
2%
|
0
|
0%
|
|
75
|
November, 1806
|
1
|
0%
|
0
|
0%
|
|
76
|
Nuns Fret Not at Their Convent's Narrow Room
|
23
|
4%
|
0
|
0%
|
|
77
|
Nutting
|
6
|
1%
|
0
|
0%
|
|
78
|
O Nightingale! Thou Surely Art
|
14
|
2%
|
0
|
0%
|
|
79
|
Oak and The Broom, The: A Pastoral Poem
|
6
|
1%
|
0
|
0%
|
|
80
|
October, 1803
|
8
|
1%
|
0
|
0%
|
|
81
|
Ode Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
|
82
|
Ode On Intimations Of Immortality
|
8
|
1%
|
0
|
0%
|
|
83
|
Ode on Intimations of Immortality from Recollections of Early Childhood
|
8
|
1%
|
0
|
0%
|
|
84
|
Ode to Duty
|
9
|
1%
|
0
|
0%
|
|
85
|
Ode, Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
|
86
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
4
|
0%
|
0
|
0%
|
|
87
|
Ode: Intimations of Immortality
|
2
|
0%
|
0
|
0%
|
|
88
|
On the Departure of Sir Walter Scott from Abbotsford
|
1
|
0%
|
0
|
0%
|
|
89
|
On the Extinction of the Venetian Republic
|
2
|
0%
|
0
|
0%
|
|
90
|
Perfect Woman
|
9
|
1%
|
0
|
0%
|
|
91
|
Peter Bell, A Tale
|
1
|
0%
|
0
|
0%
|
|
92
|
Pet-Lamb, The: A Pastoral Poem
|
10
|
1%
|
0
|
0%
|
|
93
|
Remembrance of Collins
|
2
|
0%
|
0
|
0%
|
|
94
|
Resolution and Independence
|
10
|
1%
|
0
|
0%
|
|
95
|
Rural Architecture
|
1
|
0%
|
0
|
0%
|
|
96
|
Ruth
|
3
|
0%
|
0
|
0%
|
|
97
|
Scorn Not the Sonnet
|
5
|
0%
|
0
|
0%
|
|
98
|
September, 1819
|
1
|
0%
|
0
|
0%
|
|
99
|
She dwelt among the untrodden ways
|
62
|
12%
|
0
|
0%
|
|
100
|
She Dwelt Among the Untrodden Ways
|
6
|
1%
|
0
|
0%
|
|
101
|
She Was a Phantom of Delight
|
2
|
0%
|
0
|
0%
|
|
102
|
She was a phantom of delight
|
42
|
8%
|
0
|
0%
|
|
103
|
Simon Lee: The Old Huntsman
|
3
|
0%
|
0
|
0%
|
|
104
|
Song at the Feast of Brougham Castle upon the Restoration o
|
3
|
0%
|
0
|
0%
|
|
105
|
Song For The Wandering Jew
|
3
|
0%
|
0
|
0%
|
|
106
|
Speak!
|
4
|
0%
|
0
|
0%
|
|
107
|
Stepping Westward
|
2
|
0%
|
0
|
0%
|
|
108
|
Strange fits of passion have I known
|
48
|
9%
|
0
|
0%
|
|
109
|
Strange Fits of Passion Have I Known
|
3
|
0%
|
0
|
0%
|
|
110
|
Surprised by Joy
|
3
|
0%
|
0
|
0%
|
|
111
|
Surprised by joy — impatient as the Wind
|
27
|
5%
|
0
|
0%
|
|
112
|
The Birth of Love
|
16
|
3%
|
0
|
0%
|
|
113
|
The Brothers
|
13
|
2%
|
0
|
0%
|
|
114
|
The Childless Father
|
12
|
2%
|
0
|
0%
|
|
115
|
The Complaint Of a Forsaken Indian Woman
|
2
|
0%
|
0
|
0%
|
|
116
|
The Complaint Of a Forsaken Indian Woman
|
7
|
1%
|
0
|
0%
|
|
117
|
The Danish Boy: A Fragment
|
8
|
1%
|
0
|
0%
|
|
118
|
The Forsaken
|
2
|
0%
|
0
|
0%
|
|
119
|
The Forsaken
|
3
|
0%
|
0
|
0%
|
|
120
|
The Fountain
|
2
|
0%
|
0
|
0%
|
|
121
|
The French Revolution as it appeared to Enthusiasts
|
2
|
0%
|
0
|
0%
|
|
122
|
The Green Linnet
|
4
|
0%
|
0
|
0%
|
|
123
|
The Idiot Boy
|
9
|
1%
|
0
|
0%
|
|
124
|
The Idle Shepherd Boys
|
2
|
0%
|
0
|
0%
|
|
125
|
The Idle Shepherd Boys
|
2
|
0%
|
0
|
0%
|
|
126
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
|
127
|
The Kitten And Falling Leaves
|
4
|
0%
|
0
|
0%
|
|
128
|
The Last of The Flock
|
5
|
0%
|
0
|
0%
|
|
129
|
The Mother's Return
|
8
|
1%
|
0
|
0%
|
|
130
|
The Mother's Return
|
4
|
0%
|
0
|
0%
|
|
131
|
The Old Cumberland Beggar
|
11
|
2%
|
0
|
0%
|
|
132
|
The Old Cumberland Beggar
|
11
|
2%
|
0
|
0%
|
|
133
|
The Power of Armies Is a Visible Thing
|
1
|
0%
|
0
|
0%
|
|
134
|
The Prelude, Book 1: Childhood and School-time
|
14
|
2%
|
0
|
0%
|
|
135
|
The Prelude, Book 2: School-time (Continued)
|
5
|
0%
|
0
|
0%
|
|
136
|
The Prelude. (book V )
|
8
|
1%
|
0
|
0%
|
|
137
|
The Primrose of the Rock
|
4
|
0%
|
0
|
0%
|
|
138
|
The Rainbow
|
4
|
0%
|
0
|
0%
|
|
139
|
The Rainbow
|
10
|
1%
|
0
|
0%
|
|
140
|
The Reaper
|
3
|
0%
|
0
|
0%
|
|
141
|
The Reverie of Poor Susan
|
2
|
0%
|
0
|
0%
|
|
142
|
The Reverie of Poor Susan
|
4
|
0%
|
0
|
0%
|
|
143
|
The Russian Fugitive
|
1
|
0%
|
0
|
0%
|
|
144
|
The Russian Fugitive
|
2
|
0%
|
0
|
0%
|
|
145
|
The Sailor's Mother
|
5
|
0%
|
0
|
0%
|
|
146
|
The Sailor's Mother
|
5
|
0%
|
0
|
0%
|
|
147
|
The Seven Sisters
|
2
|
0%
|
0
|
0%
|
|
148
|
The Seven Sisters
|
2
|
0%
|
0
|
0%
|
|
149
|
The Shepherd, Looking Eastward, Softly Said
|
1
|
0%
|
0
|
0%
|
|
150
|
The Simplon Pass
|
2
|
0%
|
0
|
0%
|
|
151
|
The Solitary Reaper
|
16
|
3%
|
0
|
0%
|
|
152
|
The Solitary Reaper
|
11
|
2%
|
0
|
0%
|
|
153
|
The Sonnet ii
|
5
|
0%
|
0
|
0%
|
|
154
|
The Sparrow's Nest
|
4
|
0%
|
0
|
0%
|
|
155
|
The Sparrow's Nest
|
4
|
0%
|
0
|
0%
|
|
156
|
The Sun Has Long Been Set
|
3
|
0%
|
0
|
0%
|
|
157
|
The Table Turned
|
3
|
0%
|
0
|
0%
|
|
158
|
The Tables Turned
|
5
|
0%
|
0
|
0%
|
|
159
|
The Thorn
|
1
|
0%
|
0
|
0%
|
|
160
|
The Two April Mornings
|
2
|
0%
|
0
|
0%
|
|
161
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
162
|
The Virgin
|
5
|
0%
|
0
|
0%
|
|
163
|
The Wishing-gate
|
1
|
0%
|
0
|
0%
|
|
164
|
The World
|
2
|
0%
|
0
|
0%
|
|
165
|
The World Is To Much With Us
|
5
|
0%
|
0
|
0%
|
|
166
|
The World is Too Much With Us
|
19
|
3%
|
0
|
0%
|
|
167
|
The world is too much with us; late and soon
|
29
|
5%
|
0
|
0%
|
|
168
|
The world is too much with us; late and soon
|
1
|
0%
|
0
|
0%
|
|
169
|
There is an Eminence,--of these our hills
|
18
|
3%
|
0
|
0%
|
|
170
|
There is an Eminence,--of these our hills
|
1
|
0%
|
0
|
0%
|
|
171
|
There was a Boy
|
4
|
0%
|
0
|
0%
|
|
172
|
Three Years She Grew
|
6
|
1%
|
0
|
0%
|
|
173
|
Three years she grew in sun and shower,
|
24
|
4%
|
0
|
0%
|
|
174
|
Three Years She Grew in Sun and Shower,
|
4
|
0%
|
0
|
0%
|
|
175
|
'Tis said, that some have died for love
|
22
|
4%
|
0
|
0%
|
|
176
|
'Tis Said, That Some Have Died For Love
|
5
|
0%
|
0
|
0%
|
|
177
|
To A Butterfly
|
3
|
0%
|
0
|
0%
|
|
178
|
To A Butterfly (first poem)
|
3
|
0%
|
0
|
0%
|
|
179
|
To A Butterfly (second poem)
|
4
|
0%
|
0
|
0%
|
|
180
|
To a Highland Girl (At Inversneyde, upon Loch Lomond)
|
1
|
0%
|
0
|
0%
|
|
181
|
To a Skylark
|
3
|
0%
|
0
|
0%
|
|
182
|
To a Sky-Lark
|
3
|
0%
|
0
|
0%
|
|
183
|
To Joanna
|
3
|
0%
|
0
|
0%
|
|
184
|
To May
|
2
|
0%
|
0
|
0%
|
|
185
|
To My Sister
|
5
|
0%
|
0
|
0%
|
|
186
|
To The Cuckoo
|
4
|
0%
|
0
|
0%
|
|
187
|
To The Daisy (first poem)
|
8
|
1%
|
0
|
0%
|
|
188
|
To The Same Flower (second poem)
|
5
|
0%
|
0
|
0%
|
|
189
|
Upon Westminster Bridge
|
15
|
2%
|
0
|
0%
|
|
190
|
Valedictory Sonnet to the River Duddon
|
5
|
0%
|
0
|
0%
|
|
191
|
We are Seven
|
5
|
0%
|
0
|
0%
|
|
192
|
With ships the sea was sprinkled far and nigh
|
17
|
3%
|
0
|
0%
|
|
193
|
Written in Early Spring
|
2
|
0%
|
0
|
0%
|
|
194
|
Written in London. September, 1802
|
2
|
0%
|
0
|
0%
|
|
195
|
Written in March
|
5
|
0%
|
0
|
0%
|
|
196
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
2
|
0%
|
0
|
0%
|
|
197
|
Yarrow Unvisited
|
1
|
0%
|
0
|
0%
|
|
198
|
Yarrow Visited
|
4
|
0%
|
0
|
0%
|