|
1
|
A Character
|
427
|
54%
|
0
|
0%
|
|
2
|
A Complaint
|
181
|
23%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
107
|
13%
|
0
|
0%
|
|
4
|
A Farewell
|
254
|
32%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
91
|
11%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
51
|
6%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
51
|
6%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
168
|
21%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
50
|
6%
|
0
|
0%
|
|
10
|
A Night Thought
|
218
|
27%
|
0
|
0%
|
|
11
|
A Night-Piece
|
178
|
22%
|
0
|
0%
|
|
12
|
A Parsonage In Oxfordshire
|
42
|
5%
|
0
|
0%
|
|
13
|
A Poet! He Hath Put his Heart to School
|
61
|
7%
|
0
|
0%
|
|
14
|
A Poet's Epitaph
|
63
|
8%
|
0
|
0%
|
|
15
|
A Prophecy. February 1807
|
14
|
1%
|
0
|
0%
|
|
16
|
A Sketch
|
72
|
9%
|
0
|
0%
|
|
17
|
A Slumber Did My Spirit Seal
|
45
|
5%
|
0
|
0%
|
|
18
|
A Whirl-Blast from Behind The Hill
|
10
|
1%
|
0
|
0%
|
|
19
|
A Wren's Nest
|
43
|
5%
|
0
|
0%
|
|
20
|
Address To Kilchurn Castle, Upon Loch Awe
|
18
|
2%
|
0
|
0%
|
|
21
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
7
|
0%
|
0
|
0%
|
|
22
|
Address To The Scholars Of The Village School Of ----
|
1
|
0%
|
0
|
0%
|
|
23
|
Admonition
|
10
|
1%
|
0
|
0%
|
|
24
|
Advance – Come Forth From Thy Tyrolean Ground
|
1
|
0%
|
0
|
0%
|
|
25
|
After-Thought
|
15
|
1%
|
0
|
0%
|
|
26
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
2
|
0%
|
0
|
0%
|
|
27
|
Alice Fell, Or Poverty
|
9
|
1%
|
0
|
0%
|
|
28
|
Among All Lovely Things My Love Had Been
|
8
|
1%
|
0
|
0%
|
|
29
|
An Evening Walk, Addressed to a Young Lady
|
11
|
1%
|
0
|
0%
|
|
30
|
And Is It Among Rude Untutored Dales
|
1
|
0%
|
0
|
0%
|
|
31
|
Andrew Jones
|
6
|
0%
|
0
|
0%
|
|
32
|
Anecdote For Fathers
|
6
|
0%
|
0
|
0%
|
|
33
|
Animal Tranquillity and Decay
|
3
|
0%
|
0
|
0%
|
|
34
|
Anticipation, October 1803
|
5
|
0%
|
0
|
0%
|
|
35
|
Avaunt All Specious Pliancy Of Mind
|
3
|
0%
|
0
|
0%
|
|
36
|
Beggars
|
31
|
3%
|
0
|
0%
|
|
37
|
Book Eighth: Retrospect--Love Of Nature Leading To Love Of Man
|
5
|
0%
|
0
|
0%
|
|
38
|
Book Eleventh: France [concluded]
|
1
|
0%
|
0
|
0%
|
|
39
|
Book Fifth-Books
|
7
|
0%
|
0
|
0%
|
|
40
|
Book First [Introduction-Childhood and School Time]
|
3
|
0%
|
0
|
0%
|
|
41
|
Book Fourteenth [conclusion]
|
3
|
0%
|
0
|
0%
|
|
42
|
Book Fourth [Summer Vacation]
|
7
|
0%
|
0
|
0%
|
|
43
|
Book Ninth [Residence in France]
|
1
|
0%
|
0
|
0%
|
|
44
|
Book Second [School-Time Continued]
|
5
|
0%
|
0
|
0%
|
|
45
|
Book Seventh [Residence in London]
|
3
|
0%
|
0
|
0%
|
|
46
|
Book Sixth [Cambridge and the Alps]
|
3
|
0%
|
0
|
0%
|
|
47
|
Book Tenth {Residence in France continued]
|
2
|
0%
|
0
|
0%
|
|
48
|
Book Thirteenth [Imagination And Taste, How Impaired And Restored Concluded]
|
2
|
0%
|
0
|
0%
|
|
49
|
Book Twelfth [Imagination And Taste, How Impaired And Restored ]
|
5
|
0%
|
0
|
0%
|
|
50
|
Bothwell Castle
|
7
|
0%
|
0
|
0%
|
|
51
|
Brave Schill! By Death Delivered
|
4
|
0%
|
0
|
0%
|
|
52
|
British Freedom
|
11
|
1%
|
0
|
0%
|
|
53
|
By Moscow Self-Devoted To A Blaze
|
2
|
0%
|
0
|
0%
|
|
54
|
By the Seaside
|
34
|
4%
|
0
|
0%
|
|
55
|
By The Side Of The Grave Some Years After
|
9
|
1%
|
0
|
0%
|
|
56
|
Calais, August 15, 1802
|
3
|
0%
|
0
|
0%
|
|
57
|
Calais, August 1802
|
4
|
0%
|
0
|
0%
|
|
58
|
Call Not The Royal Swede Unfortunate
|
1
|
0%
|
0
|
0%
|
|
59
|
Calm is all nature as a resting wheel
|
36
|
4%
|
0
|
0%
|
|
60
|
Calm is all Nature as a Resting Wheel.
|
9
|
1%
|
0
|
0%
|
|
61
|
Character of the Happy Warrior
|
11
|
1%
|
0
|
0%
|
|
62
|
Characteristics Of A Child Three Years Old
|
8
|
1%
|
0
|
0%
|
|
63
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
3
|
0%
|
0
|
0%
|
|
64
|
Composed By The Sea-Side, Near Calais, August 1802
|
5
|
0%
|
0
|
0%
|
|
65
|
Composed By The Side Of Grasmere Lake 1806
|
2
|
0%
|
0
|
0%
|
|
66
|
Composed During a Storm
|
5
|
0%
|
0
|
0%
|
|
67
|
Composed In The Valley Near Dover, On The Day Of Landing
|
3
|
0%
|
0
|
0%
|
|
68
|
Composed Near Calais, On The Road Leading To Ardres, August 7, 1802
|
1
|
0%
|
0
|
0%
|
|
69
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
3
|
0%
|
0
|
0%
|
|
70
|
Composed Upon Westminster Bridge, September 3, 1802
|
3
|
0%
|
0
|
0%
|
|
71
|
Daffodils
|
781
|
100%
|
0
|
0%
|
|
72
|
Desideria
|
11
|
1%
|
0
|
0%
|
|
73
|
Dion
|
7
|
0%
|
0
|
0%
|
|
74
|
Elegiac Stanzas
|
5
|
0%
|
0
|
0%
|
|
75
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
2
|
0%
|
0
|
0%
|
|
76
|
Ellen Irwin
|
4
|
0%
|
0
|
0%
|
|
77
|
Emperors And Kings, How Oft Have Temples Rung
|
2
|
0%
|
0
|
0%
|
|
78
|
England i
|
4
|
0%
|
0
|
0%
|
|
79
|
England ii
|
3
|
0%
|
0
|
0%
|
|
80
|
England v
|
2
|
0%
|
0
|
0%
|
|
81
|
England! The Time Is Come When Thou Should’st Wean
|
1
|
0%
|
0
|
0%
|
|
82
|
Even As A Dragon’s Eye That Feels The Stress
|
2
|
0%
|
0
|
0%
|
|
83
|
Evening on Calais Beach
|
7
|
0%
|
0
|
0%
|
|
84
|
Expostulation and Reply
|
7
|
0%
|
0
|
0%
|
|
85
|
Extempore Effusion upon the Death of James Hogg
|
2
|
0%
|
0
|
0%
|
|
86
|
Extract From The Conclusion Of A Poem Composed In Anticipation Of Leaving School
|
1
|
0%
|
0
|
0%
|
|
87
|
Feelings Of A Noble Biscayan At One Of Those Funerals
|
1
|
0%
|
0
|
0%
|
|
88
|
Fidelity
|
10
|
1%
|
0
|
0%
|
|
89
|
For The Spot Where The Hermitage Stood on St. Herbert's Island, Derwentwater.
|
1
|
0%
|
0
|
0%
|
|
90
|
Foresight
|
12
|
1%
|
0
|
0%
|
|
91
|
Fountain, The: A Conversation
|
4
|
0%
|
0
|
0%
|
|
92
|
From The Cuckoo And The Nightingale
|
13
|
1%
|
0
|
0%
|
|
93
|
From The Dark Chambers Of Dejection Freed
|
1
|
0%
|
0
|
0%
|
|
94
|
From The Italian Of Michael Angelo
|
1
|
0%
|
0
|
0%
|
|
95
|
George and Sarah Green
|
2
|
0%
|
0
|
0%
|
|
96
|
Gipsies
|
9
|
1%
|
0
|
0%
|
|
97
|
Goody Blake and Harry Gill
|
2
|
0%
|
0
|
0%
|
|
98
|
Guilt and Sorrow
|
14
|
1%
|
0
|
0%
|
|
99
|
Hail, Twilight, Sovereign Of One Peaceful Hour
|
3
|
0%
|
0
|
0%
|
|
100
|
Hart-Leap Well
|
1
|
0%
|
0
|
0%
|
|
101
|
Hint From The Mountains For Certain Political Pretenders
|
1
|
0%
|
0
|
0%
|
|
102
|
Hoffer
|
4
|
0%
|
0
|
0%
|
|
103
|
How Sweet It Is, When Mother Fancy Rocks
|
2
|
0%
|
0
|
0%
|
|
104
|
I Grieved For Buonaparte
|
1
|
0%
|
0
|
0%
|
|
105
|
I Travelled Among Unknown Men
|
5
|
0%
|
0
|
0%
|
|
106
|
I wandered lonely as a cloud
|
387
|
49%
|
0
|
0%
|
|
107
|
In Due Observance Of An Ancient Rite
|
5
|
0%
|
0
|
0%
|
|
108
|
In The Pass Of Killicranky
|
4
|
0%
|
0
|
0%
|
|
109
|
Incident Characteristic Of A Favorite Dog
|
2
|
0%
|
0
|
0%
|
|
110
|
Indignation Of A High-Minded Spaniard
|
3
|
0%
|
0
|
0%
|
|
111
|
Influence of Natural Objects
|
6
|
0%
|
0
|
0%
|
|
112
|
Inscriptions For A Seat In The Groves Of Coleorton
|
2
|
0%
|
0
|
0%
|
|
113
|
Inscriptions In The Ground Of Coleorton, The Seat Of Sir George Beaumont, Bart., Leicestershire
|
1
|
0%
|
0
|
0%
|
|
114
|
Inscriptions Written with a Slate Pencil upon a Stone
|
1
|
0%
|
0
|
0%
|
|
115
|
Inside of King's College Chapel, Cambridge
|
1
|
0%
|
0
|
0%
|
|
116
|
Invocation To The Earth, February 1816
|
2
|
0%
|
0
|
0%
|
|
117
|
Is There A Power That Can Sustain And Cheer
|
2
|
0%
|
0
|
0%
|
|
118
|
It Is a Beauteous Evening
|
12
|
1%
|
0
|
0%
|
|
119
|
It Is No Spirit Who From Heaven Hath Flown
|
1
|
0%
|
0
|
0%
|
|
120
|
It is not to be Thought of
|
2
|
0%
|
0
|
0%
|
|
121
|
It was an April morning: fresh and clear
|
5
|
0%
|
0
|
0%
|
|
122
|
Laodamia
|
2
|
0%
|
0
|
0%
|
|
123
|
Lines Composed A Few Miles Above Tintern Abbey
|
9
|
1%
|
0
|
0%
|
|
124
|
Lines Left upon a Seat in a Yew-tree
|
2
|
0%
|
0
|
0%
|
|
125
|
Lines Written In Early Spring
|
4
|
0%
|
0
|
0%
|
|
126
|
Lines Written On A Blank Leaf In A Copy Of The Author’s Poem
|
1
|
0%
|
0
|
0%
|
|
127
|
London, 1802
|
4
|
0%
|
0
|
0%
|
|
128
|
Louisa: After Accompanying Her On A Mountain Excursion
|
1
|
0%
|
0
|
0%
|
|
129
|
Lucy
|
12
|
1%
|
0
|
0%
|
|
130
|
Lucy Gray
|
9
|
1%
|
0
|
0%
|
|
131
|
Lucy i
|
1
|
0%
|
0
|
0%
|
|
132
|
Lucy ii
|
2
|
0%
|
0
|
0%
|
|
133
|
Lucy iii
|
2
|
0%
|
0
|
0%
|
|
134
|
Lucy v
|
2
|
0%
|
0
|
0%
|
|
135
|
Maternal Grief
|
2
|
0%
|
0
|
0%
|
|
136
|
Memorials Of A Tour In Scotland, 1803
|
1
|
0%
|
0
|
0%
|
|
137
|
Memorials Of A Tour In Scotland, 1803 XII. Sonnet Composed At ---- Castle
|
1
|
0%
|
0
|
0%
|
|
138
|
Memory
|
11
|
1%
|
0
|
0%
|
|
139
|
Michael: A Pastoral Poem
|
3
|
0%
|
0
|
0%
|
|
140
|
Minstrels
|
2
|
0%
|
0
|
0%
|
|
141
|
Most Sweet it is
|
5
|
0%
|
0
|
0%
|
|
142
|
Mutability
|
1
|
0%
|
0
|
0%
|
|
143
|
My Heart Leaps Up
|
26
|
3%
|
0
|
0%
|
|
144
|
November, 1806
|
1
|
0%
|
0
|
0%
|
|
145
|
Nuns Fret Not at Their Convent's Narrow Room
|
6
|
0%
|
0
|
0%
|
|
146
|
Nutting
|
1
|
0%
|
0
|
0%
|
|
147
|
O Nightingale! Thou Surely Art
|
2
|
0%
|
0
|
0%
|
|
148
|
O’er The Wide Earth, On Mountain And On Plain
|
1
|
0%
|
0
|
0%
|
|
149
|
Oak and The Broom, The: A Pastoral Poem
|
3
|
0%
|
0
|
0%
|
|
150
|
Occasioned By The Battle Of Waterloo February 1816
|
1
|
0%
|
0
|
0%
|
|
151
|
October, 1803
|
1
|
0%
|
0
|
0%
|
|
152
|
Ode
|
3
|
0%
|
0
|
0%
|
|
153
|
Ode Composed On A May Morning
|
2
|
0%
|
0
|
0%
|
|
154
|
Ode On Intimations Of Immortality
|
7
|
0%
|
0
|
0%
|
|
155
|
Ode to Duty
|
5
|
0%
|
0
|
0%
|
|
156
|
Ode To Lycoris. May 1817
|
2
|
0%
|
0
|
0%
|
|
157
|
Ode, Composed On A May Morning
|
1
|
0%
|
0
|
0%
|
|
158
|
Ode, Intimations of Immortality from Recollections of Early Childhood
|
5
|
0%
|
0
|
0%
|
|
159
|
Ode: Intimations of Immortality
|
1
|
0%
|
0
|
0%
|
|
160
|
On The Same Occasion
|
1
|
0%
|
0
|
0%
|
|
161
|
Perfect Woman
|
16
|
2%
|
0
|
0%
|
|
162
|
Personal Talk
|
5
|
0%
|
0
|
0%
|
|
163
|
Peter Bell, A Tale
|
1
|
0%
|
0
|
0%
|
|
164
|
Pet-Lamb, The: A Pastoral Poem
|
5
|
0%
|
0
|
0%
|
|
165
|
Power Of Music
|
7
|
0%
|
0
|
0%
|
|
166
|
Repentance
|
2
|
0%
|
0
|
0%
|
|
167
|
Resolution and Independence
|
2
|
0%
|
0
|
0%
|
|
168
|
Rural Architecture
|
1
|
0%
|
0
|
0%
|
|
169
|
Ruth
|
2
|
0%
|
0
|
0%
|
|
170
|
Scorn Not the Sonnet
|
1
|
0%
|
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171
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September 1, 1802
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1
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172
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She dwelt among the untrodden ways
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3
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173
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Song For The Wandering Jew
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2
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0
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174
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Song Of The Spinning Wheel
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5
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175
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Sonnet:
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3
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176
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Spanish Guerillas
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1
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177
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Speak!
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6
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178
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Stanzas
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2
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179
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Star-Gazers
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5
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180
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Stepping Westward
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2
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181
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Strange fits of passion have I known
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8
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1%
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0
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0%
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182
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Stray Pleasures
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1
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0
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0%
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183
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Surprised by Joy
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3
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0
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184
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Sweet Was The Walk
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5
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0
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185
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The Birth of Love
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2
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0
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0%
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186
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The Brothers
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4
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0
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187
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The Childless Father
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3
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0%
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0
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0%
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188
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The Complaint Of a Forsaken Indian Woman
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2
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0
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0%
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189
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The Danish Boy: A Fragment
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2
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0
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0%
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190
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The Eagle and the Dove
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7
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0%
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0
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0%
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191
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The Emigrant Mother
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2
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0%
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0
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0%
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192
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The Fairest, Brightest, Hues Of Ether Fade
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2
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0%
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0
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0%
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193
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The Farmer Of Tilsbury Vale
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2
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0%
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0
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0%
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194
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The Forsaken
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5
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0
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0%
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195
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The Fountain
|
8
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1%
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0
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0%
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196
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The Green Linnet
|
2
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0%
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0
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197
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The Horn Of Egremont Castle
|
3
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0
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0%
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198
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The Idiot Boy
|
5
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0
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199
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The Idle Shepherd Boys
|
2
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0
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0%
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200
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The Kitten And Falling Leaves
|
4
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0%
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0
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0%
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|
201
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The Last of The Flock
|
1
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0%
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0
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0%
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202
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The Longest Day
|
4
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0%
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0
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0%
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203
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The Mother's Return
|
6
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0%
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0
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0%
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204
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The Oak And The Broom
|
3
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0
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205
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The Old Cumberland Beggar
|
1
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0%
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0
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0%
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|
206
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The Pet-Lamb
|
1
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0%
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0
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0%
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207
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The Prelude, Book 1: Childhood and School-time
|
16
|
2%
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0
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0%
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|
208
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The Prelude, Book 2: School-time (Continued)
|
2
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0%
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0
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0%
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|
209
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The Prelude. (book V )
|
4
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0
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0%
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|
210
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The Primrose of the Rock
|
1
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0%
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0
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0%
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|
211
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The Prioress’s Tale [from Chaucer]
|
1
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0%
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0
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0%
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|
212
|
The Rainbow
|
28
|
3%
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0
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0%
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|
213
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The Reaper
|
5
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0%
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0
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0%
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|
214
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The Russian Fugitive
|
1
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0%
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0
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0%
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|
215
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The Sailor's Mother
|
5
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0
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0%
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|
216
|
The Seven Sisters
|
6
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0%
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0
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0%
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|
217
|
The Simplon Pass
|
2
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0%
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0
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0%
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|
218
|
The Solitary Reaper
|
273
|
34%
|
0
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0%
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|
219
|
The Sonnet i
|
3
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0%
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0
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0%
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|
220
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The Sonnet ii
|
3
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0%
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0
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0%
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|
221
|
The Sparrow's Nest
|
11
|
1%
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0
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0%
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|
222
|
The Stars Are Mansions Built By Nature's Hand
|
4
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0%
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0
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0%
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|
223
|
The Sun Has Long Been Set
|
7
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0%
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0
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0%
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|
224
|
The Table Turned
|
1
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0%
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0
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0%
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|
225
|
The Thorn
|
2
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0%
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0
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0%
|
|
226
|
The Trosachs
|
1
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0%
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0
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0%
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|
227
|
The Two April Mornings
|
2
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0%
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0
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0%
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|
228
|
The Virgin
|
2
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0%
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0
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|
229
|
The Waggoner - Canto First
|
1
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0%
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0
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0%
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|
230
|
The Wishing Gate
|
2
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0%
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0
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0%
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|
231
|
The World
|
7
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0%
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0
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0%
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|
232
|
The World Is To Much With Us
|
9
|
1%
|
0
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0%
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|
233
|
The world is too much with us; late and soon
|
8
|
1%
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0
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0%
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|
234
|
There was a Boy
|
2
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0%
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0
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0%
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|
235
|
Though Narrow Be That Old Man’s Cares .
|
1
|
0%
|
0
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0%
|
|
236
|
Three Years She Grew in Sun and Shower,
|
2
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0%
|
0
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0%
|
|
237
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
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0%
|
|
238
|
To A Butterfly
|
11
|
1%
|
0
|
0%
|
|
239
|
To A Butterfly (2)
|
7
|
0%
|
0
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0%
|
|
240
|
To A Distant Friend
|
6
|
0%
|
0
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0%
|
|
241
|
To A Sexton
|
1
|
0%
|
0
|
0%
|
|
242
|
To a Sky-Lark
|
1
|
0%
|
0
|
0%
|
|
243
|
To Dora
|
1
|
0%
|
0
|
0%
|
|
244
|
To Joanna
|
2
|
0%
|
0
|
0%
|
|
245
|
To Lady Beaumont
|
1
|
0%
|
0
|
0%
|
|
246
|
To May
|
1
|
0%
|
0
|
0%
|
|
247
|
To My Sister
|
2
|
0%
|
0
|
0%
|
|
248
|
To Sir George Howland Beaumont, Bart From the South-West Coast Or Cumberland 1811
|
1
|
0%
|
0
|
0%
|
|
249
|
To Sleep
|
7
|
0%
|
0
|
0%
|
|
250
|
To The Cuckoo
|
4
|
0%
|
0
|
0%
|
|
251
|
To The Daisy
|
3
|
0%
|
0
|
0%
|
|
252
|
To The Daisy (2)
|
2
|
0%
|
0
|
0%
|
|
253
|
To The Daisy (first poem)
|
14
|
1%
|
0
|
0%
|
|
254
|
To The Daisy (fourth poem)
|
2
|
0%
|
0
|
0%
|
|
255
|
To The Daisy (third poem)
|
3
|
0%
|
0
|
0%
|
|
256
|
To The Men Of Kent
|
1
|
0%
|
0
|
0%
|
|
257
|
To The Same Flower (second poem)
|
4
|
0%
|
0
|
0%
|
|
258
|
To The Small Celandine
|
1
|
0%
|
0
|
0%
|
|
259
|
Upon The Punishment Of Death
|
1
|
0%
|
0
|
0%
|
|
260
|
Upon The Same Event
|
2
|
0%
|
0
|
0%
|
|
261
|
Upon The Sight Of A Beautiful Picture Painted By Sir G. H. Beaumont, Bart
|
2
|
0%
|
0
|
0%
|
|
262
|
Upon Westminster Bridge
|
10
|
1%
|
0
|
0%
|
|
263
|
Vaudracour And Julia
|
3
|
0%
|
0
|
0%
|
|
264
|
Vernal Ode
|
4
|
0%
|
0
|
0%
|
|
265
|
View From The Top Of Black Comb
|
1
|
0%
|
0
|
0%
|
|
266
|
Water-Fowl Observed Frequently Over The Lakes Of Rydal And Grasmere
|
1
|
0%
|
0
|
0%
|
|
267
|
We are Seven
|
5
|
0%
|
0
|
0%
|
|
268
|
When I Have Borne In Memory
|
2
|
0%
|
0
|
0%
|
|
269
|
Where Lies The Land To Which Yon Ship Must Go?
|
1
|
0%
|
0
|
0%
|
|
270
|
Who Fancied What A Pretty Sight
|
3
|
0%
|
0
|
0%
|
|
271
|
With How Sad Steps, O Moon, Thou Climb'st the Sky
|
2
|
0%
|
0
|
0%
|
|
272
|
With ships the sea was sprinkled
|
1
|
0%
|
0
|
0%
|
|
273
|
With ships the sea was sprinkled far and nigh
|
1
|
0%
|
0
|
0%
|
|
274
|
Written in Early Spring
|
7
|
0%
|
0
|
0%
|
|
275
|
Written in March
|
16
|
2%
|
0
|
0%
|
|
276
|
Written In Very Early Youth
|
1
|
0%
|
0
|
0%
|
|
277
|
Written Upon A Blank Leaf In
|
2
|
0%
|
0
|
0%
|
|
278
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
1
|
0%
|
0
|
0%
|
|
279
|
Yarrow Revisited
|
1
|
0%
|
0
|
0%
|
|
280
|
Yarrow Unvisited
|
1
|
0%
|
0
|
0%
|
|
281
|
Yarrow Visited
|
3
|
0%
|
0
|
0%
|
|
282
|
Yes! Thou Art Fair, Yet Be Not Moved
|
2
|
0%
|
0
|
0%
|
|
283
|
Yes, It Was The Mountain Echo
|
6
|
0%
|
0
|
0%
|
|
284
|
Yew-Trees
|
8
|
1%
|
0
|
0%
|
|
285
|
Young England--What Is Then Become Of Old
|
3
|
0%
|
0
|
0%
|
