|
1
|
A Character
|
72
|
9%
|
0
|
0%
|
|
2
|
A Complaint
|
48
|
6%
|
0
|
0%
|
|
3
|
A Fact, And An Imagination, Or, Canute And Alfred, On The Seashore
|
14
|
1%
|
0
|
0%
|
|
4
|
A Farewell
|
70
|
9%
|
0
|
0%
|
|
5
|
A Flower Garden At Coleorton Hall, Leicestershire.
|
28
|
3%
|
0
|
0%
|
|
6
|
A Gravestone Upon The Floor In The Cloisters Of Worcester Cathedral
|
29
|
3%
|
0
|
0%
|
|
7
|
A Jewish Family In A Small Valley Opposite St. Goar, Upon The Rhine
|
6
|
0%
|
0
|
0%
|
|
8
|
A Morning Exercise
|
9
|
1%
|
0
|
0%
|
|
9
|
A Narrow Girdle of Rough Stones and Crags
|
122
|
16%
|
0
|
0%
|
|
10
|
A Narrow Girdle of Rough Stones and Crags,
|
2
|
0%
|
0
|
0%
|
|
11
|
A Night Thought
|
12
|
1%
|
0
|
0%
|
|
12
|
A Night-Piece
|
13
|
1%
|
0
|
0%
|
|
13
|
A Parsonage In Oxfordshire
|
3
|
0%
|
0
|
0%
|
|
14
|
A Poet's Epitaph
|
4
|
0%
|
0
|
0%
|
|
15
|
A Prophecy. February 1807
|
2
|
0%
|
0
|
0%
|
|
16
|
A Sketch
|
7
|
0%
|
0
|
0%
|
|
17
|
A Slumber Did My Spirit Seal
|
5
|
0%
|
0
|
0%
|
|
18
|
A Whirl-Blast from Behind The Hill
|
108
|
14%
|
0
|
0%
|
|
19
|
A Whirl-Blast from Behind the Hill
|
4
|
0%
|
0
|
0%
|
|
20
|
A Wren's Nest
|
5
|
0%
|
0
|
0%
|
|
21
|
Address To My Infant Daughter, Dora On Being Reminded That She Was A Month Old That Day, September 1
|
1
|
0%
|
0
|
0%
|
|
22
|
Address To The Scholars Of The Village School Of ---
|
1
|
0%
|
0
|
0%
|
|
23
|
Address To The Scholars Of The Village School Of ----
|
2
|
0%
|
0
|
0%
|
|
24
|
Admonition
|
6
|
0%
|
0
|
0%
|
|
25
|
After-Thought
|
8
|
1%
|
0
|
0%
|
|
26
|
Ah! Where Is Palafox? Nor Tongue Nor Pen
|
3
|
0%
|
0
|
0%
|
|
27
|
Alas! What Boots The Long Laborious Quest
|
3
|
0%
|
0
|
0%
|
|
28
|
Alice Fell, Or Poverty
|
3
|
0%
|
0
|
0%
|
|
29
|
Among All Lovely Things My Love Had Been
|
9
|
1%
|
0
|
0%
|
|
30
|
An Evening Walk, Addressed to a Young Lady
|
3
|
0%
|
0
|
0%
|
|
31
|
And Is It Among Rude Untutored Dales
|
1
|
0%
|
0
|
0%
|
|
32
|
Andrew Jones
|
4
|
0%
|
0
|
0%
|
|
33
|
Beggars
|
2
|
0%
|
0
|
0%
|
|
34
|
Book Fourth [Summer Vacation]
|
4
|
0%
|
0
|
0%
|
|
35
|
Book Seventh [Residence in London]
|
1
|
0%
|
0
|
0%
|
|
36
|
Book Tenth {Residence in France continued]
|
1
|
0%
|
0
|
0%
|
|
37
|
Book Twelfth [Imagination And Taste, How Impaired And Restored ]
|
1
|
0%
|
0
|
0%
|
|
38
|
Bothwell Castle
|
2
|
0%
|
0
|
0%
|
|
39
|
By the Seaside
|
8
|
1%
|
0
|
0%
|
|
40
|
By The Side Of The Grave Some Years After
|
3
|
0%
|
0
|
0%
|
|
41
|
Calm is all nature as a resting wheel
|
172
|
22%
|
0
|
0%
|
|
42
|
Calm is all Nature as a Resting Wheel.
|
2
|
0%
|
0
|
0%
|
|
43
|
Character of the Happy Warrior
|
5
|
0%
|
0
|
0%
|
|
44
|
Characteristics Of A Child Three Years Old
|
3
|
0%
|
0
|
0%
|
|
45
|
Composed After A Journey Across The Hambleton Hills, Yorkshire
|
1
|
0%
|
0
|
0%
|
|
46
|
Composed During a Storm
|
1
|
0%
|
0
|
0%
|
|
47
|
Composed In The Valley Near Dover, On The Day Of Landing
|
1
|
0%
|
0
|
0%
|
|
48
|
Composed Near Calais, On The Road Leading To Ardres, August 7, 1802
|
1
|
0%
|
0
|
0%
|
|
49
|
Composed on The Eve Of The Marriage Of A Friend In The Vale Of Grasmere
|
3
|
0%
|
0
|
0%
|
|
50
|
Composed Upon Westminster Bridge, September 3, 1802
|
14
|
1%
|
0
|
0%
|
|
51
|
Composed While The Author Was Engaged In Writing A Tract Occasioned By The Convention Of Cintra
|
3
|
0%
|
0
|
0%
|
|
52
|
Daffodils
|
334
|
44%
|
0
|
0%
|
|
53
|
Desideria
|
2
|
0%
|
0
|
0%
|
|
54
|
Elegiac Stanzas
|
6
|
0%
|
0
|
0%
|
|
55
|
Elegiac Stanzas Suggested by a Picture of Peele Castle
|
3
|
0%
|
0
|
0%
|
|
56
|
England iii
|
1
|
0%
|
0
|
0%
|
|
57
|
England v
|
1
|
0%
|
0
|
0%
|
|
58
|
Expostulation and Reply
|
4
|
0%
|
0
|
0%
|
|
59
|
Foresight
|
1
|
0%
|
0
|
0%
|
|
60
|
From The Dark Chambers Of Dejection Freed
|
1
|
0%
|
0
|
0%
|
|
61
|
George and Sarah Green
|
1
|
0%
|
0
|
0%
|
|
62
|
Goody Blake and Harry Gill
|
2
|
0%
|
0
|
0%
|
|
63
|
Guilt and Sorrow
|
3
|
0%
|
0
|
0%
|
|
64
|
How Sweet It Is, When Mother Fancy Rocks
|
3
|
0%
|
0
|
0%
|
|
65
|
I Grieved For Buonaparte
|
2
|
0%
|
0
|
0%
|
|
66
|
I Know an Old Man Constrained to Dwell
|
1
|
0%
|
0
|
0%
|
|
67
|
I Travelled Among Unknown Men
|
2
|
0%
|
0
|
0%
|
|
68
|
I wandered lonely as a cloud
|
758
|
100%
|
0
|
0%
|
|
69
|
I Wandered Lonely as a Cloud
|
4
|
0%
|
0
|
0%
|
|
70
|
'I wandered lonely as a cloud...'
|
5
|
0%
|
0
|
0%
|
|
71
|
It Is a Beauteous Evening
|
7
|
0%
|
0
|
0%
|
|
72
|
It Is a Beauteous Evening
|
4
|
0%
|
0
|
0%
|
|
73
|
It was an April morning: fresh and clear
|
117
|
15%
|
0
|
0%
|
|
74
|
It was an April morning: fresh and clear
|
1
|
0%
|
0
|
0%
|
|
75
|
Lines Written In Early Spring
|
3
|
0%
|
0
|
0%
|
|
76
|
Lines Written On A Blank Leaf In A Copy Of The Author’s Poem
|
5
|
0%
|
0
|
0%
|
|
77
|
London, 1802
|
5
|
0%
|
0
|
0%
|
|
78
|
Lucy Gray
|
2
|
0%
|
0
|
0%
|
|
79
|
Lucy i
|
1
|
0%
|
0
|
0%
|
|
80
|
Maternal Grief
|
1
|
0%
|
0
|
0%
|
|
81
|
Michael: A Pastoral Poem
|
3
|
0%
|
0
|
0%
|
|
82
|
Most Sweet it is
|
1
|
0%
|
0
|
0%
|
|
83
|
Mutability
|
5
|
0%
|
0
|
0%
|
|
84
|
My Heart Leaps Up
|
12
|
1%
|
0
|
0%
|
|
85
|
Nuns Fret Not at Their Convent's Narrow Room
|
17
|
2%
|
0
|
0%
|
|
86
|
Oak and The Broom, The: A Pastoral Poem
|
1
|
0%
|
0
|
0%
|
|
87
|
Ode On Intimations Of Immortality
|
5
|
0%
|
0
|
0%
|
|
88
|
Ode to Duty
|
6
|
0%
|
0
|
0%
|
|
89
|
Ode: Intimations of Immortality
|
1
|
0%
|
0
|
0%
|
|
90
|
On the Departure of Sir Walter Scott from Abbotsford
|
1
|
0%
|
0
|
0%
|
|
91
|
Perfect Woman
|
6
|
0%
|
0
|
0%
|
|
92
|
Peter Bell, A Tale
|
3
|
0%
|
0
|
0%
|
|
93
|
Power Of Music
|
2
|
0%
|
0
|
0%
|
|
94
|
Remembrance of Collins
|
1
|
0%
|
0
|
0%
|
|
95
|
Ruth
|
1
|
0%
|
0
|
0%
|
|
96
|
Say, What Is Honour?--‘Tis The Finest Sense
|
1
|
0%
|
0
|
0%
|
|
97
|
September 1, 1802
|
6
|
0%
|
0
|
0%
|
|
98
|
September 1815
|
2
|
0%
|
0
|
0%
|
|
99
|
September, 1819
|
1
|
0%
|
0
|
0%
|
|
100
|
She Dwelt Among the Untrodden Ways
|
2
|
0%
|
0
|
0%
|
|
101
|
She dwelt among the untrodden ways
|
66
|
8%
|
0
|
0%
|
|
102
|
She was a phantom of delight
|
78
|
10%
|
0
|
0%
|
|
103
|
She Was a Phantom of Delight
|
1
|
0%
|
0
|
0%
|
|
104
|
Simon Lee: The Old Huntsman
|
1
|
0%
|
0
|
0%
|
|
105
|
Song at the Feast of Brougham Castle upon the Restoration o
|
2
|
0%
|
0
|
0%
|
|
106
|
Sonnet:
|
2
|
0%
|
0
|
0%
|
|
107
|
Stanzas
|
3
|
0%
|
0
|
0%
|
|
108
|
Stanzas Written In My Pocket Copy Of Thomson’s
|
2
|
0%
|
0
|
0%
|
|
109
|
Star-Gazers
|
1
|
0%
|
0
|
0%
|
|
110
|
Stepping Westward
|
3
|
0%
|
0
|
0%
|
|
111
|
Strange Fits of Passion Have I Known
|
2
|
0%
|
0
|
0%
|
|
112
|
Strange fits of passion have I known
|
37
|
4%
|
0
|
0%
|
|
113
|
Surprised by joy — impatient as the Wind
|
20
|
2%
|
0
|
0%
|
|
114
|
The Birth of Love
|
6
|
0%
|
0
|
0%
|
|
115
|
The Birth Of Love
|
4
|
0%
|
0
|
0%
|
|
116
|
The Brothers
|
6
|
0%
|
0
|
0%
|
|
117
|
The Childless Father
|
3
|
0%
|
0
|
0%
|
|
118
|
The Childless Father
|
2
|
0%
|
0
|
0%
|
|
119
|
The Complaint Of a Forsaken Indian Woman
|
2
|
0%
|
0
|
0%
|
|
120
|
The Danish Boy: A Fragment
|
1
|
0%
|
0
|
0%
|
|
121
|
The Forsaken
|
3
|
0%
|
0
|
0%
|
|
122
|
The Forsaken
|
4
|
0%
|
0
|
0%
|
|
123
|
The Fountain
|
2
|
0%
|
0
|
0%
|
|
124
|
The Idiot Boy
|
2
|
0%
|
0
|
0%
|
|
125
|
The King Of Sweden
|
1
|
0%
|
0
|
0%
|
|
126
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
|
127
|
The Kitten And Falling Leaves
|
1
|
0%
|
0
|
0%
|
|
128
|
The Longest Day
|
2
|
0%
|
0
|
0%
|
|
129
|
The Mother's Return
|
2
|
0%
|
0
|
0%
|
|
130
|
The Oak And The Broom
|
1
|
0%
|
0
|
0%
|
|
131
|
The Power of Armies Is a Visible Thing
|
1
|
0%
|
0
|
0%
|
|
132
|
The Prelude, Book 1: Childhood and School-time
|
10
|
1%
|
0
|
0%
|
|
133
|
The Prelude, Book 2: School-time (Continued)
|
3
|
0%
|
0
|
0%
|
|
134
|
The Prelude. (book V )
|
2
|
0%
|
0
|
0%
|
|
135
|
The Primrose of the Rock
|
3
|
0%
|
0
|
0%
|
|
136
|
The Rainbow
|
3
|
0%
|
0
|
0%
|
|
137
|
The Reaper
|
1
|
0%
|
0
|
0%
|
|
138
|
The Sailor's Mother
|
6
|
0%
|
0
|
0%
|
|
139
|
The Seven Sisters
|
1
|
0%
|
0
|
0%
|
|
140
|
The Simplon Pass
|
4
|
0%
|
0
|
0%
|
|
141
|
The Simplon Pass
|
3
|
0%
|
0
|
0%
|
|
142
|
The Solitary Reaper
|
33
|
4%
|
0
|
0%
|
|
143
|
The Solitary Reaper
|
62
|
8%
|
0
|
0%
|
|
144
|
The Sonnet i
|
1
|
0%
|
0
|
0%
|
|
145
|
The Sonnet ii
|
1
|
0%
|
0
|
0%
|
|
146
|
The Sparrow's Nest
|
7
|
0%
|
0
|
0%
|
|
147
|
The Table Turned
|
1
|
0%
|
0
|
0%
|
|
148
|
The Tables Turned
|
5
|
0%
|
0
|
0%
|
|
149
|
The Two April Mornings
|
1
|
0%
|
0
|
0%
|
|
150
|
The Two Thieves
|
1
|
0%
|
0
|
0%
|
|
151
|
The World
|
1
|
0%
|
0
|
0%
|
|
152
|
The World is Too Much With Us
|
8
|
1%
|
0
|
0%
|
|
153
|
The world is too much with us; late and soon
|
36
|
4%
|
0
|
0%
|
|
154
|
The world is too much with us; late and soon
|
2
|
0%
|
0
|
0%
|
|
155
|
There Is A Bondage Worse, Far Worse, To Bear
|
1
|
0%
|
0
|
0%
|
|
156
|
There is an Eminence,--of these our hills
|
13
|
1%
|
0
|
0%
|
|
157
|
There was a Boy
|
3
|
0%
|
0
|
0%
|
|
158
|
Three years she grew in sun and shower,
|
29
|
3%
|
0
|
0%
|
|
159
|
Three Years She Grew in Sun and Shower,
|
1
|
0%
|
0
|
0%
|
|
160
|
'Tis Said, That Some Have Died For Love
|
1
|
0%
|
0
|
0%
|
|
161
|
'Tis said, that some have died for love
|
26
|
3%
|
0
|
0%
|
|
162
|
To A Butterfly
|
7
|
0%
|
0
|
0%
|
|
163
|
To A Butterfly (2)
|
6
|
0%
|
0
|
0%
|
|
164
|
To A Butterfly (first poem)
|
8
|
1%
|
0
|
0%
|
|
165
|
To A Butterfly (second poem)
|
1
|
0%
|
0
|
0%
|
|
166
|
To a Skylark
|
4
|
0%
|
0
|
0%
|
|
167
|
To Dora
|
2
|
0%
|
0
|
0%
|
|
168
|
To Joanna
|
1
|
0%
|
0
|
0%
|
|
169
|
To My Sister
|
2
|
0%
|
0
|
0%
|
|
170
|
To Sleep
|
4
|
0%
|
0
|
0%
|
|
171
|
To The Cuckoo
|
2
|
0%
|
0
|
0%
|
|
172
|
To The Daisy
|
2
|
0%
|
0
|
0%
|
|
173
|
To The Daisy (first poem)
|
4
|
0%
|
0
|
0%
|
|
174
|
To The Daisy (fourth poem)
|
1
|
0%
|
0
|
0%
|
|
175
|
To The Daisy (third poem)
|
1
|
0%
|
0
|
0%
|
|
176
|
Tribute To The Memory Of The Same Dog
|
2
|
0%
|
0
|
0%
|
|
177
|
Upon Perusing The Forgoing Epistle Thirty Years After Its Composition
|
1
|
0%
|
0
|
0%
|
|
178
|
Upon Westminster Bridge
|
11
|
1%
|
0
|
0%
|
|
179
|
We are Seven
|
2
|
0%
|
0
|
0%
|
|
180
|
When I Have Borne In Memory
|
1
|
0%
|
0
|
0%
|
|
181
|
With ships the sea was sprinkled
|
1
|
0%
|
0
|
0%
|
|
182
|
With Ships the Sea was Sprinkled Far and Nigh
|
1
|
0%
|
0
|
0%
|
|
183
|
With ships the sea was sprinkled far and nigh
|
21
|
2%
|
0
|
0%
|
|
184
|
Written in Early Spring
|
2
|
0%
|
0
|
0%
|
|
185
|
Written in Germany, On One of The Coldest Days Of The Century
|
1
|
0%
|
0
|
0%
|
|
186
|
Written in London. September, 1802
|
1
|
0%
|
0
|
0%
|
|
187
|
Written in March
|
12
|
1%
|
0
|
0%
|
|
188
|
Written In Very Early Youth
|
2
|
0%
|
0
|
0%
|
|
189
|
Written Upon A Blank Leaf In
|
2
|
0%
|
0
|
0%
|
|
190
|
Written With a Pencil Upon a Stone In The Wall of The House, On The Island at Grasmere
|
1
|
0%
|
0
|
0%
|
|
191
|
Yarrow Unvisited
|
2
|
0%
|
0
|
0%
|
|
192
|
Yarrow Visited
|
1
|
0%
|
0
|
0%
|
|
193
|
Yes, It Was The Mountain Echo
|
1
|
0%
|
0
|
0%
|