Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.
See what delights in sylvan scenes appear!
Descending Gods have found Elysium here.
In woods bright Venus with Adonis stray'd,
And chaste Diana haunts the forest shade.
In these deep solitudes and awful cells,
Where heav'nly-pensive contemplation dwells,
And ever-musing melancholy reigns;
What means this tumult in a vestal's veins?
True ease in writing comes from art, not chance,
As those move easiest who have learned to dance.
'Tis not enough no harshness gives offense,
The sound must seem an echo to the sense:
When wise Ulysses, from his native coast
Long kept by wars, and long by tempests toss'd,
Arrived at last, poor, old, disguised, alone,
To all his friends, and ev'n his Queen unknown,
INTRODUCTION. That it is as great a fault to judge ill as to write ill, and a more dangerous one to the public. That a true Taste is as rare to be found as a true Genius. That most men are born with some Taste, but spoiled by false education. The multitude of Critics, and causes of them. That we are to study our own Taste, and know the limits of it. Nature the best guide of judgment. Improved by Art and rules, which are but methodized Nature. Rules derived from the practice of the ancient poets. That therefore the ancients are necessary to be studied by a Critic, particularly Homer and Virgil. Of licenses, and the use of them by the ancients. Reverence due to the ancients, and praise of them.
I am his Highness' dog at Kew;
Pray tell me, sir, whose dog are you?
The First Epistle
Awake, my ST. JOHN!(1) leave all meaner things
To low ambition, and the pride of Kings.
What beck'ning ghost, along the moon-light shade
Invites my steps, and points to yonder glade?
'Tis she!--but why that bleeding bosom gor'd,
Why dimly gleams the visionary sword?
Vital spark of heav’nly flame!
Quit, O quit this mortal frame:
Trembling, hoping, ling’ring, flying,
O the pain, the bliss of dying!